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Tesis sobre el tema "Hermanas – Novela"

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Publicado: 25 de julio de 2024
Última modificación: 30 de julio de 2024

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1

Rey, de Castro Luna Valeria. "Horrendo hermano siamés : cinismo y perversión en Estrella distante de Roberto Bolaño". Bachelor's thesis, Pontificia Universidad Católica del Perú, 2010. http://tesis.pucp.edu.pe/repositorio/handle/123456789/675.

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Fundador del movimiento poético infrarrealista en México, en el plano narrativo, Roberto Bolaño se ocupa constantemente de la representación de la dictadura y postdictadura chilena de los setenta. En el año 1996, Bolaño publica su novela corta Estrella distante, considerada como una de las más logradas según la crítica. Esta novela nace del último capítulo de otra novela del mismo escritor, La literatura nazi en América. Dicho texto está conformado por capítulos que relatan la historia de personajes latinoamericanos que, a través de la literatura y el arte, exponen un discurso fascista que surge y se fortalece a partir de las dictaduras militares que se viven tanto en Chile y Argentina del siglo XX. El último relato de La literatura nazi, ‘Ramírez Hoffman, el infame’, narra la historia de dicho personaje quien anticipará la existencia de Carlos Wieder en Estrella distante. La historia es casi la misma, excepto por su extensión y la variación de alguno de los nombres de los personajes. Es, por ese motivo, que el narrador deja clara la intención de retomar el relato y convertirla en una novela: “Arturo [Belano] deseaba una historia más larga, no espejo ni explosión de otras historias sino espejo y explosión en sí misma” (11). Es por esta razón, que desde el inicio de Estrella distante ya se plantea el tema del doble no solo como la relación entre ambos textos, sino también como el motivo en el que se basa toda la estructura textual. En Estrella distante se reconoce a uno de los personajes más recurrentes de toda la obra de Bolaño, Arturo Belano, -ya unánimemente considerado el álter ego del escritor, su propio doble- quien se encuentra tras las pistas del impenetrable poeta Carlos Wieder. La novela se construye a partir del golpe de Estado del 11 de setiembre de 1973; acontecimiento a partir del cual se revela la representación de ideologías en Chile durante la dictadura de Pinochet y cómo, después de ella, Belano adopta una óptica melancólica, crítica y desencantada que se difunde a través de toda la obra narrativa de Roberto Bolaño
Tesis
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2

Dunphy, Mark Raymond. "Double consciousness in Melville's middle novels /". Access abstract and link to full text, 1985. http://0-wwwlib.umi.com.library.utulsa.edu/dissertations/fullcit/8522800.

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3

Dennis, Andrew Robert. "Representational strategies in the novels of Hermann Burger". Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/80183/.

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This thesis focuses on the novels of Hermann Burger. It considers the experimental nature of Burger's writings as a form of opposition, or 'Verweigerung', to the restrictive discourses of Swiss nationhood expressed in the notion of 'Enge'. A central tenet of the argument advanced here is that Hermann Burger is both a very self-consciously Swiss author, and, at the same time, very self-consciously experimental; a constant tension between these two aspects of his writing is manifest in all his work. Burger was not a provincial Swiss writer. Rather, he was an eclectic writer, and this thesis will examine the manner in which his work is framed by a broad spectrum of literary and philosophical ideas current in the wider international context of literary debate which serve to challenge the narrowness of intellectual discussion and forms of representation in Switzerland. To extend the discursive possibilities of the individual within the cultural space of the nation, Burger's novels involve a radical play with form and language which blurs the boundaries between the real, the unreal and the surreal, in order to challenge notions of the 'real'. A conflict between normative modes of expression and the desire for self-expression develops which is thematically central in Burger's work. His novels present the reader with a complex set of inter-related issues: national identity; national culture; Art; nature; literature and representational strategies; art and life. The methodology adopted in this thesis reflects the belief that Burger's work is best appreciated as an eclectic mix of ideas. As Burger engages with the multifarious aspects of life and seeks to give them form, so his work is considered in relation to a broad range of theories which, taken together, provide insights into his work.
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4

Sandberg, Glenn Robert. "The Genealogy of the Massenführer : Hermann Broch's Die Verzauberung as a religious novel /". Heidelberg : C. Winter, 1997. http://catalogue.bnf.fr/ark:/12148/cb36995265z.

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5

Bonomo, Daniel Reizinger. "\"Impaciência do conhecimento\": aproximações aos Sonâmbulos de Hermann Broch". Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8144/tde-28032013-111035/.

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A pesquisa consiste em aproximações aos Sonâmbulos, de Hermann Broch, e privilegia aspectos históricos e construtivos dessa trilogia composta de Pasenow ou o romantismo, Esch ou a anarquia e Huguenau ou a objetividade. Está dividida em duas partes. Na primeira, predomina a discussão do contexto literário e histórico, do pensamento do autor e de questões teóricas do romance como gênero. Aqui, tomamos a trilogia por um comentário sem igual à crise do romance de seu tempo, as ideias de Broch por uma ética da totalidade, e propomos uma retórica realista e metafísica como recurso-base do texto dos Sonâmbulos. Na segunda parte, prevalecem observações sobre a configuração da narrativa e investimos no jogo das semelhanças e diferenças dos três títulos. O objetivo é organizar um quadro para o entendimento do lugar dos Sonâmbulos e de sua especificidade literária. Impaciência do conhecimento, em Broch, significa poesia apta a se adiantar à ciência, romance capaz de se adiantar à filosofia.
This research is devoted to Herman Brochs trilogy The sleepwalkers. The focus of our interest lies on the historical and constructive aspects of the novels Pasenow the romantic, Esch the anarchist and Huguenau the realist. The study is divided in two parts. The first one contains a discussion on the literary and historical context, on the authors thought and on theoretical questions about the novel as a genre. In our view, the trilogy offers a unique commentary upon the crisis of the novel around 1930. Moreover, we take Brochs ideas as an ethics of totality and we propose a realist and metaphysical rhetoric as a key device of the text of The sleepwalkers. The second part consists of observations on the narrative composition, in which we analyze the dynamics of similarities and differences among the three titles. Our aim is to provide a framework for the understanding of the trilogys literary place and specificity. Impatience of knowledge in Broch means poetry capable of anticipating science, novel being able to anticipate philosophy.
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6

Gullatz, Stefan. "A Lacanian analysis of selected novels by Hermann Hesse". Thesis, University of St Andrews, 1999. http://hdl.handle.net/10023/13353.

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This dissertation takes the many existing, predominantly Jungian psychoanalytic approaches to Hesse as its starting point and then proceeds to an original recasting of some of Hesse's key novels (particularly Demian and Per Steppenwolf though a brief outline for Das Glasperlenspiel is provided in the concluding chapter) in the light of a Lacanian psychoanalysis and philosophy and a generally 'structuralist' understanding. My aim is to uncover how strategies of narrative signification in the complex architecture of Hesse's novels retroactively produce the spark of meaning which Jungians consider evidence of an intrinsic, archetypal essence at the core of the self. The Steppenwolf chapter in particular is also devoted to an investigation of the way in which meaning and mourning as functions constitutive of the subject crystallise in the use of metaphorical and allegorical devices. Lupton's After Oedipus: Shakespeare in Psychoanalysis which outlines a comprehensive paradigm for the interrelation of tropic narrative devices and their psychoanalytic undercurrents is a constant point of reference in this thesis, along with the works of Slavoj Žižek, arguably the most creative and influential contemporary Lacanian critic.
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7

Terzis, Timothy R. (Timothy Randolph). "Melville's Vision of Society : A Study of the Paradoxical Interrelations in Melville's Major Novels". Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278456/.

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I hold that Melvillean society consists of paradoxical relationships between civilization and barbarianism, evil and good, the corrupt and the natural, the individual and the collective, and the primitive and the advanced. Because these terms are arbitrary and, in the context of the novels, somewhat interchangeable, I explore Melville's thoughts as those emerge in the following groups of novels: Typee, Omoo, and White-Jacket demonstrate the paradox of Melvillean society; Redburn, Moby-Dick, and Mardi illustrate the corrupting effects of capitalism and individualism; and The Confidence-Man, Israel Potter, and Pierre depict a collapsed paradox and the disintegration of Melville's society.
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8

Kaplan, Richard Edward. "Dostoevsky, Melville and the conventions of the novel fictional alliances /". Diss., Restricted to subscribing institutions, 1993. http://proquest.umi.com/pqdweb?did=746557821&sid=5&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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9

Bendels, Ruth. "Erzählen zwischen Hilbert und Einstein Naturwissenschaft und Literatur in Hermann Brochs "Eine methodologische Novelle" und Robert Musils "Drei Frauen"". Würzburg Königshausen & Neumann, 2008. http://d-nb.info/989141519/04.

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10

Faustino, Elinore. "Toward An Ethic of Failure in Three Novels by Herman Melville". Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_theses/144.

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Herman Melville’s final novel The Confidence-Man destabilizes conventional Western models of ethical behavior, particularly Kantian notions of moral agency, by exposing and challenging their basis in rationality and a progressivist model of history. The Confidence-Man shows rationality to be nothing more than one way, among many other possible ways, that human beings attempt to fix the world in their understanding and justify their moral choices. I use these insights from The Confidence-Man to illuminate Melville’s opposition to the missionaries’ work of civilizing and Christianizing the South Seas islanders in his earlier travelogues. In Typee, his first novel, Melville demonstrates that layers of existence—in fact, real human lives—are denied when the story of human relations is framed as a narrative of progress. This thesis concludes by proposing that Melville reworks the idea of failure as a potential strategy against the totalizing narrative of advancing rationalism.
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11

Pino, Morales Cristián. "Moby Dick and trascendental Decadence". Tesis, Universidad de Chile, 2007. http://repositorio.uchile.cl/handle/2250/110469.

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12

McGettigan, Katherine Ellen. "The material text and the literary marketplace in the novels of Herman Melville". Thesis, Keele University, 2014. http://eprints.keele.ac.uk/4161/.

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This thesis examines Herman Melville's representations of the material text and the literary marketplace in the novels he published between 1846 and 1857. Thus far, scholarship has emphasized Melville's hostility towards literary production in mid-nineteenth century America, and positioned the book object as a constraint on his imagination. However, this thesis argues that the industrially produced and commercially circulated book was also a powerful source of inspiration for Melville, and that the printed book is both the subject of and a tool for literary representation in his novels. Combining book history and literary criticism, the thesis considers Melville's aesthetic engagements with the material text in order to provide new perspectives on central concerns in Melville's writing: authenticity, ambiguity, irony, and originality. Chapter 1 gives an overview of the technological, economic and social conditions of literary production in antebellum America, contemporary responses to those conditions, and previous studies of Melville's representations of and relations with the literary marketplace. Chapter 2 examines Melville's ludic uses of print in Typee and Omoo, and Chapter 3 considers the relationship between book covers, the market, and selfhood in Redburn and White-Jacket. Chapter 4 explore's the circulation of the book object in markets and metaphors in Moby-Dick. Chapters 5 and 6 return to the materiality of the text, examining the ambiguities of paper and papermaking in Pierre, and The Confidence-Man's construction of original writing through technologically reproducibility. The Conclusion then suggests that the material text and literary marketplace can be best understood as embodying potential for Melville, functioning as partial and contingent spaces in his works, in which a union of aesthetic and economic value is never fully realized, but is always possible.
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13

Hermann, Ingo [Verfasser] y Lothar [Akademischer Betreuer] Schad. "Development of novel methods in quantitative magnetic resonance imaging / Ingo Hermann ; Betreuer: Lothar Schad". Heidelberg : Universitätsbibliothek Heidelberg, 2021. http://d-nb.info/1233788108/34.

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14

Gobrecht, Philipp [Verfasser], Dietmar [Akademischer Betreuer] Fischer y Hermann [Gutachter] Aberle. "Novel Strategies to Promote Nerve Regeneration / Philipp Gobrecht ; Gutachter: Hermann Aberle ; Betreuer: Dietmar Fischer". Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2017. http://d-nb.info/1139169912/34.

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15

Engelhardt, Nina Malaika. "Mathematics in literature : modernist interrelations in novels by Thomas Pynchon, Hermann Broch, and Robert Musil". Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7769.

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The focus of this thesis is on four novels’ illustrations of the parallels and interrelations between the foundational crisis of mathematics and the political, linguistic, and epistemological crises around the turn to the twentieth century. While the latter crises with their climax in the First World War are commonly agreed to define modern culture and literature, this thesis concentrates on their relations with the ‘modernist transformation’ of mathematics as illustrated in Thomas Pynchon’s Against the Day (2006) and Gravity’s Rainbow (1973), Hermann Broch’s The Sleepwalkers (1930-1932), and Robert Musil’s The Man without Qualities (1930/32). In the revaluation of mathematics during its foundational crisis, the certainty and rationality of this most certain science is challenged, and the novels accordingly employ mathematics as an example for the dramatic transformation of the modern West, the wider loss of absolute truth, and the increasing scepticism towards Enlightenment values. Crisis, however, also implied some freedoms and opportunities for literature and criticism. When the developing modern notion of mathematics is defined by autonomy and independence from the natural world, it bears traits more commonly associated with literary fiction, and the novels examine the possible convergence of mathematics and literature in the freedom of imaginary existence. The novels thus highlight the unique position of the structural science mathematics in the relation of the (natural) sciences and the humanities and suggest it to escape or straddle the perceived divide between the disciplines. The examination and historicising of relations between fiction and mathematical conceptualisations of the world as introduced in the major works by Pynchon, Broch, and Musil thus also contributes to distinguishing the specific conditions of studying mathematics in fiction in the wider field of literature and science.
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16

Hermawan, Adam [Verfasser] y Ernst [Akademischer Betreuer] Wagner. "Molecular evolution assays reveal novel targets and mechanisms of drug resistance / Adam Hermawan. Betreuer: Ernst Wagner". München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2015. http://d-nb.info/1075456622/34.

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17

Gambarotto, Bruno. "Modernidade e mistificação em Moby-Dick, de Herman Melville". Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-14032013-104328/.

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Neste estudo de análise e interpretação de Moby-Dick (1851), de Herman Melville (1819-1891), pretendemos formular e esclarecer questões relativas ao momento de definição do romance norte-americano, bem como à obra que se traduz como o esforço mais radical de um norte-americano na tentativa de, então, levar a forma romance ao estudo e reflexão sobre sua sociedade. Para tanto, recuperamos da leitura da obra os aspectos que mais fortemente tematizam tal intento: a crise ideológica de fins da década de 1840, quando os ideais revolucionários de igualdade da antiga república são finalmente confrontados com as consequências de sua integração no sistema capitalista mundializado questão central de Redburn (1849) e White-Jacket (1850), romances que preparam Moby-Dick e marcam as primeiras experiências de Melville como escritor social; o conceito de fronteira, problema de definição identitária norte-americana que abarca desde a ocupação da wilderness puritana no século XVII ao estabelecimento, à época de Melville, de uma política de Estado imperialista e, ademais, passa pela cristalização de perspectivas culturalmente particulares de propriedade e formação social de classe; e, finalmente, as noções de técnica e trabalho, diretamente implicadas na atividade baleeira e, de modo mais amplo, no avanço civilizatório norte-americano, e para quais pesam a consciência do valor social do trabalho livre e sua coexistência com a escravidão. É sob tais preocupações que contemplaremos, à luz da teoria crítica e da tradição crítica brasileira, as especificidades formais do romance, a saber, a apropriação estrutural do trágico em contraposição à épica, que define o percurso de Ahab, o capitão do Pequod, em sua caçada a Moby Dick, e a formação de um narrador reflexionante, o sobrevivente Ishmael, que retoma o passado da catástrofe para ferir o presente em que se perpetuam, no roldão do ingresso norte-americano na modernidade, as condições para sua reprodução.
Through an analytical and interpretative study of Herman Melvilles Moby-Dick I intend to formulate and clarify the historical turning point of the American novel, specifically what is deemed the most radical effort of an American writer to bring a comprehensive study on society into novelistic form. In order to accomplish that, I reconsider some of the features of Moby-Dick that strongly appealed to the times. First the ideological crisis of the 1840s, when the equalitarian revolutionary ideals of the Independence were finally confronted by the consequences of the U.S. being fully compromised to the Industrial Revolution and the capitalistic worldwide system. This is a central issue in Redburn (1849) and White-Jacket (1850), both novels where some major features of Moby-Dick are anticipated and firstly tested. Second, I scrutinize the concept of frontier -- a national identity issue that can be traced back to the Puritan 17th century errand into the wilderness that is strongly attached in the age of Melville to the ideological making of American imperialism. Besides, it also has had a major role in the crystallization of culturally specific perspectives on property and the establishment of social classes. Finally, I reconsider the notions of technique and labor, directly implied in the whaling industry and in a more general way in the marching of American civilization towards the West, which has had a strong impact on the understanding of the social significance of free labor and its coexistence with slavery. With those things under consideration, and through the surmises of the Critical Theory and the Brazilian tradition of social and literary criticism as well, it is my aim to shed light on some esthetical features of the novel, particularly on the tragic structure (as opposed to the epic) that defines the career of Pequods Captain Ahab and his obsessive chasing of Moby Dick, and the constitution of a self-reflexive narrator, the survivor Ishmael, who recalls the past of the catastrophe in order to attack the social reproduction of its conditions in the present.
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18

Guevara, Parra Jose Maria [Verfasser], Bernd [Gutachter] Büchner y Hermann [Gutachter] Suderow. "Spectroscopic imaging of novel correlated electronic phases / Jose Maria Guevara Parra ; Gutachter: Bernd Büchner, Hermann Suderow". Dresden : Technische Universität Dresden, 2021. http://d-nb.info/1231846305/34.

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19

Sautter, Sabine. "Irrationality and the development of subjectivity in major novels by William Faulkner, Hermann Broch, and Virginia Woolf". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0017/NQ55379.pdf.

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20

Ebrahimi, Azadeh [Verfasser] y Hermann [Akademischer Betreuer] Schluesener. "Patterns of histone acetylation as targets for novel therapeutic approaches in neurological diseases / Azadeh Ebrahimi ; Betreuer: Hermann Schluesener". Tübingen : Universitätsbibliothek Tübingen, 2013. http://d-nb.info/1160309833/34.

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21

Sandoval, Muñoz Catalina. "The Inaugural Status of Nathaniel Hawthorne’s 1852 The Blithedale Romance and Herman Melville’s 1853 “Bartleby, the Scrivener” in the development of the Topic of Alienation in American Literature: A Study of its Representations and a Comparison with its Treatment in Ernest Hemingway’s 1926 The Sun Also Rises". Tesis, Universidad de Chile, 2009. http://repositorio.uchile.cl/handle/2250/109903.

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22

Gonzalez, Martinez Ignacio Guillermo [Verfasser], Gianaurelio [Akademischer Betreuer] [Gutachter] Cuniberti, Mark Hermann [Akademischer Betreuer] [Gutachter] Rümmeli y Kornelius [Akademischer Betreuer] [Gutachter] Nielsch. "Novel thermal and electron-beam approaches for the fabrication of boron-rich nanowires / Ignacio Guillermo Gonzalez Martinez ; Gutachter: Gianaurelio Cuniberti, Mark Hermann Rümmeli, Kornelius Nielsch ; Gianaurelio Cuniberti, Mark Hermann Rümmeli, Kornelius Nielsch". Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2017. http://d-nb.info/1130092658/34.

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23

Gonzalez, Martinez Ignacio Guillermo [Verfasser], Gianaurelio [Akademischer Betreuer] Cuniberti, Mark Hermann Akademischer Betreuer] [Gutachter] Rümmeli y Kornelius [Akademischer Betreuer] [Nielsch. "Novel thermal and electron-beam approaches for the fabrication of boron-rich nanowires / Ignacio Guillermo Gonzalez Martinez ; Gutachter: Gianaurelio Cuniberti, Mark Hermann Rümmeli, Kornelius Nielsch ; Gianaurelio Cuniberti, Mark Hermann Rümmeli, Kornelius Nielsch". Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-218019.

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24

Weiss-Sussex, Godela. "A study of Georg Hermann's pre-First World War novels with a special reference to the presentation of the city of Berlin". Thesis, Queen Mary, University of London, 1999. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1602.

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The method of analysis employed in this thesis includes the comparative study of Hermann's novels with contemporary aesthetic and sociological writings as well as with works by other contemporary writers and visual artists. This approach places Hermann's pre-First World War novels in a cultural historical context and helps to re-establish Hermann as a writer whose works mirror in a representative way the developments of turn-of-the-century aesthetics and of the contemporary depiction of Berlin. For each novel in turn, I first show how Hermann adapts the formal aspects of his writing to the thematic concern at hand: experimenting with the aesthetic principles of Naturalism in the autobiographical Spielkinder (1897); with Realism in the tradition of Fontane in the Biedermeier `Doppelroman' Jettchen Geberts Geschichte (Jettchen Gebert (1906) and Henriette Jacoby (1908)); and with Impressionism in Kubinke (1910); until, in Die Nacht des Doktor Herzfeld (1912), he largely abandons the presentation of a plot-based narrative in favour of the Modernist concept of the novel as reflecting the hero's consciousness. The second strand of analysis for each novel follows the development of Hermann's representations of the emerging metropolis of Berlin from 1897 to 1912. The detailed description of physical and social reality is, over the years, increasingly complemented by the depiction of atmosphere and by analysis of the new metropolitan society. A critical attitude to the modem aspects of the city is expressed through direct social criticism in Spielkinder and, in a less pronounced form, by the nostalgic mood of the Jettchen novels. However, in the two following novels this makes way for a nonjudgemental depiction of city society, expressed in a detached, aestheticising panorama of the city (Kubinke) and in a psychological analysis of the metropolitan person's mental make-up (Die Nacht des Doktor Herzfeld).
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25

Chamberlain, N. A. "Herman Melville and the mid-nineteenth-century : the narrator and the literary politics of class dissent in the first six novels". Thesis, Durham University, 1990. http://etheses.dur.ac.uk/1171/.

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26

Carstensen, Anne Carola [Verfasser], Martin [Gutachter] Eilers, Hermann [Gutachter] Schindelin y Alexander [Gutachter] Buchberger. "Identification of novel N-MYC interacting proteins reveals N-MYC interaction with TFIIIC / Anne Carola Carstensen ; Gutachter: Martin Eilers, Hermann Schindelin, Alexander Buchberger". Würzburg : Universität Würzburg, 2018. http://d-nb.info/1151047597/34.

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27

Santos, Santos Javier H. "Ecomorphological discrimination of vertebrate sister species with recent phylogenetic divergence using novel non-destructive morphometric methods = Discriminación ecomorfológica de especies hermanas de vertebrados con divergencia filogenética reciente utilizando nuevos métodos morfométricos no-destructivos". Doctoral thesis, Universitat de Barcelona, 2019. http://hdl.handle.net/10803/666609.

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The thesis "Ecomorphological discrimination of vertebrate sister species with recent phylogenetic divergence using novel non-destructive morphometric methods” compares morphological evolution during syntopic adaptive radiation between two vertebrate classes: the model African cichlid fish and the non-model Malagasy mantellid frogs. In Section I the ontogenetic body shape development of two Lake Victoria haplochromine cichlid sister species (Haplochromis fischeri and H. piceatus) and their non-natural hybrid is described by means of landmark-based Geometric Morphometrics. Chapter 1 relates divergent shape changes in the parental species to their respective trophic specializations and discloses associated shape variation linked to their respective locomotor specializations along the benthic-limnetic axis. Chapter 2 observes their hybrid to display a mosaic of parental and unique morphological features and discusses the influence of hybridization in the radiation of East African cichlids. In Section II computed-tomography (CT) techniques are used to study the musculoskeletal anatomy of mantellid frogs, genus Blommersia. Chapter 3 provides the ecological, morphological, and phylogenetic description of two new species of Blommersia (B. alexi and B. nataliae) found on the Comorian island of Mayotte thought to have evolved in sympatry and to be undergoing opposite processes of gigantism and nanism, respectively, in relation to their most recent common ancestor. Chapter 4 provides the first complete skeletal description for any mantellid species, B. alexi, and reveals genus-specific osteological features that are predicted to be implicated in their locomotion and unique reproductive behavior. Chapter 5 presents a custom soft-tissue contrast staining technique used prior to CT-scanning and applies the recently developed featureless Geometric Morphometric technique of Generalized Procrustes Surface Analysis to compare pelvic shape across seven species of the genus Blommersia, relating observed patterns of shape variation to their phylogenetic relationships and pelvic muscular architecture. In Section III the biomechanics of anuran locomotion are evaluated. Chapter 6 explores biomechanical performance during jumping and swimming locomotion in the wood frog (Rana sylvatica), putting special emphasis on the hindleg musculature implicated in thrust production during both locomotor modes, and reveals incredible physiological resilience as reflected by their relatively unaltered biomechanical performance before and after freezing. Overall, cichlid fish morphological evolution appears to be influenced to a larger degree by trophic ecological pressures, whereas in mantellid frogs it is body size variation and locomotor performance that condition species' divergence.
La tesis "Discriminación ecomorfológica de especies hermanas de vertebradas con divergencia filogenética reciente utilizando nuevos métodos morfométricos no destructivos" compara la evolución morfológica durante la radiación adaptativa sintópica entre dos clases de vertebrados: los peces cíclidos africanos modelo y las ranas mantélidas malgaches no modelo. En la Sección I, el desarrollo ontogenético de la forma del cuerpo de dos especies hermanas de cíclidos haplochrominos del Lago Victoria (Haplochromis fischeri y H. piceatus) y de su híbrido no-natural se describe mediante métodos de Geometría Morfométrica basado en landmarks. El Capítulo 1 relaciona los cambios divergentes en forma entre las especies parentales a sus respectivas especializaciones tróficas y revela variación en forma asociada a sus respectivas especializaciones locomotoras según el eje bentónico-limnético. El capítulo 2 muestra que su híbrido presenta un mosaico de características morfológicas parentales y únicas, y discute la influencia de la hibridación en la radiación de los cíclidos africanos. En la Sección II, se utilizan técnicas de tomografía computarizada (CT) para estudiar la anatomía musculo-esquelética de las ranas mantélidas, género Blommersia. El Capítulo 3 proporciona la descripción ecológica, morfológica, y filogenética de dos nuevas especies de Blommersia (B. alexi y B. nataliae) halladas en la isla comorana de Mayotte, que se cree evolucionaron en simpatría y que están sufriendo procesos opuestos de gigantismo y nanismo, respectivamente, en relación a su ancestro común más reciente. El Capítulo 4 proporciona la primera descripción esquelética completa para cualquier especie de mantélido, B. alexi, y revela características osteológicas específicas del género que se predice que están implicadas en su locomoción y comportamiento reproductivo único. El Capítulo 5 presenta una técnica personalizada de tinción de contraste de tejidos blandos para utilización antes de la CT y aplica la técnica recientemente desarrollada de Geometría Morfométrica para estructuras lisas llamada Generalized Procrustes Surface Analysis para comparar la forma pélvica entre siete especies del género Blommersia, de esta forma relacionando los patrones observados de variación en forma con sus relaciones filogenéticas y arquitectura muscular pélvica. En la Sección III, se evalúa la biomecánica en la locomoción de los anuros. El capítulo 6 explora el rendimiento biomecánico durante la locomoción de salto y natación en la Rana sylvatica, poniendo especial énfasis en la musculatura de la pata trasera implicada en la producción de empuje durante ambos modos locomotores, y revela una increíble resistencia fisiológica reflejada por su rendimiento biomecánico relativamente inalterado antes y después de ser congelado En general, la evolución morfológica en los peces cíclidos parece estar influenciada en mayor medida por las presiones ecológicas tróficas, mientras que en las ranas mantélidas es la variación del tamaño corporal y el rendimiento locomotor lo que condiciona la divergencia de las especies.
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28

Katrib, Sarah. "Le désir créateur et la dynamique de l'engendrement dans les oeuvres romanesques de Romain Rolland (1866-1944), de Hermann Hesse (1877-1962) et de D.H. Lawrence (1885-1930)". Thesis, Strasbourg, 2013. http://www.theses.fr/2013STRAC039.

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Quelles valeurs et fonctions à la fois sociales, éthiques et poétiques peuvent être attribuées à la création artistique ? Dans les romans étudiés – 'Rosshalde' et 'Le Dernier Eté de Klingsor' de H.Hesse, 'Jean-Christophe' de R. Rolland, L’'Arc-En-Ciel' et 'Femmes amoureuses' de D.H. Lawrence, la création apparaît comme le moyen privilégié de résister à la mécanisation de la société industrielle et au désenchantement moderne, bien plus, elle vise à repenser les fondements du monde occidental. Un rôle civilisateur et régénérateur est attribué à l’art. Cette idée conduit à aborder différentes conceptions du sujet et de l’identité de l’artiste : la création permettrait de concilier harmonieusement le singulier et l’universel, et l’artiste incarnerait volontiers une forme de philosophe, de héros, ou de prophète, ayant un rapport ambivalent à la communauté. De plus, ces romans empruntent des procédés d’écriture et de composition à la musique et à la peinture, tout en laissant également la part belle aux dialogues mettant en oeuvre des développements conceptuels. Le roman, en intégrant des raisonnements à la fiction, ne fixe pas d’interprétation. Il critique le dogmatisme et valorise une pensée dynamique et constamment liée à l’expérience
Which values and functions, social, ethical as well as poetic, can be attached to artistic creation ? In the novels we studied - 'Rosshalde' and 'Klingsor’s Last Summer' by H.Hesse, 'Jean-Christophe' by R.Rolland, The 'Rainbow' and 'Women in Love' by D.H. Lawrence, creation seems to be the preferred means to resist the mechanization of the industrial society and to hold out against modern disillusionment, even more, it aims at rethinking the foundations of the western world. A civilizing and regenerating role is attributed to art. That leads us to approach different conceptions of the subject and of the identity of the artist : creation as a way to reconcile harmoniously the singular with the universal, and the artist as the reincarnation of a form of philosophy, of a hero, or of a prophet, having ambivalent relations with the community. Moreover, these novels adopt methods of writing and composition from music and painting, but they also give a lot of importance to dialogues making use of conceptual developments. By integrating reasoning to fiction, the novel does not fix the interpretation. It criticizes dogmatism and enhances dynamic thinking constantly linked to experience
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29

Renpenning, Julian [Verfasser], Peter [Akademischer Betreuer] Neubauer, Ivonne [Akademischer Betreuer] Nijenhuis, Juri [Akademischer Betreuer] Rappsilber, Hans-Hermann [Akademischer Betreuer] Richnow y Lorenz [Akademischer Betreuer] Adrian. "Characterization of microbial reductive dehalogenation using novel compound-specific stable isotope analyses / Julian Renpenning. Betreuer: Peter Neubauer ; Ivonne Nijenhuis. Gutachter: Peter Neubauer ; Juri Rappsilber ; Hans-Hermann Richnow ; Lorenz Adrian". Berlin : Technische Universität Berlin, 2015. http://d-nb.info/1078310467/34.

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30

Hetyei, Judit. "Der Teufelsbündner Faust als Verführter im 20. Jahrhundert /". Hamburg : Kovač, 2005. http://www.verlagdrkovac.de/3-8300-1972-6.htm.

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31

Hodde, Dorothee Verfasser], Hermann [Akademischer Betreuer] [Wagner y Gary [Akademischer Betreuer] Brook. "The development of a novel orientated nanofibre-containing hydrogel scaffold : in vitro studies of cell-substrate interactions and its application in vivo for peripheral nerve repair / Dorothee Hodde ; Hermann Wagner, Gary Brook". Aachen : Universitätsbibliothek der RWTH Aachen, 2016. http://d-nb.info/1158498594/34.

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32

Hodde, Dorothee [Verfasser], Hermann [Akademischer Betreuer] Wagner y Gary [Akademischer Betreuer] Brook. "The development of a novel orientated nanofibre-containing hydrogel scaffold : in vitro studies of cell-substrate interactions and its application in vivo for peripheral nerve repair / Dorothee Hodde ; Hermann Wagner, Gary Brook". Aachen : Universitätsbibliothek der RWTH Aachen, 2016. http://d-nb.info/1158498594/34.

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33

Smrkovský, Michal. "Román zasvěcení jako žánr a jeho prvky ve vybraných dílech Hermanna Hesseho". Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-411927.

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The theoretical part of this master thesis is based on the literary genre of the initiation novel, as presented by Daniela Hodrová. In an effort to gain a deeper insight into the novel's typical figures and spatial motifs, the theoretical part also contains a summary of archetypes described by C. G. Jung. In the practical part, principles of the initiation genre are demonstrated on the novels Demian and Steppenwolf written by the German author Hermann Hesse. The aim of the thesis is to provide a proof that the two novels can be assigned to the initiation novel genre and also to make use of the means presented in the theoretical part for an analysis of the initiation of the protagonists. The initiation in Demian is presented as a precursor of the initiation described in Steppenwolf. Therefore, the result of this thesis is also an attempt to present the philosophical connection between the analysed novels. KEYWORDS Demian, Steppenwolf, Hermann Hesse, initiation novel, Daniela Hodrová, archetype
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34

Rossouw, Leon Armand. "The motif of the water journey as a metaphor for philosophical enquiry in selected novels of Herman Melville and Joseph Conrad". Thesis, 2007. http://hdl.handle.net/10539/2174.

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Student Number : 7639580 - MA research report - Faculty of Humanities
This research report explores the motif of the water journey as a metaphor for philosophical enquiry in Melville and Conrad by comparing Moby-Dick with Heart of Darkness, and Billy Budd, Sailor with Lord Jim. It takes as its starting-point M.H. Abrams’s essay, “Spiritual Travelers in Western Literature”, and adapts the typology which he introduces by identifying four different kinds of fictional journey, namely, the physical, the experiential, the narrative and the hermeneutic. By concentrating on a broadly-based semiotic approach to interpretation (while also allowing for other critical possibilities), it examines Melville and Conrad’s treatment of certain pivotal issues in metaphysics, epistemology and ethics. It compares the narrative strategies of the two authors and, by offering close readings of the four texts under discussion, it highlights the similarities and differences in the authors’ responses to a universe of teasing complexity, as well as exploring the reader’s engagement with such texts.
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