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Libros sobre el tema "Hong Kong ghost stories"

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Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 30 de julio de 2024

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1

Oji. Xianggang meng gui xin re dian. Xianggang: Ling dian chuang zuo chu ban she, 2005.

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2

Berry, Anne. The hungry ghosts. London: Blue Door, 2010.

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3

Xie, Yan. Hong Kong stories in 1900s. New Territories, Hong Kong: H.M. Ou, 2012.

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4

Martha, Cheung, ed. Hong Kong collage: Contemporary stories and writing. Hong Kong: Oxford University Press, 1998.

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5

Eva, Hung, ed. Hong Kong stories: Old themes new voices. Hong Kong: The Reserach Centre for Translation, Chinese University of Hong Kong, 2000.

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6

Ho, Lawrence K. K. Policing Hong Kong, 1842-1969: Insiders' stories. Hong Kong: City University of Hong Kong Press, 2012.

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7

Morton, T. A. Halfway up a hill: Stories from Hong Kong. Singapore: Kitaab, 2016.

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8

Eva, Hung, ed. Contemporary women writers: Hong Kong and Taiwan. [Shatin, N.T., Hong Kong]: Research Centre for Translation, Chinese University of Hong Kong, 1990.

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9

Constable, Nicole. Maid to order in Hong Kong: Stories of migrant workers. 2a ed. Ithaca: Cornell University Press, 2007.

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10

Greenway, Alice. White ghost girls. New York: Black Cat, 2006.

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11

Doushanxuezhe. Gui shen zhuan: [18 hui]. Kua tian hong : [can ben / Doushanxuezhe bian]. [Shanghai]: Shanghai gu ji chu ban she, 1990.

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12

ill, Tang Tang, ed. Qing kong xiao shi lang. 2a ed. Taibei Shi: Qin zi tian xia gu fen you xian gong si, 2015.

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13

"Xianggang wen xue" bian ji bu., ed. "Xianggang wen xue" jing xuan ji: Hong Kong literary collection. Guangzhou Shi: Hua cheng chu ban she, 2008.

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14

shi, Xianggang gu. 係．香港人　係．香港故事: Hong Kong Stories. Hong Kong: 7mm Workshop, 2016.

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15

Song, Zijiang. In search of a flat: An anthology of Hong Kong urban short stories. Macao: Association of Stories in Macao, 2013.

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16

S, Duke Michael, ed. Worlds of modern Chinese fiction: Short stories & novellas from the People's Republic, Taiwan & Hong Kong. Armonk, N.Y: Sharpe, 1991.

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17

Hudson, Nan. Crumbs are not enough: Six stories of women in Korea, Hong Kong, and the Philippines. [Toronto: United Church of Canada, Division of World Outreach, 1994.

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18

1952-, Tam Kwok-kan, Yip, Terry S. H., 1956- y Dissanayake Wimal, eds. A place of one's own: Stories of self in China, Taiwan, Hong Kong, and Singapore. Oxford: Oxford University Press, 1999.

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19

Huiyun, Tan. Tian yu hei, xing yu liang: Fan xiu li yun dong de ren he shi = Voices out of the darkness : stories from the 2019 Hong Kong protests. Xianggang: Tu po chu ban she, 2020.

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20

Zao, Benye. Taoist ritual music of the Yu-Lan Pen-Hui (Feeding the Hungry Ghost Festival) in a Hong Kong Taoist temple. Hong Kong: Hai Feng Pub. Co., 1989.

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21

Workshop, on Violence against Women (1996 Hong Kong China). Our forbidden tales and stories: Workshop on Violence against Women, 16-20 April 1996, Hong Kong. Hong Kong: Christian Conference of Asia-Women's Concerns, 1996.

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22

香港詭異都市傳說. Hong Kong: 超媒體出版有限公司, 2017.

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23

十大陰陽路. Hong Kong: 日閱堂出版社, 2011.

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24

香港猛鬼出版社. Hong Kong: 超媒體出版有限公司, 2015.

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25

阿公講鬼II. 小明文創, 2018.

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26

Tsang, Raymond. What Can a Neoi Gwei Teach Us? Adaptation as Reincarnation in Hong Kong Horror of the 1950s. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424592.003.0002.

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Many Hong Kong horror films of the 1950s were pedagogical in nature, and subsequently had a great influence on the Hong Kong New Wave (1980–90). Without examining these earlier films, we cannot fully understand the practice of adaptation and the depiction of the neoi gwei (female ghost) in New Wave horror. Because of the criticism from both intellectuals and cultural elites, earlier Cantonese filmmakers had tried to elevate Cantonese cinema since the 1930s, by the means of making films with ‘healthy’ themes of nationalism and anti-superstition. In the 1950s one of the means was adaptation of classic literary novels and folk tales. Interestingly, mainly dominated by stories of female ghosts, horror films – forbidden subjects in promoting ‘healthy’ Cantonese films – were often used so as to mount social and cultural interventions. This chapter predominantly focuses on two Cantonese horror films, Beauty Raised from the Dead (1956) and Nightly Cry of the Ghost (1957), in order to examine the reincarnation of neoi gwei. I argue that the little-studied Hong Kong horror films of the 1950s can be understood as a site of political and cultural intervention and dialogue. Most of these films are about reincarnation. The production of these films can also been understood as a process of ‘reincarnation’. The practice and choice of adaptation are always a matter of politics. These filmmakers not only gave new life to various literary sources, but also created social interventions in the 1950s, exploring women’s liberation, the enlightenment of science and revolutionary potentiality.
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27

廟街有殭屍. Hong Kong: 夢繪文創 dreamakers, 2021.

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28

靈探. Hong Kong: 超媒體出版有限公司, 2021.

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29

Ghost in Hong Kong. Independently Published, 2018.

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30

Krueger, Lukas. Ghost Ninja of Hong Kong Island. Independently Published, 2021.

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31

Krueger, Lukas. Ghost Ninja of Hong Kong Island. Independently Published, 2021.

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32

Collected Hong Kong Stories. Blacksmith Books, 2017.

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33

Comber, Leon. Favourite Stories: Hong Kong (Favourite Stories). Heinemann Educational Books - Library Division, 1996.

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34

Fung, Raymond. Untold Stories: Hong Kong Architecture. Unicorn Publishing Group, 2023.

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35

Krueger, Lukas. Ghost Ninja of Hong Kong Island - Part II. Independently Published, 2022.

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36

A shimmering sea: Hong Kong stories. 2013.

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37

Hong Kong Macabre and other stories. Hong Kong: Hong Kong Horrors, 1994.

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38

Chan, Felicia. Performing (Comic) Abjection in the Hong Kong Ghost Story. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424592.003.0007.

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Horror films in Hong Kong cinema have eschewed terror in favour of comedy, where supernatural beings take the form of hopping vampires, wandering spirits and underworld demons rendered in latex masks and movie slime. This chapter explores the comic presentation of these subjects in Hong Kong horror, where the self-reflexive exposure of the cinematic machinery of costume and special effects appear to put it at odds with the spectral affectivity of the Hong Kong ghost story. This chapter returns to two classic films from the mid-1980s, A Chinese Ghost Story (Tsui Hark 1987) and Rouge (Stanley Kwan 1988), films from the ‘second wave’ period long noted to carry ‘Hong Kong’ as a subject of concern in the run up to the British handover of 1997, and revisits their historical positioning in the light of more recent post-1997 incarnations such as Visible Secret (Ann Hui 2001), My Left Eye Sees Ghosts (Johnnie To 2002), and Rigor Mortis (Juno Mak 2013).
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39

Smugglers in Hong Kong. Finding the Cause, LLC, 2012.

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40

Smugglers in Hong Kong. [Toccoa Falls, GA]: Toccoa Falls College Press, 1997.

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41

Yik Ming in Hong Kong (Beans). A & C Black (Childrens books), 1985.

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42

Cheung, Martha P. Y. Hong Kong Collage: Contemporary Stories and Writing. Oxford University Press, USA, 1998.

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43

Chu, Y. K. y Lawrence Ho. Policing Hong Kong, 1842-1969: Insiders' Stories. City University of Hong Kong Press, 2012.

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44

Vanhollebeke, Maxime. Hong Kong Shifts: Stories of Resilience, Positivity and Dignity from the Streets of Hong Kong. Blacksmith Books, 2024.

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45

Roberts, Simon. Hong Kong Beat: True Stories from One of the Last British Police Officers in Colonial Hong Kong. Blacksmith Books, 2019.

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46

Overleaf Hong Kong: Stories & Essays of the Chinese, Overseas. Chameleon Press, 2005.

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47

快樂有限. Hong Kong: 白卷出版社, 2014.

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48

Greenway, Alice. White Ghost Girls. Grove/Atlantic, Incorporated, 2007.

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49

Constable, Nicole. Maid to Order in Hong Kong: Stories of Migrant Workers. 2a ed. Cornell University Press, 2007.

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50

Constable, Nicole. Maid to Order in Hong Kong: Stories of Migrant Workers. Cornell University Press, 2017.

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