Bibliografías temáticas / Films and comics / Libros

Libros sobre el tema "Films and comics"

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Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 10 de febrero de 2022

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1

Superheroes!: Capes and crusaders in comics and films. London: I. B. Tauris, 2008.

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2

Lucas, George. Star wars art: Comics. New York: Abrams, 2011.

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3

Guedj, Philippe. Comics: Dans la peau des super héros. Boulogne, France: Timée, 2006.

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4

1968-, Wentzel Jim, ed. Cool careers without college for people who love Manga, comics, and cartoons. New York: Rosen, 2006.

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5

Berninger, Mark. Comics as a nexus of cultures: Essays on the interplay of media, disciplines and international perspectives. Jefferson, N.C: McFarland & Co., 2010.

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6

Berninger, Mark. Comics as a nexus of cultures: Essays on the interplay of media, disciplines and international perspectives. Jefferson, N.C: McFarland & Co., 2010.

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7

Windham, Ryder. Star wars: The comics companion. [Milwaukie, Or.]: Dark Horse Books, 2006.

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8

author, Johnson Mike y Messina artist, eds. Star Trek: Countdown to darkness. San Diego, CA: IDW, 2013.

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9

Green, Paul. Encyclopedia of weird westerns: Supernatural and science fiction elements in novels, pulps, comics, films, television, and games. Jefferson, N.C: McFarland & Co., Publishers, 2009.

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10

Encyclopedia of weird westerns: Supernatural and science fiction elements in novels, pulps, comics, films, television, and games. Jefferson, N.C: McFarland & Co., Publishers, 2009.

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11

Green, Paul. Encyclopedia of weird westerns: Supernatural and science fiction elements in novels, pulps, comics, films, television, and games. Jefferson, N.C: McFarland & Co., Publishers, 2009.

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12

Green, Paul. Encyclopedia of weird westerns: Supernatural and science fiction elements in novels, pulps, comics, films, television, and games. Jefferson, N.C: McFarland & Co., Publishers, 2009.

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13

Green, Paul. Encyclopedia of weird westerns: Supernatural and science fiction elements in novels, pulps, comics, films, television and games. Jefferson, N.C: McFarland & Co., Publishers, 2009.

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14

Green, Paul. Encyclopedia of weird westerns: Supernatural and science fiction elements in novels, pulps, comics, films, television and games. Jefferson, N.C: McFarland & Co., Publishers, 2009.

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15

Cannon, Martin. Howard the Duck files. San Bernardino, Calif: Borgo Press, 1987.

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16

ill, Campbell Sophie, Lee Shawn letterer, Long Tom letterer y Robbins Robbie letterer, eds. Jem and the Holograms: Showtime. San Diego, CA: Idea & Design Works, LLC, 2015.

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17

War, politics and superheroes: Ethics and propaganda in comics and film. Jefferson, N.C: McFarland & Company, Inc., Publishers, 2011.

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18

Harkey, Kevin. Roger Rabbit in "Tummy Trouble". Burbank, CA: WD Productions, 1989.

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19

Hollywood and the comics: Film adaptations of comic books & strips. [U.S: Zanne-3, 1991.

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20

Set the action!: Creating backgrounds for compelling storytelling in animation, comics, and games. Waltham, MA: Focal Press, 2012.

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21

Bulloch, Ivan. Cartoons & animation. New York: Children's Press, 1998.

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22

Sam, Hamm, ed. Batman. New York: Warner Books, Inc., 1989.

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23

Gardner, Craig Shaw. Batman. New York: Warner Books, Inc., 1989.

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24

Gardner, Craig Shaw. Batman. Esplugues de Llobregat (Barcelona): Plaza & Janés, 1989.

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25

Grams, Martin. The Green Hornet: A history of radio, motion pictures, comics, and television. Churchville, MD: OTR Pub., 2010.

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26

Cox, Greg. Daredevil: A novel. New York: Onyx, 2003.

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27

Hise, James Van. Comics files magazine spotlight on X-men files. San Bernardino, Calif: Borgo Press, 1987.

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28

Writing for Animation, Comics, and Games. Focal Press, 2006.

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29

Porter, Alan J. Star Trek: A Comics History. Hermes Press, 2009.

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30

author, Xu Ying 1959, ed. Comics art in China. University Press of Mississippi, 2017.

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31

The Bond Files: The Only Complete Guide to James Bond in Books, Films, TV and Comics. Virgin Publishing, 1998.

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32

Kerry Gammill's Drawing Monsters & Heroes for Film & Comics. Vanguard Productions (dist by Watson-Guptill), 2001.

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33

Mills, Anthony. American Theology Superhero Comics and Cinema. Taylor & Francis Group, 2018.

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34

Hassler-Forest, Dan. Roads Not Taken in Hollywood’s Comic Book Movie Industry. Editado por Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.23.

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Chapter 23 approaches the phenomenon of the comic book movie as a complex and dynamic adaptation process. While superhero movies and other comics-inspired franchises now dominate the global box office, it is rare that they adapt comic books’ formal features in a meaningful way. By foregrounding three comic book movies that have largely been considered failures, the essay discusses innovative ways of adapting comics to film through a media-archaeological approach to the genre. The films Popeye (1980), Dick Tracy (1990), and Hulk (2002) can be read, each in its own way, as provocative “roads not taken” by the Hollywood film industry.
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35

Langsdale, Samantha y Elizabeth Rae Coody, eds. Monstrous Women in Comics. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496827623.001.0001.

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Many studies of the monster and monstrosity have focused on women, and most do so (at least in part) in relation to some type of visual culture. However, few have examined the appearance of monstrous women in comics in particular. Like horror films, sequential art has an abundance of monsters and fantastical beings. No less important to this volume than the sheer abundance of monsters within comics is the fact that they are often marked by gender, race, and disability in complex ways. Each chapter provides a text-critical analysis of a particular (or perhaps several) comic, manga, or graphic novel in order to ask how the monster makes meaning within the text(s) and, what it means for the monster to be coded as a woman. Further, building on the work of monster studies scholars, such as Jeffrey Jerome Cohen, Barbara Creed, Margrit Shildrick, and Julia Kristeva, each author also reflects on the various ways their analysis of the comic, and the meaning made by the monstrous woman therein, connects to the broader cultural context in question. In order to further converse with existing scholarship on monsters, on gender, and to further enable dialogue between chapters, this book is organized along a number of common themes: power, embodiment, child-bearing, childhood, and performance. Women are often called monsters. With this collection, authors use comics to try to figure out what that monstrosity means and what women, scholars, and comics have done and should do about it.
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36

Paul, Green. Encyclopedia of Weird Westerns: Supernatural and Science Fiction Elements in Novels, Pulps, Comics, Films, Television and Games, 2d Ed. McFarland & Company, Incorporated Publishers, 2016.

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37

Krieg, Jim y Rick Morales. LEGO DC Comics Superhéroes: La liga de la justicia : Batalla cósmica : LEGO DC Comics Super Heroes : Justice League: Cosmic clash. 2016.

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38

Thompson, Kelly. Jem and the Holograms: Outrageous Edition. IDW Publishing, 2016.

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39

Miyazaki, Hayao. Howl's Moving Castle Film Comic vol. 4 (Howl's Moving Castle Film Comics) (Howl's Moving Castle Film Comics). VIZ Media LLC, 2005.

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40

Superman IV: The Quest for Peace. Scholastic, 1987.

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41

Comic Book Movies. Rutgers University Press, 2018.

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42

Davis, Blair. Comic Book Movies. Rutgers University Press, 2018.

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43

The Howard the Duck files. Psi Fi Movie Press, 1986.

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44

The Golden Age of Science Fiction: A Journey into Space with 1950s Radio, TV, Films, Comics and Books. Pen and Sword History, 2019.

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45

Fright Night #22: Reign of Terror. NOW Comics, 1990.

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46

Fright Night #12: Bull-Whipped. Chicago, Illinois: NOW Comics, 1989.

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47

Fright Night #3: The Dead Remember. Chicago, Illinois: NOW Comics, 1988.

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48

Fright Night #17: Blood Ball. Chicago, Illinois: NOW Comics, 1990.

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49

Fright Night 3-D Halloween Annual: Nightmares. Chicago, Illinois: NOW Comics, 1993.

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50

Fright Night #7: The Legion of the Endless Night (Conclusion). Chicago, Illinois: NOW Comics, 1989.

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