Literatura académica sobre el tema "Funk (Music) – History and criticism"
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Artículos de revistas sobre el tema "Funk (Music) – History and criticism"
Botstein, Leon. "On Criticism and History". Musical Quarterly 79, n.º 1 (1995): 1–5. http://dx.doi.org/10.1093/mq/79.1.1.
Texto completoBielefeldt, Christian. "Beyond Postmodernism? Prince and Some New Aesthetic Strategies". Musicological Annual 42, n.º 1 (1 de diciembre de 2006): 89–101. http://dx.doi.org/10.4312/mz.42.1.89-101.
Texto completoBotstein, L. "Witnessing Music: The Consequences of History and Criticism". Musical Quarterly 94, n.º 1-2 (1 de marzo de 2011): 1–8. http://dx.doi.org/10.1093/musqtl/gdr001.
Texto completoRadice, Mark A. "Reader's Guide to Music: History, Theory, Criticism (review)". Notes 58, n.º 1 (2001): 66. http://dx.doi.org/10.1353/not.2001.0165.
Texto completoParakilas, James. "The Afterlife of Don Giovanni: Turning Production History into Criticism". Journal of Musicology 8, n.º 2 (1990): 251–65. http://dx.doi.org/10.2307/763570.
Texto completoParakilas, James. "The Afterlife of Don Giovanni: Turning Production History into Criticism". Journal of Musicology 8, n.º 2 (abril de 1990): 251–65. http://dx.doi.org/10.1525/jm.1990.8.2.03a00040.
Texto completoPritchard, Matthew. "The Cambridge History of Music Criticism. Ed. by Christopher Dingle". Music and Letters 101, n.º 4 (1 de noviembre de 2020): 785–88. http://dx.doi.org/10.1093/ml/gcaa068.
Texto completoMajer-Bobetko, Sanja. "Between music and ideologies: Croatian music criticism from the beginning to World War II". Muzyka 63, n.º 4 (31 de diciembre de 2018): 55–64. http://dx.doi.org/10.36744/m.344.
Texto completoLoydell, Rupert. "Shake the Foundations: Militant Funk & the Post-Punk Dancefloor 1978‐1984, 3CD Box Set, Various Artists". Punk & Post Punk 10, n.º 2 (1 de junio de 2021): 341–42. http://dx.doi.org/10.1386/punk_00100_5.
Texto completoKramer, Elizabeth. "The Beethoven Violin Sonatas: History, Criticism, Performance (review)". Notes 62, n.º 1 (2005): 114–16. http://dx.doi.org/10.1353/not.2005.0098.
Texto completoTesis sobre el tema "Funk (Music) – History and criticism"
Scannell, John School of Media Film & Theatre UNSW. "James Brown: apprehending a minor temporality". Awarded by:University of New South Wales. School of Media, Film and Theatre, 2006. http://handle.unsw.edu.au/1959.4/26955.
Texto completoWilliams, Stephanie E. (Stephanie Evangeline). "On folk music as the basis of a Jamaican primary school music programme". Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63211.
Texto completoPapanikolaou, Dimitris. "Singing poets : literature and popular music in France and Greece /". London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.
Texto completoKeightley, Keir. "The history and exegesis of pop : reading "All summer long"". Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22458.
Texto completoTrochimczyk, Maja. "Space and spatialization in contemporary music : history and analysis, ideas and implementations". Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116333.
Texto completoThis dissertation presents the history of space in the musical thought of the 2Othcentury (from Kurth to Clifton, from Varèse to Xenakis) and outlines the development of spatialization in the theory and practice of contenlporary music (after 1950). The text emphasizes perceptual and temporal aspects of musical spatiality, thus reflecting the close connection of space and time in human experience. A new definition of spatialization draws from Ingarden’s notion of the musical work; a new typology of spatial designs embraces music for different acoustic environments, movements of performers and audiences, various positions of musicians in space, etc. The study of spatialization includes a survey of the writings of many composers (e.g. Ives, Boulez, Stockhausen, Cage) and an examination of their compositions. The final part of the dissertation presents three approaches to spatialization: Brant’ s simultaneity of sound layers, Xenakis’s movement of sound, and Schafer’s music of ritual and soundscape.
Cette thèse présente l’histoire de l’espace dans la pensée musicale du vingtième siècle (de Kurth à Clifton, de Varèse à Xenakis) et retrace le développement de la spatialisation dans la théorie et la pratique de la musique contemporaine (après 1950). Le texte souligne les aspects perceptuels et temporels de la spatialisation musicale, reflétant ainsi le lien étroit entre temps et espace t!ans l’expérience humaine. Une nouvelle définition de la spatialisation tire son origine de la notion de l’oeuvre musicale d’Ingarden; une nouvelle typologie des plans spatiaux prend en considération des musiques pour différents environnements acoustiques, diverses positions des musiciens dans l’espace de même que le mouvement de ceux-ci et des auditeurs, etc. L’étude de la spatialisation inclut un survol des écrits de plusieurs compositeurs (Ives, Stockhausen, Boulez et Cage, par exemple) de même qu’un examen de leurs oeuvres. La dernière partie de la thèse présente trois approches compositionnelles de la spatialisation: la simultanéité de strates sonores ,:hez Brant, le mouvement du son chez Xenakis et la musique du rituel et l’écologie sonore chez Schafer.
Stein, Eric 1973. ""Living right and being free" : country music and modern American conservatism". Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21267.
Texto completoBroman, Per F. "Bengt Hambræus's notion of World Music : philosophical and aesthetical boundaries". Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28042.
Texto completoPowell, Steven. "Dread rites : an account of Rastafarian music and ritual process in popular culture". Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=55647.
Texto completoDumitrescu, Theodor. "The early Tudor court and international musical relations /". Aldershot [u.a.] : Ashgate, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016142806&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.
Texto completoForeign cultural models at the English royal court -- International events and musical exchanges -- Building a foreign musical establishment at the early Tudor court -- Anglo-continental relations in music manuscripts -- English music theory and the international traditions. Includes bibliographical references (p. [297]-315) and index.
Deruchie, Andrew. "The French symphony at the fin de siècle style, culture, and the symphonic tradition /". Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115596.
Texto completoPrevious critics have viewed this repertoire primarily with limited structuralist methodologies. The results have often been unhappy: all of these symphonies are in some ways formally idiosyncratic and individual, and their non-conforming aspects have tended to puzzle or disappoint. My study draws on recent methods developed by Warren Darcy, Scott Burnham, and others that emphasize the dynamic and teleological qualities of musical form. This more supple approach allows a fuller appreciation of the subtle and sophisticated ways in which individual works unfold formally, and the spectrum of procedures French composers employed.
My study demonstrates that the factors shaping the French symphony in this period included imperatives of progress as well as the popularity of the symphonic poem. Some of the earlier symphonists covered in this study also felt the need to confront Wagner's influential theoretical writings: mid -century he had famously proclaimed the death of the symphony. As many writers have argued, the archetypal heroic "plot" that Beethoven's symphonies express embodies the subject-laden values---notions of individual freedom and faith in the self---that prevailed in his time. Different inflections of this plot by French symphonists, I argue, reflect the variegated ways fin-de-siec1e French culture had received these values.
Libros sobre el tema "Funk (Music) – History and criticism"
Thompson, Dave. Funk. San Francisco: Backbeat Books, 2001.
Buscar texto completoO mundo funk carioca. Rio de Janeiro: J. Zahar Editor, 1988.
Buscar texto completoBatidão: Uma históiria do funk. Rio de Janeiro: Editora Record, 2005.
Buscar texto completoRagged glories: City lights, country funk, American music. London: Pimlico, 2003.
Buscar texto completoFunk, que batida é essa. Rio de Janeiro, RJ: Agosto Realizações, 2009.
Buscar texto completoTechno rebels: The renegades of electronic funk. 2a ed. Detroit, Mich: Wayne State University Press, 2010.
Buscar texto completoFunk: The music, the people, and the rhythm of the one. New York: St. Martin's Griffin, 1996.
Buscar texto completoLopes, Adriana Carvalho. Funk-se quem quiser: No batidão negro da cidade carioca. Rio de Janeiro: FAPERJ, 2011.
Buscar texto completoFunk carioca: Crime ou cultura? : o som dá medo e prazer. São Paulo: Editoras Albatroz, Loqüi e Terceiro Nome, 2006.
Buscar texto completoBirds of fire: Jazz, rock, funk, and the creation of fusion. Durham: Duke University Press, 2011.
Buscar texto completoCapítulos de libros sobre el tema "Funk (Music) – History and criticism"
Wehrs, William. "Affect and Film Music: A Brief History". En The Palgrave Handbook of Affect Studies and Textual Criticism, 735–52. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63303-9_28.
Texto completoBolden, Tony. "Blue Funk". En Groove Theory, 37–84. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496830524.003.0003.
Texto completoDahl, Per. "Music Criticism in Norway". En The Cambridge History of Music Criticism, 392–407. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.021.
Texto completoKarnes, Kevin C. "MUSIC CRITICISM AS LIVING HISTORY". En Music, Criticism, and the Challenge of History, 48–76. Oxford University Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780195368666.003.0003.
Texto completoFrey, Emily. "Music Criticism in Imperial Russia". En The Cambridge History of Music Criticism, 208–28. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.012.
Texto completoWatt, Paul. "British Music Criticism, 1890–1945". En The Cambridge History of Music Criticism, 371–91. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.020.
Texto completoRacz, Mark. "Jazz Criticism in America". En The Cambridge History of Music Criticism, 459–83. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.025.
Texto completoFrith, Simon. "Writing about Popular Music". En The Cambridge History of Music Criticism, 502–26. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.027.
Texto completoDingle, Christopher. "Comparing Notes: Recording and Criticism". En The Cambridge History of Music Criticism, 249–71. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.014.
Texto completoRose, Stephen. "German-Language Music Criticism before 1800". En The Cambridge History of Music Criticism, 104–24. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.007.
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