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Literatura académica sobre el tema "Heritage objects"

Autor: Grafiati

Publicado: 25 de mayo de 2024

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Artículos de revistas sobre el tema "Heritage objects"

Aleksandrova, Maria A. "Age as a criterion of value for tangible cultural heritage objects under Russian law." Pravovedenie 64, no. 1 (2020): 176–83. http://dx.doi.org/10.21638/spbu25.2020.114.

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UNESCO’s activities are dedicated to the conservation of both intangible and tangible cultural heritage. One of the most difficult issues in constructing a system for the protection of tangible cultural heritage objects is the criteria for identifying objects as cultural heritage. Obviously, it takes time to assess the cultural or historical value and significance of a tangible object. In most cases, granting the status of a cultural heritage object is assigned much later than its creation. However, international acts also do not contain specific requirements for how old a particular object should be in order to qualify it as an object of cultural heritage. UNESCO’s practice is known for several cases of adding to the World Heritage List relatively young sites. The Russian Cultural Heritage Object Act (2002), along with the laws of some other countries, establishes a specific age (40 years) that any object must reach in order to become a cultural heritage object. An exception is made only for memorial apartments and buildings (they can be attributed as objects of cultural heritage immediately after the death of famous personalities) and for objects of archeology (they must be at least 100 years old). This rule of law is mandatory, which means that it does not make other exceptions to the rule of 40 years. Such a rule of law significantly distinguishes the Russian approach from foreign legislation. On the one hand, such regulation may negatively affect the possibility of protecting outstanding objects from the late Soviet and early new Russian period. On the other hand, the approach of granting the status of cultural heritage objects to many relatively new objects can negatively affect urban development. The author proposes to evaluate and review this provision of law in order to find the optimal balance of public and private interests.

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Mikhailov, Aleksei. "The protection of cultural heritage objects. Intangible aspects." Урбанистика, no. 3 (March 2023): 25–34. http://dx.doi.org/10.7256/2310-8673.2023.3.43592.

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The work continues the author's research on the intangible aspects of the subject of protection of cultural heritage objects and is the basis for proposals for amendments to legislation on the protection of cultural heritage objects. The results of the research is a long-term study of methods for determining the subject of protection of cultural heritage objects in terms of specifying intangible features. The author pays special attention to the analysis of historical events that occurred in the object or its surrounding historical environment, which influenced its perception by both contemporaries and their descendants. The scientific novelty of the research is determined by the allocation of intangible aspects of the subject of protection as a separate parameter. In most cases, studying the object of cultural heritage, its stages of formation, we do not pay special attention to the existence of the place. In the methods of objects of protection, attention is paid to the material component of the object of protection. However, it is by studying the intangible component of the history of the formation of the object, such as the memories of contemporaries, artistic depiction, historical use, and so on. The result of the study is a system of intangible attributes of objects of protection of cultural heritage objects, as a necessary measure to preserve the value characteristics of the object of cultural heritage. The author gives recommendations on amendments to legislative norms in the field of protection of cultural heritage objects.

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Tytarenko, Ihor, Ivan Pavlenko, and Iryna Dreval. "3D Modeling of a Virtual Built Environment Using Digital Tools: Kilburun Fortress Case Study." Applied Sciences 13, no. 3 (2023): 1577. http://dx.doi.org/10.3390/app13031577.

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The reliable reconstruction of cultural or historical heritage objects is an urgent problem for humanity. It can be successfully solved using up-to-date 3D modeling tools. The proposed technique allows for modeling virtual environments at an even higher level. This study aimed to develop an approach for designing historical heritage objects with sufficient accuracy using a built environment. The Kilburun Fortress was chosen as the object of study. The modeling procedure includes monitoring the object’s territory, analyzing archival, librarian, and cartographic sources, and further modeling and reproducing the research object in a virtual environment using various software tools. The following stages were implemented during this study: analysis and processing of preliminary data (analysis of plans and schemes, overlapping maps); the scaling of graphical objects for the reliable reproduction of the studied object; the design of a working 3D model using AutoCAD and SketchUp; the rendering and final processing of textures using Quixel; and visualization using Twinmotion. As a result, a model of the historical heritage object was created using 3D means. The model can also be integrated into ArchiCAD and Revit software.

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Афанасьев, Олег, and Oleg Afanasiev. "PROTECTION OF THE RURAL DESTINATIONS AS THE WORLD CULTURAL HERITAGE SITES: INTERNATIONAL PRACTICES." Services in Russia and abroad 10, no. 7 (2016): 18–33. http://dx.doi.org/10.12737/21818.

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The article discusses the concept of “agrоcultural (agricultural) heritage” and composing it objects in rural (agricultural) tourism, for which they are the most important destinations. This research object is interdisciplinary, affecting a variety of spheres, particularly, agroourism, sightseeing, services and so forth, and economy in general. Agricultural heritage includes tangible objects of agricultural and technical culture, created for the production. Such objects are saved for better and complete study and understanding of their nature, not for contemplation; they are not works of art. This heritage is anthropogenic and technological. From the scientific and methodological point of view the very understanding of the term of &#34;agricultural heritage&#34; is still quite uncertain. The article presents a comprehensive understanding of it based on the nature-use concept as a binary object system &#34;Man - Nature&#34;. The available experience of classification of agricultural heritage objects is considered. Starting 2002, at the initiative of the Food and Agriculture Organization (FAO) the criteria are developed and an inventory of objects of the world agro- cultural heritage, Globally Important Agricultural Heritage Systems (GIAHS), is conducted. One of the GIAHS goals is identifying objects of agricultural heritage that are most corresponding to the status of &#34;global agricultural heritage&#34; and their promotion for including to the UNESCO World Heritage List. The article presents for the first time ever full GIAHS list in Russian as of October, 2016. We have separated in special list 114 objects from 58 countries, corresponding in our view to the concept of &#34;agricultural heritage&#34; from the UNESCO World Heritage List current at the end of 2016. The article presets the attempt to classify them by 12 categories. The rating of countries in the world by the number of Agricultural UNESCO World Heritage Sites is submitted. The author notes that exactly this category of objects forms a primary resource base for the agricultural (rural) tourism development as the most important attractive destinations, especially in Europe. As the conclusions the reasons are formulated, under which agricultural tourism is a promising form of tourism organization both for individual agricultural enterprises on the basis of objects of agricultural heritage, and for the regions in which these objects are presented.

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Pizzato, Fedra A. "Objects of Inquiry." Nuncius 37, no. 3 (2022): 513–27. http://dx.doi.org/10.1163/18253911-bja10043.

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Abstract Contrary to other forms of heritage (i.e., art collections), archaeology is based on allegedly objective data and is, therefore, particularly suitable to support ideological narratives on the past. Its scientific nature, combined with the proximity between its subject, material findings, and the cultural heritage of certain groups, entails that its history is key to understanding the interactions between science and its public. From an historical analysis that highlights the dynamics of inclusion and exclusion, participation and narration of heritage, we can move on to reconstruct a critical approach to museums, collections, and cultural heritage in the society of the present and the future and re-imagine the role of history of science in this complex process.

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VALUIEV, Anton. "Archaeological heritage as a subject of criminal offense." Economics. Finances. Law 2, no. - (2023): 53–58. http://dx.doi.org/10.37634/efp.2023.2.11.

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Today, the archaeological heritage is an integral element of the objective side of the composition of the crime provided for in Art. 298 of the Criminal Code of Ukraine. At the same time, the effectiveness of the mentioned article, in our opinion, raises certain doubts. First of all, this is due to the fact that encroachments, the subject of which is the archaeological heritage, have a high level of latency. In addition, when applying Part 1 of Art. 298 of the Criminal Code of Ukraine, in the vast majority of cases, there is a problem of proving that illegal archaeological explorations, excavations, other earthworks or underwater works were carried out precisely on the site of archaeological heritage. This paper is devoted to the study of archaeological heritage as a subject of criminal encroachment and clarification of the terminological apparatus used in defining the specified element. During the research, all existing archaeological heritage sites in Ukraine were divided into three groups: 1) known archaeological heritage sites; 2) intended objects of archaeological heritage; 3) unknown objects of archaeological heritage. The given gradation gives rise to certain peculiarities regarding the status of archaeological heritage objects and the adaptation of measures aimed at their protection. Yes, criminal protection under Art. 298 of the Criminal Code of Ukraine applies only to objects of archaeological heritage of the first group. Legal protection is provided to known objects of archaeological heritage that have just been discovered or those that exist as monuments of national or local importance, that is, objects that have been granted the legal status of «object of archaeological heritage» by the state. In any other case, it is impossible to prosecute the guilty persons for the illegal conduct of archaeological explorations, excavations, other earthworks or underwater works on the object of archaeological heritage, which belongs to the second or third group. They do not have the corresponding legal status of «site of archaeological heritage», despite the fact that they are such in essence. It became necessary to introduce changes to the current legislation for the purpose of preventive protection not only of objects of archaeological heritage with a clearly defined legal status, but also of those that do not have it.

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Saveliev, Matvei V., Natalya A. Unagaeva, and Irina G. Fedchenko. "THE FEATURES OF PUBLIC SPACE FORMATION WITHIN CULTURAL HERITAGE AREAS OF INFLUENCE." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 42 (2021): 135–57. http://dx.doi.org/10.17223/22220836/42/12.

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The authors consider the problem of formation of open public spaces within areas affected by the influence of cultural heritage sites. The focus here is on the historical center of Krasnoyarsk city. Relevance of the research is determined, on the one hand, by the current trend for the formation of comfortable urban environment in public open spaces. On the other hand, by the appearance of numerous implemented projects, including those in Krasnoyarsk, which have identical functional and objective content, detached from the cultural and historical context of the environment. The analysis of the “Map of areas with special land use requirements related to the protection of cultural heritage objects” in the historic center of Krasnoyarsk revealed the following characteristic morphotypes of public open spaces (genesis types) within cultural heritage areas: territory adjacent to a single cultural heritage object (protection zone of a cultural heritage object), which is part of the street; territory adjacent to a single cultural heritage object (protection zone of a cultural heritage object), which is inside the development area (yard, courtyard garden, manor house); a street formed by the facades of several cultural heritage objects on one or both sides; a square or a garden square, which is part of the architectural ensemble – an object of cultural heritage; the territory of the quarter formed by a group of cultural heritage objects, and which is a cultural heritage protection zone; a park or square within the protected historic green space. Each type is analyzed using examples, survey of protection zones of cultural heritage, the established urban planning regulations within their boundaries regarding the availability of requirements for the improvement of public open spaces. The authors touch upon the problems of landmark attractions, preservation of identity in the historical and cultural environment of the settlement. They also formulate the principles of public open space formation within influence areas of cultural heritage objects on the basis of various methodological approaches approved by the Department of Urban Planning within the School of Architecture and Design of the Siberian Federal University.

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Trias Anditasari, Nur, Wayan Srijaya, and Rochtri Agung Bawono. "Pengelolaan Sumberdaya Arkeologi di Situs Pekauman." Humanis 26, no. 4 (2022): 351. http://dx.doi.org/10.24843/jh.2022.v26.i04.p04.

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Pekauman is a village that has a heritage of archeological resources. Relics found in the form of relics in the era before knowing writing. The purpose of this study is to explain the management of archaeological resources in Pekauman Village as a cultural tourism object in Bondowoso Regency. This study uses a descriptive qualitative method that goes through the stages of collecting data from literature, observation, interviews and analyzed using qualitative analysis, contextual analysis, and SWOT analysis. The results of this study obtained an overview of the damage and consequences of damage to cultural heritage objects in the form of human, natural, and weather factors. Cultural heritage objects studied include menhirs, kenong stones, sarcophagi, and dolmens. Stages of treatment by cleaning the object's environment, cleaning mildew and other treatments.

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Tumeliene, E., V. Nareiko, and J. Suziedelyte Visockiene. "PHOTOGRAMMETRIC MEASUREMENTS OF HERITAGE OBJECTS." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences IV-5/W1 (December 13, 2017): 71–76. http://dx.doi.org/10.5194/isprs-annals-iv-5-w1-71-2017.

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Cultural heritage is an invaluable example of human culture and creativity. The majority of them can become unstable or can be destroyed due to a combination of human and natural disturbances. In order to restore, preserve, and systematize data about architectural heritage objects, it is necessary to have geodetic, photogrammetric measurements of such data and to constantly monitor condition of the objects. The data of immovable cultural objects for many years are stored in photogrammetric data archives. Such archives have Germany, Lithuania, England and other countries. The article gives a brief introduction of the history of data archives formation and presents a photogrammetric and modern methods of modelling the spatial geometric properties of objects currently used to reveal immovable cultural properties and to evaluate geometric sizes. The pilot work was done with the Concept Capture simulation program that was developed by the Bentley company with photos of the Blessed Virgin Mary painting in Pivašiūnai of Trakai district. A shot from the ground with 12.4 MP resolution Pentax K-x camera was done using lenses with different focal lengths. The painting of the Blessed Virgin Mary is coordinated by 4 reference geodesic points and therefore after the modelling work it was possible to evaluate the accuracy of the created model. Based on the results of the spatial (3D) model, photo shooting and modelling recommendations are presented, the advantages of the new technology are distinguished.

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Prysiazhniuk, Oleksii. "Basic stages of history of the underground gethsemane garden monastery in the context of monument protection." Bulletin of Mariupol State University. Series: History. Political Studies 10, no. 27 (2020): 37–45. http://dx.doi.org/10.34079/2226-2830-2020-10-27-37-45.

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This research examines and identifies the main stages of the history of an underground monastery in the Gethsemane Garden, from the appearance of the object to the status of a cultural heritage monument. The author draws conclusions about the legal norms enshrined in the regulations that form a system of requirements for procedural actions that turn a cultural heritage object into a monument. The article describes the legal acts that regulate the field of cultural heritage protection and directly influence the process of institutionalization of cultural heritage objects. The process of institutionalization of a monument selected as an example is considered against the background of the history of the object itself in the context of important historical events and historiography of its study. Turning cultural heritage into a monument that is governed by regulations in modern conservation legislation is a complex process. Examples of completing formal procedures and obtaining cultural heritage status are monuments. That is why the author, on the example of cultural heritage – monuments of history, architecture of the underground monastery in the tract «Gethsemane Garden» describes the process of institutionalization of such objects. The institutionalization of cultural heritage means the process of defining and consolidating legal norms, rules, statuses, bringing them into a system capable of acting in the direction of satisfying the need of modern society for the preservation of cultural heritage objects.

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Más fuentes

Tesis sobre el tema "Heritage objects"

Macdonald, L. W. "Realistic visualisation of cultural heritage objects." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1471969/.

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This research investigation used digital photography in a hemispherical dome, enabling a set of 64 photographic images of an object to be captured in perfect pixel register, with each image illuminated from a different direction. This representation turns out to be much richer than a single 2D image, because it contains information at each point about both the 3D shape of the surface (gradient and local curvature) and the directionality of reflectance (gloss and specularity). Thereby it enables not only interactive visualisation through viewer software, giving the illusion of 3D, but also the reconstruction of an actual 3D surface and highly realistic rendering of a wide range of materials. The following seven outcomes of the research are claimed as novel and therefore as representing contributions to knowledge in the field:  A method for determining the geometry of an illumination dome;  An adaptive method for finding surface normals by bounded regression;  Generating 3D surfaces from photometric stereo;  Relationship between surface normals and specular angles;  Modelling surface specularity by a modified Lorentzian function;  Determining the optimal wavelengths of colour laser scanners;  Characterising colour devices by synthetic reflectance spectra.

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Tornari, Vivi. "Holographic interference : structural deformation detection applied to cultural heritage objects." Thesis, University of Sunderland, 2013. http://sure.sunderland.ac.uk/5228/.

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Interference is a fundamental physical phenomenon proving the wave nature of energy. It is based on wave superposition forming natural waveeffects expressed both in nature under random selective conditions as well as in laboratory scientific experiments by carefully controlled selection of parameters. Science generates a number of technology applications using the inherited properties of waves after their superposition in space termed interference. These interfering waves have extremely rare properties compared to their initial physical systems and become entities with measurable quantities which can be used to quantify qualities in other phenomena, mechanisms, and physical objects with variety of physical properties. These waves are currently fully explored in theoretical and experimental physics finding many modern applications and enlightening the way to longstanding questions. Remote non contact study of surfaces and their reactions visually witnessing internal subsurface and unknown bulk information without need to implement destructing forces or penetrating irradiation to trace them and without interacting with it or interfering with the results is one of the most challenging modern applications of interference physics. Apart from everyday life applications artworks’ conservation is a field that interference properties are uniquely suited. It is the quality of light wave interference that is being utilised in this body of research and summarised in the present thesis. The context of the presented thesis unfolded in next chapters is constructed in one book on a contextual rather than chronological order. The contextual base presentation is achieved through clustering same context published articles that have resulted over the course of years of research which have been published in review journals, conference proceedings or governmental publications. The formation of laser interference fringe patterns and their exceptional qualitites in application for structural diagnosis with defect detection and definition, their unique properties utilised in studies of environmental and climate effects, the prototype optical geometries and novel experimental methodologies envisaged to solve specific application problems are presented along with examination on theoretical matters of exploring interference properties, qualities, geometries and their outmost final product the interference fringe pattern. Thus in this thesis the aim is to prove the contribution of the experimental research publications to the study of interference patterns as a highly sophisticated structural diagnostic tool in the complicated problems of Cultural Heritage applications. The implementation of interference phenomena and the development in experimental investigations applied in inhomogeneous, anisotropic, shape variant, multilayered, multicomposition cultural heritage objects, paves the way to implement “fringe patterns” as a scaleless (scale independent) diagnostic detector allowing generation of novel tools and practices on problem solving projects. The developments are beyond the specific application and are extended to other fields of science and technology. The articles and bibliography cited within the text including author's publications utilised as sources in the writing of this thesis are referenced in square brackets and are explicitly listed in ANNEX I The list of publications of the author is shown in ANNEX II. The originals of author's publications supporting the thesis are provided after the Annex II as have been published. Due to limitation in number of pages there is not included a section to present the fundamental principles of the phenomena presented here instead a list of books commonly found in most University libraries is provided for interested readers as BIBLIOGRAPHY at the last paragraphs of ANNEX I.

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Beltran, Sanchidrian Victòria. "Vibrational spectroscopies study of Pinus resin in materials from cultural heritage objects." Doctoral thesis, Universitat Politècnica de Catalunya, 2016. http://hdl.handle.net/10803/404064.

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Many historical objects have coatings or varnish layers on the surface. In order to determine their conservation and historical contextualization is necessary to know its origin, why they were applied, the application technique and how they aged. In this context we found that one kind of material used is diterpenic resin obtained from species of the Pinaceae family. A search in historical sources from 9th to 19th centuries was performed in order to know how Pinaceae resin was used during history. It has been observed that resins from certain Pinaceae species such as Abies alba Mill. or Larix decidua Mill. were mainly applied in valuable objects. On the other hand, Pinus species were mainly used in daily objects without artistic merit. Moreover, it is also noted that, generally, coatings made from Pinaceae species resin include also other resins, essential oils, drying oils, etc. However, the analytical data obtained from varnishes and coatings of historical objects from our geographical environment, demonstrate that Pinus resin was used in a wider range of objects than the ones mentioned in consulted historical sources. The analysis of varnish and coating layers is very intricate. Besides the complexity of its composition, these layers are very thin, <20 µm, and they are on the surface so many interferences can be found like deposition products or even remains of biological activity. This work is focused on the study of main compounds of Pinaceae species resins used in varnishes and coatings. Particularly, it is centred in resin from Pinus genus species: its aging processes and its markers in FTIR and Raman spectra in order to detect the oxidation degree of this material. The main analytical techniques used are vibrational spectroscopies µRaman and µFTIR. While these techniques have some limitations, particularly its low sensitivity, they provide information from a wide range of molecular and intermolecular bonds. Additionally, analysis are fast, the cost is moderate and have a reduced environmental impact, since waste generated is very low. Obtained results have been used for the analysis of coatings and varnishes from historical objects. These analysis have been performed with optimized sample preparation methods and using complementary analytical techniques such as optical microscopy, scanning electron microscopy (SEM-EDX) and analytical techniques with synchrotron sources for small heterogeneous samples with complex structure (µSR-FTIR in Diamond Synchrotron Light Source, Oxfordshire and µSR-XRD Synchrotron ALBA-CELLS, Barcelona). A la superfície de molts objectes d’interès històric s ’hi troben capes de vernís o recobriments dels quals, per la seva conservació i contextualització històrica, és necessari conèixer el seu origen, la raó per la qual van ser aplicats, la tècnica d’aplicació i com els ha afectat el pas del temps. En aquest context ens trobem que un dels materials que ha estat àmpliament utilitzat és la resina diterpènica obtinguda d’espècies de la família Pinaceae. S’ha dut a terme una cerca en tractats i manuscrits d’entre els segles IX i XIX per veure quin impacte tenia el seu ús i com s ’aplicaven històricament. S'ha observat que resines d’espècies com ara Abies alba Mill. o Larix decidua Mill. eren principalment reservades per vernissos i recobriments d'objectes de valor artístic. En aquests tractats també es pot veure que l’ús principal de la resina extreta d’espècies de Pinus era per vernissos i recobriments d'objectes d’ús quotidià i, generalment, de poc valor artístic. De la mateixa manera, s'observa que habitualment els recobriments fets amb resina de Pinaceae contenien també altres tipus de resines, olis essencials, olis assecants, etc. No obstant això, les dades analítiques obtingudes d’objectes artístics de diferents èpoques del nostre entorn geogràfic, van indicant que la resina de Pinus era més àmpliament emprada del que es descriu a les fonts històriques consultades. La complexitat de l’anàlisi d’aquestes capes de vernís o recobriments, més enllà de la complexitat de la seva composició, és que acostumen a trobarse en capes de molt poc gruix, <20 μm, i que es tan en contacte amb l’ambient, i per tant s ’hi pot trobar també deposició de pols i, fins i tot, res idus d’activitat biològica. Aquest treball es centra en l’estudi dels components principals de les resines de la família Pinaceae utilitzades en vernissos i recobriments. Concretament en les espècies del gènere Pinus , els proces s os d’envelliment i l’obtenció de marcadors als espectres de FTIR i Raman per detectar-ne el grau d’oxidació del material. Les tècniques d’anàlisi principals han estat les espectroscòpies vibracionals μFTIR i μRaman. Si bé aquestes tècniques presenten algunes limitacions, especialment pel que fa a la sensibilitat, permeten obtenir informació d’un ampli ventall d’enllaços moleculars i intermoleculars. A més, les anàlisis són ràpides, el seu cost és relativament baix i tenen un reduït impacte mediambiental, ja que la generació de residus és gairebé nul·la. Els resultats obtinguts s ’han utilitzat per l’anàlisi de recobriments d’objectes d’interès històrico-artístic. Per dur a terme aquestes anàlisis s ’han optimitzat mètodes de preparació de mostra i utilitzat tècniques analítiques complementàries, com ara la microscòpia òptica i la microscòpia electrònics de ras treig (SEM-EDX) i l’ús de tècniques associades a la llum sincrotró quan la quantitat, heterogeneïtat i estructura de les mostres ho han fet necessari (μSR-FTIR al Sincrotró Diamond Light Source, Oxfordshire i μSR-XRD al Sincrotró ALBA-CELLS, Barcelona). En la superficie de muchos objetos de interés histórico se encuentran capas de barniz o recubrimientos de los que, por su conservación y contextualización histórica, es necesario conocer el origen, por qué motivo fueron aplicados, la técnica de aplicación y cómo les ha afectado el paso del tiempo. En este contexto nos encontramos que uno de los tipos de materiales utilizados son las resinas diterpénicas obtenidas de especies de la familia Pinaceae. Se ha llevado a cabo una búsqueda en tratados y manuscritos de entre los siglos IX y XIX para conocer sus usos y cómo se han aplicado a lo largo de la historia. Se ha observado que resinas de ciertas especies de Pinaceae como Abies alba Mill. o Larix decidua Mill. eran principalmente reservadas a los objetos de valor artístico. En estos tratados también se comprueba que las resinas de las especies de Pinus se usaban principalmente en objetos de cotidianos y generalmente de poco valor artístico. Además se observa que, generalmente, los barnices hechos a partir de resinas de especies de Pinaceae suelen incluir también otras resinas, aceites esenciales, aceites secantes, etc. Sin embargo, los datos analíticos de los barnices y recubrimientos de objetos artísticos de diferentes épocas de nuestro entorno geográfico, van indicando que la resina de Pinus era más ampliamente empleada de lo que se describe en las fuentes históricas consultadas. La dificultad del análisis de estas capas de barniz o recubrimientos, además de la complejidad de su composición, reside en que suelen encontrarse en capas de muy poco grosor, <20 μm, y que están en contacto con el ambiente, de modo que en la superficie se puede encontrar también deposición de polvo e, incluso, residuos de actividad biológica. Este trabajo se centra en el estudio de los componentes principales de las resinas de la familia Pinaceae usadas en barnices y recubrimientos. Concretamente se centra en la resina de las especies del género Pinus, sus procesos de envejecimiento y la obtención de marcadores en los espectros de FTIR y Raman para detectar el grado de oxidación del material. Las técnicas analíticas principales han sido las espectroscopias vibracionales μFTIR y μRaman. Si bien estas técnicas presentan algunas limitaciones, especialmente en cuanto a la baja sensibilidad, permiten obtener información de un amplio abanico de enlaces moleculares e intermoleculares. Además, los análisis son rápidos, su coste es relativamente bajo y tienen un reducido impacto medioambiental, dado que la generación de residuos es prácticamente nula. Los resultados obtenidos se han utilizado para el análisis de recubrimientos de objetos de interés histórico-artístico. Para llevar a cabo estos análisis se han optimizado los métodos de preparación de muestra y se han usado técnicas analíticas complementarias, como la microscopía óptica, la microscopía electrónica de barrido (SEM-EDX) y el uso de técnicas asociadas a la luz sincrotrón cuando la cantidad, heterogeneidad y estructura de las muestras lo han hecho necesario (μSR-FTIR en el Sincrotrón Diamond Light Source, Oxfordshire y μSR-XRD en el Sincrotrón ALBA-CELLS, Barcelona).

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Wu, Sarina. "Ethnopolitics and intangible cultural heritage in Inner Mongolia, China." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:ad67c504-0ddd-42c3-9624-16330fef982e.

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Haber, Agnes [Verfasser]. "Analysis of porous media and objects of cultural heritage by mobile NMR / Agnes Haber." Aachen : Hochschulbibliothek der Rheinisch-Westfälischen Technischen Hochschule Aachen, 2012. http://d-nb.info/1024800342/34.

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Ip, Holly, and 葉浩莉. "Ashes of the after death: the tangible and intangible heritage of bamboo-paper ritual objects." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48344916.

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When it comes to ritual ceremonies like Qing Ming, Chong Yang, Yu Lan, one will see all kinds of fascinating ritual paper offerings, ranging from the traditional to fashionable-living necessities, even though the recipients are dead. The types of ritual paper offerings can be categorized into paper materials (joss paper), bamboo-paper objects (traditional crafts), and non-bamboo framed objects (contemporary crafts). Though the life of these ritual paper objects is very short, because they are burned soon after they are made, they are designed and crafted in a very unique way. The topic of ritual paper objects is a very interesting one; however, it has hitherto received little scholarly attention from a heritage conservation perspective. It is found that a large body of literature mentions ritual paper objects in the context of the funeral ceremony. Building on the existing studies, this dissertation will demonstrate and recognize the cultural significance of the art and craft of bamboo-paper objects in Chinese culture with reference to the Convention for the Safeguarding of Intangible Cultural Heritage (2003), and thereby suggest ways for safeguarding this traditional craftsmanship. published_or_final_version Conservation Master Master of Science in Conservation

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Ahmad, Samin Ishtiaq. "What controls algal greening of sandstone heritage? : an experimental approach." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:60261cff-6113-4b23-a94c-6a0984cc2291.

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Recent observations have shown that many sandstone buildings, including important components of the UK's cultural heritage, are becoming covered with green algal growths. This is likely to result from recent changes in air quality and the impacts of a changing climate. The northern regions of the UK in particular have an abundance of sandstone heritage and, given the likelihood of warmer, wetter winters here, algal growth on vulnerable monuments is likely to become a primary conservation concern over the next 50 years. Observations of sandstone monuments in the northern regions of the UK, in particular in Belfast (Northern Ireland), Sheffield and Edinburgh have highlighted that algal greening is notably patchy. This is likely due to the array of factors which affect the bioreceptivity of host substrates such as sandstone. The bioreceptivity of a substrate (its ability to become colonised by microbes such as green algae) is dependent on inherent, external and architectural factors. The role of these factors and the interrelationships between them requires further study. This thesis aims to investigate the inherent, external and architectural factors which encourage colonisation of sandstone by green algae through an integrated programme of laboratory and field experimentation. The primary objectives of this study are: to develop improved laboratory experimental methods to control and monitor algal growth, to investigate the role of external, inherent and architectural factors and to explore the fundamental role of moisture in the development of algal greening. In order to address these objectives, laboratory and field experiments have been linked within an integrated overall methodology. Short-term laboratory experiments have investigated the bioreceptivity of four British sandstones (Peak Moor, Dungannon, St Bees and 'baluster stone') to single and mixed green algal treatment with Stichococcus bacillaris, Chlorella vulgaris and Desmococcus olivaceus, under controlled conditions. Two field experiments have also been conducted. The first exposed unweathered blocks of Dungannon sandstone in the wet environment of Derrygonnelly, Northern Ireland for 30 months. The second exposed reclaimed sandstone balusters in a shaded and exposed site in central Oxford for 12 months. The laboratory and field experiments presented utlilise a range of simple and accessible methods to monitor biofilm development (for example novel methods to map biomass) and changes in substrate condition (such as monitoring surface moisture movements with weight change and hand-held moisture meters, and using light microscopy to help visualise the impact of green algal biofilms). The results presented in this thesis confirm that moisture plays a fundamental role in the development of green algal biofilms. In laboratory experiments, colonisation often occurred within a consistent moisture zone and preferential greening in field experiments was observed in areas of frequent moisture movement. External factors have been shown to have a strong influence, in laboratory experiments where marine salts were applied, these were found to delay colonisation by around seven days. Furthermore, salts resulted in inhomogeneous patterns of colonisation, similar to those observed in scoping studies conducted in Sheffield. Laboratory experiments have also demonstrated that inherent substrate factors such as high porosity and presence of certain minerals (such as clay laminations in Dungannon) can increase the primary bioreceptivity of sandstone surfaces. Field experiments have demonstrated that architectural factors such as aspect and geometry can increase the bioreceptivity of exposed samples. In particular, preferential greening was observed on the dynamically wetted south west facing blocks in Derrygonnelly and on exposed compared with shaded balusters in Oxford. Greening was also concentrated in areas of rainwater flows and stores. Investigation of the role of external, inherent and architectural factors in the development of algal greening as provided by this project, supplies useful information for those managing our sandstone cultural heritage. This will enable more informed decisions to be made over appropriate management and conservation strategies for the future.

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He, Shuaishuai. "Developing relations between heritage conservation and urban revitalization : lessons from China." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:14f89885-4ccc-4547-8a28-45c2f1737eb3.

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The overall aim of this thesis is to further understanding of the developing relations between heritage conservation and urban revitalization, by following the on-going World Heritage List nomination process for the Grand Canal in China. A review of the history and current situation of heritage conservation and urban revitalization establishes several key gaps in knowledge, for example, the field of systematic heritage conservation is still left blank. Taking advantage of the opportunity to work with this on-going nomination, the project examines the nature and challenges of heritage conservation research and practice for a heritage property of large scale and complexity, in the form of four linked studies. A critique of the national level nomination process to date illustrates the complexity of the task, and concludes that systematic heritage conservation has not been established as a concentrated and nation-wide heritage conservation activity in China. Focusing on the municipal level nomination process to date through a case study of the city of Zhenjiang (and Yangzhou as a comparator) establishes key reasons why one city has been more successful than the other in its participation in the World Heritage List nomination. A second case study, of the Xi Jin Ferry area in Zhenjiang (Jiangsu Province), provides a fuller account of the ways in which heritage conservation can contribute to, and work with, urban revitalization. Drawing on the case of Xi Jin Ferry, a theoretically-informed, but practically-viable approach to linking heritage conservation and urban revitalization is developed which learns from the past and looks to the future. Building on the empirical research projects, a critique of existing approaches to heritage conservation of large, complex sites leads to a proposal for a 'Heritage System' framework which would facilitate future evaluations and improve the prospects for on-going management of the Grand Canal.

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Shyllon, Ololade Olakitan. "The right to the return of African cultural heritage : a human rights perspective." Diss., University of Pretoria, 2007. http://hdl.handle.net/2263/5846.

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This research focuses on how many African cultural objects found their way to Western museums or private collections. Therefore the author examines to what extent African states have succeeded in their quest for the return of their cultural objects and what the inadequacies in the current international legal regime for the return of cultural objects are. Can the return of African cultural objects properly be identified as a human right issue and will such identification present better chances for their return? Also look at how existing international human rights mechanisms are applied in the quest for the return of African cultural objects. Focuses on the specific African countries of Nigeria and Ethiopia in respect of their efforts towards the return of their tangible and moveable cultural heritage. Thesis (LLM (Human Rights and Democratisation in Africa)) -- University of Pretoria, 2007. A Dissertation submitted to the Faculty of Law University of Pretoria, in partial fulfilment of the requirements for the degree Masters of Law (LLM in Human Rights and Democratisation in Africa). Prepared under the supervision of Prof. Andreas Eshete of the Faculty of Law, University of Addis Ababa, Ethiopia. http://www.chr.up.ac.za/ Centre for Human Rights LLM

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Tanner-Kaplash, Sonja. "The common heritage of all mankind : a study of cultural policy and legislation pertinent to cultural objects." Thesis, University of Leicester, 1989. http://hdl.handle.net/2381/4478.

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Government policy is subject to many influences, which may range from a philosophical position arising from changes in the value systems of a given society, to logistic considerations, such as available methods of implementation and the prevailing economic structure. The value system known as "the common heritage of all mankind" - the long-term global stewardship of natural and man-made resources - is explored in this thesis in the context of cultural policies, specifically those concerning cultural objects. Heritage, linked to the concept of inheritance as a legally protected future interest, is traced in its historical migration from the private sphere to the development of national public assets to an international awareness of global stewardship. Implementing legislation is a salient indicator of cultural policy; the cyclical relationship in which legal precepts internalized by a society from earlier laws become integral to the cycle of policy formulation and application is illustrated, featuring legislation from several States. While the thesis is cast within a particular philosophical framework, practical economic realities are among the most important logistic considerations for government policy development. Illicit activities have been recognized as a major threat to cultural objects in the modern world, in addition, these objects are frequently "luxury goods" for which historically, regulation and taxation have been the rule rather than the exception; the thesis argues for a practical, domestic and economic approach to the problem of protection. This implies control of cultural objects in some form, including the documentation of significant pieces. The thesis conclusions propose that both the responsibilities and associated costs could be defrayed and shared by governments and the private sector by means of a licensing program.

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Libros sobre el tema "Heritage objects"

Wiescher, Michael, and Khachatur Manukyan. Scientific Analysis of Cultural Heritage Objects. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-031-02087-2.

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Dorfman, Eric. Intangible natural heritage: New perspectives on natural objects. Routledge, 2012.

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Branch, Manitoba Historic Resources, ed. Heritage objects: A precious resource for all Manitobans. Manitoba Culture, Heritage and Citizenship, 1996.

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Eric, May, and Jones Mark, eds. Conservation science: Heritage materials. RSC Pub., 2006.

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Heritage management: Care, understanding and appreciation of cultural heritage. Publication Scheme, 2004.

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Cultural heritage microbiology: Fundamental studies in conservation science. ASM Press, 2010.

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Elizabeth, Pye, ed. The power of touch: Handling objects in museum and heritage contexts. Left Coast Press, 2007.

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Conservation science for Asian cultural heritage. National Museum of Korea, 2011.

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Indian National Trust for Art and Cultural Heritage., ed. Indian National Trust for Art and Cultural Heritage. Library of Congress Office, 1999.

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China. Guo jia wen wu ju., Zhongguo li shi bo wu guan, and Zhongguo ge ming li shi bo wu guan., eds. The treasures of a nation: China's cultural heritage, 1949-1999 : discovery, preservation and protection. Morning Glory Publishers, 1999.

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Capítulos de libros sobre el tema "Heritage objects"

Lipman, Caron. "Found objects." In Heritage in the Home. Routledge, 2020. http://dx.doi.org/10.4324/9780429462481-9.

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Anagnostopoulos, Aris, Evangelos Kyriakidis, and Eleni Stefanou. "Objects and object biographies in archaeology and heritage." In Making Heritage Together. Routledge, 2022. http://dx.doi.org/10.4324/9781003259367-3.

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Francis, Errol. "Beyond our system of objects." In Whose Heritage? Routledge, 2023. http://dx.doi.org/10.4324/9781003092735-8.

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Zhang, Gillian Yanzhuang. "Substitutional Objects." In Understanding Authenticity in Chinese Cultural Heritage. Routledge, 2023. http://dx.doi.org/10.4324/9781003290834-5.

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Wiescher, Michael, and Khachatur Manukyan. "Science for Cultural Heritage." In Scientific Analysis of Cultural Heritage Objects. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-031-02087-2_1.

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Manzano-Jurado, Josemaría, and Santiago Porras Álvarez. "Objects as Phenomenological Provocation in the Graphic Ideation-Abstraction Process." In Graphical Heritage. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47983-1_49.

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van Beurden, Jos. "Claims for Colonial Objects and for Colonial Archives." In Disputed Archival Heritage. Routledge, 2022. http://dx.doi.org/10.4324/9781003057765-15.

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Guttenbrunner, M., J. Wieners, A. Rauber, and M. Thaller. "Same Same But Different – Comparing Rendering Environments for Interactive Digital Objects." In Digital Heritage. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-16873-4_11.

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Sitnik, Robert, and Maciej Karaszewski. "Automated Processing of Data from 3D Scanning of Cultural Heritage Objects." In Digital Heritage. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-16873-4_3.

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Vigneron, Sophie. "Protecting Cultural Objects: Enforcing the Illicit Export of Foreign Cultural Objects." In Art, Cultural Heritage and the Market. Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-45094-5_5.

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Actas de conferencias sobre el tema "Heritage objects"

Jansen, Adam. "Using archival diplomatics and object-oriented programming to build preservation objects in the Cloud." In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7419524.

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Rizvic, Selma, and Izabela Skalonjic. "Reconstructing cultural heritage objects from storytelling." In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7419501.

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"Multimodal imaging of heritage objects." In Microscience Microscopy Congress 2023 incorporating EMAG 2023. Royal Microscopical Society, 2023. http://dx.doi.org/10.22443/rms.mmc2023.305.

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Abergel, V., R. Saleri, H. Lequay, and L. De Luca. "An immersive visualization kit for online 3D objects databases." In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7413888.

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Niang, Cheikh, Claudia Marinica, Elise Leboucher, Luc Bouiller, and Christine Capderou. "An ontological model for conservation-restoration of cultural objects." In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7419476.

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Graf, Holger, Jens Keil, Alfonsina Pagano, and Sofia Pescarin. "A contextualized educational museum experience connecting objects, places and themes through mobile virtual museums." In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7413896.

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Bourke, Paul. "Novel imaging of heritage objects and sites." In 2014 International Conference on Virtual Systems & Multimedia (VSMM). IEEE, 2014. http://dx.doi.org/10.1109/vsmm.2014.7136666.

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D'Andrea, Andrea, and Kate Fernie. "CARARE 2.0: A metadata schema for 3D cultural objects." In 2013 Digital Heritage International Congress (DigitalHeritage). IEEE, 2013. http://dx.doi.org/10.1109/digitalheritage.2013.6744745.

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Di Bitonto, Pierpaolo, Teresa Roselli, and Veronica Rossano. "A Recommendation Technique for Cultural Heritage Hypermedial Objects." In 2009 Ninth International Conference on Intelligent Systems Design and Applications. IEEE, 2009. http://dx.doi.org/10.1109/isda.2009.217.

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Zhou, Jun, Yuhang Lu, Karen Smith, et al. "A Framework for Design Identification on Heritage Objects." In PEARC '19: Practice and Experience in Advanced Research Computing. ACM, 2019. http://dx.doi.org/10.1145/3332186.3332190.

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Informes sobre el tema "Heritage objects"

Brinker, C. J., C. S. Ashley, and A. S. Sellinger. Sol-gel preservation of mankind`s cultural heritage in objects constructed of stone. Office of Scientific and Technical Information (OSTI), 1998. http://dx.doi.org/10.2172/573146.

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Golokhvastov, M. V. MAPPING OF OBJECTS OF ARCHAEOLOGICAL HERITAGE IN THE VALLEY OF THE KURCHUMKА RIVER. "Росток", 2018. http://dx.doi.org/10.18411/gol-2018-10.

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Buichik, A. G. CATEGORIES AND KINDS OF THE OBJECTS OF HISTORICAL AND CULTURAL HERITAGE ON RUSSIAN FEDERATION’S TERRITORY. Modern Science: Actual Problems of Theory and Practice №3, 2019. http://dx.doi.org/10.18411/buichik-ag-doi-7.

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Buichik, A. G. THE RELEVANCE OF THE POSITIONING OF THE RESTORED CULTURAL HERITAGE OBJECTS BY MEANS OF WEB PROJECTING. Modern Science: Actual Problems of Theory and Practice №3, 2019. http://dx.doi.org/10.18411/buichik-ag-doi-3.

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Kiriyanov, N. S. ISSUES OF PRESERVATION OF OBJECTS OF ARCHAEOLOGICAL HERITAGE OF THE LATE PERIOD IN THE NORTH-EASTERN YAKUTIA. "Росток", 2018. http://dx.doi.org/10.18411/kir-2018-17.

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Seidametova, Zarema S., Zinnur S. Abduramanov, and Girey S. Seydametov. Using augmented reality for architecture artifacts visualizations. [б. в.], 2021. http://dx.doi.org/10.31812/123456789/4626.

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Nowadays one of the most popular trends in software development is Augmented Reality (AR). AR applications offer an interactive user experience and engagement through a real-world environment. AR application areas include archaeology, architecture, business, entertainment, medicine, education and etc. In the paper we compared the main SDKs for the development of a marker-based AR apps and 3D modeling freeware computer programs used for developing 3D-objects. We presented a concept, design and development of AR application “Art-Heritage’’ with historical monuments and buildings of Crimean Tatars architecture (XIII-XX centuries). It uses a smartphone or tablet to alter the existing picture, via an app. Using “Art-Heritage’’ users stand in front of an area where the monuments used to be and hold up mobile device in order to see an altered version of reality.

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Khomenko, Tetiana, та Yuriy Kolisnyk. Втрати української культури у російсько-українській війні: культурно-інформаційний спротив. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11749.

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The authors explored the activity of mass media and cultural organizations aimed at clarification of the current problematic issue – preservation of Ukrainian cultural heritage under the conditions of the full-scale invasion of Russia into Ukraine. The authors emphasize that occupants not only destroy historic buildings, i.e. material objects, but also steal art values, destroy library and archive funds; their actions are aimed at destruction of our spirituality, identity and history. It is pointed out that there are the main streams in the work of journalists, experts, and culture figures, namely: fixation of losses, propaganda of the Ukrainian culture in the world, expert evaluation of the restitution possibilities, and filling of the culture material with patriotic sense. The full-scale invasion of Russia into Ukraine on the 24th of February 2022 led to the numerous loss of life, ruination of the military, civil and infrastructure objects. But the state-aggressor destroys and robs our culture in this war. Since the beginning of the war mass media have been actively informing about the situation in the regions, which happened to be at the line of the Russian troops attack. The information was in particular about the fact that different educational establishments, libraries and their funds, museums with valuable collections, theatres, religious buildings and historic buildings had been ruined. To tell the truth the information was incomplete due to the limited opportunities to monitor the situation. However, later it has been systematized. The work of journalists and experts contributed to this since they stated the criminal acts of Russia, informing about the ruination facts of historic, sacral, cultural monuments, devastation of many museum collections, destruction of library and archive funds. Digitalization of the Russian war crimes against Ukrainian culture became one more important work aimed at preservation of the Ukrainian cultural heritage. It was done by means of interactive maps of the Ukrainian cultural losses and it enables documenting crimes of the occupant army and spreading this information at the international level. Key words: culture, cultural front, cultural losses, cultural values, cultural heritage, war, media.

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Пацюк, Вікторія Сергіївна, and Володимир Леонідович Казаков. Industrial Tourism as New Trend in Tourism Business of Ukraine. Verlag SWG imex GmbH, 2019. http://dx.doi.org/10.31812/123456789/7565.

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In the article the change of tourist preferences of potential tourists has been grounded, the tendencies of appearance of industrial tourism trends and tourists incentives as to industrial tourism activities have been analysed. The best practices of Ukraine and Dnipropetrovsk region at industrial tourism management have been analyzed in details. The city of Kryvyi Rih has been defined as center of the greatest potential for industrial tourism development in Ukraine, as there are both mining-industrial and factory facilities. The resource base of industrial tourism potential includes active industry, anthropogenic relief, objects of industrial heritage, human resources, infrastructure. The essence of activities holding in the city for the efficient formation of industrial tourism have been depicted, the substance of the main activities to be implemented under the Program of industrial tourism development in Kryvyi Rih during 2013-2015 has been outlined. The lines of activities of the Industrial Tourism Department of the Kryvyi Rih City Development Institution have been analyzed. The most popular objects and directions of industrial tourism in the city Kryvyi Rih have been considered in detail. The plans for the future and the next steps in the implementation of industrial tourism have been defined.

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Levochkina, N. A. Lecture course for distance learning "Museum management" (training course: 43.03.02 "Tourism", 51.03.04 "Museology and protection of objects of cultural and natural heritage", level of higher education - bachelor's degree). Science and Innovation Center Publishing House, 2016. http://dx.doi.org/10.12731/levochkina.01112016.22234.

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Levochkina, N. A. TOURISM OF THE OMSK REGION: The twentieth century (Thematic bibliographic index of literature) (direction: 43.03.02 "Tourism" (International and domestic tourism), 51.03.04 "Museology and protection of objects of cultural and natural heritage", level - bachelor). Science and Innovation Center Publishing House, 2016. http://dx.doi.org/10.12731/levochkina.01092016.22121.

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