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Libros sobre el tema "Flash Interface"

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Autor: Grafiati

Publicado: 11 de septiembre de 2023

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1

Aylward, Pete, Ken Jokol, Jamie Macdonald, Paul Prudence, Glen Rhodes, Robbie Shepherd y Todd Yard. Flash MX Application & Interface Design. Berkeley, CA: Apress, 2002. http://dx.doi.org/10.1007/978-1-4302-5217-7.

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2

DiNucci, Darcy. Macromedia flash interface design: Twelve effective interfaces and why they work. Berkeley, Calif: Peachpit, 2003.

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3

Pete, Aylward, ed. Flash MX application & interface design: Data delivery, navigation, and fun in Flash MX, XML, and PHP. Birmingham: friends of ED, 2002.

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4

LordAlex, Leon y SpringerLink (Online service), eds. Foundation Flash Catalyst. Berkeley, CA: Apress, 2010.

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5

Quick guide to Flash Catalyst. Sebastopol, CA: O'Reilly, 2011.

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6

Elmansy, Rafiq. Quick guide to Flash Catalyst. Sebastopol, CA: O'Reilly, 2011.

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7

service), ScienceDirect (Online, ed. Data visualization with Flash builder: Designing RIA and AIR applications with remote data sources. Burlington, MA: Focal Press, 2011.

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8

Andy, Beaumont, ed. Usable web menus. Birmingham, UK: Arden House, 2002.

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9

AdvancED Flash Interface Design. Apress, 2006. http://dx.doi.org/10.1007/978-1-4302-0164-9.

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10

Kemper, Michael, Brian Monnone y Guido Rosso. AdvancED Flash Interface Design. Springer London, Limited, 2006.

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11

MacDonald, Jamie, Todd Yard, Glen Rhodes, Paul Prudence, Ken Jokol, Peter Aylward, Jamie McDonald y Robbie Shepherd. Flash MX Application & Interface Design. friends of ED, 2003.

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12

MacDonald, Jamie, Glen Rhodes, Paul Prudence, Ken Jokol, Peter Aylward, Pete Aylward y Robbie Shepherd. Flash MX Application & Interface Design. Wrox Press, 2002.

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13

AdvancED Flash Interface Design (Advanced Design). friends of ED, 2006.

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14

Rocchi, Cesare. Flash Builder @ Work: Customizing the User interface. Routledge, 2012. http://dx.doi.org/10.4324/9780240816692.

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15

Macromedia Flash Interface Design: A Macromedia Showcase. Macromedia Press, 2002.

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16

Rocchi, Cesare. Flash Builder @ Work: Customizing the User interface. Taylor & Francis Group, 2012.

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17

McAlester, Duncan y Michelangelo Capraro. Skip Intro: Flash Usability and Interface Design. New Riders Press, 2002.

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18

Zhou, Clarence. NAND Flash Interface with EBI on Cortex-M Based MCUs. Microchip Technology Incorporated, 2018.

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19

David, Matthew. Flash Mobile : Leveraging Custom Android Interface Calls with ActionScript: Leveraging Custom Android Interface Calls with ActionScript. Taylor & Francis Group, 2012.

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20

David, Matthew. Flash Mobile: Leveraging Custom iPhone and Android Interface Calls with ActionScript. Routledge, 2012. http://dx.doi.org/10.4324/9780240815770.

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21

Flash Mobile: Leveraging Custom IPhone and Android Interface Calls with ActionScript. Taylor & Francis Group, 2012.

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22

Natarajan, Shantha. MIC2870 - 1. 5A Synchronous Boost Flash LED Driver with I2C Interface. Microchip Technology Incorporated, 2018.

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23

Aiyappa, Rekha. NAND Flash Interface with EBI on Cortex-M Based MCUs TB. Microchip Technology Incorporated, 2018.

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24

David, Matthew. Flash Mobile: Leveraging Custom IPhone and Android Interface Calls with ActionScript. Taylor & Francis Group, 2012.

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25

David, Matthew. Flash Mobile: Leveraging Custom IPhone and Android Interface Calls with ActionScript. Taylor & Francis Group, 2012.

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26

Prudence, Paul, Ken Jokol, Peter Aylward, Connor McDonald, Fay Rhodes, Robbie Shepherd y Gerald YardFace. Flash MX Application And Interface Design: Data delivery, navigation, and fun in Flash MX, XML, and PHP. Apress, 2013.

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27

Natarajan, Shantha. MIC2874 - 1. 2A High-Brightness Flash LED Driver with Single-Wire Serial Interface. Microchip Technology Incorporated, 2018.

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28

Natarajan, Shantha. MIC2873 - 1. 2A High-Brightness Flash LED Driver with Single-Wire Serial Interface. Microchip Technology Incorporated, 2020.

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29

Natarajan, Shantha. MIC2871 - 1. 2A High-Brightness Flash LED Driver with Single-Wire Serial Interface. Microchip Technology Incorporated, 2018.

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30

Flash MX (avec CD-Rom). Micro Application, 2002.

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31

Bhangal, Sham y Adam Phillips. Flash 8 Design: Motion Graphics for Animation & User Interfaces. O'Reilly Media, Inc., 2007.

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32

Quintin, Jonathan. Macromedia Flash MX: Design Principles for the Next Generation. Peachpit Press, 2002.

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33

Flash Design for Mobile Devices. Wiley, 2001.

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34

Huddleston, Rob. Flash Catalyst CS5 Bible. Wiley & Sons, Limited, John, 2011.

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35

Flash Catalyst Cs5 Bible. Wiley Publishing, 2010.

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36

Huddleston, Rob. Flash Catalyst CS5 Bible. Wiley & Sons, Incorporated, John, 2010.

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37

Huddleston, Rob. Flash Catalyst CS5 Bible. Wiley & Sons, Incorporated, John, 2010.

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38

Rocchi, Cesare. Data Visualization with Flash Builder. Taylor & Francis Group, 2011.

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39

Elmansy, Rafiq. Quick Guide to Flash Catalyst. O'Reilly Media, Incorporated, 2011.

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40

Elmansy, Rafiq. Quick Guide to Flash Catalyst. O'Reilly Media, Incorporated, 2011.

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41

Flash® CatalystTM CS5 Bible. New York: John Wiley & Sons, Ltd., 2010.

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42

Rocchi, Cesare. Data Visualization with Flash Builder: Designing RIA and AIR Applications with Remote Data Sources. Taylor & Francis Group, 2017.

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43

D'Errico, Mike. Push. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190943301.001.0001.

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Resumen

This book shows how changes in music software design in the first decades of the twenty-first century shaped the production techniques and performance practices of artists across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations (DAWs) such as FL Studio and Ableton’s Live encouraged rapid music-creation workflows through flashy, user-friendly interfaces. Meanwhile, software such as Avid’s Pro Tools attempted to protect its status as the industry-standard “professional” DAW by incorporating design elements from predigital technologies. Other software, such as Cycling ’74’s Max, asserted its alterity to “commercial” DAWs by offering users just a blank screen. The book examines the social, cultural, and political values designed into music software and how those become embodied by musical communities through production and performance. It reveals ties between maximalist design in FL Studio, skeuomorphic design in Pro Tools, and gender inequity in the music products industry. It connects the computational thinking required by Max and iZotope’s innovations in artificial intelligence with the cultural politics of Silicon Valley’s “design thinking.” Finally, it examines what happens when software becomes hardware and users externalize their screens using musical instrument digital interface (MIDI) controllers, mobile media, and video-game controllers. Amid the perpetual upgrade culture of music technology, Push the book provides a model for understanding software as a microcosm for the increasing convergence of globalization, neoliberal capitalism, and techno-utopianism that has come to define our digital lives.

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44

Otruba, Kathy. USB2660/USB2660i Ultra Fast USB 2. 0 Hub and Multi-Format Flash Media Controller with Dual SD Interfaces - Data Sheet. Microchip Technology Incorporated, 2019.

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45

Otruba, Kathy. USB2660/USB2660i Ultra Fast USB 2. 0 Hub and Multi-Format Flash Media Controller with Dual SD Interfaces - Data Sheet. Microchip Technology Incorporated, 2015.

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46

Aiyappa, Rekha. 32-Bit Microcontrollers (up to 256 KB Flash and 64 KB SRAM) with Audio and Graphics Interfaces, USB, and Advanced Analog. Microchip Technology Incorporated, 2015.

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47

Yang, Ada. 32-Bit Microcontrollers (up to 256 KB Flash and 64 KB SRAM) with Audio and Graphics Interfaces, USB, and Advanced Analog. Microchip Technology Incorporated, 2015.

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48

Beaumont, Andy, Jon Stephens, Jody Kerr y Dave Gibbons. Constructing Usable Web Menus. Peer Information Inc., 2002.

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