Literatura académica sobre el tema "Giōrgos"
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Tesis sobre el tema "Giōrgos":
Lampropoulou, Ourania. "Le Rébétiko du Pirée : implications du Makam dans la période de l’entre-deux-guerres". Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080095.
This work aspires to identify and analyze the main musical characteristics of the Piraeus style of Rebetiko, a popular Greek musical genre during the interwar period. The first part shows how this style emerges and is diffused in the particular historical conditions, which followed the massive arrival of refugees from Asia Minor. Initially, the current social and political situation in Greece, and in Piraeus in particular, is outlined. Follows a summary of the available information on the performance venues, as well as on the recording and marketing procedures for this music. The second part consists of a systematic musicological analysis of a one hundred and two recordings’ corpus. These constitute the yield of the entire recording work of the "Tetras of Piraeus'' (Giorgos Batis, Markos Vamvakaris, Anestis Delias, and Stratos Payoumtzis) for the period 1932-1937. The analysis focuses on four aspects: the semantic contents of the songs, the metric and rhythmic patterns, the melodic paths, and the harmonization processes. The melodic and harmonic systems are described in more detail, since the main research question is understanding how practices inherited from modality (especially the Makam system) fit together with equal temperament towards the creation of a new popular musical genre. Our analysis implements a hybrid method that matches Greek, Ottoman, and Western musicological concepts. The thesis stresses that during the aforementioned period, even thought the style of Piraeus remains rooted in modal thinking, it is possible to detect there the first elements of a tonal organization that will subsequently come into effect within this style. This research is addressed to classical musicologists and ethnomusicologists, but also to musicians and teachers looking for conceptual tools to understand and transmit the structuring principles of Rebetiko
Kouroutaki, Alexandra. "Surréalisme et peinture métaphysique dans l’art néohellénique : le cas de la « Génération artistique des années 1930 » : Nikos Engonopoulos, Gerassimos Steris, Georges Gounaro". Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30057.
The objective of this work is the study of the artistic process of the surrealist movement and the metaphysical painting in Greece, during the 1930s. In particular, the thesis examines the case of painters Nikos Engonopoulos, Gerassimos Steris, and Georges Gounaro. While examining the artists’ « pictorial idiom », it also seeks to elucidate the influences received from Greek artists by the surrealist movement in France and by the metaphysical aspirations of Giorgio de Chirico’s painting. The method of approach is based on the parallel, performed on two axes, firstly thematic and secondly stylistic. In the first part this work considers the reception of surrealism and the metaphysical painting in Greece, at the time of the inter-war period, which was carried out in adverse conditions. The reasons for the weak expression of Surrealism and its delayed implantation in Greece are attributed to the socio-political context and the imperatives of the time. This surreal and metaphysical creation, freed from the constraints of academic painting, caused a scandal as she approached Greek tradition in an innovative way. In the following sections the research deals with common topics in the pictorial work of Greek artists’, namely the surreal, meta-empirical, and dreamlike pictorial space, as well as painters’ metaphysical visions, the role of the Orphic myth, and finally the presence and the symbolism of historical and mythical human figures which often follow the principle of metamorphosis. In addition this work reveals the originality of this art (topics, drawing and colours used) mainly due to its Greek character. It’s a particular case study of that thoroughly subversive artistic creation, oscillated between Western influences and claims of national and cultural specificity
Libros sobre el tema "Giōrgos":
N, Pikramenos Michalēs. Giōrgos Papadēmētriou. Athēna: Hidryma tēs Voulēs tōn Hellēnōn, 2022.
Marōnitēs, D. N. Giōrgos Sepherēs: Meletēmata. Athēna: Ekdoseis Patakē, 2008.
Skartsēs, Sōkratēs L. Ho poiētēs Giōrgos Karter. Athēna: Ekdoseis Gavriēlidēs, 2009.
Zoumpoulakēs, Stauros. Giōrgos Iōannou (1927-1985). [Athēna]: Ethnikē Vivliothēkē tēs Hellados, 2018.
Daniēl, Chrēstos. Giōrgos Likos: Mia parousiasē. Athēna: Ekdoseis Gavriēlidēs, 2005.
Prousēs, Kōstas M. Ho poiētēs Giōrgos Sepherēs. Athēna: M.I.E.T., 1987.
Panagiōtidēs, Giōrgos. Giōrgos Sepherēs, vios kai parōdia. Athēna: Ekdoseis Gavriēlidēs, 2014.
Spyropoulos, Ēlias S. Giōrgos Iōannou: Ho anthrōpos, ho syngrapheas. 8a ed. Athēna: Hodos Panos, 2017.
Olympiou, Kika. Giōrgos Sepherēs: Hermēneutikes kai didaktikes protaseis. Leukōsia: [s.n.], 2002.
Melekoglou, Euangelos. Giōrgos Kalaphatēs, ho hidrytēs tou Panathēnaikou. Athēna: Nea Ekdotikē, 2011.