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Libros sobre el tema "Film photographs"

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Publicado: 1 de marzo de 2025

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1

Galleries, inc Swann. Photographic literature & photographs: Important 19th & 20th century photographs. New York: Swann Galleries, 2003.

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2

Modotti, Tina. Tina Modotti: Ihr fotografisches Werk, ihr Leben, ihr Film. Frankfurt am Main: Zweitausendeins, 2005.

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3

Holland, Kai. Bildrecherche für Film und Fotografie. Konstanz: UVK Verlagsgesellschaft, 2007.

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4

Jedlička, Jan. Maremma 1980-1994: Kresby, mezzotinty, obrazy, fotografie, film = drawings, mezzotints, paintings, photographs, films. V Praze: Národní galerie, 1995.

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5

James, Jack. Digital intermediates for film and video. Amsterdam: Elsevier, 2006.

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6

James, Jack. Digital intermediates for film and video. Amsterdam: Elsevier, 2006.

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7

Finkle, Cyndi. Camera crafts: Creative projects to make with your camera and a good roll of film. Los Angeles: Lowell House Juvenile, 1997.

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8

Crump, James. Variety: Photographs by Nan Goldin, from the film by Bette Gordon. New York: Skira Rizzoli, 2009.

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9

1953-, Goldin Nan, ed. Variety: Photographs by Nan Goldin, from the film by Bette Gordon. New York: Skira Rizzoli, 2009.

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10

National Association of Photographic Manufacturers, Inc, ed. American national standard for imaging materials: Processed silver-gelatin type black-and-white film specifications for stability. New York, NY: ANSI, 1996.

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11

Stuart, Katz John, Ruby Jay y Gross Larry P. 1942-, eds. Image ethics: The moral rights of subjects in photographs, film and television. New York, NY: Oxford University Press, 1988.

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12

1942-, Gross Larry P., Katz John Stuart y Ruby Jay, eds. Image ethics: The moral rights of subjects in photographs, film, and television. New York: Oxford University Press, 1988.

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13

Kyŏng-hŭi, Yi. P'illŭm maep: Yi Kyŏng-hŭi sajinjip = Film-map : photographs by Lee Kyunghee. Sŏul-si: Nunpit, 2017.

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14

Steinbeck, John. The forgotten village: With 136 photographs from the film of the same name. New York: Penguin Books, 2009.

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15

Hanák, Dušan. Záznamy a odkazy: Fotografie filmového režiséra = Reports and messages : a film director's photographs. Bratislava: Petrus, 2006.

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16

Dave, Marsh, ed. Forever young: Photographs of Bob Dylan. Cambridge, Mass: Da Capo, 2005.

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17

M, Reilly James. IPI storage guide for acetate film. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology, 1997.

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18

National Army Museum. Department of Archives, Photography, Film and Sound. The National Army Museum: The collections of the Departmentof Archives, Photographs, Film and Sound. London: National Army Museum, 1990.

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19

Ball, Stephen. The care of photographic materials & related media: Guidelines on the care, handling, storage and display of photography, film, magnetic and digital media. London: Museums & Galleries Commission, 1998.

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20

Reilly, James M. Storage guide for color photographic materials: Caring for color slides, prints, negatives, and movie films. Albany, NY: University of the State of New York, 1998.

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21

1951-, Brower Carol, ed. The permanence and care of color photographs: Traditional and digital color prints, color negatives, slides, and motion pictures. Grinnell, Iowa, U.S.A: Preservation Pub. Co., 1993.

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22

Dienes, André De. Marilyn. Köln: Taschen, 2004.

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23

Hine, Lewis Wickes. Lewis Hine: Passionate journey, photographs 1905-1937. Zurich: Edition Stemmle, 1996.

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24

Banz, Stefan. I shot away some flowers. Zurich: Edition Patrick Frey, 2000.

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25

Batalin, V. N. Istorii︠a︡ Rossiĭskogo gosudarstvennogo arkhiva kinofotodokumentov: 1926 - 1966. Sankt-Peterburg: Liki Rossii, 2011.

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26

Alain, Bergala y Magnum Photos (Firm), eds. Magnum cinema: Photographs from 50 years of movie-making. London: Phaidon, 1995.

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27

1945-, Kemp John R., ed. Lewis Hine: Photographs of child labor in the new South. Jackson: University Press of Mississippi, 1986.

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28

Ian, Graham. Photography & film. New York: F. Watts, 1997.

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29

Adelstein, Peter Z. IPI media storage: Quick reference. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology, 2004.

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30

Sotheby's (Firm). Photographs, including property from the Estate of Lee D. Witkin: And property from the estate of Robert Prairie, the estate of Josef Breitenbach, the estate of Sam Salz ... New York: Sotheby's, 1985.

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31

Moholy-Nagy, László. Painting, photography, film. London: Lund Humphries, 1986.

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32

Andy, Warhol. Andy Warhol: Social disease : photographs '76-'79. Tübingen: Institut für Kulturaustausch, 1992.

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33

photographs on film. Blurb, 2021.

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34

Film Photography Collection Book: 30 Photographs, Artist - Marat Melnyk. Independently Published, 2020.

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35

Kasten, Barbara. Barbara Kasten: Architecture and Film. Skira Editore, 2022.

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36

Staff, Impossible Project. Impossible Project Spectrum Collection: 100 Instant-Film Postcards. Crown Publishing Group, 2013.

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37

Scoffone, Craig. Landscape Photographs by Craig Scoffone - the Film Years. Blurb, 2015.

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38

Scoffone, Craig. Landscape Photographs by Craig Scoffone - the Film Years. Blurb, 2015.

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39

Ghosts Caught On Film Photographs Of The Unexplained. David & Charles Publishers, 2009.

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40

Ghosts Caught On Film Photographs Of The Supernatural. David & Charles Publishers, 2011.

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41

Scoffone, Craig. Landscape Photographs by Craig Scoffone - the Film Years. Blurb, 2015.

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42

Cindy Sherman: The complete Untitled film stills. New York: Museum of Modern Art, 2003.

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43

The Director's Eye: Drawings and Photographs by European Film-makers. Museum of Modern Art, Oxford, 1996.

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44

James, Jack. Digital Intermediates for Film and Video. Taylor & Francis Group, 2012.

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45

James, Jack. Digital Intermediates for Film and Video. Taylor & Francis Group, 2012.

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46

James, Jack. Digital Intermediates for Film and Video. Taylor & Francis Group, 2012.

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47

James, Jack. Digital Intermediates for Film and Video. Taylor & Francis Group, 2016.

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48

Saxton, Libby. No Power Without an Image. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474463157.001.0001.

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No Power Without an Image is the first detailed study of what filmic images can tell us about iconic photographs. Previous scholarship on iconic images, including the proliferation of recent writings on the subject, has typically centred on, or at least paid special attention to, the medium of photography. Yet the publications that helped create some of the most familiar such icons were deeply influenced by cinema, privileging dynamic photographs and layouts and juxtaposing photojournalism with film stills and film frames. Photojournalistic icons, moreover, often coexist as film or video sequences and have played a surprisingly important but unexamined role in film criticism and theory. The book reveals multifaceted connections between seven celebrated photographs that symbolise aspects of wars and political struggles in the mid-twentieth century, when camera images began to acquire iconic distinction, and cinema in all its forms: from the ‘paper cinema’ of magazines and film star portraiture, via newsreels, to documentary, fiction and experimental films. These case studies call into question the conventional opposition between the photograph that sears into memory and the quickly forgotten filmic image. Drawing on original archival research and accounts of religious and secular icons from eclectic fields including philosophy, art history, photography and film studies and star theory, the book explores a new way of thinking about the confluence of still and moving images.
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49

James, Jack. Digital Intermediates for Film and Video. Taylor & Francis Group, 2012.

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50

Digital Intermediates for Film and Video. Focal Press, 2005.

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