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Literatura académica sobre el tema "Histoire de l’Indonésie"
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Artículos de revistas sobre el tema "Histoire de l’Indonésie"
KITLV, Redactie. "Book reviews". Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 168, n.º 4 (2012): 519–72. http://dx.doi.org/10.1163/22134379-90003556.
Texto completoFeillard, Andrée. "Du messianisme au dépassement de la « religion». La voie de Salamullah dans l’Indonésie du XXIe siècle". Archipel 76, n.º 1 (2008): 65–98. http://dx.doi.org/10.3406/arch.2008.4098.
Texto completoSutherland, Heather. "Treacherous Translators and Improvident Paupers: Perception and Practice in Dutch Makassar, Eighteenth and Nineteenth Centuries". Journal of the Economic and Social History of the Orient 53, n.º 1-2 (2009): 319–56. http://dx.doi.org/10.1163/002249910x12573963244566.
Texto completoAndaya, Barbara Watson. "Between Empires and Emporia: The Economics of Christianization in Early Modern Southeast Asia". Journal of the Economic and Social History of the Orient 53, n.º 1-2 (2009): 357–92. http://dx.doi.org/10.1163/002249910x12573963244601.
Texto completoKITLV, Redactie. "Book Reviews". Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 162, n.º 4 (2008): 523–94. http://dx.doi.org/10.1163/22134379-90003665.
Texto completoSémah, François, Anne-Marie Sémah, Sofwan Noerwidi, Thomas Ingicco, Truman Simanjuntak y Harry Widianto. "Quelques perspectives concernant le peuplement et la Préhistoire ancienne de l’Indonésie dans le contexte de l’Asie du Sud-Est : des premiers hominidés jusqu’à l’arrivée de notre espèce". L'Anthropologie, septiembre de 2023, 103147. http://dx.doi.org/10.1016/j.anthro.2023.103147.
Texto completoTesis sobre el tema "Histoire de l’Indonésie"
Wibowo, Agung. "LUDRUK : Théâtre et société à Java Est (Indonésie). Étude d’un genre ancien dans ses usages contemporains". Electronic Thesis or Diss., La Rochelle, 2023. http://www.theses.fr/2023LAROF001.
Texto completoConstantly in touch with the current events of village life, regional administrative bodies, political and militant discourses that clash on the national media, ludruk, a popular theater of East Java, demonstrates a generic capacity in correcting, revising, and renewing its playful content as if its survival depended on it. Such initiatives, potentially transgressive of the dominant discourses, have since the country’s independence, and before that during the Dutch and then Japanese occupation, convinced the authorities in the political and religious fields to impose close surveillance of artists and show organizers. The Indonesian army, especially during the period of Suharto’s Orde Baru, took control of most of the troupes circulating in East Java. At the time of the Reformasi, it was the Ministry of Education and Culture, to engage a vast program of standardization of a theater too protean in its inspirations, its scenic finds and its sketchy scenarios left to the improvisation of actors. But the ludruk has in a latent way a dissident possibility, that of the breakthrough of humor and derision which defines it intrinsically. The ludruk, whose inventiveness made of bits and pieces preserves the purified framework of the court theater, always aligns the fundamental figures of the “transgender singer-dancer” (tandhak) and of the “clown with a sharp tongue” (badut), both carriers of the dissonance between social and political ideals and the realities of ordinary life