Artículos de revistas: "Hong Kong ghost stories"

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BOSCO, JOSEPH. "Young People's Ghost Stories in Hong Kong". Journal of Popular Culture 40, n.º 5 (octubre de 2007): 785–807. http://dx.doi.org/10.1111/j.1540-5931.2007.00454.x.

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Bosco, Joseph. "The supernatural in Hong Kong young people's ghost stories". Anthropological Forum 13, n.º 2 (noviembre de 2003): 141–49. http://dx.doi.org/10.1080/0066467032000129806.

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Cheung, Esther M. K. "THE HI/STORIES OF HONG KONG". Cultural Studies 15, n.º 3-4 (julio de 2001): 564–90. http://dx.doi.org/10.1080/095023800110046704.

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Jing, Yang. "Insignificance: Hong Kong Stories by Xu Xi". World Literature Today 92, n.º 5 (2018): 72. http://dx.doi.org/10.1353/wlt.2018.0087.

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Wong, Timothy C. y Martha P. Y. Cheung. "Hong Kong Collage: Contemporary Stories and Writing". World Literature Today 72, n.º 4 (1998): 896. http://dx.doi.org/10.2307/40154444.

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Twitchell-Waas, Jeffrey y Eva Hung. "Hong Kong Stories: Old Themes New Voices". World Literature Today 74, n.º 1 (2000): 236. http://dx.doi.org/10.2307/40155532.

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Tang, Winnie. "(Re) imaginings of Hong Kong: Voices from the Hong Kong Diaspora and Their Children". Journal of Chinese Overseas 10, n.º 1 (14 de abril de 2014): 91–108. http://dx.doi.org/10.1163/17932548-12341275.

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AbstractThis paper explores the (re)imaginings of the past by Chinese Americans and their families who came as part of the Hong Kong Chinese diaspora before 1997. Hong Kong is a locale often described as being conflicted with “the politics of disappearance”, but the Hong Kong Chinese diaspora provides a rich perspective into complex and nuanced tensions between central and peripheral linguistic and cultural imperialistic fields across time. Drawing upon the sociological work of transnational migration and belonging in Hong Kong, this research explores the discourses of Hong Kong émigrés and their young adult and adult children as they discuss their immigration stories, imaginings, and reimaginings of a colonial and post-colonial Hong Kong. The paper focuses on intergenerational conveyance of imagined identities across contexts and languages.

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Yeung, Jessica Siu-yin. "Hong Kong Literature and the Taiwanese Encounter: Literary Magazines, Popular Literature and Shih Shu-Ching's Hong Kong Stories". Cultural History 12, n.º 2 (octubre de 2023): 224–50. http://dx.doi.org/10.3366/cult.2023.0288.

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This article examines the ways literary adaptations between Hong Kong and Taiwanese writers shape literary cultures in both places during the Cold War period. The 1950s and 1960s were the time when Hong Kong and Taiwan literary cultures were starting to thrive. An influx of literati into both places collaborated with each other and the locals to experiment with literary forms in literary magazines. The 1950s and 1960s were also the time when Hong Kong and Taiwan cinema experienced the first waves of adapting literary works into film in the postwar period. After the literary magazine culture dwindled in the 1970s, a new generation of writers in both places emerged. In Hong Kong, these new writers may not be native, but they take Hong Kong as their main subject in their writings. The Taiwanese writer Shih Shu-ching is one of them. In studying Hong Kong-Taiwan literary adaptation histories, one may easily overlook the adaptation from fiction to screenplay, as in Shih and the Taiwanese playwright Wang Chi-mei's case. By understanding the literary relationship between Hong Kong and Taiwan in the Cold War, together with their adaptation histories, we can acquire a clearer sense of how these literary cultures developed.

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Gibb, Heather y Eleanor Holroyd. "Images of Old Age in the Hong Kong Print Media". Ageing and Society 16, n.º 2 (marzo de 1996): 151–75. http://dx.doi.org/10.1017/s0144686x00003275.

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AbstractThe present study set out to identify how the experience of being old in Hong Kong is represented through images commonly recurring in the print media. A case is presented for how the media not only reflect social images and views on ageing, but actively participate in the social construction of views about being old. Two newspapers in Hong Kong, the South China Morning Post (English medium) and the Sin Tao (Chinese medium), were surveyed and contents of stories depicting old age were analyzed, using a qualitative and quantitative methodological design. Dominant amongst the themes was vulnerability in old age. Newspapers used stories according to journalistic formulae to present both negative and positive depictions of old age; however, positive stories carried a sense of the exceptional rather than ordinary life. Results were analysed through a comparison between the two Hong Kong newspapers as well as a comparison with a similar study undertaken on the Australian print media.

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Wing, Yun-Kwok, Sharon Therese Lee y Char-Nie Chen. "Sleep Paralysis in Chinese: Ghost Oppression Phenomenon in Hong Kong". Sleep 17, n.º 7 (octubre de 1994): 609–13. http://dx.doi.org/10.1093/sleep/17.7.609.

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Kochhar-Lindgren, Gray. "Trans-Rational Cash: Ghost-Money, Hong Kong and Nonmodern Networks". Culture, Theory and Critique 58, n.º 1 (28 de febrero de 2016): 94–106. http://dx.doi.org/10.1080/14735784.2015.1130102.

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Yee, Winnie L. M. "Reinventing “Nature”". Prism 17, n.º 2 (1 de octubre de 2020): 244–63. http://dx.doi.org/10.1215/25783491-8690380.

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Abstract The often-heated debates concerning Hong Kong's literary representations all take as a premise that Hong Kong has an urban identity, defined by its mythic transformation from a fishing village to a metropolis. On the return of the sovereignty to mainland China in 1997, the discourse stresses Hong Kong's exceptional status, reflecting a general anxiety that Hong Kong could be replaced by or even become just another Chinese city. This anxiety for the future is evident in an ecocritical turn, manifested in both the social realm (popular movements and organic communities) and artistic circles (independent cinema and literature). This article looks at Hong Kong literature—Wu Xubin's 吳煦斌 (1949–) stories, Dung Kai-cheung's 董啟章 (1967–) literary experiments, and a recent edited volume about plants—to determine how ecotopian imaginaries and cultural identities are closely linked to different moments in Hong Kong history. The author finds that the ecocritical turn in Hong Kong literature has opened a new space for Hong Kong's postcolonial identity.

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Chen, Fangyu. "The post-2000 Hong Kong young filmmakers: Embrace, resistance and new chances". New Cinemas: Journal of Contemporary Film 17, n.º 2 (1 de septiembre de 2020): 209–26. http://dx.doi.org/10.1386/ncin_00017_1.

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This article is a text-based analysis of 107 Hong Kong local productions produced from 2000 to August 2018. These films are made by the current young generation of filmmakers who joined the industry in the new millennium, when it gradually entered an era marked by the domination of Hong Kong–mainland co-productions. With the aim of expanding the scholarly discussion on the emerging ‘Hong Kong SAR New Wave Cinema’, it identifies four themes that recurrently appear in their films: (1) a tendency to feature people with physical or mental disabilities as their protagonists; (2) the possession of a sense of nostalgia for the glorious 1980s; (3) a manifestation of larger Hong Kong–mainland relations through characters; and (4) varying degrees of politicization. The young generation of filmmakers, whose works denote the social responsibility these young people bring to their filmmaking, shows their greater engagement with civic issues, less consideration of the mainland market and capital and a stronger desire to tell local Hong Kong stories, preserve local Hong Kong culture and emphasize the Hong Kong identity it represents. These traits, as the conclusion argues, are rooted deeply in economic, cultural and political realities.

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김혜준. "Descriptions of Women in Hong Kong Stories after 1997". Journal of Chinese Language and Literature ll, n.º 39 (diciembre de 2008): 603–35. http://dx.doi.org/10.26586/chls.2008..39.024.

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Yee, Winnie L. M. "The post-urban gaze and Hong Kong independent cinema: An ecofeminist perspective". Asian Cinema 30, n.º 2 (1 de octubre de 2019): 219–34. http://dx.doi.org/10.1386/ac_00005_1.

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The city has always been a prominent subject in Hong Kong cinema. Land has been seen only as a profitable commodity, controlled by property developers and the wealthy. Instead of exploring the countryside and the traditional farming and fishing villages, people shifted their focus to Hong Kong: its skyline became the only valid point of perception. This marginalization of nature, however, was challenged in 2008 during the dispute between the villagers of Choi Yuen village and the Hong Kong government regarding the construction of Guangzhou‐Hong Kong High-Speed Rail Link, which would demolish the village of 500 people that lay along its path. This article looks at Jessey Tsang’s documentary Flowing Stories (2014) and adopts an ecofeminist perspective on the ways in which Hong Kong’s cultural imaginary has been reinvented in films. The role of documentaries in the independent film scene will be reviewed, especially the social-issue documentaries that have become popular since 2008. An ecofeminist approach to our understanding of Hong Kong could shift the paradigm of our stagnant cultural imaginary ‐ the urban city ‐ and resituate Hong Kong in a closer connection with its surroundings and the world.

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Lu, Xiao. "Hollywood Genre, Cultural Hybridity, and Musical Films in 1950s Hong Kong". Arts 12, n.º 6 (8 de noviembre de 2023): 237. http://dx.doi.org/10.3390/arts12060237.

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Following the trauma of the Second World War, Hong Kong, under British governance, enjoyed considerable economic and political freedom to establish a local entertainment industry. Musical films became a major genre of Hong Kong’s film releases in the 1950s. Local melodramas, Hollywood musicals, celebrities, and ideals of female beauty were all present in the growth of Hong Kong musical films, which culminated in a glorious display of cinematic art. This article aims to provide insight into the popularity of Chinese-speaking musical films by examining the social, economic, and political complexity of 1950s Hong Kong, including post-war migration and colonial censorship. An in-depth analysis of Li Han-Hsiang’s The Kingdom and the Beauty demonstrates how Hong Kong studios adapted the Hollywood musical to tell Chinese stories and how Hong Kong musical films incorporated Chinese literature and music to represent cultural memory, local identity, and modern aesthetics. This case study sheds light on the localization of a Hollywood genre and the hybridization of Chinese and Western entertainment forms to appeal to a Chinese audience, thereby broadening the definition of cultural hybridity and informing the practice of Hong Kong’s musical filmmaking.

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Emsley, Clive. "Ho (Lawrence K.K.), Chu (Yiu Kong), Policing Hong Kong 1842-1969 : Insiders’ Stories". Crime, Histoire & Sociétés 18, n.º 2 (1 de octubre de 2014): 132–34. http://dx.doi.org/10.4000/chs.1508.

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Balaraman, Rani Ann y Loh Mei Ling. "SOUTH CHINA MORNING POST: A STUDY ON HONG KONG PROTEST 2019". Asian People Journal (APJ) 5, n.º 2 (31 de octubre de 2022): 125–36. http://dx.doi.org/10.37231/apj.2022.5.2.431.

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Hong Kong protest 2019 is among many major events held to protest for amendment of Extradition Law in Hong Kong. Many media platforms covered this issue as it gained popularity, and one of them was South China Morning Post (SCMP). SCMP is a press owned by Alibaba group, which is said to have close ties with the Chinese Central Government. However, the credibility of this press has declined since 2013 based on a public survey done by the Chinese University of Hong Kong. Therefore, this study aims to look at the news reporting on 2019 Hong Kong protest in SCMP and the stance of the press on this issue by using qualitative content analysis methodology. In order to achieve the study’s objectives, Framing Theory proposed by Tankard is used to gain an in depth understanding on this matter. Evidently, the findings of this study found that the stance of SCMP in Hong Kong Protest 2019 is to bring negative perspective towards their readers. In other words, it is more likely to report violent scenes or conflict between the people involved rather than posting stories with positive or neutral point of views. This could immensely navigate the readers to certain perspectives in understanding the Hong Kong Protest 2019. Keywords: Alibaba group; content analysis; Hong Kong protest; Framing theory; South China Morning Post

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Schwade, Elisete. "Maid to order in Hong Kong: stories of migrant workers". Horizontes Antropológicos 15, n.º 32 (diciembre de 2009): 364–68. http://dx.doi.org/10.1590/s0104-71832009000200017.

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Uchiyamada, Yasushi y Nicole Constable. "Maid to Order in Hong Kong: Stories of Filipina Workers". Journal of the Royal Anthropological Institute 5, n.º 4 (diciembre de 1999): 642. http://dx.doi.org/10.2307/2661166.

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Park, Heh-Rahn. "Maid to Order in Hong Kong: Stories of Filipina Workers". American Ethnologist 25, n.º 4 (noviembre de 1998): 756–57. http://dx.doi.org/10.1525/ae.1998.25.4.756.

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Ho Sik Ying, Petula. "Hong Kong men's stories of intra-national cross border romances". Asia Pacific Journal of Social Work and Development 22, n.º 3 (septiembre de 2012): 176–86. http://dx.doi.org/10.1080/02185385.2012.691717.

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Luk-Fong, Yuk Yee Pattie y Marie Brennan. "Women teachers in Hong Kong: stories of changing gendered identities". Asia Pacific Journal of Education 30, n.º 2 (junio de 2010): 213–29. http://dx.doi.org/10.1080/02188791003721978.

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WONG, KINGSLEY J. H., HSI-TE SHIH y BENNY K. K. CHAN. "The ghost crab Ocypode mortoni George, 1982 (Crustacea: Decapoda: Ocypodidae): redescription, distribution at its type locality, and the phylogeny of East Asian Ocypode species". Zootaxa 3550, n.º 1 (15 de noviembre de 2012): 71. http://dx.doi.org/10.11646/zootaxa.3550.1.5.

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The ghost crab Ocypode mortoni George, 1982 was first described from the sandy shores of Sai Wan, Hong Kong, andalthough also identified from South China and Japan, has not been subsequently recorded in Hong Kong. The taxonomicstatus of O. mortoni is not clear as its original morphological description was not detailed, and there remains no informa-tion on its vertical and horizontal ecological distribution in Hong Kong. In the present study, O. mortoni was found to belocally rare in Hong Kong, only present at three of seven surveyed sites. It was always sympatric with the common O.ceratophthalmus (Pallas, 1772) at the same tidal level, and there appeared to be no clear habitat/niche distinction. Relativeabundance of O. mortoni vs. O. ceratophthalmus was at most 31%: 69% based on quantitative transect survey data fromSai Wan. Molecular phylogenetic analyses on 24 haplotypes (from 28 individuals) of 636-basepair (bp) mitochondrial cy-tochrome oxidase I (COI) gene of Ocypode spp. in East Asia show O. mortoni is a valid species most closely related to O.stimpsoni Ortmann, 1897, with an average difference of 37.64 bp, and nucleotide divergence of 6.25%. The two species are very similar morphologically, but adults of O. mortoni develop ocular stylets.

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Cheang, Kai Hang. "Forms of Solidarity and the Self: A Postcolonial Reading of Yuli Riswati's Hong Kong Writing". Feminist Formations 35, n.º 2 (junio de 2023): 29–53. http://dx.doi.org/10.1353/ff.2023.a907920.

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Abstract: This article puts together the seemingly disparate topics of transnational domestic labor and the Hong Kong protests to discuss inter-ethnic and cross-class solidarity. It does so by examining the writing of Yuli Riswati, an Indonesian migrant worker and civic journalist who was deported from Hong Kong in 2019. City-wide civil disobedience in Hong Kong has historically been predicated upon the liberal ideal of suffrage (as in 2014) and an essentialized and Han-centric identity of Hongkonger (as in 2019), both of which have overlooked the needs of ethnic minorities, especially those who are ineligible for citizenship. Building on scholarship in decolonial and intersectional feminism, this essay focuses on Riswati's two short stories, namely "Violet Testimony" (2016) and " 那個傷口依然在我體內 " ("The Wound Is Still Inside Me" 2019) as well as her personal essay, "Some Notes about Hong Kong as My Second Home" (2020), which was featured by the exhibition afterbefore at the Chinatown Soup gallery in New York. This essay argues that Riswati's writing embodies what Gayatri Spivak would call an oppositional transformative: Riswati's stories about political involvement and gender-based domestic violence challenge the traditional history of the international labor movement that has a distinctive masculinist ethos and the typical narrative of Hong Kong protests focused exclusively on the citizenry, a rhetorical move underpinned by the homogenizing assumption that all Hongkongers are Han Chinese. As a former Hong Kong domestic worker, Riswati's textual performatives throw into relief the shared precarity which makes herself and her community relatable to a global audience; thereby, her writing brokers a type of intersubjectivity of the human or a postcolonial humanism that does not rely on a preconceived notion of humanity which shows up in the definition of a nation or a region's citizenry but rather on audience engagement that speaks to her publications' distinctive context and culture.

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Shen, Shuang. "Popular Literature in the Inter-imperial Space of Hong Kong and Singapore/Malaya". Prism 19, n.º 2 (1 de septiembre de 2022): 301–18. http://dx.doi.org/10.1215/25783491-9966657.

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Abstract This article addresses the neglect toward popular literary networks with Hong Kong in the Cold War period by influential Mahua scholars. Aiming to make way for a more robust discourse of cultural politics in tandem with a regional conceptualization of Sinophone cultural production, the article proposes to understand popular forms such as romance fiction as arising from and coconstituting a regional Sinosphere that can only be understood, following Laura Doyle's recent study, as inter-imperial. Offering a reading of the Hong Kong writer Liu Yichang's romantic fiction and immigrant stories, I show how the stories signify a geopolitical reckoning with the Cold War patterning of the world. This perspective offers more ways for us to evaluate how the regional literary field intersected with the Cold War beyond the singular defense of its “literariness.”

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Latić, Denisa y Hans-Georg Wolf. "A corpus-based analysis of cultural conceptualizations from the domains of family and money in Hong Kong English". Cultural Linguistic Contributions to World Englishes 4, n.º 2 (14 de diciembre de 2017): 197–214. http://dx.doi.org/10.1075/ijolc.4.2.04lat.

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Abstract Hong Kong culture blends paradoxes: In it, life and death, the real and the other world coexist in the traditions of its inhabitants, which eventually surface in the variety of English spoken in this Special Administrative Region of China. Our corpus-linguistic analysis, on the basis of ICE-HK and the GloWbE (Davies 2013) corpus,1 demonstrates the centrality of the family concept and its ramifications as well as its relation to the concept of money in Hong Kong English. The conceptualization children are an investment does not only show the conceptual network family and money belong to, but also lucidly shows the dynamics within the parent-child relationship, which is governed by filial piety and elderly care when the investment bears fruit. Collocations such as ‘hungry ghost,’ ‘hell money,’ and ‘worship ancestors’ are combinations of common core English terms that underwent semantic extension under the influence of the local Hong Kong cultural context. Our data shows how tightly language and culture are linked and that culture and cultural changes are the main factors to influence language and its development.

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Coppoolse, Anneke. "Hong Kong on display: Things, time and urban space". Journal of Urban Cultural Studies 8, n.º 1 (1 de marzo de 2021): 121–33. http://dx.doi.org/10.1386/jucs_00037_1.

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Despite, and due to, its culture of consuming ‘the new’, Hong Kong contains an expansive second-hand world that encourages preoccupation with the past through pre-owned ‘things’ and related practices of displaying and collecting. This article takes on a visual approach to understanding (fragments of) Hong Kong’s urban condition by considering its second-hand world. Following an established tradition of revaluing second-hand objects (economically and otherwise), the sites where these objects are temporarily ‘exhibited’ form stages for the emergence of stories about the city, through practices of exchanging, collecting and displaying. Focusing on a selection of these objects, displayed in particular locations, an attempt is made at understanding the significance of their persistence in Hong Kong.

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Du, Y. Roselyn. "Tinted revolutions in prismatic news: Ideological influences in Greater China’s reporting on the role of social media in the Arab Uprisings". Journalism 19, n.º 9-10 (13 de octubre de 2017): 1471–89. http://dx.doi.org/10.1177/1464884917735690.

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Social media is widely seen as playing a crucial role in the Arab Uprisings. This study compares news coverage in mainland China, Hong Kong, and Taiwan regarding social media in the Arab Uprisings. Content analysis of 162 news stories revealed that media in the three regions constructed their coverage within different frames, despite the events being geographically remote to the three Greater China regions and occurring in countries with which Greater China has little cultural, religious, ethnical, or economic connections. Overall, a clear pro-social-media pattern was found in Hong Kong and Taiwan media coverage, whereas in mainland China social media and the users involved in the Arab Uprisings were treated in the news in an obscured or unfavorable manner. Mainland China’s coverage was less likely to mention censorship of social media in the revolutions, whereas Hong Kong and Taiwan media frequently reported censorship and took a stance against it. Hong Kong and Taiwan media were also inclined to relate situations in the Arab Uprisings to mainland China. Such variations in the media coverage arguably are mainly due to ideological differences.

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Hernández, Miriam. "“Killed Out of Love”: A Frame Analysis of Domestic Violence Coverage in Hong Kong". Violence Against Women 24, n.º 12 (28 de noviembre de 2017): 1454–73. http://dx.doi.org/10.1177/1077801217738581.

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A frame analysis was conducted on a Hong Kong newspaper to determine whether news coverage of female fatalities at the hands of their intimate partners was reported in conventional domestic violence ways or if there were culture-specific explanations. Overall, most coverage supported known views of domestic violence, justifying the perpetrator and categorizing the issue as isolated crime. However, a few stories highlighted the historical subordination of women under patriarchy in Confucianism as an important cultural factor. Findings have implications for the lack of generalization of the social problem, and the understanding of cultural and political power in Hong Kong society.

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Han, Huili y Luo Zhang. "Critical Pedagogy in Hong Kong: Classroom Stories of Struggle and Hope". Journal of International Students 11, n.º 1 (15 de enero de 2021): 274–77. http://dx.doi.org/10.32674/jis.v11i1.3258.

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Chan, Regina y Mantak Yuen. "Factors Influencing Talent Development: Stories of Four Hong Kong Elite Sportspersons". Gifted and Talented International 28, n.º 1-2 (marzo de 2013): 123–34. http://dx.doi.org/10.1080/15332276.2013.11678408.

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Pan, Chloe Simiao, Suzannie K. Y. Leung y Sally Wai-yan Wan. "Unlocking Emotional Aspects of Kindergarten Teachers’ Professional Identity through Photovoice". Education Sciences 13, n.º 4 (26 de marzo de 2023): 342. http://dx.doi.org/10.3390/educsci13040342.

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The previous literature has strongly emphasized the professional aspects of teacher identity in terms of knowledge and pedagogical matters. However, teachers’ emotions have also been academically discussed in recent decades. The voices of kindergarten teachers are critical for reflecting on professional identities within the community of kindergarten teachers. Regrettably, in Hong Kong, kindergarten teachers have become an oppressed professional community due to the marketization of kindergartens in this neoliberal city. Therefore, this arts-based participatory study aimed to investigate teachers’ identities by discovering kindergarten teachers’ emotional characteristics in Hong Kong. Teachers’ voice has been collected through photo narratives. Twelve in-service kindergarten teachers participated in this study; all of them worked in local kindergartens in Hong Kong. The teachers were invited individually to take a photo of an object in their daily lives and share their own stories. Altogether 1080 min of interview data were recorded. Through a series of oral narratives by members of this marginalized professional community, this study unlocked the emotions and voices of kindergarten teachers in Hong Kong. Through a photovoice approach, the findings revealed how the teachers’ personal aspects were a neglected but important part of their teacher identity.

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Chu, Donna. "Remembering 1989: A case study of anniversary journalism in Hong Kong". Memory Studies 14, n.º 4 (25 de enero de 2021): 819–33. http://dx.doi.org/10.1177/1750698020988749.

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This study analysed 487 news stories in 30 anniversary editions of a newspaper in Hong Kong, with an aim to systematically review what has been recorded and remembered about the commemoration on June 4th every year. Through analysis of recurring themes, the case sheds light on the ideological packages embedded in news stories, while also addressing emerging questions about anniversary journalism and collective memory. How Hong Kong remembers 1989 is a unique case in anniversary journalism. Contrary to the impression about commemoration, this study finds that both the quantity and the importance of the anniversary coverage increases over time. It is also found that these practices, while adhering to journalistic norms and routines, contributed to an increasingly stable theme about the remembrance. Remembering 1989, as well as remembering the commemoration, hence the values, emotional imprint, and moral clarity it comes to represent, is becoming equally important over time.

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f, f. "Reinterpretation of Xiao Hong's Novels in Hong Kong Period: Focusing on Tales of Hulan River, Ma Bo'le's Second Life，Spring in a Small Town，The Story of Red Glass". Society for Chinese Humanities in Korea 85 (31 de diciembre de 2023): 445–58. http://dx.doi.org/10.35955/jch.2023.12.85.445.

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As a famous modern female writer in the 20th century, Xiao Hong completed 11 collections of works with nearly one million words in just nine years. These creations of hers are divided into two stages: the mainland period and the Hong Kong period, and the Hong Kong period is the mature period and peak period of Xiao Hong's creation, which established her stable position in the literary world. In recent years, with the renaissance of Northeast literature, Xiao Hong's research has gradually increased, but there has not been an overall inspection of Hong Kong's works from the perspective of existentialism. In order to make up for this vacancy, the author chooses the two novellas Tales of Hulan River and Ma Bo'le's Second Life and the two short stories Spring in a Small Town and The Story of Red Glass written during the Hong Kong period as the research objects of this paper. Complying with the inner and outer line principles of literary appreciation put forward by the modern literary critic Liang Zongdai, and based on the theory of Paul Tillich, a representative of American existentialism, the four works are reinterpreted as a whole.

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Siregar, Wahidah Zein Br. "Kisah Perempuan Pekerja Migran Indonesia di Hong Kong: Perjuangan untuk Keluarga dan Pendidikan Anak". AL-HUKAMA' 10, n.º 2 (13 de febrero de 2021): 243–70. http://dx.doi.org/10.15642/alhukama.2020.10.2.243-270.

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This study aims to describe struggle of Nurdiana and Tira, two Indonesian female migrant workers who work in domestic sector in Hong Kong. They are part of thousands of Indonesian migrant workers in this country. Data from BNP2TKI shows that in 2019 only, there were 70,840 migrant workers placed in Hong Kong. Most of them are women. These women work in informal sectors, particularly domestic works. Using life story method, this research is able to find out that the main reason for both Nurdiana and Tira to work in Hong Kong is to fulfill their family needs and support education of their children. Their children are studying in Pesantren. Life story gives chances to both informants to talk more about their work, their relation with employers, family, friends, and challenges they face, including that of COVID-19. Their stories provide an understanding of the real situation faced by these two family heroes.

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Murniati, Tri. "One place two stories: Unravelling Indonesian domestic workers’ migrant journey in Hong Kong". Crossings: Journal of Migration & Culture 12, n.º 2 (1 de octubre de 2021): 495–511. http://dx.doi.org/10.1386/cjmc_00047_1.

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Following the year 2002, Indonesian migrant domestic workers (IDWs) gradually transform the generic perception that they are merely physical workers. They have attracted a different form of attention as they began to publish novels, short stories, poetry anthologies and non-fiction writings. In this paper, two books on IDW ‐ namely, Susanti’s Tentang Sedih di Victoria Park (‘About sadness in Victoria Park’) and Sorrita’s Penari Naga Kecil (‘The little dragon dancer’) ‐ are examined and analysed to further explore the subtext underlying the stories. I argue that IDWs’ narratives offer an alternate narrative that indicates IDWs fighting back on the imposed stereotypes underlining the importance of migrant voice. Both books provide insights into IDWs’ lives in Hong Kong, which illustrate IDWs’ migrant experience.

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38

Li. "Translating Forensic Science in Detective Stories in Early Hong Kong Chinese Newspapers". Comparative Literature Studies 57, n.º 4 (2020): 626. http://dx.doi.org/10.5325/complitstudies.57.4.0626.

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Scott, Janet Lee. "Maid to Order in Hong Kong: Stories of Filipino Workers. Nicole Constable". China Journal 39 (enero de 1998): 176–78. http://dx.doi.org/10.2307/2667739.

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Constable, Nicole y Hsiao-Hung Pai. "Maid to order in Hong Kong: stories of migrant workers (second edition)". Feminist Review 91, n.º 1 (febrero de 2009): 199–200. http://dx.doi.org/10.1057/fr.2008.33.

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41

Harry, Wes. "Maid to order in Hong Kong: version 2: stories of migrant workers". Asia Pacific Business Review 17, n.º 1 (enero de 2011): 127–29. http://dx.doi.org/10.1080/13602381003790887.

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42

Sai Ping, Chin, Clement Ngai Yum Keung y M. Ramanathan. "Integrated Team Design Process – Successful Stories of Hong Kong MTR Corporation Projects". Procedia Engineering 14 (2011): 1190–96. http://dx.doi.org/10.1016/j.proeng.2011.07.149.

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Joyce, Ng. "To leave or not to leave: Stories of migration from Hong Kong". International Journal of Narrative Therapy and Community Work 2022, n.º 4 (1 de abril de 2023): 12–28. http://dx.doi.org/10.4320/cfkb4047.

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Michael White described therapy as ‘joining with people around issues that are particularly relevant and pressing to them’. At the moment, considerations about staying or leaving are on the minds of a lot of people in Hong Kong. This paper seeks to demonstrate the application of narrative practice in supporting people to respond to the challenges associated with leaving the land we call home. It addresses different moments in the migration experience, from making the decision and preparing for departure, to finding ways to maintain connection with people and places when separated by distance. The skills and knowledge that participants developed through each of these stages were recorded in a series of collective documents that tell a different story about the resilience of Hongkongers during this period in history, and their eagerness to contribute to others experiencing similar predicaments.

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44

Wang, Hongjian. "A Chinese Ghost Story: A Hong Kong comedy film's cult following in Mainland China". Journal of Chinese Cinemas 12, n.º 2 (4 de mayo de 2018): 142–57. http://dx.doi.org/10.1080/17508061.2018.1475968.

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45

NG, Benjamin Wai-ming. "When Sadako Meets Mr. Vampire: The Impact of Ringu on Hong Kong Ghost Films". Asian Cinema 19, n.º 1 (1 de marzo de 2008): 143–56. http://dx.doi.org/10.1386/ac.19.1.143_1.

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46

Lo, Ven‐hwei y Leonard L. Chu. "News coverage of pre‐trial crime stories in Hong Kong and Taiwan newspapers". Asian Journal of Communication 3, n.º 1 (enero de 1993): 19–36. http://dx.doi.org/10.1080/01292989309359571.

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Cheng, Irene Nga Yee y Winnie Wing Mui So. "Teachers’ environmental literacy and teaching – stories of three Hong Kong primary school teachers". International Research in Geographical and Environmental Education 24, n.º 1 (13 de octubre de 2014): 58–79. http://dx.doi.org/10.1080/10382046.2014.967111.

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Dimache, Alexandru, Amare Wondirad y Elizabeth Agyeiwaah. "One museum, two stories: Place identity at the Hong Kong Museum of History". Tourism Management 63 (diciembre de 2017): 287–301. http://dx.doi.org/10.1016/j.tourman.2017.06.020.

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49

Chung, Christie. "The Effects of Culture and View of Aging on Perspective Taking in Young Adults". Advances in Cognitive Psychology 17, n.º 2 (junio de 2021): 99–106. http://dx.doi.org/10.5709/acp-0320-8.

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Young adults’ ability to recall a story about others, especially of an older adult, may be influenced by culture-based views on aging. In the present study, we extended a perspective-taking paradigm designed by Sullivan et al. (2010) by adding a cultural component to the methodology and testing participants’ perspective-taking performance. Participants from the United States and Hong Kong heard two stories about a 25-year-old and a 75-year-old character from either location. Overall, we found that both groups recalled more negative than positive events. However, Hong Kong participants, who showed a more negative view of aging than US participants, used more negative words to describe the older adult than the young adult story. These findings suggest an intricate relationship between culture-based views of aging and the language used in the recall of emotional events.

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Quah, Jon S. T. "Five success stories in combating corruption: lessons for policy makers". Asian Education and Development Studies 6, n.º 3 (10 de julio de 2017): 275–89. http://dx.doi.org/10.1108/aeds-03-2017-0031.

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Purpose The purpose of this paper is to explain why Botswana, Hong Kong Special Administrative Region, New Zealand, Rwanda and Singapore have succeeded in combating corruption and identify the lessons for policy makers in other countries. Design/methodology/approach The five countries are compared to identify the reasons for their success in combating corruption and the lessons that can be learnt by policy makers elsewhere. Findings Political will of the five governments is critical because combating corruption effectively requires them to provide the anti-corruption agencies (ACAs) with the necessary powers, budget, personnel and independence to enforce the anti-corruption laws impartially. New Zealand has succeeded in curbing corruption without an ACA because it relies on other institutions to maintain its good governance. Singapore’s rejection of the ineffective British colonial government’s method of using the police to curb corruption and its reliance on a single ACA was emulated by Hong Kong, Botswana and Rwanda. However, having a single ACA does not guarantee success unless it has the powers, budget, personnel and independence to perform its functions impartially as a watchdog instead of an attack dog against the government’s political opponents. As combating corruption remains a work in progress in the five countries, their policy makers must sustain their effective ACAs to meet the rising threat of private sector corruption. Originality/value The paper will be useful to scholars and policy makers concerned with improving the effectiveness of anti-corruption measures in those countries where corruption is rampant.

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