Artículos de revistas sobre el tema "Funk musicians – United States"
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Stetsiuk, R. A. "Saxophone in jazz: aspects of paradigmatics". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 53, n.º 53 (20 de noviembre de 2019): 177–99. http://dx.doi.org/10.34064/khnum1-53.11.
Texto completoJaffré, Maxime. "Decontextualizing Arabic Music in France and in the United States". Middle East Journal of Culture and Communication 12, n.º 1 (29 de marzo de 2019): 35–67. http://dx.doi.org/10.1163/18739865-01201006.
Texto completoWELLS, PAUL F. y SALLY K. SOMMERS SMITH. "Irish Music and Musicians in the United States: An Introduction". Journal of the Society for American Music 4, n.º 4 (19 de octubre de 2010): 395–99. http://dx.doi.org/10.1017/s1752196310000349.
Texto completoKoegel, John. "Mexican Musicians in California and the United States, 1910-50". California History 84, n.º 1 (2006): 6–29. http://dx.doi.org/10.2307/25161856.
Texto completoPatalano, Frank. "Psychosocial Stressors and the Short Life Spans of Legendary Jazz Musicians". Perceptual and Motor Skills 90, n.º 2 (abril de 2000): 435–36. http://dx.doi.org/10.2466/pms.2000.90.2.435.
Texto completoFryer, Paul. "Musicians as heroes: Black singers in the United States and Jamaica". New Community 13, n.º 2 (septiembre de 1986): 208–13. http://dx.doi.org/10.1080/1369183x.1986.9975969.
Texto completoCRANITCH, MATT. "Paddy Cronin: Musical Influences on a Sliabh Luachra Fiddle Player in the United States". Journal of the Society for American Music 4, n.º 4 (19 de octubre de 2010): 475–89. http://dx.doi.org/10.1017/s1752196310000398.
Texto completoShelemay, Kay Kaufman. "Ethiopian Musical Invention in Diaspora: A Tale of Three Musicians". Diaspora: A Journal of Transnational Studies 15, n.º 2-3 (marzo de 2011): 303–20. http://dx.doi.org/10.3138/diaspora.15.2-3.303.
Texto completoSymes, Colin. "A sound education: the gramophone and the classroom in the United Kingdom and the United States, 1920–1940". British Journal of Music Education 21, n.º 2 (24 de junio de 2004): 163–78. http://dx.doi.org/10.1017/s0265051704005674.
Texto completoSpears, Amy, Danelle Larson y Sarah Minette. "Informal music-making among piano bar musicians: Implications for bridging the gap in music education". Journal of Popular Music Education 4, n.º 3 (1 de noviembre de 2020): 371–88. http://dx.doi.org/10.1386/jpme_00019_1.
Texto completoDrane, Gregory. "The Role of African-American Musicians in the Integration of the United States Navy". Music Educators Journal 101, n.º 3 (marzo de 2015): 63–67. http://dx.doi.org/10.1177/0027432114565132.
Texto completoWerb, Bret Charles y Maria V. Lebedeva. "The Aleksander Kulisiewicz Collection at the United States Holocaust Memorial Museum: An Introduction". Observatory of Culture 17, n.º 5 (12 de noviembre de 2020): 478–95. http://dx.doi.org/10.25281/2072-3156-2020-17-5-478-495.
Texto completoPatalano, Frank. "Psychosocial Stressors in the Lives of Great Jazz Musicians". Perceptual and Motor Skills 84, n.º 1 (febrero de 1997): 93–94. http://dx.doi.org/10.2466/pms.1997.84.1.93.
Texto completoTurner, Diane. "Black Music Traditions of Central Avenue". Practicing Anthropology 20, n.º 1 (1 de enero de 1998): 21–24. http://dx.doi.org/10.17730/praa.20.1.b06g13202633r087.
Texto completoStanek, Jeremy L., Kevin D. Komes y Fred A. Murdock. "A Cross-Sectional Study of Pain Among U.S. College Music Students and Faculty". Medical Problems of Performing Artists 32, n.º 1 (1 de marzo de 2017): 20–26. http://dx.doi.org/10.21091/mppa.2017.1005.
Texto completoQuigley, Nicholas Patrick y Tawnya D. Smith. "The educational backgrounds of DIY musicians". Journal of Popular Music Education 00, n.º 00 (9 de julio de 2021): 1–21. http://dx.doi.org/10.1386/jpme_00053_1.
Texto completoOstry, Michael E. "Association of Parkerella populi with declining hybrid aspen in Wisconsin". Canadian Journal of Botany 64, n.º 8 (1 de agosto de 1986): 1834–35. http://dx.doi.org/10.1139/b86-242.
Texto completoFernandez, Raul A. "Music from Cuba: Mongo Santamaria, Chocolate Armenteros, and Cuban Musicians in the United States (review)". Cuban Studies 34, n.º 1 (2003): 207–8. http://dx.doi.org/10.1353/cub.2004.0008.
Texto completoMcManus, Emily J. "The Tango in Translation: Intertextuality, Filmic Representation, and Performing Argentine Tango in the United States". TranscUlturAl: A Journal of Translation and Cultural Studies 5, n.º 1-2 (25 de marzo de 2014): 194. http://dx.doi.org/10.21992/t9w34w.
Texto completoBeasley, Gerald. "Curatorial Crossover: Building Library, Archives, and Museum Collections". RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 8, n.º 1 (1 de marzo de 2007): 20–28. http://dx.doi.org/10.5860/rbm.8.1.272.
Texto completoCOLLINS, TIM. "'Tis Like They Never Left: Locating “Home” in the Music of Sliabh Aughty's Diaspora". Journal of the Society for American Music 4, n.º 4 (19 de octubre de 2010): 491–507. http://dx.doi.org/10.1017/s1752196310000404.
Texto completoGregory, Dianne. "Analysis of Listening Preferences of High School and College Musicians". Journal of Research in Music Education 42, n.º 4 (diciembre de 1994): 331–42. http://dx.doi.org/10.2307/3345740.
Texto completoChunnu, Winsome. "Under the Eagles Wings: America, God Shed a Tear on Thee". Cultural Studies ↔ Critical Methodologies 20, n.º 5 (25 de noviembre de 2019): 468–70. http://dx.doi.org/10.1177/1532708619885401.
Texto completoRasmussen, Anne K. "Made in America: Historical and Contemporary Recordings of Middle Eastern Music in the United States". Middle East Studies Association Bulletin 31, n.º 2 (diciembre de 1997): 158–62. http://dx.doi.org/10.1017/s002631840003563x.
Texto completoNugroho, Dwi Mifta, Muhammad J. B. Firdaus y Adam J. Wijaya. "The Anti-War Movement through Romanticism of the Hippies Culture on Vietnam War 65-73". Jurnal Hubungan Internasional 13, n.º 2 (28 de noviembre de 2020): 295. http://dx.doi.org/10.20473/jhi.v13i2.21290.
Texto completoRay, Daniel E. "Military Bands and Government Documents". DttP: Documents to the People 44, n.º 4 (31 de enero de 2017): 27. http://dx.doi.org/10.5860/dttp.v44i4.6227.
Texto completoNewmark, Jonathan. "Military Bands as a Population for Studying Musicians' Health". Medical Problems of Performing Artists 24, n.º 1 (1 de marzo de 2009): 50. http://dx.doi.org/10.21091/mppa.2009.1011.
Texto completoNIELSEN, KRISTINA F. "Forging Aztecness: Twentieth-Century Mexican Musical Nationalism in Twenty-First Century Los Angeles". Yearbook for Traditional Music 52 (noviembre de 2020): 127–46. http://dx.doi.org/10.1017/ytm.2020.18.
Texto completoPARK, HYE-JUNG. "Musical Entanglements: Ely Haimowitz and Orchestral Music under the US Army Military Government in Korea, 1945–1948". Journal of the Society for American Music 15, n.º 1 (febrero de 2021): 1–29. http://dx.doi.org/10.1017/s1752196320000450.
Texto completoFOSLER-LUSSIER, DANIELLE. "Cultural Diplomacy as Cultural Globalization: The University of Michigan Jazz Band in Latin America". Journal of the Society for American Music 4, n.º 1 (14 de enero de 2010): 59–93. http://dx.doi.org/10.1017/s1752196309990848.
Texto completoWARFIELD, PATRICK R. "SOUNDS TO ESTABLISH A CORPS: THE ORIGINS OF THE UNITED STATES MARINE BAND, 1798–1804". Eighteenth Century Music 16, n.º 2 (20 de agosto de 2019): 115–32. http://dx.doi.org/10.1017/s1478570619000046.
Texto completoMITCHELL, GILLIAN A. M. "Visions of Diversity: Cultural Pluralism and the Nation in the Folk Music Revival Movement of the United States and Canada, 1958–65". Journal of American Studies 40, n.º 3 (22 de noviembre de 2006): 593–614. http://dx.doi.org/10.1017/s0021875806002143.
Texto completoRandles, Clint y Gareth Dylan Smith. "A first comparison of pre-service music teachers’ identities as creative musicians in the United States and England". Research Studies in Music Education 34, n.º 2 (29 de octubre de 2012): 173–87. http://dx.doi.org/10.1177/1321103x12464836.
Texto completoBURKE, PATRICK. "The Fugs, the Lower East Side, and the Slum Aesthetic in 1960s Rock". Journal of the Society for American Music 8, n.º 4 (noviembre de 2014): 538–66. http://dx.doi.org/10.1017/s175219631400039x.
Texto completoNash, Margaret A. "A Means of Honorable Support: Art and Music in Women's Education in the Mid-Nineteenth Century". History of Education Quarterly 53, n.º 1 (febrero de 2013): 45–63. http://dx.doi.org/10.1111/hoeq.12002.
Texto completoAdler, Nancy J. y Linda M. Ippolito. "Musical Leadership and Societal Transformation: Inspiration and Courage in Action". LEARNing Landscapes 9, n.º 2 (1 de abril de 2016): 43–67. http://dx.doi.org/10.36510/learnland.v9i2.763.
Texto completoAdler, Nancy J. y Linda M. Ippolito. "Musical Leadership and Societal Transformation: Inspiration and Courage in Action". Kwartalnik Ekonomistów i Menedżerów 50, n.º 4 (19 de noviembre de 2018): 41–65. http://dx.doi.org/10.5604/01.3001.0013.0629.
Texto completoZou, Tianxin y Baojun Jiang. "Integration of Primary and Resale Platforms". Journal of Marketing Research 57, n.º 4 (4 de mayo de 2020): 659–76. http://dx.doi.org/10.1177/0022243720917352.
Texto completoCampbell, Courtney. "THE NORTHEAST PLAYS FOOTBALL, TOO: WORLD CUP SOCCER AND REGIONAL IDENTITY IN THE BRAZILIAN NORTHEAST". Estudos Históricos (Rio de Janeiro) 32, n.º 68 (diciembre de 2019): 720–43. http://dx.doi.org/10.1590/s2178-149420190003000009.
Texto completoMcLeod, Kembrew y Peter DiCola. "Non-Infringing Uses in Digital Sampling: The Role of Fair Use and the de Minimis Threshold in Sample Clearance Reform". Deakin Law Review 17, n.º 2 (1 de febrero de 2013): 321. http://dx.doi.org/10.21153/dlr2012vol17no2art82.
Texto completogluck, robert j. "fifty years of electronic music in israel". Organised Sound 10, n.º 2 (agosto de 2005): 163–80. http://dx.doi.org/10.1017/s1355771805000798.
Texto completoWenner, N. G., W. Merrill y J. T. Moody. "Thyronectria balsamea on Abies fraseri in Pennsylvania and North Carolina". Plant Disease 81, n.º 7 (julio de 1997): 830. http://dx.doi.org/10.1094/pdis.1997.81.7.830c.
Texto completoAhlquist, Karen. "Playing for the Big Time: Musicians, Concerts, and Reputation-Building in Cincinnati, 1872–82". Journal of the Gilded Age and Progressive Era 9, n.º 2 (abril de 2010): 145–65. http://dx.doi.org/10.1017/s1537781400003911.
Texto completoYang, Mina. "Yellow Skin, White Masks". Daedalus 142, n.º 4 (octubre de 2013): 24–37. http://dx.doi.org/10.1162/daed_a_00232.
Texto completoWeaver, Crystal, Mark Varvares, Elaine Ottenlips, Kara Christopher y Andrew Dwiggins. "CLO19-058: Live Music to Decrease Patient Anxiety During Chemotherapy Treatments". Journal of the National Comprehensive Cancer Network 17, n.º 3.5 (8 de marzo de 2019): CLO19–058. http://dx.doi.org/10.6004/jnccn.2018.7132.
Texto completoGARCÍA, DAVID. "“We Both Speak African”: A Dialogic Study of Afro-Cuban Jazz". Journal of the Society for American Music 5, n.º 2 (14 de abril de 2011): 195–233. http://dx.doi.org/10.1017/s1752196311000034.
Texto completoGordon, Bonnie. "The Secret of the Secret Chromatic Art". Journal of Musicology 28, n.º 3 (2011): 325–67. http://dx.doi.org/10.1525/jm.2011.28.3.325.
Texto completoSPRINGER, ROBERT. "Folklore, commercialism and exploitation: copyright in the blues". Popular Music 26, n.º 1 (enero de 2006): 33–45. http://dx.doi.org/10.1017/s0261143007001110.
Texto completoLederman, Richard J. "Drummers’ Dystonia". Medical Problems of Performing Artists 19, n.º 2 (1 de junio de 2004): 70–74. http://dx.doi.org/10.21091/mppa.2004.2011.
Texto completoMOORE, ANDREA. "Neoliberalism and the Musical Entrepreneur". Journal of the Society for American Music 10, n.º 1 (febrero de 2016): 33–53. http://dx.doi.org/10.1017/s175219631500053x.
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