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Libros sobre el tema "Frank Bridge"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 12 de febrero de 2022

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1

Little, Karen R. Frank Bridge: A bio-bibliography. New York: Greenwood Press, 1991.

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2

Keating, Roderic Maurice. The songs of Frank Bridge. Ann Arbor, Mich: University Microfilms International, 1990.

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3

Frank Stewart's contract bridge quiz book. Englewood Cliffs, N.J: Prentice-Hall, 1986.

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4

Rose, Phyllis Esther. Frank Barber and his bridges. Toronto: [s.n.], 1985.

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5

Bridge, Frank R. CD-ROM technology for libraries: Participant workbook : a workshop presented by Frank R. Bridge and C. Rebecca Garcia of the Library Development Division, Texas State Library. [Austin, Tex.]: Texas State Library, 1988.

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6

Daulte, François. Au service de l'art: Entretiens avec Frank Bridel. Lausanne: La bibliothèque des arts, 1996.

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7

Leonoff, Cyril Edel. Bridges of light: Otto Landauer of Leonard Frank Photos, 1945-1980. Vancouver: Talonbooks, 1997.

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8

Charlet, André. André Charlet: La foule enchantée : entretiens avec Frank Bridel. Lausanne: La Bibliothèque des arts, 2000.

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9

Reverdin, Olivier. Olivier Reverdin: L'humaniste sur tous les fronts : entretiens avec Frank Bridel. Lausanne: Bibliotheque des arts, 1996.

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10

Frank, Harris. My life and loves. Amherst, N.Y: Prometheus Books, 1999.

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11

Frank, Harris. My life and loves. New York: Grove Weidenfeld, 1991.

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12

Lorenz, Konrad. Leben ist lernen: Von Immanuel Kant zu Konrad Lorenz ; ein Gespra ch u ber das Lebenswerk des Nobelpreistra gers. 4a ed. Mu nchen: Piper, 1988.

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13

1952-, Gartner Rosemary, ed. Murdering holiness: The trials of Franz Creffield and George Mitchell. Vancouver: UBC Press, 2003.

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14

Johnstone, William W. Winter kill. New York: Pinnacle Books, 2010.

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15

Dickey, Stephanie, ed. Rembrandt and his Circle. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462984004.

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This collection brings together art historians, museum professionals, conservators, and conservation scientists whose work involves Rembrandt van Rijn and associated artists such as Gerrit Dou, Jan Lievens, and Ferdinand Bol. The range of subjects considered is wide: from the presentation of convincing evidence that Rembrandt and his contemporary Frans Hals rubbed elbows in the Amsterdam workshop of Hendrick Uylenburgh to critical reassessments of the role of printmaking in Rembrandt's studio, his competition with Lievens as a landscape painter, his reputation as a collector, and much more. Developed from a series of international conferences devoted to charting new directions in Rembrandt research, these essays illuminate the current state of Rembrandt studies and suggest avenues for future inquiry.
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16

Distanz und Identifikation: Eine Studie über Robert Walsers Roman "Der Gehülfe," Rainer Maria Rilkes "Die Aufzeichungen des Malte Laurids Brigge" und Franz Kafkas "Das Schloss". Frankfurt am Main: P. Lang, 1987.

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17

Stewart, Frank. Frank Stewart's Bridge Club. Master Point Press, 2003.

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18

Music of Frank Bridge. Boydell & Brewer, Incorporated, 2015.

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19

Edwards, Angela M. Frank Bridge: The string quartets. 1992.

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20

Frank Stewarts World Of Bridge. Vivisphere Publishing, 2008.

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21

Stewart, Frank. Frank Stewart's Contract Bridge Quiz Book. Prentice Hall Trade, 1992.

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22

Stewart, Frank. Frank Stewart's Contract Bridge Quiz Book. Prentice Hall Trade, 1992.

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23

Niedbala, Dennis. Frank the unicorn and Syd ha sit bird on the Brooklyn Bridge. Fragments West/The Valentine Press, 1986.

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24

North Of The Master Solvers Club The Bridge Writings Of Frank Vine. Master Point Press, 2008.

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25

Stoppard, Tom. Four Plays for Radio: Artist Descending a Staircase Where Are They Now? If You're Glad I'll Be Frank Albert's Bridge. Faber & Faber, 1985.

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26

The Builders of the Canti-lever Bridge below Niagara Falls request the honor of the presence of [Frank Turner, Esq. C.E.]: At the opening to take place on Thursday Dec. 20th at 11 o'clock, a.m. at Niagra Falls, Ont. ... [S.l: s.n., 1987.

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27

The Builders of the Canti-lever Bridge below Niagra Falls request the honor of the presence of [Frank Turner, Esq. C.E.]: At the opening to take place on Thursday Dec. 20th at 11 o'clock, a.m. at Niagra Falls, Ont. .. [S.l: s.n., 1987.

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28

The Bride of Frank Stein. Las Vegas, NV: Ewan Lillicii / CreateSpace, 2015.

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29

Stoppard, Tom. Tom Stoppard Plays Two: The Dissolution of Dominic Boot; 'M' Is for Moon Among Other Things; If You're Glad I'll Be Frank; Albert's Bridge; Where Are They Now? Faber & Faber, 1997.

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30

The harmonic species of Frank Bridge: An experimental assessment of the applicability of pitch-class generic theory to analysis of a corpus of works by a transitional composer. 1995.

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31

La Novia de Frank-Enstein/ Bride of Frankenstein. Gedisa Editorial, 2005.

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32

Brooks, William, Christina Bashford y Gayle Magee, eds. Over Here, Over There. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042706.001.0001.

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Music in World War I played an important role in cementing the transatlantic alliance among Anglophone and Francophone allies. Chapters 1–5 consider responses to the war by five individuals from three countries: Frank Bridge, Charles Ives, Claude Debussy, John Philip Sousa, and Irving Berlin. Chapters 6–10 gradually expand the focus to ever larger groups of people: women theatre organists in the United States, the Longleat community in England, the greater citizenry of Canada, the service flag and Gold Star mother movements throughout the United States, and the global population devastated by the influenza epidemic. A “prelude,” “interlude,” and “postlude,” which provide context and supplemental material, are co-authored by the three editors, who speak as representatives of England, Canada, and the United States. The whole demonstrates not only the importance of musical exchanges and influences in shaping transatlantic support for the war effort but also the range of contributions made—from unknown amateurs to major composers, from local communities to international populations, and from regions that span a third of the globe.
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33

The Last Gunfighter: Winterkill. Wheeler Publishing, 2010.

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34

Bergengruen, Maximilian, Gerhard Neumann, Ursula Renner, Günter Schnitzler y Gotthart Wunberg, eds. Hofmannsthal Jahrbuch zur Europäischen Moderne. Rombach Wissenschaft, 2015. http://dx.doi.org/10.5771/9783968216874.

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Das Hofmannsthal-Jahrbuch ist weltweit das wichtigste Organ der Hofmannsthal-Forschung. Es bietet neben der Veröffentlichung bisher unpublizierter Briefwechsel Beiträge namhafter Wissenschaftler zur europäischen Kultur der Moderne: Henriette von Motesiczky: »Erinnerungen« Rudolf Kassner an Marie von Thurn und Taxis Briefe (1902–1933) und Dokumente, Teil II: 1907–1933 Paul Bourget: Théorie de la décadence Maria Euchner: Of Words, Bloody Deeds, and Bestial Oblivion: Hamlet and Elektra Heinz Rölleke: Rainer Maria Rilkes »Alkestis« und Hofmannsthals »Jedermann«. Parallelen und Einflüsse Gabriele Brandstetter: Harry Graf Kessler und die ›Ballets Russes‹. Plastische Körperkunst Nijinskys im Kontext der europäischen Moderne Daniel Hilpert: ›Triumph des Körpers‹. Literarische Eugenik in Frank Wedekinds »Mine-Haha oder Über die körperliche Erziehung der jungen Mädchen« und »Hidalla«
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35

Smith, Steven C. Music by Max Steiner. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190623272.001.0001.

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During a seven-decade career that spanned from 19th-century Vienna to 1920s Broadway to the golden age of Hollywood, three-time Academy Award winner Max Steiner did more than any other composer to establish and codify the language of film music. Composers today like John Williams use the same techniques perfected by the classically trained Steiner, in his scores for such motion pictures as Casablanca, King Kong, Gone with the Wind, The Searchers, Now, Voyager, the Astaire-Rogers musicals, and more than two hundred other titles. Steiner’s private life was as tumultuous as the films he scored. Born into an Austrian theatrical dynasty, he became one of Hollywood’s highest-paid composers. But he was constantly in debt, due to financial mismanagement, four marriages, and the actions of his emotionally troubled son. Steiner ended his career in triumph: at age 71, although practically blind, he wrote what Billboard called the most successful instrumental single of the era: “Theme from A Summer Place.” Throughout his chaotic life, Steiner was buoyed by a quick wit and an instinctive gift for melody, as he met and worked with a Who’s Who of artists: Johann Strauss Jr., Richard Strauss, George Gershwin, Irving Berlin, Oscar Hammerstein, David O. Selznick, Frank Sinatra, Frank Capra, and many more. This first full biography of Steiner brings to life the previously untold story of a musical pioneer and master dramatist who helped create a vital new art form (and multimillion-dollar industry), while writing many of the greatest scores in cinema history.
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36

Villa, Sara. Improvisatory Practices and the Dawn of the New American Cinema. Editado por Benjamin Piekut y George E. Lewis. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199892921.013.30.

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In 1960, cinema critic Jonas Mekas welcomed the advent of the New American Cinema, praising the wave of independent movies produced in late 1950s for their casual and fragmentary nature. The key feature of these productions, which was particularly remarkable in the case of two major features—Shadowsby John Cassavetes andPull My Daisyby Alfred Leslie and Robert Frank—was an anti-Hollywood style that relied on improvisatory practices affecting all structural levels: from the acting to the montage, from the photography to the soundtrack. The style of this “spontaneous cinema” was a pastiche of multiple improvisatory practices, borrowed from bebop, beat poetry, and Stanislavsky’s acting techniques, which defied traditional cinematographic narratives. A close analysis ofShadowsandPull My Daisyreveals the multiple forms of improvisation that shaped these movies’ “spontaneous poetics” and the ways in which they both managed to bring improvisation into film art.
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37

Bergengruen, Maximilian, Alexander Honold, Gerhard Neumann, Ursula Renner, Günter Schnitzler y Gotthart Wunberg, eds. Hofmannsthal Jahrbuch zur Europäischen Moderne. Rombach Wissenschaft, 2017. http://dx.doi.org/10.5771/9783968216850.

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Das Hofmannsthal-Jahrbuch ist weltweit das wichtigste Organ der Hofmannsthal-Forschung. Es bietet neben der Veröffentlichung bisher unpublizierter Briefwechsel Beiträge namhafter Wissenschaftler zur europäischen Kultur der Moderne: Das Hofmannsthal-Jahrbuch ist weltweit das wichtigste Organ der Hofmannsthal-Forschung. Es bietet neben der Veröffentlichung bisher unpublizierter Briefwechsel Beiträge namhafter Wissenschaftler zur europäischen Kultur der Moderne: »Wir haben diesen Dichter geliebt ...« Hugo von Hofmannsthal und Eduard Korrodi. Briefe und Dokumente Mitgeteilt und kommentiert von Klaus E. Bohnenkamp Heinz Rölleke „Und immer weht der Wind“. Hofmannsthal und das alttestamentarische Buch »Kohelet« Daniel Hilpert »Mein Fleisch heißt Lulu«. Eugenik und Sexualpathologie in Frank Wedekinds »Die Büchse der Pandora. Eine Monstretragödie« (1894) Johannes Ungelenk Rainer Maria Rilkes »Die Flamingos«. Ein Kling(-ge-)ding Mathias Mayer Marcel Prousts Königin von Neapel. Mit einem Exkurs zu Hofmannsthal Karl Pestalozzi »Ich habe alles reiflich erwogen.« Wirklichkeit und Ideal in Karl Kraus’ »Die letzten Tage der Menschheit« Michael Navratil Selbstsucht und Selbstsuche. Schnitzlers Psychopoetik des Narzissmus. Mit einer Interpretation von »Die Frau des Richters«
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38

Woodham, Jonathan M., ed. A Dictionary of Modern Design. Oxford University Press, 2016. http://dx.doi.org/10.1093/acref/9780191762963.001.0001.

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Over 950 entriesFrom the Arts and Crafts Movement to Postmodernism, Apple to Frank Lloyd Wright, this fascinating dictionary covers the past 160 years of international design, with accessible entries on branding, graphics, industrial design, functionalism, and fashion. New entries on digital design and sustainable design bring the coverage up to date. The dictionary’s international focus takes in major movements, key concepts, design terminology, and important design institutions, museums, and heritage sites.The new edition reflects the growing global importance of design, with coverage of India, China, and the countries of the Pacific Rim, Eastern Europe, and East Asia, and demonstrates how developments in the design of technology influence everyday life, with new entries on fonts, games developers such as Gunpei Yokoi of Nintendo, Android, Samsung, and Blackberry, and a fully revised entry on Apple.The A–Z entries are complemented by an extensive bibliography and a timeline.
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39

Forshaw, Joseph y Frank Knight. Vanished and Vanishing Parrots. CSIRO Publishing, 2017. http://dx.doi.org/10.1071/9780643106499.

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Joseph M. Forshaw, one of the world’s leading authorities on parrots, calls attention to the threats they face: they are one of the most endangered groups of birds, with a growing number of species nearing extinction. The main threats arise from habitat loss through deforestation and agricultural development and from the taking of birds for the international live-bird trade. Vanished and Vanishing Parrots brings together information on species that have become extinct in historical times with information on species that are in danger of becoming extinct to increase public awareness of the plight of these magnificent birds. Vivid colour plates by the wildlife artist Frank Knight draw attention to the spectacular species that we have lost or that could be lost. Forshaw’s work gives us fascinating insight into these endangered and extinct parrots. Vanished and Vanishing Parrots will be a valuable reference for scientific, ornithological and avicultural organisations, as well as individual lovers of birds and of illustrated natural history books. Announced Highly Commended at the 2018 Whitley Awards
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40

Mordden, Ethan. On Streisand. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190651763.001.0001.

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This critical analysis of Barbra Streisand looks past the mainstream show-business principal to deconstruct an artist who is in fact a revolutionary figure. Streisand pioneered an intense and even passionate singing style at odds with the once prevailing easy-listen manner typified by Ella Fitzgerald and Frank Sinatra. Like Dustin Hoffman and Jack Nicholson, she was one of the new wave actors of the 1960s who broke away from the standard models for movie stars. But Streisand has much greater range than others of this kind, as comfortable in musical comedy as in serious drama. She can play the madcap Fanny Brice and Dolly, the politically intense heroine of The Way We Were, the sexually abused daughter who becomes a prostitute and a murderer in Nuts, the cross-dressing Yentl who seeks the liberty that men take for granted and women are denied. Streisand has been, in all, an invigorating artist, not only unique but extraordinary. It would be impossible to imagine what American culture would have been like without her.
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41

Augsberg, Ino, Steffen Augsberg y Ludger Heidbrink, eds. Recht auf Nicht-Recht. Velbrück Wissenschaft, 2020. http://dx.doi.org/10.5771/9783748911883.

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Die gegenwärtige Gesellschaft ist mit einem Phänomen konfrontiert, das sich als Juridifizierung charakterisieren lässt. Gemeint ist damit, dass juristische Kategorien zunehmend auch außerhalb genuin rechtlicher Kontexte Verwendung finden. Die Weise, wie Menschen sich selbst und ihre Lebenswelt wahrnehmen, ist danach mehr und mehr durch juristische Perspektiven vorgeprägt und damit auf spezifische Weise verengt. Die Beiträge des vorliegenden Bandes gehen von dieser Diagnose aus und fragen nach einer spezifischen Lösungsmöglichkeit für das so bestimmte Problem: Lässt sich der Befund in das Recht selbst zurückspiegeln? Ist es möglich, das Recht gegen sich selbst und seine zunehmende Überformung der Gesamtgesellschaft in Stellung zu bringen? Mit Beiträgen von Ino Augsberg, Steffen Augsberg, Ricardo Campos, Ghazaleh Faridzadeh, Judith Froese, Petra Gehring, Friedhelm Hase, Ludger Heidbrink, Andrea Klonschinski, Stefan Korioth, Mansoor Koshan, Karl-Heinz Ladeur, Franz Reimer, Thomas Vesting, Lars Viellechner, Dan Wielsch und Benno Zabel.
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42

Neale, Steve. Film, Cinema, Genre. Editado por Frank Krutnik y Richard Maltby. University of Exeter Press, 2021. http://dx.doi.org/10.47788/yrcc6901.

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This book brings together key works by pioneering film studies scholar Steve Neale. From the 1970s to the 2010s Neale’s vital and unparalleled contribution to the subject has shaped many of the critical agendas that helped to confirm film studies’ position as an innovative discipline within the humanities. Although known primarily for his work on genre, Neale has written on a far wider range of topics. In addition to selections from the influential volumes Genre (1980) and Genre and Hollywood (2000), and articles scrutinizing individual genres – the melodrama, the war film, science fiction and film noir – this Reader provides critical examinations of cinema and technology, art cinema, gender and cinema, stereotypes and representation, cinema history, the film industry, New Hollywood, and film analysis. Many of the articles included are recommended reading for a range of university courses worldwide, making the volume useful to students at undergraduate level and above, researchers, and teachers of film studies, media studies, gender studies and cultural studies. The collection has been selected and edited by Frank Krutnik and Richard Maltby, scholars who have worked closely with Neale and been inspired by his diverse and often provocative critical innovations. Their introduction assesses the significance of Neale’s work, and contextualizes it within the development of UK film studies.
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43

Schlachter, Monika y Hans Michael Heinig, eds. Europäisches Arbeits- und Sozialrecht. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748908616.

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<b>Das europäische Arbeits- und Sozialrecht</b> beeinflusst wesentlich Auslegung und Anwendung des nationalen Arbeits- und Sozialrechts. <b>Das Handbuch</b> systematisiert die europäischen Vorgaben und macht sie auch für den nationalen Rechtsanwender praktikabel. Schritt für Schritt wird die arbeits- und sozialrechtliche Relevanz von Bestimmungen der Europäischen Grundrechtecharta und EMRK, von Unionsbürgerschaft und Arbeitnehmerfreizügigkeit herausgearbeitet. Dabei werden die Wechselbeziehungen zum europäisches Beihilfen- und Wettbewerbsrecht wie zur Dienstleistungs- und Warenverkehrsfreiheit verständlich erklärt, auch im Hinblick auf das Vergaberecht wie die Struktur- und Beschäftigungspolitik. <b>Die 2. Auflage</b> legt nochmals einen vertieften Schwerpunkt auf die <b>Schnittmengen zum nationalen Recht</b>, insbesondere in den verschiedenen Leistungsarten bei der Flankierung von Arbeitsmigration wie dem Arbeitnehmerschutz. Die Neuauflage bringt sämtliche Themenfelder auf den <b>neuesten Stand</b>. Berücksichtigt sind die zahlreichen neuen Richtlinienvorgaben aus Brüssel, so die <b>Änderung der Entsenderichtlinie </b>aufgrund RL (EU) 2018/957. Wichtige <b>neuere Entscheidungen des EuGH</b>, z.B. „Asklepios“, „Egenberger“ und „Matzak“, sind eingearbeitet. Die Themenschwerpunkte: Alters und Hinterbliebenenrenten Antidiskriminierungsschutz Arbeitslosigkeit Arbeitsunfälle und Berufskrankheiten Arbeitszeit Befristung Betriebsübergang Entsendung Ergänzende Renten/betriebliche Altersvorsorge Familienleistungen Informations- und Konsultationsrechte/Sozialer Dialog und Kollektivvereinbarungen Insolvenz Invalidität Jugendarbeitsschutz Krankheit und Mutterschaft Massenentlassung Mutterschutz und Elternschutz Nachweis von Arbeitsbedingungen Sterbegeld Technischer Arbeitsschutz Teilzeit Urlaub Vorruhestand Zeitarbeit <b>Die Autorinnen und Autoren</b> Prof. Dr. Peter Axer, Prof. Dr. Peter Baumeister, Prof. Dr. Frank Bayreuther, Prof. Dr. Andreas Bücker, Prof. Dr. Marc Bungenberg, LL.M., Prof. Dr. Wolfram Cremer, Prof. Dr. Stamatia Devetzi, Dr. Ullrich Ehrenberg, RA PD Dr. Gerrit Forst, LL.M., Prof. Dr. Stefan Greiner, Prof. Dr. Hans Michael Heinig, Akad. Rätin a.Z. Dr. Anna-Lena Hollo, Prof. Dr. Stefan Huster, Prof. Dr. Sudabeh Kamanabrou, Akad. Rätin Dr. Andrea Kießling, Dr. Daniel Kiesow, Akad. Rat Dr. Thomas Klein, Maria Kleinert, Prof. Dr. Eva Kocher, Prof. Dr. Markus Krajewski, Prof. Dr. Rüdiger Krause, Prof. Dr. Sebastian Krebber, LL.M., Prof. Dr. Anna Katharina Mangold, LL.M., Prof. Dr. Katja Nebe, RiBSG Dr. Dagmar Oppermann, RiVG Dr. Gregor-Julius Ostermann, Prof. Dr. Christian Rolfs, Prof. Dr. Lena Rudkowski, Stefan Schelhaas, LL.M., Dr. Frank Schreiber, apl. Prof. Dr. Jens Schubert, Prof. Dr. Achim Seifert, Akad. Rat a.Z. Dr. Stephan Seiwerth, LL.M. (Leuven), Prof. Dr. Jörg Philipp Terhechte, Prof. Dr. Kerstin Tillmanns, Prof. Dr. Daniel Ulber, RinBVerfG Prof. Dr. Astrid Wallrabenstein, Prof. Dr. Dr. h.c. Christoph Weber und RA Dr. Sebastian Weber.
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44

Obolevitch, Teresa. Faith and Science in Russian Religious Thought. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198838173.001.0001.

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The book brings forth a comprehensive presentation of one of the most interesting of contemporary issues, namely an analysis of the relation between science and faith in Russian religious thought. It is a synthetic approach on the development of the problem throughout the whole history of Russian thought, starting from the medieval period and arriving in contemporary times. The key topic is considered the relationship between science and religion in the eighteenth century, the so-called academic philosophy of the nineteenth and twentieth centuries, the thought of Peter Chaadaev, the Slavophiles, and in the most influential literature figures, such as Fedor Dostoevsky and Lev Tolstoy. The book also analyzes two channels of the formation of philosophy in the context of the relationship between theology and science in Russia. The first is connected with the attempt to rationalize the truths of faith and is exemplified by Vladimir Soloviev and Nikolai Lossky; the second, the apophatic tradition, is presented by Fr. Pavel Florensky and Semen Frank. The book then describes the relation to scientific knowledge in the thought of Lev Shestov, Nikolai Berdyaev, Sergius Bulgakov, and Alexei Losev as well as the original project of Russian Cosmism (in the examples of Nikolai Fedorov, Konstantin Tsiolkovsky, and Vladimir Vernadsky). Finally, the book presents the current state of the discussion on this topic by paying attention to the Neopatristic synthesis (Fr. Georges Florovsky and his followers) and offers a brief comparative analysis of the relationship between science and religion from the Western and Russian perspectives.
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45

Harte, Liam, ed. The Oxford Handbook of Modern Irish Fiction. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780198754893.001.0001.

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The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five distinguished scholars of Irish fiction. Collectively, they provide accessible and incisive assessments of the breadth and achievement of Ireland’s modern novelists and short story writers, whose contribution to the evolution and modification of these unique art forms has been far out of proportion to the country’s small size. The volume brings an impressive variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectual, and literary-historical contexts. The Handbook’s coverage encompasses an expansive range of topics, including the nature and function of the Irish Gothic mode; nineteenth-century Irish women’s fiction and its influence on emergent modernism and cultural nationalism; the diverse modes of irony, fabulism, and social realism that characterize the fiction of the Irish Literary Revival; the fearless aesthetic radicalism of James Joyce; the jolting narratological experiments of Samuel Beckett, Flann O’Brien, and Máirtín Ó Cadhain; the fate of the realist and modernist traditions in the work of Elizabeth Bowen, Frank O’Connor, Seán O’Faoláin, and Mary Lavin, and in that of their ambivalent heirs, Edna O’Brien, John McGahern, and John Banville; the subversive treatment of sexuality and gender in Northern Irish women’s fiction written during and after the Troubles; the often neglected genres of Irish crime fiction, science fiction, and fiction for children; the many-hued novelistic responses to the experiences of famine, revolution, and emigration; and the variety and vibrancy of post-millennial fiction from both parts of Ireland. Readably written and employing a wealth of original research, The Oxford Handbook of Modern Irish Fiction illuminates a distinguished literary tradition that has altered the shape of world literature.
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46

Neumann, Jacqueline, Gerhard Czermak, Reinhard Merkel y Holm Putzke, eds. Aktuelle Entwicklungen im Weltanschauungsrecht. Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://dx.doi.org/10.5771/9783748900344.

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This groundbreaking volume on secular law in Germany brings together scholars on a variety of topics regarding the separation of the state and religion. It conducts in-depth legal analyses dealing with a wide range of recent cases in which the rule of law and the neutral role of the secular state were put at risk by religious politics. The book’s 21 essays cover topics such as human rights, the constitutional roots of the secular state, freedom of belief and non-belief, medically assisted suicide, sexual self-determination, abortion, genital mutilation, criminal prosecution in the Catholic Church’s sex abuse scandal, the collection of church taxes by the state based on baptisms of infants and minors, the collection of special church fees from atheists and Muslims by the state, church labour law, discrimination against members of the Church of the Flying Spaghetti Monster and Islamic veils in state schools. With contributions by editors and authors Dr. Gerhard Czermak | RiBGH Prof. Dr. Ralf Eschelbach | Dr. Carsten Frerk | Prof. Dr. Michael Hassemer | Johann-Albrecht Haupt | Prof. Dr. Rolf Dietrich Herzberg | Prof. Dr. Matthias Franz | Dr. Volker Korndörfer | Prof. Dr. Hartmut Kreß | Ingrid Matthäus-Maier | RA Dr. Till Müller-Heidelberg | Prof. Dr. Reinhard Merkel | RA Ludwig A. Minelli | Dr. Jacqueline Neumann | Prof. Dr. Dres. h.c. Ulfrid Neumann | Prof. Dr. Holm Putzke | RA Dr. Winfried Rath | StaatsMin a.D. Diplom-Jurist Rolf Schwanitz | Prof. Dr. Jörg Scheinfeld | Dr. Michael Schmidt-Salomon | Sarah Willenbacher
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47

von der Decken, Kerstin y Angelika Günzel, eds. Staat – Religion – Recht. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748909873.

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Gerhard Robbers is one of the most distinguished scholars in the field of constitutional law on religion in Europe. At the same time, he dedicates himself to several other legal topics. On the occasion of his 70th birthday and in order to honour him as teacher, scholar and practitioner, the “Festschrift” brings together contributions covering his fields of work: State and religion, fundamental questions of state government, constitutional law, European Union law, fundamental and human rights as well as legal policy. The 61 contributions are written in German and English, and address both basic as well as highly topical legal problems. The “Festschrift” has a clear focus on State and religion from a national, comparative and European perspective. This way, it constitutes one of the most comprehensive works in this broad field of law. With contributions by Arnd Arnold, Sima Avramović, Johannes Barrot, Frauke Bronsema, Peter Bülow, Engin Ciftci, Sabine Dahm, Kerstin von der Decken, Franz Dorn, Horst Ehmann, Achilles C. Emilianides, Arndt Faatz, Silvio Ferrari, Lars Friedner, Angelika Günzel, Christian Heitsch, Reinhard Hendler, Ansgar Hense, Mark Hill, Ekkehard Hofmann, Alexander Hollerbach, Friedhelm Hufen, Iván C. Ibán, Christina Ioannou, Blaž Ivanc, Siegfried Jutzi, Urs Kindhäuser, Merilin Kiviorg, Matti Kotiranta, Volker Krey, Javier Martínez-Torrón, María Concepción Medina González, Francis Messner, Andreas Mühling, Hans-Friedrich Müller, Eckhard Nagel, Lina Papadopoulou, Christian Pernhorst, Richard Potz, Alexander Proelß, Matthias Pulte, Thomas Raab, Michael Rahe, Thierry Rambaud, Miguel Rodríguez Blanco, Martell Rotermundt, Matthias Ruffert, Thomas Rüfner, Michał Rynkowski, Balázs Schanda, Meinhard Schröder, Harald Schroeter-Wittke, Gábor Spuller, Henning Tappe, Emanuel Tavala, Rik Torfs, Antje von Ungern-Sternberg, Heinrich de Wall, Karin von Welck, Joachim Wieland, Michael Wiener, Wolfgang Wieshaider and Arne Ziekow.
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48

Müller-Graff, Peter-Christian, ed. Europäisches Binnenmarkt- und Wirtschaftsordnungsrecht. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748908593.

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<b>Das Europäische Wirtschaftsordnungsrecht</b> prägt maßgeblich Inhalte und Entwicklungsrichtung des Europäischen Unionsrechts insgesamt und einen wesentlichen Teil von Neuerungen in den mitgliedstaatlichen Rechtsordnungen. Das Handbuch systematisiert und analysiert die auslegungsrelevanten Themen historisch, institutionell, funktional und judiziell. <b>Die 2. Auflage</b> bringt sämtliche Abschnitte auf den neuesten Stand, insbesondere in den wirtschaftsordnungsrechtlichen Bezügen der Währungsunion. Die aktuellen Entwicklungen im Rahmen des Aufgabenumfangs der EZB (Bankenunion, unkonventionelle Geldpolitik), die politische Debatte um eine „echte WWU“ (EU-Währungsfonds, -Finanzminister), die aktuellen Austrittszenarien Großbritanniens („Brexit“, Austrittsvertrag) sind ebenso wie z.B. die neue MarkenrechtsRL und die neue UnionsmarkenVO berücksichtigt. <b>Die Themen im Einzelnen:</b> Das Binnenmarktrecht der transnationalen Faktorfreiheiten Das Binnenmarktrecht der transnationalen Produktfreiheiten Das Binnenmarktrecht gegen Wettbewerbsbeschränkungen Das Binnenmarktrecht gegen unlauteren Wettbewerb Das Binnenmarktrecht der Aufsicht über wettbewerbsverfälschende staatliche Beihilfen Das Binnenmarktrecht des öffentlichen Auftragswesens Das Binnenmarktrecht des geistigen Eigentums (gewerblicher Rechtsschutz und Urheberrecht) Das Binnenmarktrecht der wirtschaftlichen Regulierung Das Binnenmarktrecht der Krisen von Unternehmen und Wirtschaft Das Recht der Europäischen Wirtschafts- und Währungsunion Die <b>prägende Rechtsprechung </b>der europäischen Gerichte und des Bundesverfassungsgerichts ist ausführlich dargestellt. <b>Die Autorinnen und Autoren</b> Dr. Rainer Becker, LL.M.; RAin Dr. Barbara Bonk; Prof. Dr. Friedrich Wenzel Bulst, LL.M.; Prof. Dr. Marc Bungenberg, LL.M.; Prof. Dr. Andreas Fuchs, LL.M.; PD Dr. Roman Guski, LL.M.; ORR Mara Hellstern; RA Dr. Jens Hoffmann;| Prof. Dr. Ulrich Hufeld; RAin Sinziana Ianc; Prof. Dr. Friedemann Kainer; Prof. Dr. Andreas Kellerhals, LL.M., S.J.D.; Prof. Dr. Michael Kling; RA Dr. Simon Klopschinski; Prof. Dr. Christian Koenig, LL.M.; Prof. Dr. Sebastian Krebber, LL.M.; Prof. Dr. Jürgen Kühling, LL.M.; RA Prof. Dr. Michael Loschelder; Prof. Dr. Julia Lübke, LL.M.; Prof. Dr. Cornelia Manger-Nestler, LL.M.; Prof. Dr. Dr. h.c. mult. Peter-Christian Müller-Graff, Ph.D. h.c.; RA Dr. Ralph Nack; Dr. Stephanie Nitsch; Prof. Dr. Walter Obwexer; Prof. Dr. Helmut Ofner, LL.M.; Dr. René Repasi; Prof. Dr. Florian Schuhmacher, LL.M.; Prof. Dr. Heike Schweitzer, LL.M.; RA Dr. Ulrich Soltész, LL.M.; Prof. Dr. Dres. h.c. Joseph Straus; Prof. Dr. Cordula Stumpf; Dr. Wesselina Uebe; Prof. Dr. Frank Weiler; RA Prof. Dr. Andreas Weitbrecht, LL.M.; Hendrik M. Wendland, LL.M.
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