Tesis sobre el tema "Government cultural policy"
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Jones, Tod. "Indonesian cultural policy, 1950-2003: culture, institutions, government". Thesis, Curtin University, 2005. http://hdl.handle.net/20.500.11937/403.
Texto completoJones, Tod. "Indonesian Cultural policy, 1950-2003 : culture, institutions, government /". Curtin University of Technology, Department of Media and Information, 2005. http://espace.library.curtin.edu.au:80/R/?func=dbin-jump-full&object_id=16663.
Texto completoThe Japanese administration was the first government to address a national population. Relations among indigenous ethnic populations and between ethnicity and the nation were addressed in cultural policy from 1956 and were central to cultural policy throughout the New Order era. Part II of the thesis consists of two case studies of cultural programs in the New Order and Reform eras: (1) the arts councils and cultural parks and (2) a cultural research project. It explores New Order centralism, demonstrating the heterogeneity between different levels of the state and how governmental goals imbued particular practices and objects with special significance and meaning by constructing them as culture. Cultural policy in the post-Suharto period is addressed in both Parts I and II. While the practices of the New Order era are generally continuing, decentralisation created the possibility of a plurality of cultural policies across Indonesia, as lower levels of government are responsible for administering cultural policy. Decentralisation could result in a more participatory cultural policy as more cultural practices are addressed or a narrowing of cultural policy if conservative ethnic identity politics drives changes.
Eling, Kim Tobias. "The politics of cultural policy in France : government professionals and networks, 1981-1993". Thesis, London School of Economics and Political Science (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263268.
Texto completoBurcea, Horatiu L. "Policies of cultural assimilation in Transylvania : Magyarization and Romanianization". CardinalScholar 1.0, 2009. http://liblink.bsu.edu/uhtbin/catkey/1538078.
Texto completoIntroduction : Transylvania's multiculturalism -- Literature and theory -- Research methods -- Historical ethnography of Ghimeş-Făget -- Conclusions.
Department of Anthropology
Gomes, Diana Célia Almeida. "Federalismo Cultural Brasileiro: Análise do Sistema Nacional de Cultura e do Plano Nacional de Cultura". Doctoral thesis, Universitat de Barcelona, 2019. http://hdl.handle.net/10803/666966.
Texto completoThe research aims to present the Brazilian Cultural Federalism, through the analysis of the systemic relationship established between the National System of Culture and the National Plan of Culture, understanding the impacts of this relationship in the implementation of public policies of culture. For this, a documental research was accomplished about the construction and definition process of the National System of Culture and the National Plan of Culture so that from their constructive elements and their architectures and drawings could determine the relationship established between the two management instruments on operationalization and implementation of cultural policies in national level. From this, it was accomplished the analysis of the cases through the method of set of agreements and differences that opportunized to conclude that the management instruments adopted by Brazil, at last years, contribute significantly to the strengthening of the public policies of culture, giving it legitimacy and perspective to continue to establish them as Policies of State, with constitutional prediction.
Gibson, Lisanne y L. Gibson@mailbox gu edu au. "Art and Citizenship- Governmental Intersections". Griffith University. School of Film, Media and Cultural Studies, 1999. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20030226.085219.
Texto completoKootnikoff, David. "Borscht, sweat and tears: how government policy influences language, culture and identity in a minoritycommunity". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B27055310.
Texto completoCAI, XINGYU y YONGLIANG LI. "Determinants of foreign direct investment choice in Chinese Automotive industry : How Swedish firms invest in Chinese market?" Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-179672.
Texto completoZheng, Jie Jane. "Urban governance and "creative industry clusters" in Shanghai's urban development". Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43085258.
Texto completoKam, Ting y 甘婷. "An analysis of policy agenda setting: a studyof government policy on creative industries in Hong Kong". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46780671.
Texto completoMcLennan, Lesley. "Competition policy and its impact on the performing arts in Queensland". Thesis, Queensland University of Technology, 2000. https://eprints.qut.edu.au/36342/1/36342_McLennan_2000.pdf.
Texto completoDias, Agemir de Carvalho. "O Estado como promotor do desenvolvimento artístico-cultural: pesquisa-ação no Centro Cultural Teatro Guaíra". Universidade Tecnológica Federal do Paraná, 2014. http://repositorio.utfpr.edu.br/jspui/handle/1/831.
Texto completoThe research aims to analyze the role of the state as promoter of artistic and cultural development through a case study. The object of study is Cultural Center Guaíra Theater (CCTG), an agency of State of Paraná created by Law No. 9663/1991. The CCTG is currently responsible for directing Guaíra Theater, José Maria Santos Theater, Paraná Symphony Orchestra, Dance School, Guaíra Theater Ballet, G2 Dance Company. The problem to be analyzed is the role of CCTG, as stated in its charter, as promoter of the artistic and cultural development in the state of Paraná in a situation of state financing difficulties, the market competition with the end of their practically cultural monopoly in the field of theatrical performances in the city of Curitiba, and the lack of staff renewal of their bodies stable. The working hypothesis is that the CCTG runs the risk of becoming an institution anachronistic in its purpose of promoting culture in the face of changing conditions imposed by a new modernity. The methodology to be used is based in the action research on the analysis of documents produced by the Cultural Center Guaíra Theater and databases available through Transparency portals of government of the State of Paraná. The main conclusion is that the CCTG faces difficulty in executing their statutory objectives by difficulties in management of human, financial and artistic resources in some projects. It is proposed the management of CCTG by a Social Organization (OS) transforming the state bureaucratic management for more efficient management.
Hebert, Marc K. ""People...Do Not Come with Standardized Circumstances": Toward A Model for an Anthropology of E-Government". Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4332.
Texto completoO'Donnell, Thomas Vincent y vincent odonnell@rmit edu au. "An investigation of the dynamics of cultural policy formation : the states' patronage of film production in Australia 1970-1988". RMIT University. Applied Communication, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20070119.110944.
Texto completoBennett, Josephine. "Marketing public art : public art, urban cultural policy and the role of relationship marketing". Thesis, Queensland University of Technology, 2000.
Buscar texto completoGibson, Lisanne. "Art and Citizenship- Governmental Intersections". Thesis, Griffith University, 1999. http://hdl.handle.net/10072/367010.
Texto completoThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Film, Media and Cultural Studies
Arts, Education and Law
Full Text
Zhao, Zhenzhou y 趙振洲. "Am I privileged?: minority Mongol students and cultural recognition in Chinese universities". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B37831264.
Texto completoLai, Wai-tin Belinda y 黎慧沺. "A study of the policy on the performing arts in Hong Kong: is the West Kowloon Cultural District project a solution?" Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B36554492.
Texto completoFong, Yiu Tung James. "Chinese language policy in Singapore : how it reflects the government's goals of economic development and multiculturalism". HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/729.
Texto completoSoh, Choi Yin Art College of Fine Arts UNSW. "Cultural typologies and design meanings: a case study of Chinese media and entertainment websites from Singapore". Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/41561.
Texto completoLee, Pik-kuen Anne y 李碧娟. "Sexual violence against women in Hong Kong: socio-structural & cultural perspective". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31977716.
Texto completoClark, Matthew Franklin. "The Challenges and Opportunities of Immigrant Integration: A Study of Turkish Immigrants in Germany". PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/322.
Texto completoLapham, Angela. "From Papua to Western Australia : Middleton's implementation of Social Assimilation Policy, 1948-1962". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2007. https://ro.ecu.edu.au/theses/270.
Texto completoArguello, Vargas Tatiana. "Culture and Arts in Post Revolutionary Nicaragua: The Chamorro Years (1990-1996)". Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1281638909.
Texto completoKeys, Wendy y n/a. "Grown-Ups In a Grown-Up Business: Children's Television Industry Development Australia". Griffith University. School of Arts, Media and Culture, 2005. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20060928.135325.
Texto completoKeys, Wendy. "Grown-Ups In a Grown-Up Business: Children's Television Industry Development Australia". Thesis, Griffith University, 2005. http://hdl.handle.net/10072/366792.
Texto completoThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Arts, Media and Culture
Full Text
Heltz, Kimberly K. "Government and Nongovernmental Collaboration to Build Community Resiliency Against Terrorism in Oklahoma City". ScholarWorks, 2018. https://scholarworks.waldenu.edu/dissertations/5011.
Texto completoZheng, Jie Jane y 鄭潔. "Urban governance and "creative industry clusters" in Shanghai's urban development". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43085258.
Texto completoGillner, Fred. "Offentlig konst i kommunal förvaltning : Kvalitativ undersökning i tre steg av Västerås stads arbete med offentlig konst". Thesis, Uppsala universitet, Kulturgeografiska institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-376306.
Texto completo周雯晶. "國外文化創意產業政策及其對澳門的啟示 = Creative culture industries : policies and implications for Macau". Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2597686.
Texto completo王雪嫻. "從公民權角度分析澳門文化創意產業政策 = Macau's policy on creative cultural industry from the perspective of rights of citizenship". Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2596948.
Texto completoCardoso, Letícia Conceição Martins. "O TEATRO DO PODER: Cultura e Política no Maranhão". Universidade Federal do Maranhão, 2008. http://tedebc.ufma.br:8080/jspui/handle/tede/612.
Texto completoFUNDAÇÃO DE AMPARO À PESQUISA E AO DESENVOLVIMENTO CIENTIFICO E TECNOLÓGICO DO MARANHÃO
Analysis of the cultural management of the governments of Roseana Sarney in Maranhão (1995-1998/1999-2001), designed by Maranhão Culture Secretary (SECMA) and Maranhão Culture Foundation (FUNCMA). It s searched to identify the field of cultural relations between actors and the State, taking as reference the speeches of those actors through interviews, analysis of the Activities Reports of SECMA/FUNCMA and reports in local newspapers. The Government of Roseana Sarney is located on the discussion of culture public policy in Brazil and a study about the culture state policies in the country which manufactured national symbols until José Sarney government as President of Brazil (1985 -1980), when was created the first Law of the Encouragement Culture (Sarney Law). It s observed that in the first time of the cultural management of Roseana Sarney (1995- 1997) a conception of culture identified with the heritage was predominated. And, in a second time (1998-2001), state interventions focused on a concept of popular culture . In both moments theatrical strategies are created, leading to a symbolic capital accumulation on the protagonist: the governor. But the cultural actors are active subjects in this play, also creating their visibility strategies. Thus, power dispute is developed through stage of power acts. In this context, the media is an important scene for the acquisition of symbolic power and can serve both as a group or another. The intention, therefore, is to explain how the relations between the State and culture are established; to know what strategies are used, why and by whom are developed, trying to identify if these relations can be considered a public policy of culture.
Análise sobre a gestão cultural dos Governos de Roseana Sarney no Maranhão (1995- 1998/1999-2001), concebida pela Secretaria de Estado da Cultura do Maranhão (SECMA) e pela Fundação Cultural do Maranhão (FUNCMA). Busca-se identificar o campo de relações entre atores culturais e o Estado, tomando como referência os discursos desses atores, através de entrevistas, da análise dos Relatórios de Atividades da SECMA/FUNCMA e notícias veiculadas em jornais locais. Para situar o Governo de Roseana Sarney na discussão sobre as políticas públicas culturais no Brasil, constrói-se uma trajetória das políticas estatais de cultura no país, que tenderam à fabricação de símbolos nacionais, até o Governo de José Sarney na Presidência da República (1985- 1980), quando foi criada a primeira Lei de Incentivo à Cultura (Lei Sarney). Observa-se que na primeira fase da gestão cultural de Roseana Sarney (1995-1997), predominou uma concepção de cultura identificada com o patrimônio . E, na segunda fase (1998-2001), as intervenções estatais concentraram-se naquilo que o órgão de cultura concebeu como uma cultura popular . Percebe-se que nos dois momentos são criadas estratégias teatrais, que levam a um acúmulo de capital simbólico na figura de uma protagonista: a governante. Mas os atores culturais são sujeitos ativos nessa encenação, criando também suas estratégias de visibilidade. Assim, a disputa pelo poder se desenvolve por meio da teatralização dos atos de poder. Neste contexto, a mídia constitui um cenário importante para a aquisição de poder simbólico, podendo servir tanto a um grupo como a outro. A intenção, portanto, é explicar como são estabelecidas as relações da cultura com o Estado; saber que estratégias são usadas, por que e por quem são desenvolvidas, tentando identificar em que medida essas relações constituem uma política pública de cultura.
López, Baroni Manuel Jesús. "Bioética y multiculturalismo: políticas públicas en España (1978-2013). El "hecho cultural" ante la revolución biotecnológica". Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/306134.
Texto completoSeutloadi, Kedibone Dominica. "An evaluation of the transformation process in the performing arts councils in South Africa". Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/49746.
Texto completoENGLISH ABSTRACT: The Performing Arts Councils (PACs) have been the primary recipients of national public funding for the performing arts, accounting for nearly half of the arts and culture budget of the Department of Arts, Culture, Science and Technology (DACST). They had to be restructured in order to free public resources for allocation to other disciplines and areas in need of redress. The four PACs addressed in this study are The Playhouse Company (Durban), Artscape (Cape Town), PACOFS (Bloemfontein), and the Spoornet State Theatre (Pretoria). The purpose of the study was to determine whether or not the PACs had achieved the transformation goals as defined by DACST. The research was approached from a qualitative perspective to ensure that as much nuanced information as possible was collected within a limited timeframe and financial constraints. Where necessary, as in analysis of staff and expenditure, quantitative analyses were undertaken. The study found that the process of converting PACs to playhouses had been inconsistently implemented, although some of the PACs had come a long way in transforming themselves. Funding was obtained from government subsidies, NAC funding for specific projects, sponsorships, and other minor sources of income such as box office sales. Traditional forms of the performing arts, specifically opera and ballet, still accounted for a large portion of the total expenditure. PACs have had considerable difficulty in obtaining provincial and local government support, or adequate business sector support to make them viable as stand-alone entities. None of the PACs has been able to secure sustainable funding on a reliable basis to meet their requirements. DACST regards the implementation of a Community Arts Development (CAD) component and the establishment of the NAC as essential for an equitable arts dispensation in the country. CAD is meant to provide education and empowerment of people from previously disadvantaged communities, access to PAC venues and NAC funding, and awareness and outreach programmes. The CAD component varies substantially from PAC to PAC. The White Paper on Arts, Culture and Heritage recognises that the future of arts and cultural expression lies in the development of new audiences and markets. Audience development and facilitating access to venues has been left to the PACs, with little effect in some cases. The transformation of the staff profile of PACs to reflect the demographics of their provinces has been achieved. As the resultsof the study show each PAC took it upon itself to transform itself in its own way. As a result, transformation by the various PACs was found not always to be in line with the imperatives contained in the White Paper on Arts, Culture and Heritage (DACST, 1996).
AFRIKAANSE OPSOMMING: Die Rade vir Uitvoerende Kunste (RUK) was tot op hede die vernaamste ontvangers van nasionale staatsbefondsing vir die uitvoerende kunste, en het bykans vyftig persent van die Departement van Kuns, Kultuur, Wetenskap en Tegnologie (DKKWT) se begroting vir kuns en kultuur verteenwoordig. Hierdie Rade moes herstruktureer word sodat staatshulpbronne wat vir ander dissiplines en gebiede wat regstelling nodig gehad het, aangewend kon word. In hierdie studie is die vier Rade vir Uitvoerende Kunste "The Playhouse" (Durban), "Artseape" (Kaapstad), RUKOVS (Bloemfontein) en die Spoornet-staatsteater (Pretoria) bestudeer. Die doel van die studie was om te bepaal of die Rade vir Uitvoerende Kunste 'n transformasie, soos gedefinieer deur die DKKWT, ondergaan het. Die navorsing is vanuit 'n kwalitatiewe perspektief benader om te verseker dat so veel moontlik genuanseerde inligting binne 'n beperkte tydsbestek en te midde van finansiele beperkinge ingesamel is. Waar nodig, soos in die analise van personeel en uitgawes, is 'n kwantitatiewe benadering gevolg. Daar is bevind dat daar deurgaans uitvoering gegee is aan die omskepping van die Uitvoerende Kunsterade in skouburgteaters, hoewel sommige Rade reeds 'n ver pad met betrekking tot selftransformasie geloop het. Befondsing was afkomstig van staatsubsidies, NUK-befondsing vir spesifieke projekte, borge en ander minder beduidende bronne, byvoorbeeld inkomste uit kaartjieverkope. Tradisionele vorms van die uitvoerende kunste, veralopera en ballet, het steeds 'n beduidende deel van totale uitgawes uitgemaak, en Rade vir Uitvoerende Kunste het groot probleme ondervind om genoegsame steun van provinsiale regerings, plaaslike owerhede en die besigheidsektor te werf om hulle in staat te stelom as lewensvatbare en onafhanklike entiteite te funksioneer. Nie een van die Rade vir Uitvoerende Kunste kon daarin slaag om befondsing van 'n standhoudende aard te bekom waarop hulle kon reken om aan hul vereistes te voldoen nie. Die DKKWT beskou die implementering van 'n Gemeenskapskunsontwikkelingkomponent (GKO) en die stigting van die NUK as onontbeerlik vir 'n regverdige kunste-bedeling in die land. GKO beoog om voorsiening te maak vir die opvoeding en bemagtiging van mense III die voorheen agtergeblewe gemeenskappe, toegang tot plekke waar GKO-optredes gehou word, NUKbefondsing, asook bewustheids- en uitreikprogramme. Die GKO-komponent wissel aansienlik van RUK tot RUK. Die Witskrif oor Kuns, Kultuur en Erfenis erken dat die toekoms van kuns- en kulturele uitdrukking in die ontwikkeling van nuwe gehore en markte opgesluit lê. Die ontwikkeling van gehore en makliker toegang tot plekke waar optredes aangebied word is in die hande van Kunsterade gelaat; in sommige gevalle met weinig effek. Die transformasie van die Rade vir Uitvoerende Kunste se personeelprofiel ten einde die demografiese werklikheid van elke provinsie te weerspieel was suksesvol. Soos duidelik uit die studie blyk, het elke Raad vir Uitvoerende Kunste onderneem om die transformasie op sy eie manier te implementeer. Die gevolg is dat die transformasie in die verskillende Rade vir Uitvoerende Kunste nie altyd tred hou met die bindende opdragte wat in die Witskrif oor Kuns, Kultuur en Erfenis (DKKWT, 1996) vervat is nie.
Chippendale, Emma. "The global financial crisis and public sentiment towards immigration and immigrants in the Netherlands : implications for liberal democracy and political culture". Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/19928.
Texto completoAFRIKAANSE OPSOMMING: Met die val van die Berlynse Muur in 1989 het „n nuwe tydperk van globalisasie aangebreek en daarmee saam, verskerpte vlakke van globale migrasie. Die beweging van mense oor meer toegangklike grense het die demografiese profiel van Europese state verander. Hierdie kulturele diversiteit het huidige Westerse liberale demokrasieë met „n unieke stel uitdagings gekonfronteer, aangaande die integrasie van diverse groepe in die samelewing met die doel om saamhorigheid te bevorder. Die effek van kulturele diversiteit is egter nie beperk tot demografie nie en hierdie tesis fokus hoofsaaklik op die politieke en openbare reaksies wat die verskynsel uitgelok het. Die Nederlandse konteks verskaf „n besondere insiggewende voorbeeld van die manier waarop pogings om kulturele diversiteit te hanteer, intensiewe debat oor immigrasie- en integrasie-onderwerpe gestimuleer het, wat sedertdien stewig in die openbare en politieke diskoers verskans is. Die voortdurende debat in die Nederlandse verband het wyer vrae aangaande burgerskap, nasionale identiteit en kultuur laat ontstaan. Selfs van groter belang is die feit dat hierdie vraagstukke die perke van Nederlandse verdraagsaamheid ontbloot het: toenemende inperkings op immigrasie- en integrasie-beleid oor die afgelope twee dekades en veral in die laaste 10 jaar, het teenstrydig voorgekom met die stereotipiese indruk van Nederland as „n ultra-liberale en progressiewe toonbeeld van multi-kulturalisme. Hierdie tesis be-oog derhalwe om hierdie beeld van Nederland te ondersoek deur moontlike veranderings in openbare houdings teenoor immigrante en immigrasie waar te neem, teen die agtergrond van aansienlik minder gunstige materiële omstandighede, veroorsaak deur die huidige globale finansiële krisis. Houdings teenoor Moslems in die Nederlandse samelewing is van besondere belang in hierdie ondersoek teen die agtergrond van die beweerde kulturele en simboliese bedreiging wat Islam vir liberale waardes inhou. Realistiese Groep-Konflikteorie voorsien „n nuttige raamwerk om inter-groep wedywering en konflik, wat spruit uit beide materiële en nie-materiële perspesies van bedreiging, te analiseer. Alhoewel besondere aandag geskenk word aan die spesifieke makro-ekonomiese omstandighede van die huidige finansiële krisis om moontlike veranderings in houdings waar te neem, is hierdie bespreking deel van „n groter nasionale debat oor immigrasie en integrasie oor die afgelope twee dekades. Deur inligting oor openbare persepsie te verbind met die Nederlandse integrasie-en immigrasie-beleid, stempatrone en die ware uitwerkings van die finansiële krisis op die Nederlandse kultuur, is die uiteindelike doel van hierdie navorsing om die vooruitsigte en algehele “gesondheid” van liberale demokrasie in Nederland te evalueer. Die land se ervaring van kulturele pluralisme bewys dat liberale demokratiese norme nie verskans is nie en dat hulle onderhewig is aan omstredenheid en dubbelsinnigheid. Die pogings om verskille en “andersheid” in die samelewing aan te spreek, het die tekortkominge van die Nederlandse liberale demokrasie ontbloot.
Kila, Roskem Jean-Pierre. "L'émergence d'une scène musicale à N'Djaména : identification des acteurs et des territoires". Thesis, Avignon, 2014. http://www.theses.fr/2014AVIG1135/document.
Texto completoMusic is one of the major components of cultural practices in Chad, especially for the inhabitants of N’Djamena. It assumes a variety of forms : festivals, concerts, musical parades across the main streets of the city, and takes place in a variety of venues: bars, cultural centres, retail outlets, squares and public spaces. It also receives media coverage through many radio and TV programmes.The present research aims to understand the modalities and implications of the impact music leaves on an African town whose image has always been associated with armed conflict.The intention of this thesis, largely based on ethnographical data, is to give an account of the dynamics at work in the emergent musical scene in N’Djamena. It proposes a twofold analysis: Firstly, of the logic behind public and private intervention and secondly, of the scope of their respective actions in the evolution of the field of music.Our examination of the different ways music leaves its mark on society, particularly through live performances, has also led us to question the idea that the town is being restructured by music, not only in terms of specific venues but also in terms of how the general public uses urban places.One of the main axes of the present thesis concerns the emergence of new forms of sociability and new social groups originating in the urban lifestyle, as they can be observed in the music lovers clubs.Lastly, our analysis of the public’s various musical practices and forms of attachment to music has highlighted the importance of the latter as a vector of national cohesion; it has also revealed how shared criteria of hierarchisation have emerged, thus testifying to the construction of a specific form of cultural legitimacy
何嘉怡. "澳門政府對文化創意產業支援政策內之批核方式評估 :以 "文化產業基金" 的批核方式為例". Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3959153.
Texto completoSilva, Vanderli Maria da. "A construção da política cultural no regime militar: concepções, diretrizes e programas (1974-1978)". Universidade de São Paulo, 2001. http://www.teses.usp.br/teses/disponiveis/8/8132/tde-02072002-100601/.
Texto completoIn this work we tried to understand the reasons that took the elaboration of the National Politics of Culture in the governments period Geisel. We sought also to clear your relationship with the Doctrine of the Political Action of the Superior School of War. In him we sought and to understand the historical context in that such a public politics was adopted, your relationships with the strategic wider politics than the government tried to implement, in other words, with the process of political opening. This way, we tried to relate the release of the program with the political moment, economic and social that the country lived. We also tried to apprehend the objectives of the National Politics of Culture, relating it with the Doctrine of the Superior School of War, that is characterized by being a national project for the development of Brazil in the protected molds for the armed forces.
Gay, Kallie. "Becoming a Master Manager: An Analysis of SNAP Recipient Stories of Navigating Government Assistance". Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etd/3556.
Texto completoDu, Plessis Alida Anél. "Fulfilment of South Africa's constitutional environmental right in the local government sphere / by Anél du Plessis". Thesis, North-West University, 2008. http://hdl.handle.net/10394/2882.
Texto completoThesis (LL.D.) -- North-West University, Potchefstroom Campus, 2009.
Ochs, Kimberly. "Educational policy borrowing and its implications for reform and innovation : a study with specific reference to the London Borough of Barking and Dagenham". Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670201.
Texto completoSöderberg, Madeleine. "Den mångskiftande mångkulturalismen : En kritisk diskursanalys av mångkulturalism i bibliotekskontext utifrån ett intersektionellt etnicitetsperspektiv". Thesis, Uppsala universitet, Institutionen för ABM, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-253188.
Texto completoHoshiko, Carol Ann. "The Influence of Power Distance on CSR Programs in Hainan China". ScholarWorks, 2015. https://scholarworks.waldenu.edu/dissertations/1706.
Texto completoConnor, Teresa Kathleen. "Opportunity and constraint : historicity, hybridity and notions of cultural identity among farm workers in the Sundays River Valley". Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1008367.
Texto completoTestore, Gaia. "In vogue and versatile: the spread of the civic integration policies to Italy". Doctoral thesis, Universite Libre de Bruxelles, 2015. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209039.
Texto completoFormulated for the first time in the Netherlands in order to deal with the persistence of integration difficulties and the social cohesion concerns, these policies demand migrants to fulfill mandatory integration requirements in order to obtain the residence permit, its renewal, or the citizenship.
Among the other countries, Italy introduced a similar policy in 2009, the Integration Agreement (IA). The Italian example appears particular interesting, since this country looked like the less probable one that could choose a similar solution.
Examining the dynamics behind the adoption of the IA represents, therefore, a valuable opportunity not only to understand the Italian case, but also to highlight the mechanisms that have facilitated the diffusion of these policies in Europe.
The research highlights two main aspects. On the one hand, several politicians in different countries have proposed these solutions because they represent quite useful political resources in dealing with the “democratic impatience” of our political systems (Vermeulen and Penninx 1994). On the other hand, the building up of the EU and the growing interconnections of the national policy communities in this policy sector have played an indirect but not residual role in facilitating the convergence of the European countries towards similar solutions.
Doctorat en Sciences politiques et sociales
info:eu-repo/semantics/nonPublished
McParland, Domminick. "Is Self-Sufficiency Really Sufficient? A Critical Analysis of Federal Refugee Resettlement Policy and Local Attendant English Language Training in Portland, Oregon". PDXScholar, 2014. https://pdxscholar.library.pdx.edu/open_access_etds/1697.
Texto completoWalker, Roz. "Transformative strategies in Indigenous education a study of decolonisation and positive social change". Click here for electronic access, 2004. http://adt.caul.edu.au/homesearch/get/?mode=advanced&format=summary&nratt=2&combiner0=and&op0=ss&att1=DC.Identifier&combiner1=and&op1=-sw&prevquery=OR%28REL%28SS%3BDC.Identifier%3Buws.edu.au%29%2CREL%28WD%3BDC.Relation%3BNUWS%29%29&att0=DC.Title&val0=Transformative+strategies+in+indigenous+education+&val1=NBD%3A.
Texto completoTitle from electronic document (viewed 15/6/10) Presented for the degree of Doctor of Philosophy, University of Western Sydney, 2004. Includes bibliography.
Babidge, Sally. "Family affairs an historical anthropology of state practice and Aboriginal agency in a rural town, North Queensland /". Click here for electronic access to document: http://eprints.jcu.edu.au/942, 2004. http://eprints.jcu.edu.au/942.
Texto completoThesis submitted by Sally Marie Babidge, BA (Hons) UWA June 2004, for the Degree of Doctor of Philosophy in the School of Anthropology, Archaeology and Sociology, James Cook University. Bibliography: leaves 283-303.
Adam, Ilke. "Au-delà des modèles nationaux d'intégration: analyse des politiques d'intégration des personnes issues de l'immigration des entités fédérées belges". Doctoral thesis, Universite Libre de Bruxelles, 2010. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210193.
Texto completoNotre recherche a un premier objectif, d’ordre empirique, et un deuxième, d’ordre interprétatif. Premièrement, nous visons à décrire et à analyser l’élaboration des politiques d’intégration pour vérifier si ces politiques publiques sont effectivement guidées par des cadres de pensée différents. Nous avons cherché à observer où résident les principales différences entre les cadres de pensée, et si les politiques d’intégration sont caractérisées par de longues périodes de stabilité ou, au contraire, par des changements radicaux. Nous avons en effet démontré que les cadres de pensée guidant les politiques d’intégration des entités fédérées sont différents mais que les différences ne se situent pas au niveau de l’objectif d’homogénéité versus diversité culturelle mise en avant par l’assimilationnisme et le multiculturalisme, comme plus approprié pour arriver à une meilleure insertion sociale, économique et politique des immigrés et à la cohésion sociale, mais dans le degré d’interventionnisme d’Etat relatif à la dimension culturelle de l’intégration jugé nécessaire pour atteindre l’un ou l’autre de ces objectifs. Nous avons également mis en lumière que les politiques d’intégration en Belgique francophone sont caractérisées par une plus grande stabilité qu’en Flandre.
Deuxièmement, une fois que nous avions déterminé comment nous pouvons catégoriser les différentes politiques d’intégration au regard de leurs cadres de pensée dominants, et que nous avions déterminé si elles sont caractérisées par une longue période de stabilité ou, au contraire, par des changements radicaux, nous avons tenté de répondre au deuxième objectif de cette recherche, à savoir l’interprétation des différences essentielles. La différence quant aux cadres de pensée qui guident les politiques d’intégration a été interprété par des caractéristiques institutionnelles, à savoir les différents systèmes de partis menant à une politisation différente de la politique publique en question, de même que le différent engagement des entités fédérées belges dans un processus de (sub-)nation building.
Doctorat en Sciences politiques et sociales
info:eu-repo/semantics/nonPublished
譚志廣. "澳門特區政府的政策過程研究 : 以文化遺產政策為例". Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2554114.
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