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Bibliografías temáticas / Handicrafts using flax

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Literatura académica sobre el tema "Handicrafts using flax"

Autor: Grafiati

Publicado: 26 de julio de 2024

Última modificación: 27 de julio de 2024

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Artículos de revistas sobre el tema "Handicrafts using flax"

1

Zhanat, Aliyeva, Abdikalyk Kunimzhan, Alimkhan Aigul, Berkenova Rabiga Agabekkyzy, and Abisheva Nurziya. "Teachers' views on teaching modern Kazakh stories over national values." Cypriot Journal of Educational Sciences 17, no. 1 (2022): 215–26. http://dx.doi.org/10.18844/cjes.v17i1.6702.

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It is extremely important to bring national and universal values to young individuals from an early age. This study aims to evaluate the views of teachers about teaching modern Kazakh stories over national values. The qualitative research method was used in the research. The study group of the research consisted of 40 primary school teachers working in Almaty, Kazakhstan. Research data were collected with a semi-structured interview form prepared by the researchers. As a result of the research, teachers expressed patriotism, customs, love of the flag, national holidays, historical awareness, h

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2

Marlina, Winny Alna, Nur Ari Sufiawan, Nefy Putri Novani, and Handoko Handoko. "Implementation by the Food and Drug Supervisory Agency (BPOM) of Bamboo Products in Jorong Balai Labuah Bawah, Tanah Datar." Warta Pengabdian Andalas 31, no. 1 (2024): 1–6. http://dx.doi.org/10.25077/jwa.31.1.1-6.2024.

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Sumatera Volunteer Foundation was founded in 2014. The foundation is located in Jorong Balai Labuah Bawah-Lima Kaum, which is located on flat land. The main activity of the non-profit Sumatra Volunteer Foundation is a handicraft business whose main raw materials are obtained from nature Sumatra Volunteer sells goods whose raw material is bamboo, such as straws (Sumatra Straws), food made from coconut shells, gifts made from bamboo, and crafts to finance the Foundation's operational activities. In BPOM permit regulations, only straw products are permitted because they are used directly by users

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3

Dyakova, Olga V., and Vladimir I. Dyakov. "THE POTTERY KILN OF THE PETROVKA-5 SETTLEMENT IN THE CONTEXT OF THE FAR EAST ARCHAEOLOGY." Ural Historical Journal 79, no. 2 (2023): 136–45. http://dx.doi.org/10.30759/1728-9718-2023-2(79)-136-145.

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In Primorye, a kiln for firing ceramic material was excavated at the Petrovka-5 monument near the town of Bolshoy Kamen. The furnace occupied the northeastern cape-shaped tip of the hollow slope. The height difference at its location was 1,35 m. The furnace was erected on a flat area paved with broken bricks and baked clay. The furnace had the shape of a truncated circle with a straight end wall on the south side and a furnace on the north. The dimensions of the structure at the base are 2 × 2,3 m, the long side is oriented Northwest–Southeast. The ceiling is made of arched masonry in the shap

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4

Liu, Junran, Shuyi Liu, Lisha Zhu, et al. "Carbon Neutrality Potential of Textile Products Made from Plant-Derived Fibers." Sustainability 15, no. 9 (2023): 7070. http://dx.doi.org/10.3390/su15097070.

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During the growth of biomass, there are two carbon storage paths for plant-derived fibers. One path is to assimilate carbon dioxide (CO2) from the atmosphere through photosynthesis and temporarily store it in textile plants. Besides, the carbon can be captured and stored in soil. The carbon storage capacity of textile products made from plant-derived fibers such as cotton, flax, hemp, kenaf and bamboo fiber, etc., is a non-negligible part of greenhouse gas (GHG) accounting and reporting. However, there is a lack of systematic methods to evaluate carbon storage and the delayed emission effect o

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5

Chen, Jasmine Yu-Hsing. "Bleeding Puppets: Transmediating Genre in Pili Puppetry." M/C Journal 23, no. 5 (2020). http://dx.doi.org/10.5204/mcj.1681.

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IntroductionWhat can we learn about anomaly from the strangeness of a puppet, a lifeless object, that can both bleed and die? How does the filming process of a puppet’s death engage across media and produce a new media genre that is not easily classified within traditional conventions? Why do these fighting and bleeding puppets’ scenes consistently attract audiences? This study examines how Pili puppetry (1984-present), a popular TV series depicting martial arts-based narratives and fight sequences, interacts with digital technologies and constructs a new media genre. The transmedia constituti

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