Literatura académica sobre el tema "France, history, bibliography"

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Artículos de revistas sobre el tema "France, history, bibliography"

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Senchenko, Mykola. "National bibliography in foreign countries". Вісник Книжкової палати, n.º 8 (27 de agosto de 2020): 3–11. http://dx.doi.org/10.36273/2076-9555.2020.8(289).3-11.

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In № 7 Bulletin of the Book Chamber the article "National bibliography today and tomorrow" was published, which focused on the current state and ways of development of the national bibliography (NB). The Book Chamber of Ukraine as a center of the national bibliography deals with the history and prospects of its development in the digital space of scientific knowledge, the formation and publication of chronicles of the current national bibliography. The article focuses on the history of the formation of the national bibliography in different countries, including Great Britain, USA, France, Germany, Bulgaria, Hungary, Poland, Romania, the Czech Republic, Yugoslavia and others. It is noted that the current level of development of the National Library in the countries of this region is due to many factors, including the widespread introduction of information technology and computer technology in publishing and library activities, which necessitates the adaptation of bibliographic technologies to information needs. The result of automation of library and biblio­graphic processes was a computer bibliography based on the use of modern information technologies in bibliographic work. The relevance of her research is due to the fact that today it represents the highest level of development of bibliographic technologies.
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Senchenko, Mykola. "Publishing and book trade bibliography in foreign countries". Вісник Книжкової палати, n.º 11 (23 de marzo de 2022): 3–9. http://dx.doi.org/10.36273/2076-9555.2020.11(292).3-9.

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The article considers aspects of formation and characteristics of publishing and book trade bibliography in foreign countries. Its historical experience is diverse and specific due to national conditions, but even in this diversity, the general patterns and features inherent in the publishing and book trade bibliography of many countries are clear. On the example of the history of origin, development and modern practice of publishing and book bibliography of Great Britain, the USA, Germany and France we trace both national features and regularities of the historical way and modern structure of this kind of activity. It is emphasized that bibliographic information about publishing products is the only possible form of presenting information about the product in the book trade. Management decisions, success of commercial enterprises, profit-making, etc. depend on the rules and principles on the basis of which bibliographic information is created and disseminated. The importance of modern bibliography enhances the widespread introduction of Internet technologies, their use in the sale of books and other publishing products, the organization of virtual bookstores and more.
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Nethery, Daniel y Elisabeth C. Macknight. "Book Reviews". Historical Reflections/Réflexions Historiques 49, n.º 1 (1 de marzo de 2023): 126–31. http://dx.doi.org/10.3167/hrrh.2023.490107.

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Megan Brown, The Seventh Member State: Algeria, France, and the European Community. Cambridge, MA: Harvard University Press, 2022. Bibliography and index. 369 pp. $39.95 (hb) ISBN 978067425114. Peter Mulholland, Love's Betrayal: The Decline of Catholicism and Rise of New Religions in Ireland. Oxford and Bern: Peter Lang, 2019. Bibliography and index. 362 pp. $90.95 (hb) ISBN 9781787071278.
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Paucker, Günther Michael. "Liturgical chant bibliography 12". Plainsong and Medieval Music 12, n.º 2 (octubre de 2003): 179–211. http://dx.doi.org/10.1017/s0961137103003097.

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Liturgical chant bibliography 12 maintains the traditional division into: (1) Editions and facsimile editions, (2) Books and reprints, (3) Congress reports, (4) Chant journals, (5) Collections of essays and dictionaries, (6) Articles in periodicals and Festschriften. Additions to previous bibliographies, consisting mainly of reviews, follow the present introduction. A significant publication in 2002 was without doubt the colour facsimile of the manuscript Paris, Bibliothèque nationale de France, fonds lat. 776 (12002), an eleventh-century gradual from the Benedictine abbey of Saint-Michel-de-Gaillac near Albi. Although no staff lines are present, the music is notated carefully in diastematic notation. The availability of a facsimile of this famous manuscript will certainly be of value for the study of semiology and the transmission history of tropes, proses and prosulae. It also contains traces of the Gallican and Mozarabic chant repertories.
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Brailian, Nadiia. "«Ukrainsky Ingener» (Podiebrady, 1931—1932s): history of creation and functioning, content, authorship". Proceedings of Research and Scientific Institute for Periodicals, n.º 9(27) (2019): 3–13. http://dx.doi.org/10.37222/2524-0331-2019-1.

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The article explores the history of the creation and functioning of the «Ukrainsky Inzhener» magazine. In November 1930, the Congress of Unions of Ukrainian Emigrant Engineers from Poland, France and the Czech Republic was held in Podiebrady (Czechoslovakia). The latter formed the Union of Organizations of Ukrainian Engineers for Emigration. One of the objectives of this Union was publishing a trade journal, the magazine «Ukrainsky Inzhener», which was issued as a semi-annual edition in 1931—1932s in Podiebrady. The content of the magazine has been analyzed. Its main part featured professional articles of the Ukrainian scholars, high school teachers, engineers (from Prague, Krakow, Warsaw, Podiebrady, Brussels, Kharbin). Those illuminated a broad range of various questions pertaining to metallurgy, agronomy, economics, geodesics, architecture, chemistry, biology and other fields of applied and theoretical science. An important place in the journal was given to the rubric «Bibliography». The latter presented reviews on new publications relating to professional interests of engineers, printed in Germany, Poland, USA, Czechoslovakia, France. Those reviews were lengthy, with meticulously refereed content of the analyzed edition. The permanent rubric «Khronika» of this journal covered activities of the organizations of the Ukrainian engineers in emigration and upon the Ukrainian ethnic terrains. Under the heading «Rynok pratsi» there were printed publications on the opportunities and conditions of employment of the Ukrainian engineers in different countries of the world: Argentine, Belgium, Bulgaria, Brasil, Manchuria, Poland, Romania,France. We have elucidated authorship of the magazine. The latter comprised such renowned Ukrainian scholars as Olgerd-Hippolyt Bochkovsky, Leonid Hrabyna, Solomon Goldelman, Borys Ivanytsky, Ivan Feschenko-Chopovsky, Volodymyr Cherediiv, Ivan Shovgeniv and others. In total, over 40 Ukrainian and two Czech scientists and engineers collaborated with the journal. A bibliography of scholarly papers published in the journal has been compiled (See Appendix).
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ZIEGLER, ALEXANDER y ANDREAS KROH. "Echinoderm conferences and symposia: a concise history and bibliography". Zoosymposia 7, n.º 1 (12 de diciembre de 2012): 1–24. http://dx.doi.org/10.11646/zoosymposia.7.1.2.

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For fifty years, the community of echinoderm researchers has held meetings, symposia, conferences, and workshops deal­ing with their primary objects of research, that is sea stars, sea urchins, and allies. Over the years, a bewildering amount of literature has been published in the course of these gatherings, making it sometimes difficult for the echinoderm novice to see the woods for the trees. In order to facilitate future historic and bibliographic research, we provide a concise summary of echinoderm meetings from 1963 to 2012, together with a detailed list of publications related to these events. This list includes conference proceedings and abstracts compilations complete with ISBN or ISSN numbers. The historical back­ground of several echinoderm conferences is described, and we present information about lesser-known meetings, held for example in the Soviet Union, France, or Japan. In addition, an overview of the evolution of echinoderm conference logos is provided. Finally, we briefly discuss the future of echinoderm conferences and their proceedings.
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BURCH, S. L. "Review. Marie de France: An Analytical Bibliography. Burgess, Glyn S." French Studies 53, n.º 3 (1 de julio de 1999): 318. http://dx.doi.org/10.1093/fs/53.3.318-a.

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Magnien, Michel. "Le Nomenclator de Robert Constantin (1555), première bibliographie française ?" Renaissance and Reformation 34, n.º 3 (26 de julio de 2012): 65–89. http://dx.doi.org/10.33137/rr.v34i3.17021.

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Even if one can discover lists of books that were printed in France before 1555, the Nomenclator seems to be the first work solely devoted to bibliographic inventory ever printed on French soil. Yet it is a relatively unknown publication – issuing from an unfamiliar hand. This thin volume, of fewer than 200 pages has not interested critics until now. Before presenting the materiality and problematic of this small in octavo, so modest when compared to the enormous in folio published by Gesner ten years earlier from which it derives, this article describes the personality and the works of R. Constantin, a preeminent Hellenist, born at Caen in 1530, and author of the Nomenclator, his first printed work. A friend of Daléchamps and a man interested in medical works, Constantin is linked to the new humanist scene. The precise analysis of the bibliographic work, title, sources, and references present in the Nomenclator show the scholarly tastes and reformed convictions of its author. This analysis also brings to light the hierarchy of bodies of knowledge and authors. Lastly, it demonstrates the ambition of its young author, namely: recognition within the humanist environment. This article concludes with a study of the reception of this first bibliography, once famous in the past.
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Savitskiy, Andrey. "Tax in History: The First Tax Treaties: In Search of Origins". Intertax 49, Issue 6/7 (1 de junio de 2021): 569–85. http://dx.doi.org/10.54648/taxi2021058.

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The author seeks to discover sources and predecessors of the first international tax treaties that laid the foundation for the treaties on avoidance of double taxation. In doing so, he explores Russian and foreign bibliography as well as international and national legislation. The article, for the first time, contends that the S.-Petersburg commercial treaty between Russia and France of 31 December 1786 and the Convention between Russia and Saxony of 20 August 1800 may be regarded as the first tax treaties aimed at avoidance of international double direct taxation. Additionally, the prerequisite for concluding the convention was the situation of international double taxation caused by imposing the duty on the transfer of inherited estates by foreign heirs abroad. The historical method and contextual analysis were additionally employed to reconstruct the genetic development of avoidance of international double taxation. The work posits that the predecessors of the OECD and the UN Models of the twentieth century were much older and of better quality than it might be commonly assumed.
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SLUGLETT, PETER. "SAMIR SAUL, La France et L'Egypte de 1882 à 1914: Intérêts économiques et implications politiques, Comité pour l'histoire économique et financière de la France (Paris: Ministère de l'Économie, des Finances et de l'Industrie, 1997). Pp. 787. Fr 249 paper." International Journal of Middle East Studies 33, n.º 2 (mayo de 2001): 299–302. http://dx.doi.org/10.1017/s0020743801252064.

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This is an exhaustive study of French economic interests in Egypt, the development of a particular type of capitalism in Egypt, and Franco-British relations in Egypt between the British Occupation in 1882 and World War I. It is based on an extraordinarily wide range of sources from Belgium, Britain, Egypt, and France, including British, Egyptian, and French diplomatic documents and material from a variety of banks and business enterprises, such as the Banque de Paris et des Pays-Bas, Crédit Lyonnais, La Compagnie du Canal de Suez, and La Société Générale. The book was published in 1997, but—and this is the only negative remark I shall make—it is a matter of some regret that (apart from some of the author's own more recent papers) its very wide-ranging bibliography stops somewhere around the end of the 1980s, possibly because the doctorat d'État, of which this book is “une version réduite” (p. xi) was defended in 1991. There is a warmly appreciative preface by Saul's maître, Jacques Thobie, author of Intérêts et impérialisme français dans l'Empire ottoman (1895–1914), and Saul expresses his own debt to Thobie and other French historians of overseas investments in Morocco, Russia, and Germany in the late 19th and early 20th centuries (Allain, Girault, Guillen, Poidevin).
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Tesis sobre el tema "France, history, bibliography"

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Kim, Lauren J. "French royal acts printed before 1601". Thesis, University of St Andrews, 2008. http://hdl.handle.net/10023/463.

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This thesis is a study of royal acts printed in French before 1601. The kingdom of France is a natural place to begin a study of royal acts. It possessed one of the oldest judicial systems in Europe, which had been established during the reign of St Louis (1226-1270). By the sixteenth century, French kings were able to issue royal acts without any concern as to the distribution of their decrees. In addition, France was one of the leading printing centres in Europe. This research provides the first detailed analysis of this neglected category of texts, and examines the acts’ significance in French legal, political and printing culture. The analysis of royal acts reveals three key historical practices regarding the role of printing in judiciary matters and public affairs. The first is how the French crown communicated to the public. Chapters one and two discuss the royal process of dissemination of edicts and the language of royal acts. The second is how printers and publishers manoeuvred between the large number of royal promulgations and public demand. An overview of the printing industry of royal acts is provided in chapter three and the printers of these official documents are covered in chapter four. The study of royal acts also indicates which edicts were published frequently. The last two chapters examine the content of royal decrees and discuss the most reprinted acts. Chapter five explores the period before 1561 and the final chapter discusses the last forty years of the century. An appendix of all royal acts printed before 1601, which is the basis of my research for this study, is included. It is the first comprehensive catalogue of its kind and contains nearly six thousand entries of surviving royal acts printed before 1601.
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Boukangou, Gabriel. "Esquisse de bibliographie générale comparative autour du problème de l'esclavage des noirs en Espagne, dans le monde hispano-américain et en France, de 1492 à 1898 (ouvrages et articles en langues française et espagnole)". Perpignan, 1996. http://www.theses.fr/1996PERP0226.

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Recherche monographique de bibliographie comparative, comportant des commentaires, sur la question de la traite et l'esclavage des noirs en espagne, dans le monde hispanoamericain et en france de 1492 a 1898. 3207 titres la composent dont 1239 concernent la periode allant de la decouverte de l'amerique par christophe colomb, en 1492, a la revolution francaise de 1789. Cette partie contient une etude detaillee sur l'attitude de l'eglise catholique face a l'esclavage des noirs dans laquelle est mis en exergue l'engagement du jesuite catalan pierre claver "le saint esclave des esclaves" aupres d'eux a carthagene des indes, de 1610 a 1654. Quant a la seconde partie, elle rassemble 1968 titres qui etudient le probleme a partir de la revolution francaise jusqu'a la guerre d'independance de cuba. Periode essentiellement abolitionniste meme si l'esclavage des noirs a continue jusqu'en 1795 en france, malgre la declation des droits de l'homme ainsi que le demontre l'etude de jean vidalenc
Monographic research of comparative bibliography, with comments, on african trade and slavery in spain, american hipanic world and france since 1492 to 1898. 3207 titles together of wich 1239 are concerning the period of american continent discovery in 1492 by christopher columbus to french revolution in 1789. This first part contains a detailed study about catholic church attitude facing negroes slavery in witch is stressed the saint peter claver "the saint slave of the slaves" action with them (since 1610 to 1654). The second part of this work collects 1968 titles about the subject during the french revolution (1789) to 1898 (independance of cuba). It is a period of the abolition essentialy even though the african slavery has continued in france to 1795
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Ruiz, Damien. "Frère Hugues de Digne et son oeuvre (édition critique). Une histoire par les sources narratives, la codicologie et la doctrine (XIIIe-XVe siècles)". Paris 10, 2009. http://www.theses.fr/2009PA100030.

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Toujours cité dans les ouvrages et les articles sur l’histoire de l’Ordre des frères mineurs au XIIIe siècle, Hugues de Digne n’en demeure pas moins un personnage méconnu en raison des nombreuses idées reçues qui courent à son propos. Le but de ce travail est de reprendre entièrement le « dossier Hugues de Digne ». Comme son titre l’indique, il s’agit d’une histoire à établir selon trois voies : les sources narratives qui nous apprennent ce que nous savons de lui ; la codicologie et d’une manière plus large l’Histoire des textes, et enfin la pensée originale de l’auteur. Au bout de ce chemin, se dégage un personnage bien plus cohérent qu’il n’y paraît, aux multiples facettes dans la droite ligne des grands intellectuels du Moyen Age que nos catégories modernes ont du mal à saisir dans leur diversité
Still cited in the monographs and articles on the history of the Order of Friars Minor in the 13th century, Hugh of Digne is not for all that less poorly known thanks to numerous ideas handed down about him. The purpose of this work is to completely take up again the Hugh of Digne dossier. As the title indicates, this will be a matter of establishing a history along three trajectories: the narrative sources which teach us what we know of him; the codicology and, in a wider sense, the history of texts; and finally, the original thought of the author. At the end of this road, a much more coherent figure than it might seem will emerge, more than it might first appear, a multi-faceted personality very much like the great intellectuals of the Middle Ages whom our modern categories have trouble understanding in their complexity
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Gétreau, Florence. "Histoire des instruments et représentations de la musique en France : une perspective disciplinaire dans le contexte international". Habilitation à diriger des recherches, Université François Rabelais - Tours, 2006. http://tel.archives-ouvertes.fr/tel-00088086.

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L'ORGANOLOGIE est l'étude des instruments de musique. Constituant une branche de la musicologie, elle entretient un lien consubstantiel avec les sources musicales et fait appel à différents champs disciplinaires parmi lesquels on peut mentionner la connaissance technique des instruments, la facture instrumentale, l'acoustique, l'histoire des techniques, l'étude des traités théoriques mais aussi l'histoire des collections et de la restauration. Elle s'intéresse aussi à la classification des instruments, à leur origine, leur évolution, leurs variantes mais aussi à leur usage musical et leur symbolique.
Ce mémoire pour l'habilitation est introduit par une présentation historiographique de cette branche de la musicologie. En effet, si les grands traités théoriques français de Marin Mersenne, de Pierre Trichet, de Diderot et d'Alembert notamment, constituent le socle de connaissances de tout organologue, l'étude des instruments de musique en tant que discipline apparaît en France au XIXe siècle avec les travaux de F.J. Fétis. Des figures comme celles de Pontécoulant, de Constant Pierre, d'André Schaeffner l'ont ensuite fortement structurée. C'est donc dans la perspective de ces pionniers et de leurs plus lointains successeurs appartenant souvent au cercle des disciples de Norbert Dufourcq, qu'est placée la réflexion. L'établissement d'une bibliographie des travaux portant sur la France montre la difficulté des chercheurs français, à quelques exceptions près, à s'affirmer dans le contexte international au moment où se mettent en place les tribunes spécialisées, tel le Galpin Society Journal.
Etudier les caractéristiques organologiques des instruments dans une perspective analytique et descriptive (catalogues), mais aussi interprétative (histoire du goût, évolution des sensibilités), reconstituer l'œuvre de facteurs ayant travaillé en France, notamment aux XVIIe et XVIIIe siècles (monographies), éclairer le contexte social et statutaire du métier de facteur d'instruments, contribuer à l'histoire des collections d'instruments en France, et aussi à l'histoire de la conservation et de la restauration, voilà autant d'axes développés dans ce bilan de travaux personnels et collectifs : ils ont été approfondis lors de colloques internationaux et en créant une revue spécialisée française, Musique-Images-Instruments, soutenue par le Ministère de la Culture et le CNRS.

L'ICONOGRAPHIE musicale constitue le deuxième champ disciplinaire présenté dans ce travail. Centrée sur l'étude des représentations de la musique dans les arts visuels en Occident moderne, elle ne concerne pas que l'évolution de l'instrumentarium à travers les images qui en ont été données mais aussi la pratique de la danse et des arts du spectacle.
Si les pionniers de cette discipline au XIXe siècle en France ont consacré leurs travaux au Moyen Age, l'intérêt pour les œuvres du musée du Louvre, pour les portraits de musiciens, pour l'inspiration musicale de certains peintres, se développe progressivement au début du XXe siècle. La figure d'Albert Pomme de Mirimonde (dont les publications s'étendent de 1960 à 1984) est centrale tant il a exploré de thématiques et de collections françaises. Le bilan des travaux français, préparé dans le cadre de ce mémoire, permet de souligner l'intérêt des chercheurs pour certains sujets de prédilection parmi lesquels par exemple les œuvres de Watteau ou de Fantin-Latour.
Que ce soit dans des travaux personnels ou collectifs, nous avons développé au cours des vingt dernières années des thématiques mettant en évidence l'évolution de pratiques et de goûts musicaux particuliers : la mode des instruments champêtres (musettes, vielles à roue, tambourins-bourdons), la signification sociale de la pratique du luth, de la viole et du clavecin. Des portraits de musiciens de premier plan ou moins célèbres ont été analysés, voire identifiés. L'évolution de certains instruments, sur la base des sources visuelles conjuguées aux sources d'archives et musicales, a pu être mise en lumière (notamment l'émergence du cor d'orchestre en France au XVIIIe siècle ou l'évolution des archets). L'encadrement de travaux collectifs (inventaires systématiques des tableaux musicaux du Louvre ; publications d'études régionales) a pu se développer dans des catalogues d'exposition et dans la revue Musique-Images-Instruments dont les 8 volumes déjà parus ont été ouverts à des chercheurs chevronnés et des étudiants avancés. Celle-ci a contribué à une collaboration disciplinaire mêlant travaux d'organologie et d'iconographie musicale et replaçant la contribution des chercheurs français dans un contexte international.
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Etayo-Piñol, Maria Angeles. "L'édition espagnole à Lyon aux XVIe et XVIIe siècle : selon le Fonds ancien de la bibliothèque municipale de Lyon-Part-Dieu". Lyon 3, 1991. http://www.theses.fr/1991LYO31010.

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A l'aube de la renaissance, une technique nouvelle, l'imprimerie, se reprend tres vite en europe. A lyon, l'imprimerie paraitra en 1473, trois ans pres paris. En espagne, elle fera ses debuts a segovie, en 1472. Les conditions de l'espagne et de lyon dans la deuxieme moitie du xvieme siecle et surtour au xviieme siecle, vont faire que lyon s'interesse a la publication d'ouvrages d'auteurs espagnols, ouvrages qui se caracterisent par leur qualite. Notre etude met en evidence les rapports frequents entre lyon et l'espagne dans le monde de l'edition. En effet, une partie considerable de l'edition de livres aux xvieme et xviieme siecles s'est faite a lyon,non seulement en espagnol, mais aussi en italien, et surtout en latin et en francais. Aussi, l'etude des ouvrages de la bibliotheque de lyon part-dieu, des auteurs, des themes et des editions, a-t-elle permis de constater qu'aux xvieme et xviieme siecles, il y a eu un considerable apport culturel de l'espagne a la france a travers l'edition lyonnaise dans des domaines aussi varies que la litterature, la philosophie, l'humanisme, la religion, la politique, la medecine et la pharmacie. Cette etude prouve que les francais lisaient cette importante production espagnole, que celle-ci leur a plu, et qu'ils en ont ete impregnes. La culture espagnole a donc exercee en france une influence reelle. Ainsi, l'on peut affirmer que le siecle d'or espagnol ne concerne pas seulement l'espagne, mais l'europe, d'une maniere generale et la france, tout particulierement. . .
At the dawn of the renaissance, a new technique, the art of printing, made rapid progress in europe. Printing appeared in lyons in 1473, three yearts later than in paris. In spain, it began in segovia in 1472. Conditions in spain and lyons in the second half of the 16th and more specially in the 17th century were the reason why lyons was interested in publishing works by spanish authors, works of great quality. This study sheds light on the frequent links between lyons and sapin, with regard to the world of editions. As a matter of fact, an extensive portion of the editions of 16th and 17th century books was made in lyons, not only in spanish, but also in italien, and most of all, in latin and in franch. Also by studying the works of the part-dieu library in lyons, of the authors, subjects and editions, one comes to the conclusion that during the 16th and 17th centuries there was an important spanish cultural contribution to france, by means of editions from lyons, in subjects as widely varying as literature, philosophy, humanism, religion, politics, medicine, and pharmacy. This study proves that the french read this important spanish production, that they liked it and were influenced by it. Spanish cutlure thus had a real influence in france.
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Utsch, Terra Ana Carina. "La reliure en France au XIXème siècle : programmes éditoriaux, marchés du livre et histoire des textes". Paris, EHESS, 2012. http://www.theses.fr/2012EHES0112.

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Inscrite dans une culture à la fois littéraire, éditoriale et visuelle inaugurée au XIXème siècle, la reliure définit des champs de diffusion et de réception distincts, qui ont en commun le fait de revendiquer, à leurs manières, l'appartenance à l'univers littéraire. Notre travail consiste à inscrire l'histoire de la reliure au sein d'une histoire culturelle de l'édition, à travers l'identification des différents statuts et fonctions assumés par la reliure dans la formation du corpus discursif et technique qui définit son champ d'action, dans les enjeux de production de sens qui prennent place au sein du monde de l'édition et de la bibliophilie, et dans les différents espaces de visibillité habités et ouverts par la reliure. En nous appuyant sur l'étude des catalogues d'éditeurs français du XIXème siècle (1818-1900). Nous avons suivi les continuités et discontinuités du parcours éditorial et matériel d'un texte qui avait déjà, à cette période, une longue vie éditoriale. L'étude des différentes modalités de diffusion de Don Quichotte (1832-1878), œuvre qui a participé à toutes les phases de la production éditoriale française au XIXème siècle, montre que les variations de l'aspect matériel proposé par les reliures peuvent induire des lectures variées d'un même ouvrage, surtout quand celles-ci s'accordent (aux niveaux esthétique et marchand) avec les programmes éditoriaux dans lesquels elles sont insérées. L'analyse des pratiques éditoriales soutenues par la reliure nous a permis d'étudier les processus de consolidation du genre reliure d'éditeur, dans les nouveaux rapports qu'il noue avec différentes formes d'expression de la culture
Within a culture at once literary, editorial and visual begun in the 19th century, bookbinding defines distinct fields of dissemination and reception that have in common the fact of claiming, in their own way, membership of the literary world. Our task is to place the history of bookbinding within the cultural history of publishing, through the identification of the different status and functions bookbinding has assumed in the formation of the discursive and technical corpus that defines its field of action, within issues relating to the production of the meaning that take place within the world of publishing and bibliophily, and in the different spaces of visibility inhabited and opened by bookbinding. Building on a study of the catalogues of french publishers from the 19th century (1818-1900), we followed the continuities and discontinuities of the publishing and material life of a text wich had already had, at that time, a long published history. The study of different methods of disseminating Don Quixote (1832-1878), a work that was involved in all the phases of the 19th century french publishing history, shows that the variations in the material appearance proposed by the binding could induce different readings of the same book, especially when they are all in agreement (in aesthetic and commercial terms) with the editorial programmes in wich they are inserted. An analysis of the different publishing practices supported by bookbinding allowed us to study the consolidation process of the publisher's binding genre, in the new relationships it forges with different forms of cultural expression
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7

Carpentier, Vincent. ""Les pieds dans l'eau. . . " : La basse Dives et ses riverains, des origines aux temps modernes : contribution à l'histoire des zones humides et littorales de Normandie". Caen, 2007. http://www.theses.fr/2007CAEN1517.

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Libros sobre el tema "France, history, bibliography"

1

Charlevoix, Pierre-François-Xavier de. History and general description of New France. New York: F.P. Harper, 1985.

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2

Church of Jesus Christ of Latter-Day Saints. Family History Library., ed. Family history library: Locality catalog : France. [Salt Lake City, Utah?]: Corporation of the President of the Church of Jesus Christ of Latter-Day Saints, 1995.

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3

Beer, Jane M. A bibliography of the history of women in France. [Australia]: Australian Historical Association, 1990.

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4

Poulot, Dominique. Bibliographie de l'histoire des musées de France. Paris: Editions du C.T.H.S., 1994.

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Laflèche, Guy. Bibliographie littéraire de la Nouvelle-France. Laval, Québec: Éditions du Singulier, 2000.

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Doyle, William. The French Revolution: A bibliography of works in English. London: Historical Association, 1988.

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Vance, Mary A. Planning in France: Monographs published since 1950. Monticello, Ill: Vance Bibliographies, 1985.

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8

Evleth, Donna. France under the German occupation, 1940-1944: An annotated bibliography. New York: Greenwood Press, 1991.

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9

(Firm), H. P. Kraus. France: History, literature, law, science, printing, illustration, travel, autographs, theology,photography. [New York]: H. P. Kraus, 2000.

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The battles of the Somme, 1916: Historiography and annotated bibliography. Westport, Conn: Greenwood Press, 1996.

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Capítulos de libros sobre el tema "France, history, bibliography"

1

"Medieval — France". En A Cumulative Bibliography of Medieval Military History and Technology, 265–71. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_052.

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"Medieval — France — Oriflamme". En A Cumulative Bibliography of Medieval Military History and Technology, 276. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_057.

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"Medieval — France — Anjou". En A Cumulative Bibliography of Medieval Military History and Technology, 271. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_053.

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"Early Modern — France". En A Cumulative Bibliography of Medieval Military History and Technology, 608–12. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_144.

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"Medieval — France — Normandy". En A Cumulative Bibliography of Medieval Military History and Technology, 274–76. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_056.

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Sweet, Rosemary. "Britain 1714–1815". En Annual Bibliography Of British And Irish History, 114–40. Oxford University PressOxford, 1991. http://dx.doi.org/10.1093/oso/9780199249176.003.0007.

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Abstract Black, Jeremy. ‘Britain 1800’, History Today50:11 (2000), 29–37.Cervantes, Xavier. L’Angleterre au XVIIIe siècle (Rennes: Presses universitaires de Rennes, 1998), 171p.Douglas, Hugh. The private passions of Bonnie Prince Charlie , revised edn. (Stroud: Sutton, 1998), xv, 316p. [1st published 1995.]Dziembowski, Edmond. ‘La France et la Grande-Bretagne pendant les années 1750: aux portes d’une nouvelle modernité’ [France and Britain in the 1750s: on the eve of a new modernity], Franco-British Studies 28 (1999), 67–86.Mason, H. ‘Voltaire and Sir Everard Fawkener’, British Journal for Eighteenth-Century Studies 23:1 (2000), 1–12.Rak, J. ‘The improving eye: eighteenth-century picturesque travel and agricultural change in the Scottish highlands’, Studies in Eighteenth-Century Culture27 (1998), 343–64.
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"Military Technology — Premodern — Fortifications — France". En A Cumulative Bibliography of Medieval Military History and Technology, 889–913. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_190.

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"Medieval — France — Gascony and Guyenne". En A Cumulative Bibliography of Medieval Military History and Technology, 273. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_055.

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"Medieval — France — Anjou — Fulk Nerra". En A Cumulative Bibliography of Medieval Military History and Technology, 271–72. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_054.

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"Medieval — Hundred Years War — France". En A Cumulative Bibliography of Medieval Military History and Technology, 323–44. BRILL, 2002. http://dx.doi.org/10.1163/9789047401018_079.

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