Bibliografías temáticas / Gethsemani

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Literatura académica sobre el tema "Gethsemani"

Autor: Grafiati
Publicado: 11 de marzo de 2023

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Artículos de revistas sobre el tema "Gethsemani"

1

Yglesias, Jorge. ""Gethsemani"". Chasqui 24, n.º 1 (1995): 118. http://dx.doi.org/10.2307/29741204.

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Crowder, A. B. "At Gethsemani Abbey Farm". English 37, n.º 157 (1 de marzo de 1988): 48. http://dx.doi.org/10.1093/english/37.157.48.

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Thurston, B. "Thomas Merton's Gethsemani: Landscapes of Paradise". Interdisciplinary Studies in Literature and Environment 13, n.º 1 (1 de enero de 2006): 280–81. http://dx.doi.org/10.1093/isle/13.1.280.

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Mitchell, Donald W. "The Gethsemani Encounter on the Spiritual Life". Buddhist-Christian Studies 17 (1997): 205. http://dx.doi.org/10.2307/1390415.

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Sundahl, Daniel. "The Abbot of Gethsemani Prays for the Neophyte". Christianity & Literature 64, n.º 3 (5 de mayo de 2015): 371. http://dx.doi.org/10.1177/0148333115579024.

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Ryan, Thomas, Father. "Gethsemani II: Catholic and Buddhist Monastics Focus on Suffering". Buddhist-Christian Studies 24, n.º 1 (2004): 249–51. http://dx.doi.org/10.1353/bcs.2005.0035.

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Nelson, Michael. "Diary of a Political Scientist II, Summer 2006: Gethsemani, Gambling, and Gary Jacobson". PS: Political Science & Politics 40, n.º 01 (enero de 2007): 153–56. http://dx.doi.org/10.1017/s1049096507070217.

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Raggio, Marcela. "Gethsemani, KY, de Ernesto Cardenal: recuperación del espacio ausente mediante la memoria y la resignificación del espacio presente". Literatura: teoría, historia, crítica 22, n.º 2 (1 de julio de 2020): 297–318. http://dx.doi.org/10.15446/lthc.v22n2.86089.

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Este artículo realiza una lectura del poemario Gethsemani, KY (1960) del nicaragüense Ernesto Cardenal, aplicando nociones teóricas vinculadas, por un lado, con la nostalgia y, por otro, con el espacio textual, a fin de señalar líneas de la poética de Cardenal relacionadas con la espacialidad y lo social. El artículo estudia algunos aspectos de la escritura del libro, tal como se revelan en el epistolario Merton-Cardenal, y propone que los textos incluidos en el volumen se presentan en una doble tensión: pasado-presente y allá-aquí. De la dialéctica entre tiempos y espacios alejados surge la poética temprana de Cardenal en la que es posible advertir rasgos del compromiso social y político que desarrollaría plenamente enlibros posteriores.
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Hackett, David G. "The Gethsemani Encounter: A Dialogue on the Spiritual Life by Buddhist and Christian Monastics (review)". Buddhist-Christian Studies 19, n.º 1 (1999): 232–35. http://dx.doi.org/10.1353/bcs.1999.0015.

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Hatton, Stephen B. "The Comic Frame of Mark’s Passion". Horizons in Biblical Theology 43, n.º 1 (16 de abril de 2021): 23–50. http://dx.doi.org/10.1163/18712207-12341421.

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Abstract This article uses narrative criticism and a study of the word neaniskos in Greek culture to argue that the Gethsemanic young man and the young man in Jesus’ open tomb are linked by comedy. It demonstrates that the naked young man pericope utilizes comic imitation and the word neaniskos to connote comic behavior. With the naked young man as a model, the article proceeds to show that the speech of the messenger in the open tomb is comedy vis-à-vis the narrative of the context. This interpretation has the advantages of explaining the ill-fitting interruption of the naked young man scene in Gethsemane, of making sense of the abrupt ending of the Gospel of Mark, and of fitting the use of the word neaniskos in the Gospel of Mark to a connotation used in classical and Hellenistic Greek culture.
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Tesis sobre el tema "Gethsemani"

1

Flieger, Manfred. "Interpretationen zum Bibeldichter Iuvencus : Gethsemane, Festnahme Jesu und Kaiphasprozess (4, 478-565) /". Stuttgart : B. G. Teubner, 1993. http://catalogue.bnf.fr/ark:/12148/cb370963296.

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Texte remanié de: Diss.--Sprach- und Literaturwissenschaften--Regensburg--Universität, 1992.
Contient le texte latin d'un extrait de l'épopée évangélique de Juvencus (4, 478-565), avec les passages correspondants, en grec et en latin, de l'Evangile selon saint Matthieu, et un commentaire en allemand. Bibliogr. p. 225-238. Index.
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Kato, Kazuaki. "A study of Christ's prayers in the Garden of Gethsemane resignation or confidence? /". Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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Dhas, T. Arul. "The prayer of Jesus at Gethsemane, with reference to other prayers and speeches before death or martyrdom". Thesis, University of Edinburgh, 1996. http://hdl.handle.net/1842/19680.

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There are Jewish literary traditions of Isaac's prayer which are different from the Biblical narrative in Gen 22. In the story of Aqedah, it looks as if Isaac's obedience and willingness together with Abraham's have been accepted in God's sight as sacrifice and something which forgives people's sins and which redeems people from all distress. This was done even without Isaac literally being sacrificed according to the tradition. If Jesus was familiar with these traditions, it could be that Jesus thought that his death and sacrifice might be accepted even without the actual performance of it. The last words of Socrates and his acceptance of his death without any compliant had been influential in the Hellenistic culture. As the Greek literature had a great influence on whatever happened in the literary world of the first century, it is just possible that Jesus was familiar with the story of the heroic death of Socrates and his words. In addition, our observation has brought us to the conclusion that the gospel writers have been influenced to some extent by the Greek writings. In any case it is likely that Jesus knew that to be troubled in the face of death was not considered honourable in the sight of wish people. Our reference to Eleazar sheds some light on the life of Jewish martyrs. We have noticed that the certainty and the willingness of Eleazar were exemplary for the other martyrs. There is no question of escape from his torture in Eleazar's mind. It is also to be noted that the tradition of martyrs is not new to Jesus. Eleazar prayed that his death may be accepted in expiatory sacrifice. There is a possibility of influence between the prayer of Eleazar and either Jesus or the Gospel writers.
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Nelson, Jacqueline D. "How to impact and enhance the spiritual life of Christian educators". Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p028-0258.

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BONGIOVANNI, Michele. "Victor de Sabata: un profilo". Doctoral thesis, 2012. http://hdl.handle.net/11562/395140.

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La presente ricerca mette in rilievo il mondo estetico di Victor de Sabata (1892-1967), visto come un tutto coerente nella sua complessa dimensione artistica. Il focus e il tema principale sono rappresentati dal cosiddetto “poema contemplativo” Gethsemani (1925), probabilmente l’opera più idiomatica del musicista triestino. Victor de Sabata, come compositore, rimane lontano dalle diverse “ondate” di stili compositivi della prima metà del XX secolo, e muove dalla dissoluzione della forma sonata già iniziata da Richard Strauss verso lo sviluppo dei temi, preferendo variarli con una sorta di vaporizzazione timbrica puntinistica e facendo inoltre uso di una magistrale abilità di disincarnare il suono fino a giungere ad un’unica ed originale idea musicale di Verklärung. L’analisi del poema musicale illumina anche l’atteggiamento complessivo del suo stile direttoriale, in particolare per quanto riguarda la registrazione per l’etichetta EMI (His Master’s Voice) della Tosca di Puccini con Maria Callas e il concerto dal vivo a Salisburgo del 1953 con Morte e Trasfigurazione di Richard Strauss. In aggiunta, le origini mitteleuropee mostrano una speciale assonanza con alcune liriche di Umberto Saba (1883-1957), particolarmente la silloge Preludio e fughe (1928). Le conclusioni affermano che sussiste una circolarità sia nel suo stile compositivo sia nella sua attività direttoriale, consegnando alla storia della musica una eredità assolutamente “trasfigurata” di una personalità indipendente in modo completo dalle tendenze culturali dominanti del suo secolo, in grado di adombrare, inoltre, una nuova prospettiva nel fare musica.
The present research highlights the aesthetical world of Victor de Sabata (1892-1967), as seen as a coherent whole in its complex artistic dimension. The focus and main topic are represented by the so-called “contemplative-poem” Gethsemani (1925), probably the most idiomatic opus by the musician from Trieste. Victor de Sabata, as a composer, stays aloof from the different vagues of compositional styles of the first half of 20th century, and moves from the dissolution of the sonata-form already started by Richard Strauss to the creation of a sort of circular-type of music, giving no importance to the development of themes and preferring to varying them through a sort of puntillistic timbre-vaporization, using moreover a masterful skill to disincarnate the sound into a unique and original musical idea of Verklärung. The analysis of the musical poem illuminates even the general attitude of his conducting style, particularly concerning the EMI (His Master’s Voice) 1953 recording of Puccini’s Tosca with Maria Callas and the 1953 live concert in Salzburg with Death and Transfiguration by Richard Strauss. In addition, the Middle-European origins show a special assonance with some lyrics by Umberto Saba (1883-1957), especially the Preludio e fughe (1928) collection. The conclusions assert that there is a global circularity both as in the music composing as in his music conducting, delivering to the music history a quite transfigured legacy of a unique personality utterly independent from the dominating cultural tendencies of his century, foreshadowing a new perspective in music making as well.
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Schaich, Anne. "Zu schön für Protestanten: Rudolf Yelin des Älteren „Gebet im Garten Gethsemane“ in der Stadtkirche Tuttlingen". 2019. https://tud.qucosa.de/id/qucosa%3A35258.

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Die Tuttlinger Stadtkirche wurde 1817 vorläufig vollendet. Als ursprünglich klassizistischer Bau ist sie nach der Renovierung durch Heinrich Dolmetsch 1903 kaum noch zu erkennen. An ihrer südlichen Kanzelwand sind zwei Gemälde von Rudolf Yelin d. Ä. aus Stuttgart angebracht, denen bis heute ihre berechtigte Anerkennung versagt bleibt. Anlass für den Kirchbau war der große Tuttlinger Stadtbrand 1803. Das Innere enthielt – vermutlich, denn Quellen sind rar – neben den umlaufenden Säulen und Pilastern nur das Gestühl, eine Schwalbennestkanzel und seit 1865 ein großes Holzkruzifix. Der Bau wurde bereits kurz nach seiner Fertigstellung mit schwäbischen Spottnamen bedacht: „Fruchtschranne“, „Reithaus“. Ihre Schmucklosigkeit wurde im Laufe des 19. Jahrhunderts für die Stadtgesellschaft, die sich rasant von Ackerbürgern zu Kleinindustriellen wandelte, zusehends unerträglich. Daher gründete sich, um der Schlichtheit Herr zu werden, ein Kirchenverschönerungsverein, der Geld für die Ausmalung der Kanzelwand sammelte. 1892 sandte der damals noch junge Maler Rudolf Yelin, der gerade die Stuttgarter Stiftskirche ausgemalt hatte, im Auftrag des Kirchengemeinderates zwei Entwürfe für die Kanzelwand nach Tuttlingen: „Himmelfahrt“ und „Gethsemane“. Die beiden großen Gemälde sollten von Dekorationsmalerei des Reutlinger Malers Fritz Hummel umgeben werden. Diese Aufteilung war eine Auswirkung des mangelhaften Baumaterials: Nur der Turm war massiv gebaut, und man befürchtete Risse in der Wand. So entstanden die beiden Leinwandgemälde Yelins in seinem Stuttgarter Atelier am Eugenplatz und wurden später vor Ort in die Silikatmalerei Hummels eingepasst. Ihre rückwärtige Versteifung ist im Seitenlicht gut zu erkennen.
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CHEN, YI-JUN y 陳怡君. "The Research on Taiwan Christian Music:A Case Study of the Gethsemane Evangelical Covenant Church in Taichung City". Thesis, 2019. http://ndltd.ncl.edu.tw/handle/t26r9n.

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碩士
國立臺中教育大學
音樂學系碩士班
107
The research object of this thesis is Gethsemane Evangelical Covenant Church in Taichung City, discussing its establishment, development and current situation, and focusing on the hymns sung in the Sunday worship, analyzing and summarizing its musical characteristics. Evangelical Covenant Church is one of the denominations of Christianity, founded by the Lutheran Church of Sweden in Chicago, USA in 1885. In 1952, the American Evangelical Covenant Church sent the missionaries, including Rev. Edward Nelson, to Taiwan and set up Evangelical Covenant Church from the north to the south. In 1965, Chinese Evangelical Covenant Church was founded to take charge of the overall planning and holy work. There are currently 52 Evangelical Covenant Churches in Taiwan. Gethsemane Evangelical Covenant Church was formerly Beitun Evangelical Covenant Church in Taichung City. It was established on January 5, 1992. The founder was pastor Lin Shu-Jan. In 1995, the Church was moved to the Gethsemane Prayer Garden in Tanzi District, Taichung City. Consequently, it was renamed Gethsemane Evangelical Covenant Church in 1996. Nowadays, there are about 300 gathers. Pastor Lin Shu-Jan was graduated from the music department of the church, majoring in vocal music, so she attaches great importance to the music activities and music education of the church. The church maintains the tradition of singing traditional hymns and adopts modern praise poetry, making the traditional and modern popular music styles coexist in this church. The basic content of the thesis is divided as follows. Chapter One “Introduction” describes the study’s motivation, purpose, noun definition, object, scope, method and literature discussion. Chapter Two “Overview the Christianity and sacred music in Taiwan” explores the development of various Christian denominations after they were introduced into Taiwan, and discusses the doctrines, development and current situation of Evangelical Covenant Church, as well as the liturgy and music views. Chapter Three “Gethsemane Evangelical Covenant Church and its music related organizations” introduces the history and development of the church, founding pastor, mission statement and organization, music ministry, children's Sunday school, Vietnam ministry, and music course for outreach ministry. Chapter Four “The current worship and hymns of Gethsemane Evangelical Covenant Church” scrutinizes the routine worship, religious festival activities and special gatherings, and records the process and poetry. Chapter Five “The sacred music and music characteristics of the Sunday worship” discusses the main hymns sung by the church in the Sunday worship, and analyzes traditional hymns and modern praise poetry. Chapter Six “Conclusion” summarizes the findings of the research.
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Lněnička, Václav. "Ježíšova modlitba v Getsemane (podle Marka)". Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-297935.

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LNĚNIČKA Václav: Jesus' prayer in Gethsemane (by Mark). Prague 2010. Thesis. Catholic Theological Faculty. Charles University. Department of Bible Sciences. Supervisor A. Scarano. Key words: Jesus Prayer, Gethsemane, the disciples, strength and weakness, vigilance, temptation, anxiety, sadness, exegesis. The work deals with the interpretation of passage from the Gospel of Mark 14,32-42. It should serve to intensified understanding of the biblical passage. The actual interpretation is preceded by textual criticism, suggesting of a possible structure of the text and a description of the circumstances. It also includes a brief comparison with synoptic evangelists Matthew and Luke. The interpretation is structured in accordance with verses. The translation into Czech is cleared when useful. The interpretation is conceived primarily as a comparison of several contemporary exegetical work, but the comments of the Church Fathers are also consulted. In the passage, we can follow two ways to respond to the crisis. Jesus, who faces difficult challenge, when he is fully going to be given over the sinners, confessess his weakness and disinclination before the Father, and finally succumbs the God's will through prayer and gaines solid confidence. On the contrary, the disciples, who confidently showed their...
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Cunha, Isabel Cristina Abreu. "Caminhos para o discipulado em Mc 14,32-42". Master's thesis, 2017. http://hdl.handle.net/10400.14/23747.

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A perícope de Mc 14,32-42 – a oração de Jesus no Getsémani –, coloca o leitor diante de duas figuras paradoxalmente opostas: Jesus e os seus discípulos. Enquanto um vigia e ora, os outros deixam-se adormecer. Esta sonolência dos discípulos espelha a incapacidade de se manterem fiéis ao caminho da cruz. O seu fracasso e dificuldades podem oferecer ao leitor do evangelho uma oportunidade de reflexão sobre a sua própria vida discipular. Este trabalho, que não pretende de forma alguma descredibilizar o grupo dos Doze, mas apontar outros caminhos possíveis para o seguimento de Cristo, procura elaborar um perfil do discípulo à luz da pessoa de Jesus de Nazaré e das suas atitudes-chave durante este relato, a saber: a oração, a confiança e a vigilância.
Mark's passage 14:32-42 - Jesus' prayer in Gethsemane - places the reader before two paradoxically opposed figures: Jesus and his disciples. As one is watching and praying, the others fall asleep. This drowsiness of the disciples mirrors the inability to remain faithful to the way of the cross. Their failures and difficulties may offer an opportunity for the reader of the gospel to reflect on his own discipling life. This work, which does not intend to discredit the group of Twelve, point´s out other possible paths to follow-up Christ, trying to elaborate a profile of the disciple in the light of the person of Jesus of Nazareth and his key attitudes during this account, that is: prayer, trust and vigilance.
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Libros sobre el tema "Gethsemani"

1

O, Paulsell William, ed. Gethsemani homilies. Trappist, Ky: Cistercian Publications, 2010.

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Karmeli, Gabriel Ioseph. Gethsemani & other poems. Quezon City: New Day Publishers, 1989.

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Christian meditation: The Gethsemani talks. Tucson, AZ: Medio Media Pub., 2001.

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Thomas Merton's Gethsemani: Landscapes of paradise. Lexington, Ky: University Press of Kentucky, 2005.

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author, Crews Clyde F., ed. Monks Road: Gethsemani into the twenty-first century. Trappist, Kentucky: Abbey of Gethsemani, 2015.

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Seitz, Ron. The Gethsemani poems: From within the walls of the Abbey of Gethsemani the monastery at Trappist, Kentucky home of Thomas Merton monk & poet. Monterey, KY: Larkspur, 1985.

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Seitz, Ron. The Gethsemani poems: From within the walls of the Abbey of Gethsemani, the monastery at Trappist, Kentucky, home of Thomas Merton, monk & poet. Monterey, Ky. (Route 3, Monterey, Ky. 40359): Larkspur Press, 1985.

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Seitz, Ron. The Gethsemani poems: From within the walls of the Abbey of Gethsemani the monastery at Trappist, Kentucky home of Thomas Merton monk & poet. Monterey, KY: Larkspur, 1985.

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1951-, Lee John B., ed. Under the weight of Heaven: Writing from the Abbey of Gethsemani. Windsor, Ont: Black Moss Press, 2008.

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The springs of contemplation: A retreat at the Abbey of Gethsemani. Notre Dame, Ind: Ave Maria Press, 1997.

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Capítulos de libros sobre el tema "Gethsemani"

1

Xin, Bing. "Gethsemane and Golgatha". En The Chinese Face of Jesus Christ: Volume 3a, 1215–16. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315086941-20.

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Fabre, Pierre-Antoine. "Sleep of the Flesh: The Agony of the Visible at the Limits of the Frame in the Iconography of the Prayer of Christ in the Garden of Gethsemane". En Image and Imagination of the Religious Self in Late Medieval and Early Modern Europe, 163–94. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.proteus-eb.3.907.

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"The Hermione Granger of Gethsemani:". En The Seeker and the Monk, 115–34. Broadleaf Books, 2021. http://dx.doi.org/10.2307/j.ctv1b0fwt5.11.

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"Gethsemane". En In the Tree Where the Double Sex Sleeps, 39. University of Iowa Press, 2019. http://dx.doi.org/10.2307/j.ctvcwnzzt.18.

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Kipling, Rudyard. "Gethsemane". En Stories and Poems. Oxford University Press, 2015. http://dx.doi.org/10.1093/owc/9780198723431.003.0093.

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Sonderegger, Katherine. "Christ in Gethsemane". En Theological Determinism, 251–63. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781009249362.016.

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Percoco, James A. "Lincoln of Gethsemane". En Summers with Lincoln, 119–44. Fordham University Press, 2008. http://dx.doi.org/10.5422/fso/9780823228959.003.0005.

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O'Brien, Patricia. "Sāmoa’s Gethsemane (1930)". En Tautai. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824866532.003.0011.

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This chapter explores the immediate aftermath of the Black Saturday Massacre through the experiences of Ta’isi. Though New Zealand forces tried to stop the Mau through exiling Ta’isi and then the killing Tupua Tamasese (which may have been intended or not) the Mau continued to disrupt New Zealand’s rule. The Women’s Mau, in which Rosabel played a prominent role, also came to the fore in 1930. Administrator Allen enraged these women, Ta’isi and Sāmoans generally, when he wrote in the annual report to the League of Nations that these women were of ‘light moral character’. The crisis of the Great Depression began to impact Sāmoa and for Ta’isi personally; his enforced absence from Sāmoa began to bite into his business operations. This chapter explores the New Zealand’s part in continuing attempts to publically damage Ta’isi’s status amongst Sāmoans. It also explores the impact on Ta’isi and the Mau with the death of Sir Māui Pōmare, who had been Samoa’s staunchest supporter.
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"20 Gethsemane Discourses". En Early Christian Discourses on Jesus’ Prayer at Gethsemane, 306–36. BRILL, 2016. http://dx.doi.org/10.1163/9789004309647_021.

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"11. Sāmoa’s Gethsemane (1930)". En Tautai, 208–27. University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824872397-016.

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