Literatura académica sobre el tema "Histoire culturelle des États-Unis"
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Artículos de revistas sobre el tema "Histoire culturelle des États-Unis":
Musitelli, Jean. "Les États-Unis et la diversité culturelle : histoire d'un rendez-vous manqué". Politique américaine 5, n.º 2 (2006): 73. http://dx.doi.org/10.3917/polam.005.0073.
Huret, Romain. "Un paradoxe scientifique : les sciences sociales américaines dans les années d’après-guerre (1940–1950)". Tocqueville Review 28, n.º 2 (enero de 2007): 79–100. http://dx.doi.org/10.3138/ttr.28.2.79.
Noël, Jean-Sébastien. "Répertoires et sociabilités de l’exil chez les musiciens klezmorim américains, entre Europe orientale et États-Unis (années 1880-1920)". Monde(s) N° 23, n.º 1 (30 de junio de 2023): 25–43. http://dx.doi.org/10.3917/mond1.223.0025.
Tyler, Imogen. "De la « décennie du moi » au « millénium du moi ». Une histoire culturelle du narcissisme aux États-Unis". Le Temps des médias 38, n.º 1 (25 de julio de 2022): 53–72. http://dx.doi.org/10.3917/tdm.038.0053.
Chalvet, Martine. "Conservation/préservation de la nature « sauvage » : une histoire des savoirs, des imaginaires et des idéologies (XIXe siècle et première partie du XXe siècle)". Revue forestière française 73, n.º 2-3 (30 de marzo de 2022): 227–51. http://dx.doi.org/10.20870/revforfr.2021.5470.
Moscovici, Serge. "Which histories to write ? What stories to tell !/[Quelles histoires ?]". Sociétés contemporaines 13, n.º 1 (1 de enero de 1993): 25–32. http://dx.doi.org/10.3917/soco.p1993.13n1.0025.
Barbichon, Guy. "Ethnologie en France, ethnologie de la France". Anthropologie et Sociétés 33, n.º 2 (23 de febrero de 2010): 237–54. http://dx.doi.org/10.7202/039306ar.
Crézégut, Anthony. "Sur une impossible histoire du marxisme à Paris : un monde éditorial français « provincialisé » ?" Actuel Marx 75, n.º 1 (8 de abril de 2024): 149–67. http://dx.doi.org/10.3917/amx.075.0149.
Searles, Edmund. "Noms, récits et mémoire au Nunavut". Anthropologie et Sociétés 26, n.º 2-3 (15 de octubre de 2003): 179–91. http://dx.doi.org/10.7202/007054ar.
Mansfield, Elizabeth. "Des guerres culturelles à la guerre civile : les instituts de recherche en histoire de l’art aux États-Unis". Perspective, n.º 2 (31 de diciembre de 2015): 65–80. http://dx.doi.org/10.4000/perspective.6158.
Tesis sobre el tema "Histoire culturelle des États-Unis":
Cohen, Noémie. "Les juifs orthodoxes d'Europe orientale aux Etats-Unis : évolution religieuse et culturelle de 1880 à aujourd'hui". Paris 3, 1997. http://www.theses.fr/1998PA030025.
Two million jews left eastern europe for the united states from 1881 to 1914. This mass movement followed the years of repression the jews undergone in the russian pale of settlement. Most of the jewish immigrants settled in new york and many of them became workers in the fast-expanding industry. The russian jews brought a very orthodox practice of judaism. However, the religious customs faded after the first years spent in the new sociocultural environment. Orthodox judaism was little by little replaced by the conservative and the modern orthodox movements, the features of which seemed more appropriate to american ideology. Religious schools and philanthropic institutions enabled the various jewish communities to work out an organized structure. Ultraorthodox judaism was acknowledged as one of the many ethnic expressions of american jews in the sixties when the united states were confronted to social disorder. Today ultraorthodox jews can be found in hasidic areas. These jews remained very faithful to european tradition. However, this movement shows similarities with the american way of life in so far as it is based on the notion of freedom. Besides, ultraorthodox jews consider the united states as a country where the ideals of the melting-pot have been replaced by the concept of ethnic pluralism
Jerad, Rahma. "L'expansion américaine au prisme de Cuba : esclavage, abolition et rivalités internationales, 1836-1860 : une histoire culturelle et diplomatique". Paris 7, 2009. http://www.theses.fr/2009PA070005.
In the two decades that led to the Civil War, the proslavery southern ideologues regarded Cuba as the model of a prosperous society where slavery was a widespread and thriving institution. This model society, so close to the southern states, both on a geographical and on an economic level, thus became the focus of their interest. But, this interest in the island of Cuba was not limited to the South, nor to the twenty years preceding the Civil War. It is certain indeed that the US interest in the island dates back to the very first days of the Union, but that historians have usually been more interested in the period of Manifest Destiny because that is when the Union was the most active in its attempts to take control of the island and integrate it to its territory. The aim of the present thesis is thus first to trace back the origins and the reasons of US interest in what was often called the Perl of Antilles. Then, it is to replace this expansionnism in a larger international context in order to show that this interest was motivated not only by the national expansionist ideology but also by a wider range of international actors, events and elements, among which slavery, slave trade and their abolition by Great Britain are central. The purpose is then to emphasize elements that were often ignored by US historiography and give a more prominent place to the role played by the Cubans in this expansionist movement. By using American, Cuban and British sources, travel accounts as well as diplomatic sources, it will nonetheless appear that this annexationist desire was a complex phenomenon, due to Americans1 ambiguous feelings, to be sure their increasing racism, towards their Hispanic neighbours. This dissertation then uses the concept of Atlantic history, and can be regarded as forming part of the transatlantic study of slavery, a paradigm that, since the early 1990s, has renewed research on slavery in the Americas. And through the use of various, multinational sources it seeks to give a more balanced and hopefully a more complete history of the period
Augé, Étienne F. "L'illusion culturelle : le monde de Hollywood 1990-2000". Paris, EHESS, 2002. http://www.theses.fr/2002EHES0031.
Benvenuto, Luciano. "Le cinema post-hollywoodien (1976-1985) : une industrie culturelle transnationale de l'imaginaire filmique. une analyse socio-pragmatique". Paris 3, 1991. http://www.theses.fr/1992PA030038.
The subject of this thesis is hollywood's contemporary commercial film industry between 1976 and 1985. Emphasizing a socio-pragmatic approach in which the cinematographic context takes precedence over the cinematographic text, this research endeavors to demonstrate that this period, knowned as post-hollywood cinema world, constitutes and extreme rupture in the evolution of the hollywood movie industry. A rupture because the three intrinsic sectors of hollywood cinema were broadly affected by the aftermath of the socio-economic crisis of the early seventies and the astounding technico-televisual revolution which followed. The movie industry was entirely reshaped and reorganized on new economic foundations, bringing about changes in the audience's sociological and psychological caracteristics. These changes are evident in the signifying form of the films, where cinematographic super-production, performance and the "spectacular" are brought together. The performing signifier appears to be therfore the principal symptom of this upheaval or revolution. Because in becoming the film's principal vehicle of meaning, the performing signifier indicates that the film is no longer concerned with communication
Decker, Daniel. "Musique pop, pop art, messages, aux États-Unis et en Grande-Bretagne : analyse d'une double traversée culturelle des années soixante". Clermont-Ferrand 2, 1994. http://www.theses.fr/1994CLF20069.
Pop music, born as rock'n'roll from black rhythm & blues in the mid-fifties, became, in the sixties, the privileged means of expression of a mediated category of consumers, the teenagers, with the advent of transistr radios and the development of television, the former baby boomers gave their social unrest a tune, this music, quickly assimilated to un-american negative values (violence, juvenile delinquency, sex, drugs) soon died out in the usa. It swung back from britain where it had been adapted by exotic provocative white bluesmen who popularized this once despicable negro music. Young white misfits thus protested against the profit-seekers still under the threat of a nuclear holocaust. Trying to consider the face value of objects, not thoughts. Led by the simplistic lyrics of pop songs they came to think of the making of their own lives as happenings. The myth of a classless society, enhanced by the media in control of the establishment, easily withstood the criticisms of yelling pop singers, the underground press and the drug-addicted hippies. Their very existence proved the tolerance of the system they were so unfairly permitted to criticize
Le, Glaunec Jean-Pierre. "Lire et écrire la fuite d'esclaves dans le monde atlantique : essai d'interprétation comparée et "coopérante" à partir des annonces d'esclaves en fuite, Louisiane, Jamaïque et Caroline du sud (1801-1815) : une histoire culturelle et diplomatique". Paris 7, 2007. http://www.theses.fr/2007PA070087.
My dissertation is intended to serve as a biographical, social and cultural history of about 6,000 runaway slaves advertised in the newspapers 0f three slave societes 0f the early modern atlantic world : louisiana, south carolina, and jamaica. My central argument is to study runaway ads as texts and objects 0f history, and not simply as documents or pre-texts easily quantified and understood. I have attempted to consider the ads as a form 0f writing and reading, or to be more precise, as the major public form of reading and writing about fugitive slaves in the early modern atlantic world. Doing so means departing from the usual spatial and temporal boundaries of monographic history. The purpose is not study one particular region, for example louisiana, through the spectrum of jamaica and south carolina, but to leave the possibility open to be surprised by the confrontation of texts apparently identical or at least constructed along the same patterns. I here propose to place runaway ads at the centre of history and to read them for what they are : micro-narratives of micro-histories to be read and linked again and again
Moreau, Florence. "Pour une histoire culturelle du magazine "LIFE" dans les années 1950 : mythe, photojournalisme et rhétorique de l'image au service d'une culture visuelle américaine". Paris 7, 2012. http://www.theses.fr/2012PA070056.
As a leading 20 Century American photojournalism magazine, Life benefits from a prestigious aura turning it into an iconic entity — in press history, scholars usually refer to Life as a paragon of picture magazine when in the meantime Life plays a part in collective history as a Visual record of 20th Century American society -. The first part of this doctoral dissertation dedicated to examining the historiography of Life, explores the emblematic status held by Life, both on the academic field of press history and American studies. As a mainstream culture artifact, and under the impulsion of the counterculture of the 1960s, Life has largely been criticized for being a conservative media. Due to a dissatisfaction with the ideological critique towards Life — which often reduces the study of its editorial content to political issues — the second part of this work focuses on Life's editorial practices, so as to understand how its news content serves the establishment of a Visual culture, rather than offers a sole political statement. These first two parts are preliminary to the main purpose of this doctoral dissertation, which is to identify and analyze the main stakes that are raised when considering Life as a cultural artifact. Thus, the scope of the third part is to investigate Life's use of photography as means to celebrate and evaluate the cultural references the magazine highlights. The corpus of this investigation is a series of case studies, based on a selection of photo-essays published in Life during the early 1950s, when the magazine reached its golden age, so as to revisit this overrated area
Adane, Virginie. "Genre, pouvoir et relations marchandes dans une société coloniale multiculturelle. Nouvelle-Néerlande, New York (1630-1730)". Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0148/document.
New Netherland, then New York (from 1664 on) was a colonial society that was shaped during the 17th and 18th centuries. This dissertation shows the importance of gender, its norms and the social relations it led to, in the shaping of the society. Gender helped constructing the social order of the new society and was at the heart of the trading relations with Native American populations
Gabilliet, Jean-Paul. "Des comics et des hommes : histoire culturelle des comic books aux États-Unis /". Nantes : Éd. du Temps, 2004. http://catalogue.bnf.fr/ark:/12148/cb399717761.
Cariou, Gwennaëlle. ""Say it Loud !" : la création d'un contexte culturel noir à travers la fondation des musées africains américains". Paris 7, 2014. http://www.theses.fr/2014PA070037.
This thesis is examining the issues of the creation of a black cultural context in the USA through African-American museums founded during the second half of the 20th century. Those museums are the result of a long process within the black American community since the 19th century, at first with the establishment of a black culture (historical societies, art collections) which allowed then the creation of black exhibitions. Those exhibitions came out in a white dominating cultural context, especially with the setting of segregated exhibitions during national and international exhibitions in the USA, then with independent exhibitions. Those different exhibitions are the base of the first black museums founded in different American cities from the 1960s. The movement of creation of African American museums went on throughout the 20th century until today with the project of the National Museum of African American History and Culture scheduled to open in 2015. African American museums are presenting in a positive way the experience of African-Americans in the USA and their place in American history and culture. They are in general the only space in which this culture is displayed and show varied themes (sciences and techniques, art, religion, work) and historical periods (the Middle Passage and slavery, the Civil Rights movement)
Libros sobre el tema "Histoire culturelle des États-Unis":
Stanic, Stane. États-Unis. Paris: Bookking international, 1996.
Rémond, René. Histoire des États-Unis. 2a ed. Paris: PUF, 2013.
Rémond, René. Histoire des États-Unis. Paris: Presses universitaires de France, 1992.
Bernard, Vincent. Histoire des États-Unis. [Paris]: Flammarion, 2008.
Lacroix, Jean-Michel. Histoire des États-Unis. 5a ed. Paris: PUF, 2013.
Lise, Pothier, ed. Histoire des États-Unis. Mont-Royal, Qc: Modulo Éditeur, 1987.
Craig, Béatrice. Histoire des États-Unis. Montréal: Lidec, 1992.
Binoche, Jacques. Histoire des États-Unis. Paris: Ellipses, 2003.
Schoell, Franck L. Histoire des États-Unis. Montréal: Du Roseau, 1985.
Mélandri, Pierre. Histoire des États-Unis contemporains. Bruxelles: A. Versaille, 2008.
Capítulos de libros sobre el tema "Histoire culturelle des États-Unis":
"Ouvrages cités". En Une histoire culturelle des États-Unis, 161–76. Armand Colin, 2015. http://dx.doi.org/10.3917/arco.kempf.2015.01.0161.
Lustosa, Isabel. "La découverte de l’Amérique. La place des États-Unis dans le modernisme brésilien". En Histoire culturelle du Brésil, 107–28. Éditions de l’IHEAL, 2019. http://dx.doi.org/10.4000/books.iheal.8696.
"Bibliographie". En Histoire des États-Unis, 400–402. Armand Colin, 2017. http://dx.doi.org/10.3917/arco.porte.2017.01.0400.
Debouzy, Marianne. "34. Les mouvements sociaux aux États-Unis". En Histoire des mouvements sociaux en France, 390–402. La Découverte, 2014. http://dx.doi.org/10.3917/dec.pigen.2014.01.0390.
"Bibliographie". En Une histoire populaire des États-Unis, 771–806. Agone, 2002. http://dx.doi.org/10.3917/agon.zinn.2002.01.0771.
Geary, Patrick. "Chez les médiévistes aux États‑Unis et en Grande‑Bretagne". En Une autre histoire, 131–38. Éditions de l’École des hautes études en sciences sociales, 2015. http://dx.doi.org/10.4000/books.editionsehess.8849.
Xiberras, Martine. "12- Du French kiss au French Feminism, l’exception culturelle française". En La France dans le regard des États-Unis, 163–74. Presses universitaires de Perpignan, 2006. http://dx.doi.org/10.4000/books.pupvd.23609.
Coquery, Michel. "Histoire urbaine des États-Unis : apports d’une approche historiographique". En Panoramas urbains, 107–45. ENS Éditions, 1995. http://dx.doi.org/10.4000/books.enseditions.26018.
Jeanpierre, Laurent. "La politique culturelle française aux États-Unis de 1940 a 1947". En Entre rayonnement et réciprocité, 85–116. Éditions de la Sorbonne, 2002. http://dx.doi.org/10.4000/books.psorbonne.45878.
Cizel, Annick. "Les États-Unis et le multilatéralisme, histoire d’un désamour permanent". En Fin du leadership américain ?, 110–18. La Découverte, 2019. http://dx.doi.org/10.3917/dec.badie.2019.01.0110.
Informes sobre el tema "Histoire culturelle des États-Unis":
Socolow, A. A. y R. H. Fakundiny. Les commissions géologiques d'État aux États-Unis: leur histoire et leur rôle au sein du gouvernement. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1995. http://dx.doi.org/10.4095/203588.
Rousseau, Henri-Paul. Gutenberg, L’université et le défi numérique. CIRANO, diciembre de 2022. http://dx.doi.org/10.54932/wodt6646.