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Libros sobre el tema "Graffiti – Société"

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Autor: Grafiati
Publicado: 4 de mayo de 2024

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1

Ponosov, Igorʹ. Iskusstvo i gorod: Graffiti, ulichnoe iskusstvo, aktivizm. Moskva: [publisher not identified], 2016.

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2

Playground Sweden. Årsta: Dokument, 2007.

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3

Mania, Patrizia, Raffaella Petrilli y Elisabetta Cristallini. Arte sui muri della città: Street art e urban art : questioni aperte. Roma: Round Robin editrice, 2017.

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4

Alberto, Vargas Rodríguez, ed. Ciudad contemporánea: Arte, imagen y memoria. Bogotá: Universidad de Bogotá Jorge Tadeo Lozano, 2011.

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5

Graffiti and the literary landscape in Roman Pompeii. Oxford: Oxford University Press, 2014.

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6

Varnedoe, Kirk. High & Low: Moderne Kunst und Trivialkultur. München: Prestel-Verlag, 1990.

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7

author, Câmara Sílvia, ed. Arte(s) urbana(s). Ribeirão - V. N. Famalicão: Húmus, 2020.

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8

Mills, Stormie. Dwi yma. [West Perth, W.A.]: Magenta Group, 2013.

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9

Tilly, Luke. If you like art you'll love this: The necessity of graffiti in todays society. London: LCP, 1999.

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10

Magalhães, Liliana y Lucas Ribeiro. Transfer: Cultura urbana, arte contemporânea, transferências, transformações : Santander Cultural, Porto Alegre, de 25 junho a 28 setembro de 2008. Porto Alegre, Rio Grande do Sul, Brazil]: Santander Cultural, 2008.

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11

The wall and the city. [Trento]: Professional dreamers, 2009.

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12

Lani-Bayle, Martine. Du tag au graff'art: Les messages de l'expresion murale graffitée. Marseille: Edition Hommes et perspectives, 1993.

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13

Putting the pieces together: The Graffiti model for indie filmmaking : a behind-the-scenes look at the making of Quality of life. New York: Soft Skull, 2006.

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14

Stinkfish. Válvulas de escape: Esténcil callejero en Bogotá = Bogotá street stencils. Bogotá, Colombia: Bogotá Street Art, 2021.

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15

Faccenda, Luca. Africains en Afrique: Art contemporain africain dès origines tribales au neuf graffitisme et à l'art populaire = Africani in Africa : arte contemporanea africana dalle origini tribali al nuovo graffitismo e all'arte popolare = Africans in Africa : African contemporary art from tribal origins to new graffitism and pop art. Firenze: Giunti, 2004.

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16

Mesch, Claudia. Modern art at the Berlin Wall: Demarcating culture in the Cold War Germanys. London: Tauris Academic Studies, 2008.

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17

Graffiti: Vandalism, Street Art and Cultural Significance. Nova Science Publishers, Incorporated, 2018.

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18

Yarn Bombing: The Art of Crochet and Knit Graffiti. Vancouver, Canada: Arsenal Pulp Press, 2009.

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19

Bruce, Caitlin Frances. Painting Publics: Transnational Legal Graffiti Scenes as Spaces for Encounter. Temple University Press, 2019.

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20

Painting Publics: Transnational Legal Graffiti Scenes as Spaces for Encounter. Temple University Press, 2019.

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21

100 Society. Hachette Children's Group, 2014.

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22

Bruce, Caitlin Frances. Painting Publics: Transnational Legal Graffiti Scenes As Spaces for Encounter. Temple University Press, 2019.

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23

Milnor, Kristina. Graffiti and the Literary Landscape in Roman Pompeii. Oxford University Press, 2014.

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24

Graffiti and the Literary Landscape in Roman Pompeii. Oxford University Press, Incorporated, 2014.

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25

High and Low: Modern Art and Popular Culture. Museum of Modern Art, 1990.

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26

Crime and the Urban Imagination. Taylor & Francis Ltd, 2013.

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27

Mural Art Murals On Huge Public Surfaces Around The World From Graffiti To Trompe Loeil. Publikat Verlags- Und Handels Kg(getting Up), 2009.

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28

Morgan, Benjamin y Quality of Life Crew. Putting the Pieces Together: The Graffiti Model for Indie Filmmaking. Soft Skull Press, 2006.

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29

Stone, Michael E. Rock Inscriptions and Graffiti Project: Catalogue of Inscriptions : Inscriptions 6001-8500 (Society of Biblical Literature, No 31). Scholars Pr, 1994.

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30

Iosifidis, Kiriakos. Mural Art, Vol. 3: Murals on Huge Public Surfaces Around the World from Graffiti to Trompe L'Oeil. Publikat, 2010.

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31

Street Art, Public City: Law, Crime and the Urban Imagination. Routledge, 2013.

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32

Alison, Young. Street Art, Public City: Law, Crime and the Urban Imagination. Taylor & Francis Group, 2013.

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33

Alison, Young. Street Art, Public City: Law, Crime and the Urban Imagination. Taylor & Francis Group, 2013.

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34

Alison, Young. Street Art, Public City: Law, Crime and the Urban Imagination. Taylor & Francis Group, 2014.

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35

Alison, Young. Street Art, Public City: Law, Crime and the Urban Imagination. Taylor & Francis Group, 2013.

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36

Wirtz, Kristina. “With Unity We Will Be Victorious!”. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190652807.003.0006.

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This chapter investigates the relationship between monologue and dialogue in Cuban revolutionary discourse. It proposes to attend to the “mono-logic”—the semiotic and ideological forces designed to compel alignments toward unity, coherence, and continuity, that are, asymptotically, never quite reached. Cuba’s political leaders have for decades insisted that citizens undergo a continual process of conscientization in which inner selves and outer displays jointly cultivate commitment to revolutionary principles. There are two semiotic calibrations of such discourse: (1) the charismatic, in which heroic figures such as José Martí and Fidel Castro speak with overwhelming authority; and (2) the nomic, in which slogans on banners and in graffiti present universalized Truths voiced by no one and therefore, potentially, by everyone. Inevitably, heteroglossic criticism of the mono-logic surfaces in irony, parody, and even silence. The chapter argues that the monologic drive for unity across psyche, self, society, and history co-constitutes and reframes the dialogic.
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37

Kontos, Louis y David C. Brotherton, eds. Encyclopedia of Gangs. Greenwood Publishing Group, Inc., 2007. http://dx.doi.org/10.5040/9798400655593.

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In light of Los Angeles' gang state of emergency, ethnic and minority gangs are arguably more high profile now than at any other time in our history. News media typically focus on the crime and violence associated with gangs, but not much else. This encyclopedia seeks to illuminate the world of gangs, including gang formations, routine gang activities, aberrations and current developments. One hundred essay entries related to gangs in the United States and worldwide provide a diffuse overview of the gang phenomenon. Each entry defines and explains the term, provides an historical overview, and explains its significance today. As the following entries demonstrate, gangs are part of the fabric of American society. They are not only in our communities but also our schools and other social institutions. Understanding the world of gangs is therefore needed to understand American society. Entries include: Bikers, Bloods, Cholas, Crips, gang mythology, gang warfare, graffiti, Hell's Angels, Hong Kong Triads, Latin Kings, law enforcement, occultic gangs, mafia, media, prison gangs, rites, Skinheads, Streetgang Terrorism Omnibus Prevention Act, tattoos, trafficking, Wanna-bes, West Side Story, Witness Protection programs, and youth gangs.
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38

Mesch, Claudia. Modern Art at the Berlin Wall: Demarcating Culture in the Cold War Germanys. I. B. Tauris & Company, Limited, 2017.

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