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Libros sobre el tema "First Nations authors"

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Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 28 de julio de 2024

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1

Henderson, Paula Laureen. Lost angels: Encounters with First Nations. [Saskatoon]: Gumdrop Enterprise, 2008.

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2

Leane, Jeanine. Guwayu -- for all times: A collection of First Nations poems. Broome, W.A: Magabala Books, 2020.

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3

Armstrong, S. Canadian women's writings: The voice of the voiceless from the First Nations. New Delhi: Creative Books, 2006.

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4

Wien, Universität, ed. Native Americans and First Nations: A transnational challenge. Paderborn: F. Schöningh, 2009.

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5

Knowles, Richard Paul y Monique Mojica. Staging coyote's dream: An anthology of First Nations drama in English, volume 2. Toronto: Playwrights Canada Press, 2009.

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6

Yvette, Nolan, ed. Beyond the pale: Dramatic writing from First Nations writers and writers of colour. Toronto: Playwrights Canada Press, 2004.

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7

1970-, Harding G. Sophie, ed. Our words, our revolutions: Di/verse voices of Black women, first nations women, and women of colour in Canada. Toronto, Ont: Inanna Publications and Education, 2000.

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8

1950-, Knowles Richard y Mojica Monique 1954-, eds. Staging coyote's dream: An anthology of First Nations drama in English. Toronto: Playwrights Canada Press, 2003.

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9

C, Armstrong Jeannette, ed. Looking at the words of our people: First Nations analysis of literature. Penticton, B.C: Theytus Books, 1993.

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10

1950-, Knowles Richard Paul y Mojica Monique 1954-, eds. Staging coyote's dream: An anthology of First Nations drama in English / edited by Monique Mojica and Ric Knowles. Toronto: Playwrights Canada Press, 2003.

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11

Jonathan, Swift. Travels into several remote nations of the world: By Lemuel Gulliver, first a surgeon, and then a captain of several ships. Köln: Könemann, 1995.

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12

1962-, Taylor Drew Hayden, ed. Me funny: A far-reaching exploration of the humour, wittiness and repartee dominant among the First Nations people of North America, as witnessed, experienced and created directly by themselves, and with the inclusion of outside but reputable sources necessarily familiar with the indigenous sense of humour as seen from an objective perspective. Vancouver, B.C: Douglas & McIntyre, 2005.

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13

Menzies, Trixie Te Arama, 1936- y Waiata Koa (Literary group), eds. He wai =: A song : first nation's women's writing : a Waiata Koa collection. Auckland, N.Z: Waiata Koa, 1996.

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14

1961-, Fife Connie, ed. The Colour of resistance: A contemporary collection of writing by aboriginal women. Toronto: Sister Vision, 1993.

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15

National Conference of Italian-Canadian Writers (1st 1986 Vancouver, B.C.). Writers in transition: The proceedings of the First National Conference of Italian-Canadian Writers. Montreal: Guernica, 1990.

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16

Pakistan) National Seminar on First Death Anniversary of Dr. N. A. Baloch (2012 Hyderabad. Proceedings of the National Seminar on First Death Anniversary of Dr. N. A. Baloch: 6th April 2012. Hyderabad: Dr. N.A. Baloch Institute for Heritage Research, 2013.

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17

Wole, Soyinka. The road map of a nation: A narrative of the First African Road Safety Corps. Ibadan , Nigeria: Bookcraft, 2018.

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18

Masahide, Shibusawa. The Private Diplomacy of Shibusawa Eiichi. GB Folkestone: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9781898823810.

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“This book offers an account of the life of Shibusawa Eiichi, who may be considered the first ‘internationalist’ in modern Japan, written by his great grandson Masahide and published in 1970 under the title, Taiheiyo ni kakeru hashi (Building Bridges Over the Pacific). Japan had a tortuous relationship with internationalism between 1840, when Shibusawa was born, and 1931, the year the nation invaded Manchuria and when he passed away. The key to understanding Shibusawa’s thoughts against the background of this history, the author shows, lies in the concept of ‘people’s diplomacy,’ namely an approach to international relations through non-governmental connections. Such connections entail more transnational than international relations. In that sense, Shibusawa was more a transnationalist than an internationalist thinker. Internationalism presupposes the prior existence of sovereign states among which they cooperate to establish a peaceful order. The best examples are the League of Nations and the United Nations. Transnationalism, in contrast, goes beyond the framework of sovereign nations and promotes connections among individuals and non-governmental organizations. It could be called “globalism” in the sense that transnationalism aims at building bridges across the globe apart from independent nation-states. In that sense Shibusawa was a pioneering globalist. It was only in the 1990s that expressions like globalism and globalization came to be widely used. This was more than sixty years after Shibusawa Eiichi’s death, which suggests how pioneering his thoughts were.” [Akira Iriye]
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19

Ranson, Susan. John Hopkins: Metrical psalmist and rector of Great Waldingfield : co-author with Thomas Sternhold of the first national English hymn book, 1562. Norwich: Border Editions, 2004.

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20

1917-, Davis Jack y Hodge Bob, eds. Aboriginal writing today: Papers from the First National Conference of Aboriginal Writers held in Perth, Western Australia in 1983. Canberra: Australian Institute of Aboriginal Studies, 1985.

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21

Association, Modern Humanities Research, ed. 'Hitler's first victim'?: Memory and representation in post-war Austria. Leeds: Maney Pub., for the Modern Humanities Research Association, 2003.

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22

Heat and Light: First Nations Classics. University of Queensland Press, 2024.

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23

Beyond resistance: Critical essays on Canadian First Nations writing. [Calicut]: Publication Division, University of Calicut, 2003.

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24

Beyond the pale: Dramatic writing from First Nations writers & writers of colour. Toronto: Playwrights Canada Press, 1996.

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25

(Editor), Yvette Nolan, Betty Quan (Editor) y George Bwanika Seremba (Editor), eds. Beyond the Pale: Dramatic Writing from First Nations Writers & Writers of Colour. Playwrights Canada Press, 1997.

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26

Rymhs, Deena. From the Iron House: Imprisonment in First Nations Writing. Wilfrid Laurier University Press, 2008.

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27

Rymhs, Deena. From the Iron House: Imprisonment in First Nations Writing. Wilfrid Laurier University Press, 2014.

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28

Rymhs, Deena. From the Iron House: Imprisonment in First Nations Writing. Wilfrid Laurier University Press, 2008.

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29

Rymhs, Deena. From the Iron House: Imprisonment in First Nations Writing. Wilfrid Laurier University Press, 2016.

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30

Hayden, Carla D., Joy Harjo y The Library of Congress. Living Nations, Living Words: An Anthology of First Peoples Poetry. Norton & Company, Incorporated, W. W., 2021.

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31

Living Nations, Living Words: An Anthology of First Peoples Poetry. W. W. Norton & Company, 2021.

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32

AlterNative spaces: Constructions of space in Native American and First Nations' literatures. Heidelberg: Winter, 2007.

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33

From the iron house: Imprisonment in First Nations writing. Waterloo, Ont: Wilfrid Laurier University Press, 2008.

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34

In celebration of our survival: The first nations of British Columbia. Vancouver: UBC Press, 1991.

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35

(Editor), Monique Mojica y Richard Paul Knowles (Editor), eds. Staging Coyote's Dream: An Anthology of First Nations Drama in English. Playwrights Canada Press, 2004.

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36

Armstrong, Jeannette C. Looking at the Words of Our People: First Nations Analysis of Literature. Theytus Books, 1993.

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37

Harding, G. Sophie. Our Words, Our Revolutions: Di/Verse Voices of Black Women, First Nations Women, and Women of Colour in Canada. Inanna Publications & Education, 2000.

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38

It's Not by Any Lack of Ghosts We're Haunted.: First Nations Gothic and Spiritual Realism. Königshausen & Neumann, 2014.

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39

Autobiography As Indigenous Intellectual Tradition: Nêhiyawak Life Writing. Wilfrid Laurier University Press, 2022.

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40

Autobiography As Indigenous Intellectual Tradition: Cree and Métis âcimisowina. Wilfrid Laurier University Press, 2022.

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41

Ophir, Adi y Ishay Rosen-Zvi. Nations and Goyim, Hellēnes and Others. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198744900.003.0005.

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Chapter 4 concentrates on terminology, examining the changes in the meanings of both ethnē and goyim. After discussing the Dead Sea Scrolls and the First and Second Maccabees, it moves to Philo and Josephus, discussing the different terms they use for foreigners, collective and individual, and their discursive meanings. For both authors, Israel is conceived as an exception that does not define the rule. Instead, it was understood on the terms of Israel’s constitution, which Philo interpreted theologically, and Josephus read politically and historically. The chapter ends with an analysis of the Greek warning inscription found in the Temple court, which forbade strangers from entering the Temple on pain of death.
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42

Chesterman, Simon, David M. Malone y Santiago Villalpando, eds. The Oxford Handbook of United Nations Treaties. Oxford University Press, 2019. http://dx.doi.org/10.1093/law/9780190947842.001.0001.

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The United Nations is a vital part of the international order. Yet this book argues that the greatest contribution of the UN is not what it has achieved (improvements in health and economic development) or avoided (global war or the use of weapons of mass destruction). It is, instead, the process through which the UN has transformed the structure of international law to expand the range and depth of subjects covered by treaties. The book offers the first sustained analysis of the UN as a forum in which and an institution through which treaties are negotiated and implemented. Chapters are written by authors from different fields, including academics and practitioners, lawyers and specialists from other social sciences (international relations, history, science), professionals with an established reputation in the field, and younger researchers and diplomats involved in the negotiation of multilateral treaties and scholars with a broader view on the issues involved. The volume provides unique insights into UN treaty-making. Through the thematic and technical parts, it also offers a lens through which to view challenges lying ahead and the possibilities and limitations confronting this understudied aspect of international law and relations.
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43

Justice, Daniel Heath. Why Indigenous Literatures Matter. Wilfrid Laurier University Press, 2018.

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44

Why Indigenous Literatures Matter. Wilfrid Laurier University Press, 2018.

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45

Joshua, Whitehead y Arianne DES ROCHERS. Jonny Appleseed. MEMOIRE ENCRIER, 2020.

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46

Jonny Appleseed: A novel. Arsenal Pulp Press, 2018.

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47

Rymhs, Deena. Roads, Mobility, and Violence in Indigenous Literature and Art from North America. Taylor & Francis Group, 2018.

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48

Rymhs, Deena. Roads Mobility and Violence in Indigenous Literature and Art from North America. Taylor & Francis Group, 2020.

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49

Roads Mobility and Violence in Indigenous Literature and Art from North America. Taylor & Francis Group, 2019.

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50

Howells, Coral Ann. Major Authors: Robertson Davies, Margaret Atwood, Michael Ondaatje. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0024.

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This chapter discusses the works of three Canadian novelists best known internationally: Robertson Davies, Margaret Atwood, and Michael Ondaatje. The careers of Davies, Atwood, and Ondaatje, although overlapping chronologically, represent distinctive stages in Canada's evolving cultural traditions and publishing practices since the 1950s. Davies's novels signal the first stage in a transition from colonial to postcolonial identity in post-war Canada. Atwood in the 1970s provided the script for a Canadian cultural and literary identity separate from British and American in what Carol Shields called ‘a period of explosive patriotism’. Ondaatje's novels and family memoir epitomize the ‘refocusing and defocusing’ of Canadian literature since the 1980s, coinciding with the nation's shifts into multiculturalism and transnationalism. The chapter first provides a background on Davies, Atwood, and Ondaatje's careers before considering some of their works, including the Deptford trilogy (Davies), The Handmaid's Tale (Atwood), and The English Patient (Ondaatje).
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