Artículos de revistas sobre el tema "Funk (Music) – History and criticism"
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Botstein, Leon. "On Criticism and History". Musical Quarterly 79, n.º 1 (1995): 1–5. http://dx.doi.org/10.1093/mq/79.1.1.
Texto completoBielefeldt, Christian. "Beyond Postmodernism? Prince and Some New Aesthetic Strategies". Musicological Annual 42, n.º 1 (1 de diciembre de 2006): 89–101. http://dx.doi.org/10.4312/mz.42.1.89-101.
Texto completoBotstein, L. "Witnessing Music: The Consequences of History and Criticism". Musical Quarterly 94, n.º 1-2 (1 de marzo de 2011): 1–8. http://dx.doi.org/10.1093/musqtl/gdr001.
Texto completoRadice, Mark A. "Reader's Guide to Music: History, Theory, Criticism (review)". Notes 58, n.º 1 (2001): 66. http://dx.doi.org/10.1353/not.2001.0165.
Texto completoParakilas, James. "The Afterlife of Don Giovanni: Turning Production History into Criticism". Journal of Musicology 8, n.º 2 (1990): 251–65. http://dx.doi.org/10.2307/763570.
Texto completoParakilas, James. "The Afterlife of Don Giovanni: Turning Production History into Criticism". Journal of Musicology 8, n.º 2 (abril de 1990): 251–65. http://dx.doi.org/10.1525/jm.1990.8.2.03a00040.
Texto completoPritchard, Matthew. "The Cambridge History of Music Criticism. Ed. by Christopher Dingle". Music and Letters 101, n.º 4 (1 de noviembre de 2020): 785–88. http://dx.doi.org/10.1093/ml/gcaa068.
Texto completoMajer-Bobetko, Sanja. "Between music and ideologies: Croatian music criticism from the beginning to World War II". Muzyka 63, n.º 4 (31 de diciembre de 2018): 55–64. http://dx.doi.org/10.36744/m.344.
Texto completoLoydell, Rupert. "Shake the Foundations: Militant Funk & the Post-Punk Dancefloor 1978‐1984, 3CD Box Set, Various Artists". Punk & Post Punk 10, n.º 2 (1 de junio de 2021): 341–42. http://dx.doi.org/10.1386/punk_00100_5.
Texto completoKramer, Elizabeth. "The Beethoven Violin Sonatas: History, Criticism, Performance (review)". Notes 62, n.º 1 (2005): 114–16. http://dx.doi.org/10.1353/not.2005.0098.
Texto completoReith, Louis J. y Roger Kuin. "Chamber Music: Elizabethan Sonnet-Sequences and the Pleasure of Criticism". Sixteenth Century Journal 32, n.º 1 (2001): 305. http://dx.doi.org/10.2307/2671499.
Texto completoDickinson, Peter. "Review: Maestros of the Pen: A History of Classical Music Criticism in America". Music and Letters 83, n.º 4 (1 de noviembre de 2002): 631–34. http://dx.doi.org/10.1093/ml/83.4.631.
Texto completoHeller, George N. y Mark N. Grant. "Maestros of the Pen: A History of Classical Music Criticism in America". History of Education Quarterly 39, n.º 2 (1999): 212. http://dx.doi.org/10.2307/370046.
Texto completoHarrán, Don. "Elegance as a Concept in Sixteenth-Century Music Criticism*". Renaissance Quarterly 41, n.º 3 (1988): 413–38. http://dx.doi.org/10.2307/2861755.
Texto completoFrost, Charlotte. "Digital Critics: The Early History of Online Art Criticism". Leonardo 52, n.º 1 (febrero de 2019): 37–43. http://dx.doi.org/10.1162/leon_a_01379.
Texto completoBranscombe, P. "E. T. A. Hoffmann's Musical Writings: 'Kreisleriana', 'The Poet and the Composer', Music Criticism". German History 10, n.º 2 (1 de enero de 1992): 248–50. http://dx.doi.org/10.1093/gh/10.2.248.
Texto completoZuk, Patrick. "Words for music perhaps? Irishness, criticism and the art tradition". Irish Studies Review 12, n.º 1 (abril de 2004): 11–29. http://dx.doi.org/10.1080/0967088042000192086.
Texto completoBrown, Howard Mayer. "Recent Research in the Renaissance: Criticism and Patronage*". Renaissance Quarterly 40, n.º 1 (1987): 1–10. http://dx.doi.org/10.2307/2861832.
Texto completoVasic, Aleksandar. "The magazine “Slavenska muzika” (1939–1941) in the history of Serbian music periodicals". Muzikologija, n.º 29 (2020): 121–47. http://dx.doi.org/10.2298/muz2029121v.
Texto completoCOLE, ROSS. "“Fun, Yes, but Music?” Steve Reich and the San Francisco Bay Area's Cultural Nexus, 1962–65". Journal of the Society for American Music 6, n.º 3 (agosto de 2012): 315–48. http://dx.doi.org/10.1017/s175219631200020x.
Texto completoWatt, Paul y Sarah Collins. "Critical Networks". Nineteenth-Century Music Review 14, n.º 1 (abril de 2017): 3–8. http://dx.doi.org/10.1017/s1479409816000252.
Texto completoSaloman, Ora Frishberg. "Continental and English Foundations of J. S. Dwight's Early American Criticism of Beethoven's Ninth Symphony". Journal of the Royal Musical Association 119, n.º 2 (1994): 251–67. http://dx.doi.org/10.1093/jrma/119.2.251.
Texto completoVasic, Aleksandar. "Engagement in musical criticism: Pavle Stefanovic’s texts in The Music Herald (1938-1940)". Muzikologija, n.º 27 (2019): 203–20. http://dx.doi.org/10.2298/muz1927203v.
Texto completoPowers, Devon. "Bruce Springsteen, Rock Criticism, and the Music Business: Towards a Theory and History of Hype". Popular Music and Society 34, n.º 2 (mayo de 2011): 203–19. http://dx.doi.org/10.1080/03007761003726472.
Texto completoFry, Katherine. "Nietzsche's Critique of Musical Decadence: The Case of Wagner in Historical Perspective". Journal of the Royal Musical Association 142, n.º 1 (2017): 137–72. http://dx.doi.org/10.1080/02690403.2017.1286130.
Texto completoLofton, Kathryn. "Dylan Goes Electric". Journal of Popular Music Studies 33, n.º 2 (1 de junio de 2021): 31–50. http://dx.doi.org/10.1525/jpms.2021.33.2.31.
Texto completoSouza, Alberto Carlos de. "The language of the art of music: an overview of its history in Brazil". Humanum Sciences 3, n.º 1 (5 de agosto de 2021): 32–40. http://dx.doi.org/10.6008/cbpc2674-6654.2021.001.0004.
Texto completoNatambu, Kofi. "Whose Music is it, Anyway?: The Oxford University Press Jazz History/Criticism Series, 1980-Present". Black Scholar 29, n.º 4 (diciembre de 1999): 48–51. http://dx.doi.org/10.1080/00064246.1999.11430983.
Texto completoDesler, Anne. "History without royalty? Queen and the strata of the popular music canon". Popular Music 32, n.º 3 (13 de septiembre de 2013): 385–405. http://dx.doi.org/10.1017/s0261143013000287.
Texto completoGarratt, J. "Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth-Century Vienna. By Kevin C. Karnes." Music and Letters 91, n.º 3 (1 de agosto de 2010): 436–38. http://dx.doi.org/10.1093/ml/gcq028.
Texto completoHughes, Stephen Putnam. "Music in the Age of Mechanical Reproduction: Drama, Gramophone, and the Beginnings of Tamil Cinema". Journal of Asian Studies 66, n.º 1 (febrero de 2007): 3–34. http://dx.doi.org/10.1017/s0021911807000034.
Texto completoVasic, Aleksandar. "Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century as a subject of musicology research". Muzikologija, n.º 6 (2006): 317–42. http://dx.doi.org/10.2298/muz0606317v.
Texto completoGianvittorio, Laura. "New Music and Dancing Prostitutes". Greek and Roman Musical Studies 6, n.º 2 (24 de agosto de 2018): 265–89. http://dx.doi.org/10.1163/22129758-12341323.
Texto completoSalgado, Tomas Garcia. "Comment on "Art History and the Criticism of Computer-Generated Images"". Leonardo 29, n.º 1 (1996): 82. http://dx.doi.org/10.2307/1576292.
Texto completoGOSSETT, PHILIP. "Source Studies and Opera History". Cambridge Opera Journal 21, n.º 2 (julio de 2009): 111–18. http://dx.doi.org/10.1017/s0954586710000030.
Texto completoFay, Brendan. "Conservative Music Criticism, the Inflation, and Concert Life in Weimar Germany, 1919–1924". Cultural History 6, n.º 2 (octubre de 2017): 141–63. http://dx.doi.org/10.3366/cult.2017.0147.
Texto completoWeitz, Shaena B. "Propaganda and Reception in Nineteenth-Century Music Criticism: Maurice Schlesinger, Henri Herz, and the Gazette musicale". 19th-Century Music 43, n.º 1 (2019): 38–60. http://dx.doi.org/10.1525/ncm.2019.43.1.38.
Texto completoBrown, C. "Beethoven and the violin: The Beethoven violin sonatas: history, criticism, performance, ed. Lewis Lockwood and Mark Kroll (Urbana: University of Illinois Press, 2005), 34.95". Early Music 34, n.º 2 (1 de mayo de 2006): 303–4. http://dx.doi.org/10.1093/em/cal010.
Texto completoVasic, Aleksandar. "Serbian Literary Magazine and avant-garde music". Muzikologija, n.º 5 (2005): 289–306. http://dx.doi.org/10.2298/muz0505289v.
Texto completoMcLEOD, KEMBREW. "‘*1/2’ a critique of rock criticism in North America". Popular Music 20, n.º 1 (enero de 2001): 47–60. http://dx.doi.org/10.1017/s0261143001001301.
Texto completoSevern, John R. "Salieri’s Falstaff, ossia Le tre burle and The Merry Wives of Windsor: Operatic Adaptation and/as Shakespeare Criticism". Cambridge Opera Journal 26, n.º 1 (19 de febrero de 2014): 83–112. http://dx.doi.org/10.1017/s0954586713000323.
Texto completoDevine, Kyle. "Imperfect sound forever: loudness wars, listening formations and the history of sound reproduction". Popular Music 32, n.º 2 (mayo de 2013): 159–76. http://dx.doi.org/10.1017/s0261143013000032.
Texto completoBOARO, ERIC. "EVIDENCE OF THE PRACTICAL APPLICATION OF SOLFEGGIO PATTERNS IN THE MANUSCRIPT FOR THE 1707 NEAPOLITAN PERFORMANCE OF LA FEDE TRADITA E VENDICATA BY GASPARINI AND VIGNOLA". Eighteenth Century Music 18, n.º 1 (5 de febrero de 2021): 171–84. http://dx.doi.org/10.1017/s1478570620000421.
Texto completoSamson, Jim. "The Virtuoso Liszt. By Dana Gooley. pp. xvi + 280. New Perspectives in Music History and Criticism. (Cambridge University Press, Cambridge, 2004. £45. ISBN 0-521-83443-0.)". Music and Letters 86, n.º 4 (1 de noviembre de 2005): 645–46. http://dx.doi.org/10.1093/ml/gci117.
Texto completoFenlon, Iain. "Women and Music in Sixteenth-Century Ferrara. Laurie Stras. New Perspectives in Music History and Criticism. Cambridge: Cambridge University Press, 2018. xxiv + 392 pp. $99.99." Renaissance Quarterly 73, n.º 3 (2020): 1096–98. http://dx.doi.org/10.1017/rqx.2020.190.
Texto completoMarie Sumner Lott. "Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late-Nineteenth-Century Vienna (review)". Notes 66, n.º 1 (2009): 62–64. http://dx.doi.org/10.1353/not.0.0211.
Texto completoGallope, Michael. "Why was this Music Desirable? On A Critical Explanation of the Avant-Garde". Journal of Musicology 31, n.º 2 (2014): 199–230. http://dx.doi.org/10.1525/jm.2014.31.2.199.
Texto completoComensoli (book editor), Viviana, Paul Stevens (book editor) y Stephen Guy-Bray (review author). "Discontinuities: New Essays on Renaissance Literature and Criticism". Renaissance and Reformation 34, n.º 3 (1 de julio de 1998): 93–95. http://dx.doi.org/10.33137/rr.v34i3.10822.
Texto completoWISEMAN, MARY. "Fredrika H. Jacobs, Defining The Renaissance Virtuosa: Women Artists and The Language of Art History and Criticism". Journal of Aesthetics and Art Criticism 58, n.º 4 (1 de septiembre de 2000): 420–24. http://dx.doi.org/10.1111/1540-6245.jaac58.4.0420.
Texto completoMilne, Drew. "Cheerful History: the Political Theatre of John McGrath". New Theatre Quarterly 18, n.º 4 (noviembre de 2002): 313–24. http://dx.doi.org/10.1017/s0266464x02000428.
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