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Libros sobre el tema "Formalism"

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Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 1 de agosto de 2024

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1

Kikodze, Evgenii͡a. Urbanisticheskiĭ formalizm: Urban formalism. Moskva: Izdatelʹskai︠a︡ programma "Interrosa", 2007.

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2

Hyde, George. Formalism. London: Routledge, 1997.

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3

Pollicott, Mark y Sandro Vaienti, eds. Thermodynamic Formalism. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74863-0.

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4

Denning, Peter J. Beyond formalism. [Moffett Field, Calif.?]: Research Institute for Advanced Computer Science, NASA Ames Research Center, 1991.

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5

Yilmaz, Dziewior y Kunstverein in Hamburg, eds. Formalismus: Moderne Kunst, heute = Formalism : modern art, today. Ostfildern-Ruit: Hatje Cantz, 2004.

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6

Link, Godehard, ed. Formalism and Beyond. Berlin, München, Boston: DE GRUYTER, 2014. http://dx.doi.org/10.1515/9781614518471.

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7

undifferentiated, Tony Bennett y Bennett Tony. Formalism and Marxism. London: Routledge, 2003.

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8

Kapoor, A. K., Prasanta K. Panigrahi y S. Sree Ranjani. Quantum Hamilton-Jacobi Formalism. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-10624-8.

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9

Lihoreau, Franck y Manuel Rebuschi, eds. Epistemology, Context, and Formalism. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-02943-6.

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10

Lindström, Sten, Erik Palmgren, Krister Segerberg y Viggo Stoltenberg-Hansen, eds. Logicism, Intuitionism, and Formalism. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-1-4020-8926-8.

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11

Stephen, Cohen, ed. Shakespeare and historical formalism. Aldershot, England: Ashgate, 2007.

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12

Richard, Woodfield y Sedlmayr Hans 1896-, eds. Framing formalism: Riegl's work. Amsterdam: G+B Arts International, 1999.

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13

Simmons, William J. Queer formalism: The return. Berlin: Floating Opera Press, 2021.

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14

van der Merwe, A., F. Selleri y G. Tarozzi, eds. Microphysical Reality and Quantum Formalism. Dordrecht: Springer Netherlands, 1988. http://dx.doi.org/10.1007/978-94-009-2925-8.

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15

Darnell, Michael, Edith A. Moravcsik, Michael Noonan, Frederick J. Newmeyer y Kathleen Wheatley, eds. Functionalism and Formalism in Linguistics. Amsterdam: John Benjamins Publishing Company, 1999. http://dx.doi.org/10.1075/slcs.41.

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16

Darnell, Michael, Edith A. Moravcsik, Michael Noonan, Frederick J. Newmeyer y Kathleen Wheatley, eds. Functionalism and Formalism in Linguistics. Amsterdam: John Benjamins Publishing Company, 1999. http://dx.doi.org/10.1075/slcs.42.

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17

Burnel, André. Noncovariant Gauges in Canonical Formalism. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-540-69921-7.

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18

Khrennikov, Andrei. Contextual Approach to Quantum Formalism. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-1-4020-9593-1.

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19

Kaldewaij, Anne. A Formalism for Concurret Processes. s.l: s.n., 1986.

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20

Kaldewaij, Anne. A formalism for concurrent processes. [s.l.]: [s.n.], 1986.

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21

Alwyn, Van der Merwe, Selleri Franco y Tarozzi G, eds. Microphysical reality and quantum formalism. Dordrecht: D. Reidel Pub. Co., 1987.

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22

Arends, N. W. A. A systems engineering specification formalism. Eindhoven: Eindhoven University, 1996.

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23

Levinson, Marjorie. What is New Formalism? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198810315.003.0006.

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This chapter offers a critical review of the new formalist movement, especially in the first years of the twenty-first century. It explores new formalism’s embattled relationship to the new historicism, early and late, as well as to other forms of materialist critique. It distinguishes activist from normative new formalism. Activists want to restore to today’s reductive inscription of historical reading its original focus on form, traced most often to Marx, Freud, Adorno, and Jameson. Normative formalists campaign to bring back a sharp demarcation between history and art, discourse and literature, in which form is the prerogative of art. One strain of new formalism makes for a continuum with new historicism. The other, backlash, new formalism traces its position to Kant’s notion of form as the condition of aesthetic experience, understood as disinterested, autotelic, playful, pleasurable, consensus-generating, and thus both individually liberating and conducive to affective social cohesion.
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24

The Polish Formalist school and Russian Formalism. Rochester, N.Y: University of Rochester Press, 2002.

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25

Haferkamp, Hans-Peter. Legal Formalism and its Critics. Editado por Heikki Pihlajamäki, Markus D. Dubber y Mark Godfrey. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198785521.013.41.

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Formalism is something bad. No one has ever referred to himself or herself as a formalist. Formalism amounts to an accusation and is an expression of anti-formalism. Formalists are portrayed as defending one-sided, often farcical views. Up to this day, this impedes access to the world these formalists inhabited, who actually thought on a more nuanced level than their critics. On top of that, formalism has always been used as a vague, polemic catchphrase, to describe a large number of different problems in a variety of contexts. In order to understand formalism, one must unravel these strands of discourse again. Four problem areas are distinguished on a historical level: anti-formalism as (1) a criticism of logical classifications of the positive law; (2) a criticism of the individualism of private law; (3) a criticism of a jurisprudence and judiciary considered to be out of touch with the world, as well as; (4) a criticism of the model of the separation of powers and the disregard for natural law.
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26

Stone, Martin. Formalism. Oxford University Press, 2004. http://dx.doi.org/10.1093/oxfordhb/9780199270972.013.0005.

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27

Detlefsen, Michael. Formalism. Editado por Stewart Shapiro. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780195325928.003.0008.

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Viewed properly, formalism is not a single viewpoint concerning the nature of mathematics. Rather, it is a family of related viewpoints sharing a common framework—a framework that has five key elements. Among these is its revision of the traditional classification of the mathematical sciences. From ancient times onward, the dominant view of mathematics was that it was divided into different sciences. Principal among these were a science of magnitude (geometry) and a science of multitude (arithmetic). Traditionally, this division of mathematics was augmented by an ordering of the two parts in terms of their relative basicness and which was to be taken as the more paradigmatically mathematical. Here it was geometry that was given the priority. The formalist outlook typically rejected this traditional ordering of the mathematical sciences. Indeed, from the latter half of the nineteenth century onward, it typically reversed it. This reversal is the first component of the formalist framework.
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28

Formalism. Hatje Cantz,Germany, 2005.

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29

Hyde. Formalism. Taylor & Francis Group, 1997.

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30

Mitchell, Alex y Jasper Vught. Videogame Formalism. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463720663.

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Formalism is often used as an all-embracing term covering a range of ontological and methodological approaches in game studies, with little connection to the history or tradition of the approach in other fields. This dilutes the usefulness of the approach, and invites (often unfounded) criticism. Videogame Formalism addresses these issues through an exploration of the historical and theoretical roots of formalist approaches to videogame analysis, situating this approach within games studies, and arguing for its importance and applicability as a methodological toolkit and a theoretical framework for understanding the aesthetic experience of videogames. It presents an overview of how formalist approaches can provide insights into the ways games create aesthetic experiences through the use of poetic gameplay devices, and lays out a comprehensive yet flexible methodological framework for undertaking a formalist analysis of games. This approach is then demonstrated through a series of detailed examples and case studies.
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31

Lobban, Michael. Legal Formalism. Editado por Markus D. Dubber y Christopher Tomlins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198794356.013.23.

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This chapter considers the era of ‘legal formalism’, which is usually taken to refer to the period in American legal thought between the 1860s and the 1920s, when a new generation of post-bellum treatise-writers and legal academics sought to discover the underlying principles of common law cases, and put them into a rational order. This period is sometimes also referred to as the era of ‘classical legal thought’. In contemporary jurisprudence, the term ‘formalism’ refers to a specific approach to adjudication and constitutional interpretation, which has its defenders as well as its critics. However, in the era under study, it was neither a term which jurists used to describe themselves, nor one which their critics used to describe them.
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32

Russian Formalism. Cornell University Press, 2016. http://dx.doi.org/10.1353/book.47557.

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33

Faflik, David. Urban Formalism. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823288045.001.0001.

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Urban Formalism radically reimagines what it meant to “read” a brave new urban world during the transformative middle decades of the nineteenth century. At a time when contemporaries in the twin capitals of modernity in the West, New York and Paris, were learning to make sense of unfamiliar surroundings, city peoples increasingly looked to the experiential patterns, or forms, from their everyday lives in an attempt to translate urban experience into something they could more easily comprehend. Urban Formalism interrogates both the risks and rewards of an interpretive practice that depended on the mutual relation between urbanism and formalism, at a moment when the subjective experience of the city had reached unprecedented levels of complexity. What did it mean to read a city sidewalk as if it were a literary form, like a poem? On what basis might the material form of a burning block of buildings be received as a pleasurable spectacle? How closely aligned were the ideology and choreography of the political form of a revolutionary street protest? And what were the implications of conceiving of the city’s exciting dynamism in the static visual form of a photographic composition? These are the questions that Urban Formalism asks and begins to answer, with the aim of proposing a revisionist semantics of the city. This book not only provides an original cultural history of forms. It posits a new form of urban history, comprised of the representative rituals of interpretation that have helped give meaningful shape to metropolitan life.
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34

Woodfield, Richard. Framing Formalism. Routledge, 2013. http://dx.doi.org/10.4324/9781315078700.

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35

Formalism & Marxism. Routledge, 2003.

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36

Russian Formalism. GRIN Verlag GmbH, 2010.

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37

McPhillips. New Formalism. Twayne Publishers, 1997.

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38

Bennett, Tony. Formalism and Marxism. Taylor & Francis Group, 2004.

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39

Bennett, Tony. Formalism and Marxism. Taylor & Francis Group, 2004.

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40

Campbell, John, Joey Huston y Frank Krauss. Hard Scattering Formalism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199652747.003.0002.

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The hard scattering formalism is introduced, starting from a physical picture based on the idea of equivalent quanta borrowed from QED, and the notion of characteristic times. Contact to the standard QCD treatment is made after discussing the running coupling and the Altarelli–Parisi equations for the evolution of parton distribution functions, both for QED and QCD. This allows a development of a space-time picture for hard interactions in hadron collisions, integrating hard production cross sections, initial and final state radiation, hadronization, and multiple parton scattering. The production of a W boson at leading and next-to leading order in QCD is used to exemplify characteristic features of fixed-order perturbation theory, and the results are used for some first phenomenological considerations. After that, the analytic resummation of the W boson transverse momentum is introduced, giving rise to the notion of a Sudakov form factor. The probabilistic interpretation of the Sudakov form factor is used to discuss patterns in jet production in electron-positron annihilation.
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41

Bennett, Tony. Formalism and Marxism. Routledge, 2004. http://dx.doi.org/10.4324/9780203101179.

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42

Trefzer, Annette y Ann J. Abadie, eds. Faulkner and Formalism. University Press of Mississippi, 2012. http://dx.doi.org/10.14325/mississippi/9781617032561.001.0001.

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43

undifferentiated, Tony Bennett. Formalism and Marxism. Routledge, 1990.

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44

Formalism and Marxism. 2000.

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45

undifferentiated, Tony Bennett. Formalism and Marxism. Taylor & Francis Group, 2004.

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46

undifferentiated, Tony Bennett. Formalism and Marxism. Taylor & Francis Group, 2004.

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47

Trefzer, Annette y Ann J. Abadie. Faulkner and Formalism. University Press of Mississippi, 2012.

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48

Shukman, Anthony Cascardi y Richard Macksey. Russian Formalism: Anthology. University of Cambridge ESOL Examinations, 2000.

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49

undifferentiated, Tony Bennett. Formalism and Marxism. Taylor & Francis Group, 2004.

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50

undifferentiated, Tony Bennett. Formalism and Marxism. Taylor & Francis Group, 2003.

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