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1
Canon, Claudia-Nicole. "The Bavaria Brewery : from brewery to museum, retail shops, and restaurant complex". Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/845980.
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This thesis project was instigated by the interest to remodel a historic building in downtown Bogota, Colombia, South America. The Bavaria Brewery, the first and oldest beer producer in the country, will be transformed into a retail/recreational facility composed of small-stores, restaurants and a museum.The red-brick structure was designed in 1891 by Alejandro Manrique, to resemble a German brewery. As this brewery grew in popularity, the buildings underwent many alterations and additions. Sufficient changes were made to obscure the building's original design. As it's machinery was updated and more space was needed, the brewery was forced to move to a more industrial area of Bogota city.In 1988 a renewal plan was made for Bavaria Brewery site. New use was proposed for the area including residential and central activities. An urban central park intended to be the focal point of the project.Because the interior was in good shape, the original floor plan remained unaltered with only one new level being built using two-story spaces. The interior was designed for its new function as a shopping center, which has resulted in a place where there is a great variety of activities connected by a system of walkways, corridors, tunnels and two outside elevators.On the exterior all historic elements have been preserved, though all new elements are clearly distinguished from the old but in a manner sympathetic to the industrial character of the Bavaria Brewery.These buildings have been evolutionary in their structure, never static, they have been marked with the imprint of different periods. As a result the design will reflect the present, recall the past, and insinuate the future.Department of Architecture
2
Genca, Salih Ozgur. "Design Guidelines For Shop Buildings In Beypazari Historic Commercial Center". Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12605938/index.pdf.
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This study aims to prepare a design guide for the traditional shop buildings in Beypazari Historic Commercial Center which guides maintenance, repairs and new designs on shop facades. This guide, which is prepared in limited content by researching problems of conservation in historic towns also aims to develop a collaboration of the users and the municipality, to raise the consciousness of the community for
conservation, and to be an example for similar studies. During this process, a detailed study is made on architectural conservation guides and shop buildings in the study area.
3
Oral, Timur. "A Contemporary Turkish Coffeehouse Design Based on Historic Traditions". Thesis, Virginia Tech, 1997. http://hdl.handle.net/10919/36551.
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The custom of coffee drinking in Turkey dates back to the sixteenth century coffeehouses of Istanbul, which were once important forums for community integration. Even though coffee drinking today is still an important custom in Turkey, traditional coffeehouses have lost their importance in urban areas and are rapidly being replaced by contemporary cafes that promote European themes. With the new generation placing less emphasis on traditional values and accepting a modernized lifestyle, the existence of Turkish coffeehouse culture is struggling to survive.
The purpose of this thesis project was to develop a design concept for a contemporary Turkish coffeehouse franchise retaining important aspects of the traditional coffeehouses of the past. Historic features were identified through observations and visual recordings of historic Turkish coffeehouses and interviews with older patrons of traditional coffeehouses. Focus group discussions were held with graduate and undergraduate Turkish students enrolled at Virginia Tech to obtain information on their perceptions of traditional coffeehouses and responses to the idea of a contemporary coffeehouse. Based on the information gathered, design criteria were established for the design of individual coffeehouse components with a consistent image, adaptable to various sites and spaces. Coffeehouse logo, nameplate, and facade designs were proposed. Presentations for the design included detailed elevations, plans, sketches, and perspective views.Master of Science
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Mansell, John Norman Keith. "An analysis of flag state responsibility from an historical perspective delegation or derogation? /". Access electronically, 2007. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20080905.125358/index.html.
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Ström, Maya. "Fullständig Njutning : Distinktioner och nyliberal konsumtionskultur i sexbutiken Kino Shops nyhetsbrev 2009-2019". Thesis, Uppsala universitet, Institutionen för idé- och lärdomshistoria, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-411881.
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The sex shop has existed as spatially Othered and ideologically transgressive. However, the last decades have witnessed both a literal and figurative move into a position of normalcy and legitimacy. Previous research conducted on this topic has covered this shift, and the importance of a “feminization” of the market for this to happen. While the previous research is extensive on the “new” sex shop, it has partly overlooked the hybridization of the traditional with the feminized. This essay has thus aimed to discern the trends of a “mixed-gender” sex shop, in order to both contribute to the understanding of the Swedish context as well as how class, gender, and past & present work as distinctions within this. The results show that a stereotypical femininity and masculinity is visually used by the store as tropes of distinction. As abstract ideals they converge in a rhetoric of an aspirational class, that sees knowledge as well as consumption as vital to a “sexual health”. However, while the commodities on offer are partly marketed with such sophistication, they are equally advertised as realistic resemblances of genitalia or parts of the body. Thus, the sophisticated consumption is diversified with a realistic, at times vulgar, address. The conclusive observation here is hence that the traditional sexuality-related consumption can coexist with a feminized version within one and the same store. Consequently, this essay sees that a plurality of desires is a part of the market’s continual expansion.
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唐慧茵 y Wai-yan Christine Tong. "Documenting the historical and spatial significance of Wing Woo grocery and provisional shop". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B42189214.
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Tong, Wai-yan Christine. "Documenting the historical and spatial significance of Wing Woo grocery and provisional shop". Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B42189214.
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Lee, Siu-tin Anne. "Traditional Chinese shop signs in the Sheung Wan District of Hong Kong the search for historical, cultural and architectural identity /". Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B31473726.
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Baumann, Judith Marie. "Fabricated Histories (or My American Daydreams)". VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd_retro/144.
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The three print series I completed within the past two years appear hardly related at first. However, these individual bodies of work, when examined chronologically, are continually informed by similar ideas. The most obvious of these is the act of piecing elements together to form something that had previously not existed, yet still influences the original source. In all three series, images are taken from an original source and re-contextualized. The idea of cultural or anthropological landscapes is also a theme throughout my work. Each individual series toyed with the idea of an imaginary or theoretical anthropological landscape in direct comparison to its pre-existing model. These humorous and oftentimes puzzling images are influenced by my over-active imagination, fueled by equal parts pop culture, playful cynicism, and desperate idealism.
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Eriksson, Niklas. "Urbanism Under Sail : An Archaeology of Fluit Ships in Early Modern Everyday Life". Doctoral thesis, Södertörns högskola, Arkeologi, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-24415.
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In the seventeenth- and early eighteenth centuries, fluits were the most common type of merchant ship used in Baltic trade. Originally a Dutch design, the majority of all goods transported between Sweden and the Republic was carried on board such vessels. Far from all voyages reached their destination. Down in the cold brackish water of the Baltic, the preservation conditions are optimal, and several of these unfortunate vessels remain nearly intact today. Although thousands of more or less identical fluits were built, surprisingly little is known about the arrangement of space on board, their sculptural embellishment and other aspects that formed the physical component of everyday life on and alongside these ships. Fluits were a fixture in early modern society, so numerous that they became almost invisible. The study of wrecks thus holds great potential for revealing vital components of early modern life. Inspired by phenomenological approaches in archaeology, this thesis aims to focus on the lived experience of fluits. It sets out to grasp for seemingly mundane everyday activities relating to these ships, from the physical arrangements for eating, sleeping and answering nature’s call, to their rearrangement for naval use, and ends with a consideration of the architectonical contribution of the fluit to the urban landscape.
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Kennedy, Ann-Marie. "Keep Sunday free: social engineering through shop trading hours in New Zealand". AUT University, 2009. http://hdl.handle.net/10292/888.
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The purpose of this thesis is to explore Social Engineering and how marketing communications may be able to affect it. This research takes a step back from other research in the area and considers the decision makers behind Social Engineering, instead of Social Engineering interventions. One way for stakeholders to influence Social Engineering is through influencing the initial decision of which Social Engineering intervention to use. The influence of marketing communications is considered using diffusion theory, which uncovers how marketing communications diffuse through and influence a decision making group. First, the research uncovers the Social Engineering Decision Making Process. This is the decision making process of Governments for Social Engineering Decisions. The Social Engineering Decision Making Process is the combination of Podgórecki’s Sociotechnical Paradigm (1990) and Roger’s Innovation Diffusion Process (2003). The research then explores this framework through its illustration in a retailing context. The Social Engineering intervention chosen for this research is the shop trading hour legislation in New Zealand. The Social Engineering decision studied is the decision to introduce Sunday trading through the Shop Trading Hours Act Repeal Act (1990). An historical analysis explores the Social Engineering of shop trading hours, in line with an Historical methodology and Constructivist and Hermeneutic viewpoint. This narrative is created through document analysis and semi-structured in-depth interviews with five different stakeholder groups from the decision to introduce Sunday trading. The historical narrative also illustrates the Social Engineering Decision Making Process. Lastly, to uncover the influence of marketing communications and the media on the Social Engineering Decision Making Process, a content analysis of marketing communications and media over the time of the decision to introduce Sunday trading occurs. Government discussions and reports regarding the decision are also analysed. If the communications influence the Government discussions, then their themes would be present in Government documents directly following the communications. The results lend support to the Social Engineering Decision Making Process. Results outline the aspects of the legislative process that reflect each stage of the Social Engineering Decision Making Process. Findings also find support for the influence of Marketing communications and media on the Government’s decision making. The three most effective times for stakeholders to try to influence the process, through either mass or interpersonal communications are also identified.
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李小田 y Siu-tin Anne Lee. "Traditional Chinese shop signs in the Sheung Wan District of HongKong: the search for historical, cultural andarchitectural identity". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31473726.
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Silva, Jéssica Dalcin da. "PROPOSTA DE MANUTENÇÃO SOCIAL DOS SIMBOLISMOS SULRIO- GRANDENSES PELA APLICAÇÃO DESTES EM UM CALÇADO FEMININO". Universidade Federal de Santa Maria, 2016. http://repositorio.ufsm.br/handle/1/11062.
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This paper presents an interpolation of methodological models in search of a unique process
for mapping concepts for surface design. It is based on gathering information about Identity,
Territory, Communities, and more about findings about the identity of the young people,
specifically females from Rio Grande do Sul, for use in a feminine footwear design. Through
these surveys, it sought to highlight the common elements found in groups in order to base the
development of a product that brings both researched cultural universes (youth and tradition).
As a product proposal, the application of research findings as an aesthetic characterization of
the Citrus Model by Melissa Brand, which was taken as a marketing benchmark given its
expressiveness in the world market. Therefore, the main projective bases used are in
Figueiredo (2009) and Bonsiepe (1984). Having Design as mediator, to better seek concepts
which make sense to the studied group, and its application to product design, we conclude this
founding in the setting of the sun on the Guaiba bay as a new expressive symbol for youth
from Rio Grande do Sul.Este trabalho se baseia no levantamento de informações sobre Identidade, Território, Comunidades e, mais aproximadamente, relata achados sobre a identidade dos jovens e a identidade sul-rio-grandense, também denominada gaúcha, para aplicação em um projeto de caracterização de design de superfície de um modelo calçado feminino pré-existente. Por meio destes levantamentos, buscou-se destacar os elementos comuns encontrados nos grupos estudados, de forma a embasar o desenvolvimento de um produto que aproxime ambos os universos culturais pesquisados (juventude e tradição). Como proposta de produto, a aplicação dos achados da pesquisa enquanto caracterização estética sobre o modelo Citrus da Marca Melissa, que foi tomada enquanto referencial mercadológico dada sua expressividade no mercado mundial. Para tanto, as principais bases projetuais utilizadas estão em Figueiredo (2009) e Bonsiepe (1984). Tendo por mediador o design, de forma a buscar conceitualmente desvendar quais sentidos estão mais presentes para o entrelaçamento destes grupos e sua aplicação ao projeto de produto, conclui-se encontrando no pôr-do-sol do Guaíba um novo símbolo de expressividade para a juventude sul-rio-grandense.
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Unger, David S. "A Place of Work: The Geography of an Early Nineteenth Century Machine Shop". Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10950.
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Between 1813 and 1825 the Boston Manufacturing Company built a textile factory in Waltham, Massachusetts. Their factory is known for many important firsts in American industry, including the first commercially viable power loom, one of the first vertically integrated factories, and one of the first join stock financed manufacturing concerns. This successful factory became the direct model for the large textile mills built along the Merrimack River and elsewhere, iconic locations of American post-colonial industrialization. This dissertation looks at the early development and success of the Boston Manufacturing Company from a geographical perspective. It argues that in order build a successful factory, the company, its managers, and its workers, had to transform their "place": a notion that I investigate from an economic-geographical and anthropological point of view, moving from site, to landscape, to geographic networks. On these grounds, I show how the logic of the factory's development was both embedded in and shaping the emerging structures surrounding it, and how, in turn, the company’s later move to Lowell as one of the iconic industrial sites depended on its having successfully learned the business of "place-making" in its foundational Waltham decade.History of Science
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Stiltner, MitziAnn. "Don't Put Your Shoes on the Bed: A Moral Analysis of To Kill a Mockingbird". Digital Commons @ East Tennessee State University, 2002. https://dc.etsu.edu/etd/722.
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Harper Lee wrote a remarkable novel which provides a great deal of moral insight for its readers; through a use of history, moral instruction, and character development, Lee establishes a foundation for how people in an often intolerant world should live peacefully together. Moreover, she reminds the reader that regardless of socioeconomic status or race everyone deserves to be treated with respect and kindness. In establishing this moral analysis one must consider the historical source of Tom Robinson’s trial, the Scottsboro Trial; the Finch children’s consistent and exemplified instruction from their widowed father, Atticus, their housekeeper, Calpurina, and other close neighbors; and the symbolic representation of the mockingbird as a peaceful and protective creature which generally gets along with other bird species.
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Herrmann, Andrew F. "Every Story Paints a Picture Don't It? Writing Stories of Comic Shopes, Barbershops, and Other Ethnographic Stops". Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/789.
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Herrmann, Andrew F. "Every Story Paints a Picture Don't It? Writing Stories of Comic Shopes, Barbershops, and Other Ethnographic Stops". Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/801.
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Ayling, Benjamin Charles II. "An historical perspective of international champion quartets of The Society For The Preservation and Encouragement of Barber Shop Quartet Singing in America, 1939-1963". The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1304016438.
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Ayling, Benjamin Charles. "An historical perspective of international champion quartets of The Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, 1939-1963 /". The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488193665233569.
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Herrmann, Andrew F. "Stigmatized at the Comic Book Shop? An Ethnography of Collectors, Accumulators, and Other Forms of Geek". Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/803.
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Guigo, Michèle. "L'autre Louvre : la société du Louvre (1855-1939)". Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL145.
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Les Grands Magasins du Louvre naissent en 1855 à l’ombre du Grand Hôtel du Louvre, dans un quartier en expansion suite aux travaux de Haussmann, deux ans seulement après la création du Bon Marché. Leur création est fortement liée au projet et au réseau des frères Pereire qui souhaitent développer le commerce et le tourisme de luxe à Paris. Les Grands Magasins du Louvre s’imposent rapidement comme l’un des principaux grands magasins, voire même le plus important par le chiffre d’affaires dans les années 1870-1880, ainsi que par l’espace occupé. En effet, d’abord enclavé par l’hôtel, le magasin conduit par ses deux gérants, Chauchard et Hériot, va engloutir toutes les boutiques environnantes, et s’emparer de l’hôtel en 1875. Ils adoptent ainsi le slogan les « plus vastes magasins du monde ». Ce premier pied dans l’hôtellerie va inciter ses dirigeants à poursuivre leur expansion dans ce domaine en exploitant trois hôtels supplémentaires, le Terminus Saint-Lazare, l’hôtel d’Orsay et le Crillon. Les Grands Magasins du Louvre sera donc le seul grand magasin à avoir investi dans un autre secteur que le commerce pour diversifier ses activités. A la fin du XIXème siècle, le magasin semble connaître son apogée étendant son influence sur le territoire national comme à l’étranger et s’approvisionnant en marchandises du monde entier. Mais la Première Guerre mondiale et surtout la crise économique des années 1930 lui porte un coup dur dont il ne se relèvera pas. En 1939 il dépose une première fois le bilan, avant que cette fermeture soit interrompue par la guerre. Il continuera à survivre après le Second conflit mondial, avant de disparaître définitivement en 1974The Grands Magasins du Louvre was born in 1855 in the shadow of the Grand Hôtel du Louvre, in an expanding area following the works of Haussmann, only two years after the creation of the Bon Marché. Their creation is strongly linked to the project and the network of the Pereire brothers who wish to develop trade and luxury tourism in Paris. Louvre shops are quickly becoming one of the leading department stores, and even the most important by turnover in the 1870s and 1880s, as well as occupied space. Indeed, at first locked by the hotel, the store led by its two managers Chauchard and Hériot will engulf all the surrounding shops, as well as the hotel in 1879. They adopt the slogan of "the largest stores in the world". This first foot in the hotel industry will encourage its leaders to continue their expansion in this area by operating three additional hotels, the Terminus Saint-Lazare, the hotel d'Orsay and Crillon. The Grands Magasins du Louvre will therefore be the only department store to have invested in a sector other than commerce to diversify its activities. At the end of the nineteenth century, the store seems to know its heyday extending its influence on the national territory and abroad and sourcing goods from around the world. But the First World War and especially the economic crisis of the 1930s brought him a hard blow which he will not recover. In 1939 it first filed the balance sheet, before the closure was interrupted by the war. It will continue to survive after the Second World War, before finally disappearing in 1974
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Kulhánek, Jan. "Návrh marketingové strategie v elektronickém obchodě". Master's thesis, Vysoké učení technické v Brně. Fakulta podnikatelská, 2010. http://www.nusl.cz/ntk/nusl-222668.
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Work deals with marketing strategy of e-shop www.vune24.cz. Containing the theoretical basis for describing the problem and analysis of the selected company. Draft marketing strategy is focused primarily on product strategy, pricing strategy, distribution strategy and promotion. It also included an economic evaluation of the proposal.
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Loewen, Brad. "Les barriques de Red Bay et l'espace Atlantique septentrional, vers 1565". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0001/NQ43086.pdf.
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Dreyfuss-Muresan, Raluca. "Bâtir un « Temple des muses » : une histoire sociale, culturelle et politique de l’architecture des théâtres publics dans la partie orientale de la Monarchie des Habsbourg (vers 1770-1812)". Thesis, Sorbonne université, 2020. http://accesdistant.sorbonne-universite.fr/login?url=http://theses.paris-sorbonne.fr/2020SORUL097.pdf.
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À partir d’un corpus de quinze édifices et projets dans douze villes localisées dans les pays habsbourgeois situés à l’est de la frontière du Saint-Empire romain germanique, cette thèse tente d’éclairer la question de la création d’un programme architectural spécifique à un théâtre public. À l’encontre d’une tradition historiographique centrée sur la réforme de l’auditorium et sur la monumentalisation progressive du théâtre, il s’agit d’interroger la façon dont les formes d’exploitation des spectacles déterminent les distributions architecturales et conditionnent les exigences formulées à l’égard de tels édifices. Pour ce faire, cette étude prend le parti d’ancrer l’analyse des expressions architecturales dans une histoire sociale et administrative des spectacles. Cela suppose de mettre l’accent sur les divers protagonistes impliqués dans la réalisation d’un nouveau théâtre public, comme sur les positions des administrations publiques et le rôle de la presse culturelle dans l’encouragement des opérations de construction et la diffusion des renseignements sur les édifices existants. Il s’agit ainsi de réinterroger les transferts de savoirs architecturaux, en mettant en valeur des acteurs souvent négligés par les historiens de l’architecture et des formes de circulation spécifiques au contexte impérial. Cette approche permet de faire remonter d’un demi-siècle environ la chronologie de l’émancipation d’une architecture spécifique aux théâtres publics en Europe centrale, tout en mettant en lumière des typologies oubliées, comme les théâtres-redoute ou les théâtres-auberge. Enfin, cette perspective méthodologique permet de saisir l’instrumentalisation de la nature durable de l’architecture des théâtres dans la construction d’un imaginaire de l’« Europe policée » promu par les hommes de théâtre du Saint-Empire romain germaniqueFrom a corpus of fifteen buildings and architectural projects in twelve cities located east of the border of the Holy Roman Empire, this dissertation endeavours to shed light on the question of the creation of an architectural programme specific to public theatre. Running counter to a certain historiographical tradition centred on auditorium reform and the progressive monumentalization of the theatre, this study examines how theatrical productions determined architectural distributions and conditioned the demands made upon such buildings. To this end, the analyses of the various architectural modes of expression are grounded in the social and administrative history of performances. This approach investigates the various parties involved in the realization of each new public theatre as well as the roles played by public administrators and the cultural press in encouraging the building projects and making information about the existing buildings available. By highlighting actors often neglected by architectural historians and modes of circulation specific to the imperial context, the process of transferring architectural knowledge may be questioned anew. The new avenues thus opened make it possible to extend the chronology of the emancipation of the architecture specific to the public theatres in Central Europe fifty years earlier, also shedding light on such forgotten typologies as the théâtres-redoute and the theatre-inns. Finally, this methodological perspective allows for a greater understanding of the political exploitation of the durable nature of theatre architecture toward the formation of an imaginary ‘civilised Europe’ promoted by the theatrical elite of the Holy Roman Empire
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Curel, Agnès. "Une voix en métamorphose. De l'art du boniment au bonimenteur en scène : enquête sur une mémoire sonore du théâtre". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA142.
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Cette thèse se présente comme une enquête : elle constate tout d’abord l’existence, sur les scènes contemporaines (XXe-XXIe siècles), de personnages de bonimenteurs et d’une référence récurrente à un art du bonimenteur. Que charrie cet imaginaire ? Comment s’est constituée cette figure fictive, qui s’ancre néanmoins dans une histoire concrète ? En quoi les particularités du dispositif oral du boniment ont-elles pu contribuer à la pérenniser ? Notre recherche s’est organisée selon une double enquête historique : sur ce qui a constitué, au XIXe siècle, l’art du boniment, et sur l’entrée du boniment dans la fiction, notamment grâce à une artification partielle datant elle aussi du XIXe siècle. L'examen de la transition entre une fonction théâtrale précisément située dans le temps et une fonction dramatique active sur les scènes et les écrans modernes met au jour les spécificités du bonimenteur, qui, du fait de sa position entre salle et scène et entre son et image, semble créer un geste théâtral particulier.Cette enquête nous conduit ainsi à voir dans le bonimenteur une figure qui interroge le rapport du théâtre à l’oralité et à son histoire. Qui pourrait incarner en somme une autre image du théâtre, reposant sur la force d’un oral performéThis thesis was written as an investigation. It first focuses on the presence on contemporary stages (20th and 21st centuries) of characters commonly known as bonimenteurs and the recurrent reference to the art of boniment. What does this imaginary world convey? How was this fictional figure constructed and how is it rooted in a tangible history? And how have certain specific oral codes used in boniment contributed to its historical durability? Our research was developed around a dual historical investigation. It examines what constituted the art of boniment throughout the 19th century, while also considering the introduction of boniment into fiction, due in part to a partial shift into an art form also observed in the 19th century. The study of the transition between a theatrical function precisely defined in a historical timeline and an active dramatic function on stage and modern screens highlights the specificities of the bonimenteur. Thanks to his or her position between room and stage, sound and image, the bonimenteur seems to create a specific dramatic gesture.This work also leads us to consider the bonimenteur as a figure questioning theatre’s relationship with orality and its history, which may embody another representation of theater based on the power of orality as performance
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Auger, Barbara. "La représentation des bateaux en Europe entre le VIIIè et le XIIIè siècle". Phd thesis, Université de Grenoble, 2011. http://tel.archives-ouvertes.fr/tel-00665915.
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L'étude de la représentation des bateaux en Europe du Nord-Ouest ne se limite pas à la seule question iconographique et pose pour l'objectif la compréhension de l'humain dans son acte représentatif. Aussi la problématique s'intéresse-t-elle à la modalité perceptive et sa mise en culture. Comprendre la représentation des bateaux durant le Moyen Age nord-européen s'attache ainsi à définir la verbalisation de l'objet technologique qu'est le navire, les modes de productions visuelles et les schémas mentaux qui lestent chacune des images tant mentales que visuelles d'un sens culturel. Il s'agit de donner une définition anthropologique de l'image du bateau restituée à son contexte de développement et d'ainsi rétablir l'intentionnalité créatrice de chacun des auteurs. Image d'un processus créatif en cours, le bateau mythologique pose donc les questions d'un comportement humain fondamental, aussi est-il important de baser cette analyse sur un questionnement épistémologique. Il s'agit de véritablement d'appréhender le mouvement créatif humain. Cette thèse est un bateau.
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Chen, Wan-Yi y 陳婉怡. "Affect the Value and Purchase Intention of Historic Buildings Shops Impression on Consumers Perception--A Case of Huwei Hetong Ting". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/xna7g9.
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碩士南華大學
文化創意事業管理學系文創行銷碩士班
104
The purpose of this research is to underst and the consumer in Huwei Hetong Ting, Yunlin County Building for their shops impression,perceived value and purchase intention. This research used questionnaire which was analyze on the consumer in Huwei Hetong Ting,total 302 samples were returned 279 effective samples. Those data was analyzed by percentage,frequency distribution, average analysis, t test,one-way ANOVA analysis and Pearson product-and-deficit. The results are as below: 1.The consumer shops impression in Huwei Hetong Ting preferred degree of recognition to unmarried women 21 to 30 years of higher education for the college. It’s consumer purpose is to enjoy the space atmosphere. 2.The main consumer in Huwei Hetong Ting can feel higher perceived value are unmarried women over the age of 21 to 30 years old.their level of education is a research institute,and Occupation is students and military and government ; It’s consumer purpose is to get together with others. 3.The main consumer in Huwei Hetong Ting have higher purchase intention are unmarried women over the age of 21 to 30 years old.their level of education is the University,and Occupation is students ; It’s consumer purpose is to get together with others and reading. 4.The related test of store impression,perceived value and purchase intention shows store impression have a positive relations with perceived value. Shops impression have a positive relations with purchase intention. Perceived value have a positive relations with purchase intention.
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Cioli, Federico. "Identità urbana e patrimonio immateriale. Il rilievo e la rappresentazione delle attività commerciali storiche e tradizionali fiorentine". Doctoral thesis, 2021. http://hdl.handle.net/2158/1231420.
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La tesi affronta la tematica del rapporto tra la città e le attività commerciali, le quali costituiscono un’importante testimonianza della sua evoluzione storica e culturale, rappresentando tradizioni e abitudini sociali che si riflettono nei fronti urbani e nelle strade. Lo studio, attraverso l’approfondimento del caso studio delle attività storiche di Firenze, pone le basi per comprendere quelle che possono essere le implicazioni legate alla loro tutela. La ricerca ha l’obiettivo di definire un protocollo operativo per la documentazione delle attività commerciali applicabile sia sul piano nazionale che sul panorama internazionale che tenga in considerazione sia gli aspetti materiali della struttura architettonica sia gli aspetti immateriali relativi al prodotto, alle tecniche di lavorazione, alla cultura economica e alla tradizione, ma soprattutto alla storia e all’identità sociale di una città che esiste in quanto sintesi di entrambi questi aspetti. The thesis deals with the issue of the relationship between the city and commercial activities, which constitute an important testimony of its historical and cultural evolution, representing traditions and social habits that are reflected in the urban fronts and in the streets. The study, through an in-depth study of the case study of the historical activities of Florence, sets the stage for understanding what may be the implications related to their protection. The research aims to define an operational protocol for the documentation of commercial activities applicable both nationally and internationally that takes into consideration both the material aspects of the architectural structure and the intangible aspects relating to the product, to the processing techniques, to economic culture and tradition, but above all to the history and social identity of a city that exists as a synthesis of both these aspects.
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Phillips, Lynne M. "Thinking outside the ship : expanding historic ship experiences for visitors with disabilities /". 2005. http://library2.jfku.edu/Museum_Studies/Thinking_Outside_the_Ship.pdf.
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Teng, Pei-Yun y 鄧佩芸. "The merchandise design strategies of the historical museum shop". Thesis, 2005. http://ndltd.ncl.edu.tw/handle/qmhbm3.
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碩士銘傳大學
設計創作研究所碩士班
94
The design strategy is through design researches to become a series of design solutions which are organized operation, integrated resources, and procedural development. The purpose is to grasp the characteristics of products, formulate clear marketing goals and to be the basis of product design and development. And to bring the product’s function and organization’s benefits into full play. As a part of cultural and creative industries, museums also grow vigorously by the hot issue in recent years. Moreover the masses'' trends of consumption culture and life aesthetics have opened a new commodity market for the culture merchandises of the museum shop. It is not only reveals the social education and culture transmission functions of museum merchandises, but becomes an indispensable element to museums’ continuously and forever operation. This research is through probing into every factor which influences the museum shops’ merchandises to sum up the design strategies which accords with the modern museum shop merchandises. And take Taiwan’s two famous historic museums-National Palace Museum and National Museum of History as objects. First of this research is collecting and conferring related subjects which are the operating and marketing tactics of museum shops, the museum shops, visual design of the museum shop and merchandises, the design and development ways of museum shop’s merchandises, the benefits of museum-shop’s merchandises and the form, definition, type analysis of design strategy. Through putting them in order, analyzing them as consultative basis and complementing with the research methods which are observation on the spot and interview. This research brings up four merchandises design strategies of the historical museum shop. 1. Brand strategy. 2. Globalization strategy. 3. Market popularity strategy. 4. Series product’s education strategy. In the end of research, it put the practical method and procedure of “The merchandise design strategies of the historical museum shop” in order and point out eight items of problems which the Taiwan’s historic museums is facing now and how to solve them. Through completed design strategies and realistic environment evaluations, offered Taiwan’s historic museum shops an important basis of merchandises develops and marketing dissemination.
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Chi-Chen, Huang y 黃祈禎. "3-Dimensional Computer Graphics Reconstruction of the 44 Shop Houses Historic Site of Pourompon, Taipei". Thesis, 2005. http://ndltd.ncl.edu.tw/handle/24187088091265517633.
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碩士國立臺灣藝術大學
多媒體動畫藝術研究所
93
Historic sites witnessed the life and communication of people in olden times. We are able to understand the way of life of the ancients through historic sites. However, facing the passage of time, to preserve the sites or not becomes a difficult challenge and argument. Sometimes the effort of conserving sites is not as fast as the ruin of the natural and human force, natural calamities like earthquakes, typhoons, or artificial factors such as fire accidents and the realistic interests, various issues keep challenging the wisdom of the workers of historic sites. The existing historic sites are legacies of human culture; they offer opportunities for later generations to experience and picture life custom and interpersonal interactions of the former days of the ancients. The value of historic sites is priceless and invaluable. The research of this thesis is to reconstruct the 44 Shop Houses Historic Site of Pourompon, Taipei. The advantages of three-dimensional computer graphics are generally well known. We can use it to reconstruct, allocate and color buildings. People get immersed and experience the buildings through the camera view. The practical method is to research the building styles and history of the 44 Shop Houses historic site, then follow the procedure of computer graphics production to reconstruct the historic site.
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chien, lee y 李堅. "A Investigative Study for the characteristic about the using space of the imitated historic shop-houses on section 1 Di-Hua Street". Thesis, 2004. http://ndltd.ncl.edu.tw/handle/65205286360260953104.
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碩士中國文化大學
建築及都市計畫研究所
92
The Di-Hua historic street reserve the appearance of the street with " particular special purpose area of appearance of history of Ta-tao-Ch''eng urban design control principle point" in 2000, building of the historic street is divided into historic building and not historic building, to historic building do the conservancy and the control of the appearance, to rebuild and not historic building do the control of the appearance, to keep whole appearance of street. Aim at the new building with the control of the appearance of historic building, how to rebuild the rank to reserve the characteristic of the appearance of historic street environment and the inside of the building function and the living quality of inhabitant? This research will arrange documents of Di-Hua street, Investigating and analyzing the fruitful and methods of imitated historic shop-houses keep appearance of the historic shop-houses and the building of living quality, and put forward to improve the opinion, providing the reference and the application for the future of historic street of the imitated historic building. This thesis contains six chapters, and summed up individually as follows: The first chapter introduces the background, the motives and the purpose of the study and the beginning, then describes the limits and contends, in the end, to describe the method, the approach and process to understanding the frame of this thesis. The second chapter is to arrange the resource of imitated historic shop-houses 、 the history process on section 1 Di-Hua Street and types and characteristic of historic shop-houses, to realize the characteristic of imitated historic shop-houses and historic shop-houses. The third chapter aim at the figure and interior space of imitated historic shop-houses, which uses investigation and questionary to realize its situation. The fourth chapter aim at spatial quantity and distribution of imitated historic shop-houses to analyze what problems can be. The fifth chapter aim at imitated historic shop-houses to declare problems and the solution. The sixth chapter declare conclusion and suggestion, This research express : 1.Elevation and mass of imitated historic shop-houses can imitate historic shop-houses and maintain hierarchy space situation 2.Imitated historic shop-houses still develops by one column, the shop and dwelling spatial quantity can be used that is too small , and not building parking lot. 3.The length of shop-houses distribution is too long to arrange reasonably and arise shadowy, which is too short to arrange reasonably and crowed. 4.The way to improve the shape and spatial quantity of imitate historic shop-houses : (1)Using visual landscape evaluation method to select types of elevation and Imitated bank, to build objective and adaptive type. (2)After adjusting spatial quantity and family consist , it can promote the rank of living standard, using collectivize development to build parking lot . (3)When the length of shop-houses distribution is too long to arrange reasonably and arise shadowy, it can build a parvis in the middle of roof of shop-houses , to solve the problem of light and distribution 5.To keep the characteristic of historic shop-houses and the need of using space, to suggest to use collectivize development to create more benefit.
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Chen, Yi-Lin y 陳宜伶. "A Historical Transformation from Shop-house to Tou-tian-cuo / Fan-cuo：A Case Study of “ Ren-gei”". Thesis, 2003. http://ndltd.ncl.edu.tw/handle/02885768439975968511.
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Hung-ChihHsu y 徐弘治. "A Study of Shop-House and it's Evolution in Zone-Ye Historic District—A Digital Simulation of Lees' residences during the Beginning of Japanese Colonial Period". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/46128584737516192017.
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Contrucci, Tania. "The state of commercial shops in the ancient Greek world and its colonies during the Archaic and Classical periods". Thèse, 2017. http://hdl.handle.net/1866/21264.
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Shih, Wan-Lin y 施琬琳. "Carefully examines the historical block and the shop room preservation from the modern life viewpoint--Take the Taipei Dihua street as the example". Thesis, 2007. http://ndltd.ncl.edu.tw/handle/45786727762259017288.
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碩士淡江大學
建築學系碩士班
95
Historic street block conservation presents a new milestone to the past single building conservation. As keeping buildings in a historic block intact is no longer the sole consideration factor, what is more important is the continuity of the cultural background and social linage. It constitutes so-called “Live” preservation mode. While there is more other factor that exists to influence the conservation results more than the building itself, it is the “People”. Consequently, the human’s living behavior and adaptation method directly impact what the conservation work presents to the society of a most straightforward perspective. The study attempts to discern, by focusing on Taipei Dihua Street restoration and refurnishing petition cases as the study subject, why the “Taipei Dadaocheng Historic Zone” project, since its initial launching to this date, has failed to avert the general public’s negative views that Dihua Street remains outdated, chaotic and inconvenient. The question beckons what would an ideal historic block be, and what protective changes can be made to today’s Dihua Street, which will contribute to a successful progress in historic street block conservation. The study, by broaching from two major focuses of the overall street block environment and modernizing the storefronts, has concluded that public utility pipework and parking issues are the main concerns in the overall environment, and that the issue of blending modern living facilities and equipment needed for modern living to the old spatial configuration has been the concern in the storefront structure per se. The study attempts to examine probable solution by focusing on the existing circumstances derived from the occupancy behaviors in an attempt to provide a reference point in the development and design of refurbishment and new development in the future. It serves to bridge the gaps between unplanned refurnishing plans to the actual occupancy needs, and to facilitate in truly restoring and creating a historic block and storefront configuration offering traditional street block legacy but meeting the modern living needs.
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Čihák, Josef. "Manuál pro výběr tenisového vybavení pro hráče a trenéry". Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-388205.
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Title: Guide for selection of tennis equipment for players and coaches Objectives: The main purpose of this thesis is to create a detailed guide for selecting tennis equipment for players and coaches, which will help players choose right racquet, strings, balls, shoes and bags. At the same time, it will inform the reader about equipment for tennis coaches. In addition a questionnare will be elaborated to detect the equipment preferences of players at performance level. Methods: Content analysis of documents was used in this thesis and was completed by a questionnare. Results: Result of this thesis is a guide for selecting tennis equipment for players and a coach, which helps people choose the right racquet and strings. One will also gain better knowledge of tennis ball characteristics in connection with different surfaces and varying game styles. Also results from the questionnare will be elaborated to illustrate the preferences of players at performance level. Keywords: Tennis, guide, tennis racquets, tennis strings, tennis shoes, tennis bags, tennis balls, history of tennis, tennis accessories, equipment, coach.