Bibliografías temáticas / Films and comics

Literatura académica sobre el tema "Films and comics"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 10 de febrero de 2022

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Artículos de revistas sobre el tema "Films and comics"

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Borodo, Michał. "Exploring the Links Between Comics Translation and AVT". TranscUlturAl: A Journal of Translation and Cultural Studies 8, n.º 2 (22 de noviembre de 2016): 68. http://dx.doi.org/10.21992/t9xk9x.

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For a very young but steadily developing subfield of Translation Studies such as the translation of comics it seems only natural to look to other research areas within the discipline for inspiration and research methods. This is also one of the aims of the present article, which will attempt to point to certain similarities between comics translation and the subdiscipline of Translation Studies known as AVT (Audiovisual Translation) and the field of subtitling in particular. Both films and comic books are multimodal texts based on the interplay between the verbal and the visual. What is more, both films and comic books are primarily based on dialogue, which is nevertheless transcribed and communicated in writing in both subtitled films and translated comics. Text will, in both cases, usually appear in clearly specified areas, that is at the bottom of the screen (with some exceptions) in subtitled films, and in speech balloons (with some exceptions) in the case of comics. Furthermore, text may be condensed due to the existence of spatial and technical constraints, such as the limited number of characters that may appear at the bottom of the screen or the size of speech balloons and the type of the lettering employed in the case of comics. It is particularly the latter aspect, that is textual condensation related to both spatial constraints and the multimodal character of comics, that the article will focus on, investigating the first Polish translations of Calvin and Hobbes comic strips created by the American cartoonist Bill Watterson.
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Muñoz Muñoz, Selene y Marta Martínez Márquez. "Ogea Pozo, M.M.; Rodriguez Rodriguez, F. (eds.) Insights into audiovisual and comic translation. Changing Perspectives on films, comics and videogames. Córdoba: UCOPress, Translation and Interpreting Series, III, 2019, 213 pp. ISBN 978-84-9927-469-0". Hikma 19, n.º 1 (25 de mayo de 2020): 279–83. http://dx.doi.org/10.21071/hikma.v19i1.12645.

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Buoye, Alexander, Arne De Keyser, Zeyang Gong y Natalie Lao. "Intellectual property extensions in entertainment services: Marvel and DC comics". Journal of Services Marketing 34, n.º 2 (13 de febrero de 2020): 239–51. http://dx.doi.org/10.1108/jsm-06-2019-0224.

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Purpose The purpose of this paper is to look into the topic of IP category extensions in an entertainment setting. The main goal of the study is to explore the reciprocal spillover effect of customer experience (CX) ratings with an intellectual property (IP) in one medium (i.e. film) on the sales of the same IP in other media (i.e. comic books). Design/methodology/approach The study is based on 21-years of monthly top 300 comic book direct market sales data linked to the release schedule and domestic box office gross figures for films featuring Marvel and DC comic book IP appearing in the weekly top 50 films over the same time period. The analysis is based on a hierarchical linear (i.e. mixed) model to account for the nested structure of the data. Findings The analysis reveals that CX ratings of weekly top 50 films featuring comic book IP have a quadratic relationship with comic book sales by the two major publishers. Films receiving very good but not excellent ratings are associated with the highest levels of incremental comic book sales. Research limitations/implications The model is based on sales of periodical comic books in the direct market only (i.e. specialty shops) and does not account for sales of digital comics or collected editions through other channels. The analysis is also limited to IP for the two major publishers (Marvel and DC comics). Originality/value This study expands current knowledge on CX spillover effects between different media, contributing to entertainment and CX-literature alike.
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Ahmed, Maaheen. "Instrumentalising Media Memories". European Comic Art 12, n.º 1 (1 de junio de 2019): 1–20. http://dx.doi.org/10.3167/eca.2019.120102.

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Krzysztof Gawronkiewicz and Krystian Rosenberg’s Achtung Zelig! recounts an unabashedly absurd story about the Second World War, involving an encounter between a Nazi commander who was a former clown and a Jewish father and son with monstrous faces. To understand the construction and function of the Polish comic’s narration of the war, this article introduces the concept of media memories. Such memories encompass techniques and works that ‘haunt’ cultural productions. Achtung Zelig! interweaves key media and contexts, layering its story through the media memories of carnivals, comics (e.g. Maus) and films (e.g. The Great Dictator). In instrumentalising media memories, the comic engages in a heavily mediated dialogue with the issue of representing traumatic realities.
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Żaglewski, Tomasz. "Infinite Narratives on Infinite Earths. The Evolution of Modern Superhero Films". Panoptikum, n.º 22 (17 de diciembre de 2019): 158–72. http://dx.doi.org/10.26881/pan.2019.22.06.

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After almost 20 years of a succesful run of superhero films it seems that we are now entering into the fully-developed format of this kind of cinema. Through films like “Avengers: Infinity War”, “Logan” or “Spider-Man: Into the Spider-verse” the general audience all over the world is becoming familiar with strictly comics-based forms and ideas like retcon, crossover or the multiverse paradigm (that serves as a model for ‘infinite’ superhero narratives and limitless iterations of characters). Despite the fact that popular cinema had already introduced some of these elements before – like the crossover aesthetic in Universal Studios’ horrors from the 1930s and 1940s – modern superhero cinematic universes can be seen as much more demanding productions for the viewers in terms of following strongly comic books-based modes of the ‘multiverse-centric’ perception. As a result we can right now observe an emerging process of turning even the non-superheroic popular cinematic features into very ‘comic booky’ narrative patterns. In this article I’m interested in analyzing the most recent cases of superhero cinema by looking at some specific titles as a way of introducing the narrative systems and tools from superhero comics into cinema.
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Murawski, Bartosz. "Herosi w odcinkach. Wczesne ekranizacje komiksów o superbohaterach". Kultura Popularna 3, n.º 49 (31 de marzo de 2017): 24–35. http://dx.doi.org/10.5604/01.3001.0009.8042.

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Films based on comic books are now at the peak of their popularity. Every year we get at least a couple of movies about superheroes. These are high-budget productions, perfected to the smallest detail. But it was not always so. In my article I discuss the first attempts to filming comics – so-called “serials” filmed in the 1940’s. These films were shot quickly, cheaply and without paying special attention to faithfulness of the source material. However, these movies had also an impact on conventions presented in modern comic book movies.
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Figueiredo, Camila Augusta Pires de. "INCOMPATIBLE ONTOLOGIES IN THE TRANSPOSITION OF GRAPHIC NOVELS TO FILMS". Em Tese 16, n.º 3 (31 de diciembre de 2010): 171. http://dx.doi.org/10.17851/1982-0739.16.3.171-183.

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This article proposes a discussion on the specificities of the comics medium and their consequence to the process of transposition of comics – and particularly of graphic novels – into films. In order to support this debate, I will draw upon Irina Rajewsky’s and Pascal Lefèvre’s theoretical articles.
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Vukadinovic, Bojan. "Serbian public, Japanese anime, films and comics". Kultura, n.º 138 (2013): 217–26. http://dx.doi.org/10.5937/kultura1338217v.

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McMurtry, Leslie. "Dark night of the soul: Applicability of theory in comics and radio through the scripted podcast drama". Studies in Comics 10, n.º 2 (1 de noviembre de 2019): 235–54. http://dx.doi.org/10.1386/stic_00004_1.

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Abstract This article responds to McCloud's theoretical framework for comics and applies this framework to audio drama, which I argue is, like comics, a mono-sensory medium (one can only be seen in static image and the other can only be heard); both require a great degree of closure from the audience to frame together sequential narratives (of visual art and sound, respectively). To do this, it uses the case study of Marvel and Stitcher's Wolverine: The Long Night (2018), a 'scripted podcast' (audio drama). While comics are escaping from decades of critical disregard due to their status as a popular or lowbrow medium, radio and by extension audio drama still suffer from critical neglect. It is, therefore, one of the aims of the article to release audio drama theory from torpor by applying theory from comics. W:TLN has been chosen as a case study due to its status as a made-for-podcast story rather than an adaptation from an existing comic book; it also responds to trends within audio drama towards a non-fiction/fiction amalgamation influenced by true crime podcast conventions. This article argues that W:TLN's understanding of audio/radio as a mono-sensory medium is overdetermined in its use of blindness, darkness and radiogenics. It also discusses the ways in which comics and audio drama use time and space. The article also examines the reasons why the podcast medium has been deemed acceptable within the wider Marvel Comics Universe and the ways in which W:TLN responds to implied continuity through a transmedia conception of character attributes (e.g., how the continuity of the X-Men films influences the story and characters in W:TLN).
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Miller, Ann. "Interview with Hannah Berry". European Comic Art 14, n.º 1 (1 de marzo de 2021): 69–88. http://dx.doi.org/10.3167/eca.2020.140105.

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In this interview, the Brighton-based comics artist Hannah Berry discuses her current role as Comics Laureate, which has included the commissioning of a survey into the conditions of work of comics artists in the United Kingdom and has demonstrated the financial hardship that most of them endure. She also talks about the importance of mentoring, organising work around childcare, and how she came to produce a weekly strip for the New Statesman. The interview then focuses on Berry’s three published graphic novels, touching on the influence of films, the tension between storytelling and play with the codes of the medium, the use of gutters and text as elements in a horror story, comics as a corrective to fake news, and the political research that underlies satire.
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Tesis sobre el tema "Films and comics"

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Kent, Miriam. "Marvel women : femininity, representation and postfeminism in films based on Marvel comics". Thesis, University of East Anglia, 2016. https://ueaeprints.uea.ac.uk/64255/.

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Recent years have witnessed an influx of superhero films, particularly those based on Marvel comics. From X-Men (2000) and Spider-Man (2002) to team-up mega-blockbuster The Avengers (2012) and Guardians of the Galaxy (2014), the stream of Marvel superhero adaptations is ongoing and relentless. These films have received modest academic attention; however, close examination of the specific portrayals of women in superhero films has remained sporadic. This thesis is the first work to cohesively consider representations of women in films based on Marvel comics, from The Punisher (1989) to more recent films such as Captain America: The First Avenger (2011). Through textual analysis which accounts for discursive, contextual and ideological issues surrounding these films, I discuss how representations of women in Marvel adaptations are informed by discourses of anxiety and struggle regarding gender issues in wider Western culture. The superhero boom occurred at a time which can be considered “postfeminist,” in which discourses of women’s “empowerment” are actively incorporated into media texts, while specific references to political feminism are shunned. Tracing historical and cultural contexts from the characters’ comic book forms, this thesis provides an exhaustive account of issues of women’s empowerment in Marvel films with particular emphasis on the ways in which postfeminist culture has shaped such portrayals. The films are considered within a wider action genre framework, drawing from existing scholarship in the field of feminist film studies. However, attention is also drawn to the role of sexuality and race within these largely white, heterosexual portrayals of feminine empowerment. Overall I consider the questions: How is power negotiated within female Marvel characters? How does an emphasis on sex appeal relate to feminist and postfeminist culture? How do these representations intersect with greater issues involving sexuality and race? And, importantly, in what ways do these representations tie in to modes of women’s empowerment in the time periods during which these films were released?
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Hauber, Agneta. "Das Siebte Kreuz : Eine intermediale Analyse des Romans von Anna Seghers, des Comics von William Sharp und des Films von Fred Zinnemann". Thesis, Uppsala universitet, Tyska, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-317439.

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Sanchez-Stockhammer, Christina. "How comics communicate on the screen: Telecinematic discourse in comic-to-film adaptations". Bloomsbury, 2020. https://monarch.qucosa.de/id/qucosa%3A74551.

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This paper explores the relation between the popular “Tintin” comics by the Belgian artist Hergé and Steven Spielberg’s successful film adaptation “The Adventures of Tintin” (2011) from a linguistic perspective. It explores how language use in the scriptovisual medium of the comic (which combines still images and printed text) is rendered in the audiovisual medium of film (which combines moving images and spoken language). After discussing general linguistic similarities between comics and films and the use of language in each of the two media, the paper compares the representation of voice, accent, thoughts, talking animals, sounds and written language in Spielberg’s screen adaptation to the original printed comic books. It analyses to what extent the language from comic books can be directly transferred to the filmic medium and investigates possible causes underlying any modifications in the above-mentioned domains.
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Dedman, Stephen. "Techronomicon (novel) ; and The weapon shop : the relationship between American science fiction and the US military (dissertation)". University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0093.

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Techronomicon Techronomicon is a science fiction novel that examines far-future military actions from several different perspectives. Human beings have colonized several planets with help from the enigmatic and more technologically advanced Zhir, who gave spaceships and habitable worlds to those they deemed suitable and their descendants. The Joint Expeditionary Force is the military arm of the Universal Faith, called in when conflicts arise that the Faith decides are beyond the local government and militia and require their intervention. Leneveldt and Roader are JEF officers assigned to Operation Techronomicon, investigating what seems to be a Zhir-built defence shield around the planet Lassana. Another JEF company sent to Kalaabhavan after the murder of the planets Confessor-General loses its CO to a land-mine, and Lieutenant Hellerman reluctantly accepts command. Chevalier, a civilian pilot, takes refugees fleeing military-run detention camps on Ararat to a biological research station on otherwise uninhabited Lila. The biologists on Lila discover a symbiote that enables humans to photosynthesize, which comes to the attention of Operation Techronomicon and the JEF's Weapons Research Division. Leneveldt and Roeder, frustrated by the lack of progress on Lassana, are sent to Lila to detain the biologists, who flee into the swamps. Hellerman's efforts to restore peace on Kalaabhavan are frustrated by the Confessors, and his company finds itself besieged by insurgents. The novel explores individuals' motives for choosing or rejecting violence and/or military service; the lessons they learn about themselves and their enemies; and the possible results of attempts to forcibly suppress ideas.
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Moody, Kyle Andrew. ""Why so serious?" comics, film and politics, or the comic book film as the answer to the question of identity and narrative in a post-9/11 world /". Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1249507295.

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Collins, Ryan William. "It's All Coming Back to You: 1980s Retro Film Culture and the Masculinity of Cult". Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011874/.

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The 1980s is a formative decade in American history. America sought to reestablish itself as a global power and to reassert the dominant ideology of white, patriarchal capitalism. Likewise, media producers in the 1980s sought to reassert the dominance of the white, male, muscled body in filmic representations. The identity politics of the 1980s and the depictions of the white, muscled body once prominent in the 1980s have been the site of conservative nostalgia for a young, male-dominated, cult audience that is a subset of a larger cultural trend known as retro film culture. This thesis provides historical context behind the populist 1980s B-action films from Cannon Group, Inc that celebrate violent masculinity in filmic representations with white, male action heroes. Equally important is the revival of VHS collecting and how this 1980s-inspired subculture reinforces white, patriarchal capitalism through the cult films they valorize and their capitalistic trading practices despite their claims of oppositionality against mainstream taste and Hollywood films. Lastly, this thesis reveals how a new cycle of contemporary films primarily produced outside of Hollywood reasserts and celebrates the dominance of the white, male, muscled body in filmic representations despite a postmodern and hyperconscious exterior. Overall, I argue how these areas of nostalgia are distinct, yet not unrelated, because they reassert white, patriarchal capitalism through the revival of conservative nostalgia for the 1980s.
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Weston, Alexandra C. "Valkyries Handbook: Representations of Women in Comics". Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/616.

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This thesis delves into the surprisingly uniform treatment of the female character in comic storytelling, across all media, and will examine how this has evolved over time. It further explores what these changes represent for the stories, the characters, the creators, and the readers. The focus of the production aspects of this project is on the curation and development of a feminist perspective on comic books, their narrative and the industry that forms them. Looking at specific examples from historical and modern comics, as well as creative
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Leadston, Mackenzie M. "Theorizing the Comic Object in Classical French Cinema". The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu155498483572897.

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Lucas, Justin. "Beneath the cape and cowl: Batman and the revitalization of comic book films". Ohio University Honors Tutorial College / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1244074493.

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Smith, Benjamin. "Spandex cinema : three approaches to comic book film adaptation /". Read thesis online, 2009. http://library.uco.edu/UCOthesis/SmithBP2009.pdf.

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Libros sobre el tema "Films and comics"

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Superheroes!: Capes and crusaders in comics and films. London: I. B. Tauris, 2008.

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Lucas, George. Star wars art: Comics. New York: Abrams, 2011.

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Guedj, Philippe. Comics: Dans la peau des super héros. Boulogne, France: Timée, 2006.

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1968-, Wentzel Jim, ed. Cool careers without college for people who love Manga, comics, and cartoons. New York: Rosen, 2006.

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Berninger, Mark. Comics as a nexus of cultures: Essays on the interplay of media, disciplines and international perspectives. Jefferson, N.C: McFarland & Co., 2010.

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Berninger, Mark. Comics as a nexus of cultures: Essays on the interplay of media, disciplines and international perspectives. Jefferson, N.C: McFarland & Co., 2010.

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Windham, Ryder. Star wars: The comics companion. [Milwaukie, Or.]: Dark Horse Books, 2006.

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author, Johnson Mike y Messina artist, eds. Star Trek: Countdown to darkness. San Diego, CA: IDW, 2013.

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Green, Paul. Encyclopedia of weird westerns: Supernatural and science fiction elements in novels, pulps, comics, films, television, and games. Jefferson, N.C: McFarland & Co., Publishers, 2009.

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Encyclopedia of weird westerns: Supernatural and science fiction elements in novels, pulps, comics, films, television, and games. Jefferson, N.C: McFarland & Co., Publishers, 2009.

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Capítulos de libros sobre el tema "Films and comics"

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Cook, Roy T. "Why Comics are not Films: Metacomics and Medium-Specific Conventions1". En The Art of Comics, 165–87. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444354843.ch9.

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Marion, Jonathan S. y James Scanlan. "Fashion and gender in superhero comics and films". En The Routledge Companion to Fashion Studies, 382–90. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429264405-39.

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Pratt, Henry John. "Making Comics into Film". En The Art of Comics, 145–64. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444354843.ch8.

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Horton, Andrew y Joanna E. Rapf. "Comic Introduction". En A Companion to Film Comedy, 1–11. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118327821.ch.

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Forni, Kathleen. "Comic Books". En Beowulf’s Popular Afterlife in Literature, Comic Books, and Film, 98–121. New York: Routledge, 2018. | Series: Routledge studies in medieval literature and culture; 9: Routledge, 2018. http://dx.doi.org/10.4324/9780429466014-6.

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Florin, Bo, Nico De Klerk y Patrick Vonderau. "Coming Soon! Lantern Slide Advertising in the Archive". En Films that Sell, 223–31. London: British Film Institute, 2017. http://dx.doi.org/10.1057/978-1-84457-894-8_15.

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Bearce, Stephanie. "The Revenuers Are Coming!" En Top Secret Files, 10–12. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003239154-4.

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Toyoura, Masahiro, Mamoru Kunihiro y Xiaoyang Mao. "Film Comic Reflecting Camera-Works". En Lecture Notes in Computer Science, 406–17. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-27355-1_38.

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Helbig, Jörg. "»The British Are Coming!«: Erfolgsfilme der 80er Jahre". En Geschichte des britischen Films, 265–79. Stuttgart: J.B. Metzler, 1999. http://dx.doi.org/10.1007/978-3-476-03681-0_19.

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Morton, Drew. "Comics Are in Right Now". En Panel to the Screen. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496809780.003.0001.

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This book examines the intricacies of the American film's stylistic remediation of comics. Stylistic remediation refers to the stylistic practice by films (both adaptations of comics and original properties), in which they have increasingly relied on the formal characteristics of comic books (such as panels, speed lines, the dissection of motion, flat compositions). For their part, comics have drawn upon formal devices derived from film (such as the film noir compositional technique of high-contrast lighting and Photoshop assisted motion blurring to produce a more cinematic look). The book explores how stylistic remediation complicates the idea of media specificity, the role of horizontal integration and conglomeration in the process of stylistic remediation, the industrial motivation behind remediation in films and comics, and whether the remediation of comic book stylistics into films is fundamentally a by-product of technologies and an indication of a larger ontological shift from cinema to digital cinema.
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Actas de conferencias sobre el tema "Films and comics"

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Zecca, Federico. "COMICS IN MOTION: THE INTERSEMIOTIC TRANSLATION OF COMICS INTO FILM". En New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-102.

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Jacobsen, Morten. "Film Storage • What's Coming?" En SMPTE Technical Conference. IEEE, 1996. http://dx.doi.org/10.5594/m00140.

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Toyoura, Masahiro, Tomoya Sawada, Mamoru Kunihiro y Xiaoyang Mao. "Using eye-tracking data for automatic film comic creation". En the Symposium. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2168556.2168640.

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Kyatam, Shusmitha, Joana C. Mendes, Debarati Mukherjee, Armindo Silva, Luis Alves, Shlomo Rotter, Miguel Neto, Filipe Oliveira, Rui Silva y Hugo Neto. "CVD diamond films for thermal management applications". En 2019 IEEE International Conference on Microwaves, Antennas, Communications and Electronic Systems (COMCAS). IEEE, 2019. http://dx.doi.org/10.1109/comcas44984.2019.8958115.

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Ghani, Dahlan Bin Abdul. "P.Ramlee's Laksamana Do Re Mi: The study of interactive comic film adaptation". En 2016 International Conference on Information and Communication Technology (ICICTM). IEEE, 2016. http://dx.doi.org/10.1109/icictm.2016.7890794.

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Ishikawa, Tomokazu, Kento Okazaki, Masanori Kakimoto y Tomoyuki Nishita. "A video summarization technique of animation products according to film comic format". En ACM SIGGRAPH 2014 Posters. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2614217.2630588.

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Cha, Kum Hwan y Stephen M. Hsu. "Molecular Design of Durable Hydrophobic Film". En World Tribology Congress III. ASMEDC, 2005. http://dx.doi.org/10.1115/wtc2005-63717.

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The demand for long durable hydrophobic surface is rising as more and more devices are coming to market. Nanotechnology promises more micro- and nanoscale devices for biomedical, aerospace, transportation purposes. Hydrophobicity can be imparted by a thin layer of low surface energy molecules or a densely-packed hydrocarbon film. Because of heterogeneous surface energy and surface defects, very few films can stay defect-free for an appreciate period of time. Eventually, moisture penetrates into the film through pin holes or defects created by surface reconfiguration. This paper describes a novel hydrophobic film design combining geometric stacking concept with self-healing mobile molecules and an polymeric canopy of cross-linking top layer to prevent evaporation of organic molecules, all within two nanometer thick suitable for most micro- and nanodevices applications.
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Garcia-Garcia, J., J. Ocampo, C. Martinez y J. Alonso. "Thick film high dielectric constant resonators". En 2011 IEEE International Conference on Microwaves, Communications, Antennas and Electronic Systems (COMCAS). IEEE, 2011. http://dx.doi.org/10.1109/comcas.2011.6105872.

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Maffucci, A., M. D. Migliore, S. Sibilia, A. Paddubskaya, D. Pinchera y F. Schettino. "Microwave Response of a Microstrip Circuit Embedding Carbon Nanotube Films". En 2019 IEEE International Conference on Microwaves, Antennas, Communications and Electronic Systems (COMCAS). IEEE, 2019. http://dx.doi.org/10.1109/comcas44984.2019.8958078.

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Ji, Pengfei, Mengzhe He, Yiming Rong, Yuwen Zhang y Yong Tang. "Multiscale Investigation of Thickness Dependent Melting Thresholds of Nickel Film Under Femtosecond Laser Heating". En ASME 2018 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/imece2018-86947.

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A multiscale modeling that integrates electronic scale ab initio quantum mechanical calculation, atomic scale molecular dynamics simulation, and continuum scale two-temperature model description of the femtosecond laser processing of nickel film at different thicknesses is carried out in this paper. The electron thermophysical parameters (heat capacity, thermal conductivity, and electron-phonon coupling factor) are calculated from first principles modeling, which are further substituted into molecular dynamics and two-temperature model coupled energy equations of electrons and phonons. The melting thresholds for nickel films of different thicknesses are determined from multiscale simulation. Excellent agreement between results from simulation and experiment is achieved, which demonstrates the validity of modeled multiscale framework and its promising potential to predict more complicate cases of femtosecond laser material processing. When it comes to process nickel film via femtosecond laser, the quantitatively calculated maximum thermal diffusion length provides helpful information on choosing the film thickness.
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Informes sobre el tema "Films and comics"

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Adams, Alexandra, Robert Byron, Bruce Maxwell, Susan Higgins, Margaret Eggers, Lori Byron y Cathy Whitlock. Climate change and human health in Montana: a special report of the Montana Climate Assessment. Montana State University, diciembre de 2020. http://dx.doi.org/10.15788/c2h22021.

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The purpose of this assessment is to a) present understandable, science-based, Montana-specific information about the impacts of climate change on the health of Montanans; and b) describe how our healthcare providers, state leaders, communities, and individuals can best prepare for and reduce those impacts in the coming decades. This assessment draws from, and is an extension to, the 2017 Montana Climate Assessment (MCA1) (Whitlock et al. 2017), which provides the first detailed analysis of expected impacts to Montana’s water, forests, and agriculture from climate change. MCA explains historical, current, and prospective climate trends for the state based on the best-available science. The 2017 Montana Climate Assessment did not address the impact of climate change on the health of Montanans. This special report of the MCA fills that important knowledge gap; it represents a collaboration between climate scientists and Montana’s healthcare community and is intended to help Montanans minimize the impacts of climate on their health.
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Financial Stability Report - First Semester of 2020. Banco de la República de Colombia, marzo de 2021. http://dx.doi.org/10.32468/rept-estab-fin.1sem.eng-2020.

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In the face of the multiple shocks currently experienced by the domestic economy (resulting from the drop in oil prices and the appearance of a global pandemic), the Colombian financial system is in a position of sound solvency and adequate liquidity. At the same time, credit quality has been recovering and the exposure of credit institutions to firms with currency mismatches has declined relative to previous episodes of sudden drops in oil prices. These trends are reflected in the recent fading of red and blue tonalities in the performance and credit risk segments of the risk heatmaps in Graphs A and B.1 Naturally, the sudden, unanticipated change in macroeconomic conditions has caused the appearance of vulnerabilities for short-term financial stability. These vulnerabilities require close and continuous monitoring on the part of economic authorities. The main vulnerability is the response of credit and credit risk to a potential, temporarily extreme macroeconomic situation in the context of: (i) recently increased exposure of some banks to household sector, and (ii) reductions in net interest income that have led to a decline in the profitability of the banking business in the recent past. Furthermore, as a consequence of greater uncertainty and risk aversion, occasional problems may arise in the distribution of liquidity between agents and financial markets. With regards to local markets, spikes have been registered in the volatility of public and private fixed income securities in recent weeks that are consistent with the behavior of the international markets and have had a significant impact on the liquidity of those instruments (red portions in the most recent past of some market risk items on the map in Graph A). In order to adopt a forward-looking approach to those vulnerabilities, this Report presents a stress test that evaluates the resilience of credit institutions in the event of a hypothetical scenario thatseeks to simulate an extreme version of current macroeconomic conditions. The scenario assumes a hypothetical negative growth that is temporarily strong but recovers going into the middle of the coming year and has extreme effects on credit quality. The results suggest that credit institutions have the ability to withstand a significant deterioration in economic conditions in the short term. Even though there could be a strong impact on credit, liquidity, and profitability under the scenario being considered, aggregate capital ratios would probably remain at above their regulatory limits over the horizon of a year. In this context, the recent measures taken by both Banco de la República and the Office of the Financial Superintendent of Colombia that are intended to help preserve the financial stability of the Colombian economy become highly relevant. In compliance with its constitutional objectives and in coordination with the financial system’s security network, Banco de la República will continue to closely monitor the outlook for financial stability at this juncture and will make the decisions that are necessary to ensure the proper functioning of the economy, facilitate the flow of sufficient credit and liquidity resources, and further the smooth functioning of the payment system. Juan José Echavarría Governor
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