Bibliografías temáticas / History of the 20th - 21st centuries

Literatura académica sobre el tema "History of the 20th - 21st centuries"

Autor: Grafiati

Publicado: 25 de julio de 2024

Última modificación: 26 de julio de 2024

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Artículos de revistas sobre el tema "History of the 20th - 21st centuries"

Vasileva, Ekaterina Aleksandrovna. "History of dolls’ museums in Russia in 20th–21st centuries". Vestnik of Saint Petersburg State University of Culture 3 (septiembre de 2017): 91–94. http://dx.doi.org/10.30725/2619-0303-2017-3-91-94.

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Vinogrodskaya, Veronika. "Chinese Classical Textual Studies in the 20th and 21st Centuries". Problemy dalnego vostoka, n.º 5 (2021): 158. http://dx.doi.org/10.31857/s013128120016768-5.

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The article offers a brief outline of the history of "classical Chinese textual studies" (Zhongguo gudian wenxianxue), analyzes its content and structure, as well as its place and prospects in modern China. Classical Chinese textual studies emerged as a distinct modern academic discipline based on an ancient domestic tradition and under the influence of Western textual criticism of the 19th century. Since the 1920s, over the last hundred years, it has undergone several ups and downs but steadily continues to maintain continuity with a vast philological knowledge of imperial China, as well as to appropriate new approaches from Western humanities. The most developed areas of wenxianxue are the editing and publication of ancient texts, theoretical research in the foundations of textual studies, the creation and further exploration of subdisciplines, the analysis of research methods, and interdisciplinary perspectives, the study of the history of wenxianxue as well as various specialized problems. Overall, Chinese classical textual studies gravitate toward striving for comprehensiveness, interdisciplinary approaches, and practical issues. Currently, there is still a certain lack of innovation in exploring new areas, insufficient rigor and depth in theoretical research, the uneven development of individual areas of research and their somewhat regional character, nevertheless, textual studies manage to combine extensive practical work on "ordering ancient books" (guji zhengli) with a comprehensive study on the vast and immense Chinese textual culture.

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Pestova, Natalia V. "Study of Expressionism in the Late 20th — Early 21st Centuries". Studia Litterarum 6, n.º 2 (2021): 422–55. http://dx.doi.org/10.22455/10.22455/2500-4247-2021-6-2-422-455.

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The article analyzes and systematizes results of Russian research in German and Russian Expressionism for the past 17 years. The focus of the author are both great collective research projects on history and theory of Russian and German literature, which includes Expressionism as an integral part of the literary process, and individual studies of literary critics and linguists. The geography of Russian study of Expressionism covers research centers in Universities of Moscow, St. Petersburg, Yekaterinburg, Nizhni Novgorod, Chelyabinsk, Samara and in Austrian libraries (Yekaterinburg, Nizhni Novgorod). The research has four main directions. The first, the most traditional, focuses its forces on the study of new literary material and personalities, unknown literary texts and historical and literary facts. The second direction works with well-known texts, but operates with the latest scientific tools and provides a different understanding of the known material. The third direction is interdisciplinary and uses synthetic methods. The fourth is the comparative and typological direction, an important part of which is translation theory and practice.

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Pestova, Natalia V. "Study of Expressionism in the Late 20th — Early 21st Centuries". Studia Litterarum 6, n.º 2 (2021): 422–55. http://dx.doi.org/10.22455/2500-4247-2021-6-2-422-455.

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Na, Xin. "Translation history of F.M. Dostoevsky’s works in China in the 20th – 21st centuries". OOO "Zhurnal "Voprosy Istorii" 2023, n.º 8-1 (1 de agosto de 2023): 194–203. http://dx.doi.org/10.31166/voprosyistorii202308statyi25.

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The translation history of Dostoevsky’s works in China has been more than hundred years. In this paper the main stages of Dostoevsky's works translating into Chinese from a historical perspective was analyzed and the peculiarities of every stage during the translation history was pay more attention.

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Nechvaloda, E. E. "History of the Study of Traditional Clothing of the Krasnoufim Mari (18th-20th Centuries)". Izvestiya of Altai State University, n.º 5(133) (9 de diciembre de 2023): 65–69. http://dx.doi.org/10.14258/izvasu(2023)5-10.

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The Krasnoufim Mari is a group of Ural Mari people, whose traditional clothing was marked by bright originality. They attracted the attention of travelers, researchers, local historians, ethnographers, art historians. The costume of the Ural Mari was repeatedly described by researchers of the 18th-19th centuries, and in the 20th-21st centuries it was the object of study of both Russian and Finnish ethnographers of different generations. The earliest evidences about the costume of the Ural Mari left by P.S. Pallas. In the 19th century the clothing of Mari people of Krasnoufimsky uyezd was described by G. Gorodskoy (V.N. Shishonko), S. Som-mier, D.P. Nikolsky. In the twentieth century the costume of this group of Mari ethnos was studied by T.E. Evseviev, S.N. Shitova, T.L. Molotova, as well as by A.O. Heikel and I. Lehtinen. In the 20th centure only one article devoted to the clothing of the Krasnoufim Mari people was published, and in the 21st century a number of richly illustrated articles and editions were published, the chapters of which were devoted to the costume of the Ural Mari people. Some of them are based on the materials collected in the Krasnoufim District of the Sverdlovsk Region. Three main bodies of sources on the topic were grouped by the researchers of the 18th-21st centuries: texts; collections of clothing items; photo-documents. In this article the history of formation of all three groups of sources is considered, as they were interrelated and represented often only different parts of a single research process.

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Actis, Giovanni Clemente, Rinaldo Pellicano, Sharmila Fagoonee y Davide Giuseppe Ribaldone. "History of Inflammatory Bowel Diseases". Journal of Clinical Medicine 8, n.º 11 (14 de noviembre de 2019): 1970. http://dx.doi.org/10.3390/jcm8111970.

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Inflammatory bowel diseases (IBD) are characterized by chronic inflammation of the intestinal mucosa and unknown etiology. In this review, we identified three main eras in the IBD history. Between the 19th and the 20th century, the primary task had been the definition of the diagnostic criteria in order to differentiate the new entity from intestinal tuberculosis. In the 20th century, an intense and prolific therapeutic research prevailed, culminating in the introduction of biological drugs in the clinical setting. Since the beginning of the 21st century, traditional definition criteria have been challenged by holistic criteria in an effort to seek a still unattained cure. Centuries of worldwide efforts on IBD etiology and therapy search have culminated in this novel strategy.

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Ermolin, Denis. "Vectors of City Development in Kosovo in the 20th and 21st Centuries: Origins and Consequences". Antropologicheskij forum 17, n.º 48 (2021): 179–210. http://dx.doi.org/10.31250/1815-8870-2021-17-48-179-210.

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The article explores the social and spatial phenomena in the development of three cities on the territory of Kosovo (and Metohija) — Pristina, Prizren and (Kosovska) Mitrovica in the history of the region in the 20th and 21st centuries. All these cities used to contain Turkish, Albanian, Serbian (and more broadly Slavic-speaking), Jewish and Gypsy quarters with shared urban (as opposed to rural) identities. The paper argues is that the interweaving (sometimes even conflicting) of two vectors — “inner logic” and “the logic of the victor” — forms the image of the city, thereby largely determining the everyday life and behavioral models of its inhabitants. Moreover, the evolving urban space itself can be viewed as an actor segmenting various social, ethnic and confessional communities. Thus, the author poses the following questions: What are the historical prerequisites for the transformations of the sociocultural landscape of the cities of Kosovo at the turn of the XX–XXI centuries? What spatial changes in urban space have followed the new social realities and the armed conflict in Kosovo? How can urban space be used to form and broadcast ideological attitudes by political elites?

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GERASYMENKO, O. D., T. V. REMENIEVA, I. V. FROLOV y T. K. TRUSHYNA T. K. "ARTISTIC AND COMPOSITIONAL FEATURES OF CHILDREN'S COSTUME IN UKRAINE OF THE 20th – EARLY 21st CENTURIES". Art and Design, n.º 1 (6 de octubre de 2022): 9–19. http://dx.doi.org/10.30857/2617-0272.2022.1.1.

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Purpose. The study of artistic imagery of children's costume by Ukrainian fashion designers of the 20th – early 21st centuries, establishment of features and patterns in the repetition of artistic and compositional solutions of children's costume, identification of established trends and innovations in the decoration of children's clothing. Methodology. Visual-analytical method, morphological, artistic-compositional and retrospective analysis were applied. Results. As a result of the analysis of children's clothing models of Ukrainian designers and brands, the artistic and compositional features of children's costumes and current trends in the decoration of children's clothing of the 20th – early 21st centuries are identified. It is determined that during this period, possibilities for the implementation of artistic imagery of clothing for children have expanded due to innovative materials and decoration technologies, but even in our time, traditional types of decoration that have been characteristic of children's costumes for centuries do not lose their relevance. The scientific novelty of the research consists in identifying features of artistic and figurative solutions of children's clothing by designers of Ukrainian fashion houses and leading trends in the decoration of children's costumes in Ukraine of the 20th – early 21st centuries. Practical significance. The collected materials and their analysis allowed to summarize information about artistic solutions and children's costumes by designers of Ukrainian fashion houses, which can serve as a basis for further research on the history of fashion and children's clothing design, information base for creating new collections of children's clothing.

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Glinternik, Eleonora M. "Russian Design Graphics in Art Studies of the 19th–21st Centuries". Vestnik of Saint Petersburg University. Arts 13, n.º 1 (2023): 166–87. http://dx.doi.org/10.21638/spbu15.2023.108.

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The article is devoted to the historiographic problem of domestic design graphics in the history of Russian art. The analysing sources are structured in accordance with the main stages of the development of graphic design in Russia. This approach allows to visually trace the evolution of art history in the context of the corresponding cultural and historical era. In chronological order, the article examines the following periods: 18th — early 20th century, an era that can be called the protodesign period; 1920s–1930s, a period of active development of a new professional model, interrupted for the next twenty years; 1960s–1990s, a period of professional self-determination; the first decades of the 21st century, when the digital age begins and new horizons of research open up. The characteristics of each period are given from the point of view of the development of graphic design as a phenomenon of artistic creativity. The paper’s novelty is determined by the topic itself: the specifics of design in general and graphic design in particular have not yet been studied. It takes into account, basically, the range of problems studied in the Russian conventional history of art. The main tasks of the work: to show the path of development of art criticism in the work of Russian researchers; to systematize the volume and problems of the latest studies of art history over the past decades; to contribute to the formation of a more complete picture of the authors and the amount of accumulated research material. The article shows the path of development of art criticism in the work of Russian researchers — from artistic-critical to historical-theoretical comprehension throughout the 19th and 21st centuries. The foundations of fundamental research of the late 20th — early 21st century are revealed are systematized for the first time.

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Tesis sobre el tema "History of the 20th - 21st centuries"

Duran, Alejandro A. "The Iranian Green Movement and the Journey of Democracy in the 20th and 21st Centuries". Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1315.

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The Green Movement of 2009 was a moment where the Iranians took to the streets and protested for democracy. This is nothing new, throughout the whole 20th century gave Iranian people many different options of their country. This thesis examines those moments and differentiates the Green Movement as an event that is unique in that it has not yet led to top-down reforms. Previous literature has yet to incorporate the Green Movement in contemporary analysis of Iranian history.

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Ward, Robert (Robert Clark). "Passion Settings of the 20th- and 21st- Centuries Focusing on Craig Hella Johnson's Considering Matthew Shepard". Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862740/.

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Craig Hella Johnson (b. 1963) has emerged as a leader in choral music over the last 20 years. As the conductor of the Austin, TX based chorus Conspirare Johnson implemented the European model of bringing singers together from all over the country to assemble for concerts and recordings over a short period of time. He is known for his collage programs which bring together many styles of music bound by a central theme. Through these programs he has written and arranged many pieces which are now published and being performed by choirs across the globe. Johnson's most significant work to date is a 90 minute passion oratorio which details the story of Matthew Shepard, a college student murdered in a hate crime in 1998. Considering Matthew Shepard (2016) is a wonderful example of Johnson's composition and programming style. Though not a traditional passion story, it is part of the evolution of the genre in the 20th and 21st centuries. The passion oratorio has seen a resurgence in the past 50 years and has undergone a transformation in that time. These new works pay homage to the history of the genre but have begun to stretch it in terms of form and content. This study will highlight the evolution of the passion oratorio focusing on Johnson's Considering Matthew Shepard and offer some insight into the composers style and how this work represents a modern treatment of the passion oratorio.

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NOGUEIRA, Leo Carrer. "Umbanda em Goiânia [manuscrito]: das origens ao movimento federativo (1948-2003)". Universidade Federal de Goiás, 2009. http://repositorio.bc.ufg.br/tede/handle/tde/2346.

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Made available in DSpace on 2014-07-29T16:17:44Z (GMT). No. of bitstreams: 1 Dissertacao Leo Carrer historia.pdf: 783870 bytes, checksum: 1f48e1f44ce8cac67a38e789060c933d (MD5) Previous issue date: 2009-05-05
As a hybrid religion, Umbanda has elements of different sources in its daily practices. Thus, it doesn t have, necessarily, a single and centralized doctrine, in spite of several leaders had tried to impose a unified doctrine to it. That was one of the roles of several Umbanda Federations during the 20th century. Another role was to protect the shrines against the persecutions and repressions made by the State, Catholicism and the press. Therefore, the federations tried to protect the shrines and, on the other hand, they tried to control and centralize the religion, in its doctrines and socially. In the state of Goiás such control was held by the Umbanda and Candomblé Federation of Goiás, established in 1969 in Goiânia City. This dissertation, therefore, has as main objective to analyze the path of the religion in Goiânia, focusing its origins; the action of the Federation; as well as the conflicts and tensions created between it, the State repressive apparels and the shrines, from 1948 until 2003, when Goiânia was the scenario of a public repudiation of Umbanda, by some neo-Pentecostal churches against the exposition of seven sculptures depicting Orixás in a park of the city, which is known as Vaca-Brava Episode
Como religião híbrida, a Umbanda agrega elementos de diferentes matrizes religiosas em sua prática diária. Isto faz com que ela não tenha, necessariamente, uma doutrina única e centralizada, apesar de vários líderes já terem tentado impor a ela uma doutrina unificada. Este foi um dos papéis das várias Federações de Umbanda surgidas no Brasil ao longo do século XX. A outra função seria a de proteger os terreiros contra as perseguições e repressões por eles sofridas, por parte do Estado, do catolicismo e da imprensa. Assim, enquanto de um lado as federações tentavam proteger aos terreiros, de outro elas mesmas exerciam um controle e buscavam centralizar a religião, tanto social quanto doutrinariamente. Em Goiás tal poder foi exercido pela Federação de Umbanda e Candomblé de Goiás, surgida em 1969 na cidade de Goiânia. Nosso trabalho, portanto, tem por objetivo analisar a trajetória da religião em Goiânia, tendo como foco suas origens, a ação da Federação, os conflitos e tensões criados entre ela, os aparelhos repressores do Estado e o terreiros, entre os anos de 1948 e de 2003, quando Goiânia foi palco de uma manifestação pública de repúdio à Umbanda, protagonizada por algumas igrejas neo-pentecostais ao protestarem contra uma exposição de vários Orixás em um parque da cidade, caso que ficou conhecido como Episódio Vaca-Brava

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Vincent, Alana M. "Memorialisation and Jewish Theology in the 20th and 21st centuries : monument, narrative, liturgy". Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/2006/.

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This thesis is an exploration of the relationship between the understanding of the past and the practice of theology. It is built around three major case studies: the history of interpretation of the commandment to blot out the memory of Amalek (Deuteronomy 25:17-19), the commemoration of the First World War in Canada, and the development of post-Holocaust theology. Linking these cases are issues of theological response to (or justification for) violence, and tensions between individual and collective identity. Part I focuses on Deuteronomy 25:17-19, and the internal contradiction between the commandments to remember and blot out the memory of Amalek. The passage is analysed both in terms of language and reception history, with special attention paid to Rabbinic interpretations from the 19th and 20th centuries (sermons and commentaries generated during or immediately after the German Reform movement, the American Civil War, and the Nazi occupation of Poland). This reading prompts two further strands of analysis, which are pursued separately: the distinction between the remembering commanded in the passage and concepts of memory active in the Western philosophical tradition prior to the 20th century, and the place this passage has in a larger tradition of religious and secular discourse on acceptable justifications for violence, again in both Jewish and more broadly Western thought. Part II takes up these themes, beginning with an historically contextualised reading of two versions of Antigone—one written by Sophocles in the early days of the Athenian Empire, and the other by Jean Anouilh during the Second World War. Both of these focus on a dead body as the site of ideological contestation between divergent identity narratives—a conflict that is also apparent in negotiations over the memorialisation of the First World War, which is the main focus of this part. A close reading of novels from L. M. Montgomery‘s Anne of Green Gables series, published before, during, and just after the war reveals that the First World War partly destabilised the individual-focused structures of memorialisation that were in place prior to its beginning, in favour of structures which enforced the collective identity of the soldiers who died in the war; while much of this instability could be (and was) addressed in existing theological language, the war nevertheless left a mark on Canadian society and religious practice. This part concludes with an examination of the Canadian National Monument at Vimy, conducted via archival documentation of the monument‘s design and construction and then through a reading of The Stone Carvers, a recent novel which re-imagines the circumstances documented in the archives through the eyes of one war veteran and his family. This dual reading also demonstrates the instability of memorials, the tendency of their meaning to shift over time. Part III commences with a discussion of the shift in memorial forms precipitated by the Holocaust. I contend that the tendency to memorialise the Holocaust with complex museum narratives betrays an anxiety about the intended audience of these memorials, which points in turn to the degree to which the Holocaust upset previous cultural and religious worldviews. This section focuses on theological and literary attempts to record and respond to the ruptures caused by the Holocaust, with specific reference to two recent novels by Jewish Candian women which, taken together, provide a constructive interruption to overly tidy narratives of national and religious identity.

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Gullo, Anne Sophie. "L'oeuvre en prose (2001-2014) d'Alejandro Lopez Andrada : vers l'élégie". Thesis, Normandie, 2019. http://www.theses.fr/2019NORMC026.

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Alejandro López Andrada, poète, romancier et essayiste appartenant à la « génération des fils » comme la nomme Juan Vila, retrace le passé perdu ou en voie de disparition de son Andalousie natale. Sa prose se démarque par son caractère élégiaque et en dépit de la diversité générique qui caractérise ses œuvres, celles-ci ont en commun l’expression d’un sentiment nostalgique. Cette étude s’attache à présenter, en premier lieu, la voix narrative qui s’exprime dans le corpus choisi ainsi que la subjectivité qui la définit, puis, dans un second temps, les modes d’expression de cette nostalgie à travers l’exaltation de l’enfance dans laquelle s’inscrit la représentation de la terre natale andalouse. Enfin, la dernière partie de ce travail est consacrée à l’humanisme chrétien qui se dégage des textes, lesquels traduisent ainsi la foi personnelle de l’auteur. Celle-ci se manifeste notamment par l’expression de l’amour de l’Autre, de la revendication de valeurs et modes de vie renvoyant à nouveau à la période de l’enfance de l’auteur et par le poids important du religieux dans l’ensemble de son œuvre
Alejandro Lopez Andrada, a poet, novelist and essayist from the "generation of sons" as Juan Vila calls it, traces the lost or disappearing past of his native Andalusia.His prose is notable for its elegiac character and despite the generic diversity that characterises his works, they all express a feeling of nostalgia.This study aims to present, in the first instance, the narrative voice that is expressed in the chosen corpus as well as the subjectivity that defines it, and, secondly, the expression of this nostalgia through the exaltation of childhood, in which the representation of the Andalusian homeland is enshrined. Finally, the last part of this work is devoted to the Christian humanism that emerges from the texts, which reflect the author's own personal faith. This particularly manifests itself in the expression of love of the Other, in the demand for the values and way of life which hark back to the author's childhood and by the weight given to the importance of religion in all his work

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Schuenemann, Keah Camille. "Analysis of the synoptic forcing of Greenland precipitation in the 20th and 21st centuries". Connect to online resource, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3337152.

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Dudas, Stephen P. "A Jug Full of Stars: The Poetry of Childhood in the 20th and 21st Centuries". Miami University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=miami161678986029086.

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Corbett, Joseph. "Captain John Smith and American Identity: Evolutions of Constructed Narratives and Myths in the 20th and 21st Centuries". Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5618.

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Historical narratives and anecdotes concerning Captain John Smith have been told and retold throughout the entire history the United States of America, and they have proved to be sacred, influential, and contested elements in the construction of the individual, sectional, regional, and national identity of many. In this thesis, I first outline some of the history of how narratives and discourses surrounding Captain John Smith were directly connected with the identity of many Americans during the 18th and 19th century, especially Virginians and Southerners. Then I outline how these narratives and discourses from the 18th and 19th centuries have continued and evolved in the 20th and 21st centuries in American scholarship and popular culture. I demonstrate how Captain John Smith went from being used as a symbol for regional and sectional identity to a symbol for broader national American identity, and how he has anachronistically come to be considered an American. I then show how Captain John Smith has continued to be constructed, to a seemingly larger degree than previous centuries, as a hero of almost mythic proportions. Finally I demonstrate how this constructed American hero is used as a posterchild for various interest groups and ideologies in order to legitimize the places of certain discourses and behavior within constructed and contested American identities.
M.A.
Masters
History
Arts and Humanities
History; Public History

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Plaiche, Anza Karel. "États et écritures de violence en Afrique contemporaine : la représentation des conflits armés et des violences de masse dans les fictions africaines subsahariennes francophones". Thesis, La Réunion, 2012. http://www.theses.fr/2012LARE0031/document.

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Ce travail de recherche examine la représentation de l'expérience des violences extrêmes dans l'espace fictionnel contemporain de l'Afrique subsaharienne francophone. Les nombreuses fictions en prose produites dans le sillage des conflits armés des années 90 et du génocide au Rwanda soulèvent des interrogations liées à la représentation de la douleur, de la cruauté et de la mort ainsi qu’à l'éthique de l'art. Comment le texte littéraire met-il en récit les événements traumatiques ? Comment l'écrivain pense et problématise-t-il des crises extrêmes relevant de l'histoire immédiate ? Selon quelles modalités littéraires sont-elles constituées en un objet de connaissance et de sensibilisation ? Et quelles sont les stratégies langagières et esthétiques privilégiées pour transmettre la mémoire des atrocités dans une visée de témoignage ou de réflexion critique ? Cette thèse explore la mise en écriture de ces drames collectifs qui inaugurent, sur les plans historique et socioculturel, une nouvelle ère de violence en Afrique subsaharienne. Dans ce contexte, nous nous intéressons surtout aux ouvrages qui – en raison des choix formels et stylistiques singuliers adoptés par leurs auteurs – se caractérisent par une radicalisation du discours et des scénographies particulièrement violentes. Cette étude qui, au final, interroge les pouvoirs et les possibles limites de l'art dans la représentation de faits de violence extrême analyse un vaste corpus de romans et de nouvelles parus entre 1998 et 2010 et propose une approche pluridisciplinaire, puisant, à côté des théories littéraires et esthétiques, dans l'histoire, la sociologie, l'anthropologie et la psychiatrie
This research project examines the representation of the experience of extreme violence in the contemporary fictional space of Sub-Saharan Francophone Africa. The numerous works of prose fiction written in the wake of the armed conflicts of the 1990s and the Rwandan genocide raise questions related to the representation of pain, cruelty and death as well as to the ethics of art. How do literary texts put into narrative traumatic events? How do writers think and problematize extreme crises of immediate history? By the means of what literary modalities are these crises constituted into an object of knowledge and awareness? And what esthetic and language strategies have been privileged to convey the memory of the atrocities in order toprovide testimony or aim at critical reflection? This thesis explores the writing of the collective tragedies that, from a historical and socio-cultural perspective, mark the start of a new period of violence in Sub-Saharan Africa. In this context, we are focusing predominantly on texts that are characterized – through the distinctive choices of form and style operated by the authors – by a radicalization of discourse and particularly violent plots and esthetics. This research which interrogates the powers and the possible limits of art in the representation of facts of extreme violence analyses an extensive corpus of novels and short stories published between 1998 and 2010 and suggests a multidisciplinary approach which, next to literary and esthetic theories, draws on history, sociology, anthropology and psychiatry

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Ramugondo, Elelwani. "Intergenerational shifts and continuities in children's play within a rural Venda family in the early 20th and 21st centuries". Doctoral thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/12113.

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Includes abstract.
Includes bibliographical references (leaves 235-252).
This research involved studying the childhood play of three generations within one family based in the Venda region, Limpopo Province, South Africa. Two main questions were asked: 1. What is the nature of intergenerational shifts or continuities in children?s play within one Venda family? 2. What are the factors that bring about the shifts or continuities? The Gudani family was studied as a single case. The case study was approached with an understanding proposed by Stake (1998, 2008) and supported by others like Flyvbjerg (2006), who regard it not always a research method, but also the object of study. Handling the family as a bounded system, information was gathered from multiple sources, situating the case within its context. Interviews were conducted with a grandparent, the parents and children in order to gain an understanding of their childhood play, foregrounding participants' own view of what constitutes play. In addition, an ethnographic lens was used to investigate the third generation's everyday culture, with specific attention to their play.

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Libros sobre el tema "History of the 20th - 21st centuries"

British autobiography in the 20th and 21st centuries. Heidelberg: Universitätsverlag Winter, 2017.

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Women gallerists in the 20th and 21st centuries. Ostfildern: H. Cantz, 2008.

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1936-, Larkin David, ed. American masterworks: Houses of the 20th and 21st centuries. New York: Rizzoli, 2008.

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Pile, John F. Future directions in design of the 20th and 21st centuries. Seoul, Korea: Ga-in Design Group, 1995.

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Hall, Þorbjörg Daphne. Sounds Icelandic: Essays on Icelandic music in the 20th and 21st centuries. Sheffield, UK: Equinox Publishing Ltd, 2019.

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Housing in the 20th and 21st centuries =: Wohnen im 20. und 21. Jahrhundert. München: Prestel, 2006.

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Science and American literature in the 20th and 21st centuries: From Henry Adams to John Adams. Newcastle upon Tyne: Cambridge Scholars Pub., 2012.

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Princessehof, Keramiekmuseum het, ed. Decadent: Deliciously decadent\tableware of the 20th and 21st centuries = decadent : lekker decadent\serviesgoed uit de 20ste en 21ste eeuw. Rotterdam: 010 publishers, 2004.

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P, Scherrer Christian y Institute for Research on Ethnicity and Conflict Resolution., eds. Genocide and mass violence in the 20th and 21st centuries: An introduction : criteria, common elements, and patterns. Moers: Institute for Research on Ethnicity and Conflict Resolution, 2005.

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John), Morrissey Philip (Philip, ed. Aesopic voices: Re-framing truth through concealed ways of presentation in the 20th and 21st centuries. Newcastle upon Tyne: Cambridge Scholars, 2011.

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Capítulos de libros sobre el tema "History of the 20th - 21st centuries"

Maudsley, Ann. "Swedish Planning and Development in the 20th and 21st Centuries". En European Planning History in the 20th Century, 105–17. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003271666-12.

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Lindgren, Anne-Li y Sara Backman Prytz. "History of state school sex education in Sweden (20th and early 21st centuries)". En The Palgrave Encyclopedia of Sexuality Education, 1–9. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95352-2_31-1.

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Zorn, Jeffrey R. "Tell en-Naṣbeh in the 20th and 21st Centuries". En "As for me, I will dwell at Mizpah …": The Tell en-Nasbeh Excavations after 85 Years, editado por Jeffrey R. Zorn, Aaron J. Brody, Alexis T. Boutin, Stephanie H. Brown, Catherine P. Foster, Mary Larkum, Whitney R. McClellan et al., 1–22. Piscataway, NJ, USA: Gorgias Press, 2014. http://dx.doi.org/10.31826/9781463234980-002.

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Shumylo, Serhii y Valerii Lastovskyi. "Heroism of Ukrainian People in 20th and 21st Centuries". En Encyclopedia of Heroism Studies, 1–9. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-17125-3_455-1.

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King, Sallie B. "Buddhist Spirituality and Social Activism in the 20th–21st Centuries *". En The Routledge Companion to Indian Ethics, 302–12. London: Routledge India, 2024. http://dx.doi.org/10.4324/9781032638478-29.

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Crowe-Delaney, Lesley. "Japanese tourism in the late 20th and early 21st centuries". En Ethical and Responsible Tourism, 163–82. Abingdon, Oxon; New York, NY: Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429200694-12.

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Wible, James R. "Scientific Misconduct in the Late 20th and Early 21st Centuries". En The Economics of Scientific Misconduct, 24–41. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003009252-2.

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Boss, Sarah Jane. "The role of Mary in the 20th and 21st centuries". En Women in Christianity in the Modern Age, 53–82. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429324772-2.

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Alyabieva, Valentina G. "Tactical configurations and finite groups (19th-20th centuries)". En Studies in History of Mathematics Dedicated to A.P. Youschkevitch, 259–68. Turnhout: Brepols Publishers, 2002. http://dx.doi.org/10.1484/m.dda-eb.4.01020.

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Minuti, Rolando y Giovanni Tarantino. "Introduction. East and West Entangled (17th-21st Centuries)". En Connessioni. Studies in Transcultural History, 7–14. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0242-8.02.

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“History has to reorient”, as the historian and sociologist Andre Gunder Frank observed. In the global or globalised age, a culture is no longer regarded as a discrete entity, but rather as a hybrid formation that interacts with other cultures in an incessant process of multidirectional exchange. As a means of introduction to the volume East and West Entangled (17th-21st Centuries), this essay reminds historians that to conduct transcultural analyses they need to be alert to the multiple ways, comic intents included, in which difference is negotiated within contacts and encounters – from selective appropriation to rejection or resistance.

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Actas de conferencias sobre el tema "History of the 20th - 21st centuries"

Bartosh, Natalia Yu. "The Image of Don Quixote in Russian Book Illustration of the 20th and 21st Centuries. Visual Canon / Stereotype". En Spain: Comparative Studies oт History and Culture. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1247-5-18-25.

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Zhuykova, E. "COMICS AND LITERATURE: THE HISTORY OF FRIENDSHIP". En VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3761.rus_lit_20-21/353-358.

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The reputation of comics in Russia was seriously spoiled in the 90s, when they were viewed as a purely entertaining and mass form. But in fact, in the modern world, the graphic novel is becoming a completely serious genre: great artists are creating comics, scripts for them are written by Ph.D's, and they often touch on complex topics. Moreover, comics have a long history of relationship with literature (for example, in the 30s of the 20th century, during the first wave of emigration, Russian literary comics were valued throughout the world). And in the last decade, this line of interaction has only intensified: many graphic adaptations of classic literary works, comic book biographies of writers and poets are appearing, and descriptions of comic books are increasingly appearing in modern literature. The article will be devoted to the history of various forms of interaction between literature and comics.

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Yadlovska, O. S. "TENDENCIES OF NEW HISTORICISM IN LITERARY WORKS OF THE EARLY 20TH CENTURY AND THEIR PROJECTION ON THE INTERPRETATION OF HISTORICAL EVENTS IN LITERARY CRITICISM OF THE LATE 20TH AND EARLY 21ST CENTURIES (BASED ON THE WORK OF M. KHVYLOVY)". En MODERN PHILOLOGY: THEORY, HISTORY, METHODOLOGY. PART 2. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-425-2-48.

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Orlova, G. "DANISH CHILDREN’S LITERATURE IN RUSSIAN TRANSLATIONS: HISTORY AND TRENDS". En VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3748.rus_lit_20-21/300-303.

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The paper examines the history of Danish children’s literature translation into and publication in Russian from the middle of the 19th century to the present day. The article considers literary and extraliterary reasons for the fluctuations in the readers’ and publishers’ interest in Scandinavian literature throughout the history of literary contacts between Russia and Denmark. The work analyses contemporary publishing trends and the book market participants’ motivations when selecting Danish authors and books for translation into Russian.

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Xiangyu, Li. "TRANSLATION AND RESEARCH HISTORY OF O. MANDELSTAM'S WORKS IN CHINA". En VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3757.rus_lit_20-21/337-341.

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This article reviews the translation history and research of Mandelstam's works in China, and introduces the most representative translations by famous Chinese researchers of Russian. The author of this article presents the main carriers of research on Mandelstam's poetry in the Chinese scientific community.

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Grebenshchikov, Yu. "AKSAKOLOGY IN THE PRACTICE OF LITERARY CRITICISM OF THE XX-XXI CENTURIES". En VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3729.rus_lit_20-21/210-213.

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The article highlights the history of aksakology of the XX-XXI centuries. The beginning of scientific practice is associated with the name of S.I. Mashinsky and his monograph on the work of S.T. Aksakov. The research of E.L. Voitolovskaya, O.N. Belokopytova, A.V. Chicherin became the most systematic research of the 1950s - 1970s. It is shown that the main vectors of aksakology, since the 1980s, were set in the works of E.I. Annenkova, V.A. Koshelev, Yu.V. Mann. The efforts of Ufa linguists and literary critics, as well as participants of the Samara conferences of 2017 and 2020, were particularly noted. The monograph by V.E. Ugryumov and the developments on poetics made in recent years by A.A. Churkin are considered significant at the present stage.

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Matyakh, V. "BORIS PASTERNAK’S NOVEL “DOCTOR ZHIVAGO” AS A PRETEXT TO VLADIMIR SOROKIN’S NOVEL “DOCTOR GARIN”". En VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3722.rus_lit_20-21/181-185.

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The article examines the similarities between B. Pasternak’s novel “Doctor Zhivago” and V. Sorokin’s novel “Doctor Garin”. Based on the analysis of compositional, stylistic and conceptual elements of the text, the article proposes a thesis that B. Pasternak’s symbolist novel is a pretext to V. Sorokin’s metamodernist novel. “Doctor Zhivago” and “Doctor Garin” show the connection between 3 major concepts in Russian culture: “road”, “life”, “history”. Based on the similarity between the view of history (presented in both texts), the article compares two main characters of the novels: Yurii Zhivago and Platon Garin.

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Oktyabrskaya, O. "THE THEME OF HISTORY IN CHILDREN'S LITERATURE OF THE TWENTIETH CENTURY: THE PRINCIPLES OF THE EMBODIMENT OF ARTISTIC MATERIAL". En VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3744.rus_lit_20-21/278-281.

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The article traces the ways of development and realization of historical prose in Russian children's literature from its very origins in the XIX century to modern literature of the XXI century. The types of narrative, genre diversity and thematic and problematic variability of works on a historical theme are analyzed. In addition, the author's strategies of writers who turn to the narrative of the past are investigated.

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Demkina, S. "M. GORKY'S PERSONAL LIBRARY AS A MUSEUM EXHIBIT. ON THE HISTORY OF THE BOOK COLLECTION OF THE GORKY MUSEUM". En VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3764.rus_lit_20-21/382-386.

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The article is devoted to the history of M. Gorky's last library. The volumes of the book collection are located in the memorial museum-apartment of the writer on Malaya Nikitskaya street in Moscow. Gorky collected books all his life, the multi-volume collection that has come down to our days is the final one. The library, which has been formed for more than forty years, has a complex history. The last volumes were added to the library in 1936. The main part of the stored items is located in the memorial exposition. Bookcases with books are located not only in the library, but also in the main hallway, in the hall and along the marble staircase - this was the case under Gorky. The composition of the library, the principle of book arrangement, systematization and subject matter have also been preserved. Of great interest are the inscriptions and Gorky's marks on the books. Gorky's personal library is an integral part of the museum interiors, emphasizing the specifics of the lifetime setting of the memorial exposition. This is notonly an invaluable exhibit of the museum, but also a significant source of studying the personality of the writer and the socio-cultural processes of his era.

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Makarova, S. "THE THEME OF CONQUERING THE ARCTIC IN THE POETIC EPIC OF ILYA SELVINSKY: MUSICAL CHARACTER OF ARTISTIC INTERPRETATIONS". En VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3759.rus_lit_20-21/346-350.

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The article discusses the history of creation, artistic and content features of two works by Ilya Selvinsky written at 1930-1950s on the topic of the conquest of the Far North - the epic poem«Chelyuskiniana» and the epic novel «Arctic»; a system of techniques is compared, revealing their musical character and the creative evolution of the poet.

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Informes sobre el tema "History of the 20th - 21st centuries"

Huygen, Michaele L. Submarine Warfare in the 20th & 21st Centuries: A Bibliography. Fort Belvoir, VA: Defense Technical Information Center, diciembre de 2003. http://dx.doi.org/10.21236/ada423241.

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Siebert, Rudolf J. y Michael R. Ott. Catholicism and the Frankfurt School. Association Inter-University Centre Dubrovnik, diciembre de 2020. http://dx.doi.org/10.53099/ntkd4301.

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The paper traces the development from the medieval, traditional union, through the modern disunion, toward a possible post-modern reunion of the sacred and the profane. It concentrates on the modern disunion and conflict between the religious and the secular, revelation and enlightenment, faith and autonomous reason in the Western world and beyond. It deals specifically with Christianity and the modern age, particularly liberalism, socialism and fascism of the 2Oth and the 21st centuries. The problematic inclination of Western Catholicism toward fascism, motivated by the fear of and hate against socialism and communism in the 20th century, and toward exclusive, authoritarian, and totalitarian populism and identitarianism in the 21st. century, is analyzed, compared and critiqued. Solutions to the problem are suggested on the basis of the Critical Theory of Religion and Society, derived from the Critical Theory of Society of the Frankfurt School. The critical theory and praxis should help to reconcile the culture wars which are continually produced by the modern antagonism between the religious and the secular, and to prepare the way toward post-modern, alternative Future III - the freedom of All on the basis of the collective appropriation of collective surplus value. Distribution and recognition problems are equally taken seriously.

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Shaffer, Austin, Justin Tweet y Vincent Santucci. Colorado National Monument: Paleontological resource inventory (sensitive version). National Park Service, 2024. http://dx.doi.org/10.36967/2303444.

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Colorado National Monument (COLM) in western Colorado was established on May 24, 1911 with the purpose of preserving, understanding, and enjoying the natural and cultural resources of the landscape, focusing on the history, erosional processes, and geology present. Although not explicitly mentioned in the monument?s purpose statement, the paleontological resources of COLM are nevertheless important. Significant fossils have been known from the area since the late 19th and early 20th centuries, and from COLM specifically within a few decades of the monument?s founding. The direct urban interface of COLM with Colorado?s Grand Valley provides unique management concerns for fossils and other resources of the monument. While COLM preserves a long geologic history (roughly 1.7 billion years ago to the present), the fossils preserved at the monument mostly come from sedimentary rocks of the Mesozoic Era. The paleontological resources of COLM include both body fossils and trace fossils of a wide variety of organisms (e.g., freshwater mussels, dinosaurs, plants) representing diverse paleoenvironments. In order to assess the paleontological resources of COLM, a field inventory was conducted from April to November 2023, visiting all previously reported fossil sites and documenting new localities. A total of 226 paleontological localities were verified during this fieldwork, of which nearly two-thirds (146 sites) were newly documented. Two more were discovered in March 2024. These 228 localities are distributed throughout much of the monument and many of the geologic units, with higher concentrations present in certain units (e.g., the Morrison Formation). Fieldwork was supplemented by the review of published and gray literature and assessment of COLM paleontological collections. A number of significant paleontological discoveries were made during this inventory, including the first documented fossils (dinosaur tracks, plant fossils, and dinosaur skin) from the Naturita Formation within COLM and multiple novel fossil occurrences (e.g., likely the oldest-known fish otoliths in North America and possibly one of the only Jurassic ankylosaur tracks known globally). When considered alongside previously identified significant fossil finds from COLM (e.g., one of only three known turtle tracksites in the Morrison Formation and potentially one of the only known lizard trackways in the same unit), the paleontological resources of the monument are of high scientific importance. Future research on the paleontological resources of COLM has a high potential for identifying important fossil specimens and/or describing new species. This report provides foundational data on the scope, significance, and distribution of paleontological resources at COLM and provides recommendations to support the management, interpretation, and research of these resources.

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Shaffer, Austin, Justin Tweet y Vincent Santucci. Colorado National Monument: Paleontological resource inventory (public version). National Park Service, 2024. http://dx.doi.org/10.36967/2303613.

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