Bibliografías temáticas / Film exhibition / Libros

Libros sobre el tema "Film exhibition"

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Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 20 de febrero de 2023

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1

Rae, Hark Ina, ed. Exhibition, the film reader. London: Routledge, 2002.

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2

, Filmmuseum, ed. M: Film Museum Berlin - the exhibition. Berlin: Nicolai, 2000.

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3

Emer, Rockett, ed. Film exhibition and distribution in Ireland, 1909-2010. Dublin: Four Courts Press, 2011.

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4

1950-, Waller Gregory A., ed. Moviegoing in America: A sourcebook in the history of film exhibition. Malden, MA: Blackwell Publishers, 2002.

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5

Cinema and community: Progressivism, exhibition, and film culture in Chicago, 1907-1917. Detroit: Wayne State University Press, 2014.

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6

Brown, Tim. Camden celebrates cinema 100: An exhibition of film stills featuring locations across Camden. Camden: Leisure & Community Services, Arts & Tourism, London Borough of Camden, 1996.

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7

Weiru, CHEN y LAI Meihsing, eds. Kao Chung-Li: Watch Time Watching. Taipei, Taiwan: Tina Keng Gallery, 2010.

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8

), National Gallery of Art (U S. Programs available on film and videocassette. [Washington, D.C.?: National Gallary of Art, Smithsonian Institution, 1988.

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9

), National Gallery of Art (U S. Programs available on film and videocassette. [Washington, D.C.?: National Gallary of Art, Smithsonian Institution, 1988.

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10

National Gallery of Art (U.S.). Programs available on film and videocassette. [Washington, D.C.?: National Gallary of Art, Smithsonian Institution, 1988.

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11

Han, Chŏng-yŏp. Yŏnghwa tosi, Sŏul: Seoul, the city of movies : 2009 special exhibition. Sŏul-si: Ch'ŏnggyech'ŏn Munhwagwan, 2009.

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12

Fini, Leonor. Leonor Fini: The artist as designer : an exhibition of ballet, theater, film, book & commercial designs. New York: CFM, 1992.

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13

Fini, Leonor. Leonor Fini: The artist as designer : an exhibition of ballet, theater, film, book & commercial designs. New York: CFM, 1992.

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14

Fini, Leonor. Leonor Fini: The artist as designer : an exhibition of ballet, theater, film, book & commercial designs. New York: CFM, 1992.

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15

Lin shi shi zheng ju. Xianggang dian ying zi liao guan., ed. Xianggang dian ying zi liao guan "Zhen cang zhan": Hong Kong film archive treasures : An exhibition. [Xianggang]: Lin shi shi zheng ju Xianggang dian ying zi liao guan, 1998.

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16

Andy, Warhol. Andy Warhol: An exhibition. New York, NY: Magidson Fine Art NYC, 1989.

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17

Lennon, John. John Lennon: Drawings, performances, films : [exhibition in the Kunsthalle Bremen from 21 May to 13 August 1995 in cooperation with Radio Bremen]. Ostfildern: Cantz, 1995.

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18

Cairns, Stephen. Open city Jakarta: Reciprocity as an urban strategy : exhibition, conference, film festival : 1 October- 1 December 2010, Erasmus Huis. Jakarta: Erasmus Huis, 2010.

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19

Angst-Nowik, Doris. One-way ticket to Hollywood: Film artists of Austrian and German origin in Los Angeles (emigration 1884-1945) : an exhibition. [Los Angeles, Calif.]: The Library, 1986.

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20

Brown, Bruce. 10 artist fellows: An exhibition honoring the 2000 Maine Arts Commission individual artist fellowship recipients in visual arts, traditional craft & film. Rockport, ME: Center for Maine Contemporary Art, 2001.

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21

Angst-Nowik, Doris. One-way ticket to Hollywood: Film artists of Austrian and German origin in Los Angeles, emigration 1884-1945, an exhibition : catalogue. [Los Angeles, Calif.]: University of Southern California Library], 1986.

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22

Ernst, Beyeler, ed. Andy Warhol: Series and singles : exhibition, Riehen/Basel, 17 Sept.-Dec. 2000. Riehen/Basel: Fondation Beyeler, 2000.

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23

Frank, Robert. Frank films: The film and video work of Robert Frank. Zurich: Scalo, 2003.

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24

Kong), TENCON (1995 Hong. 1995 IEEE TENCON: IEEE Region 10 International Conference on Microelectronics and VLSI : "Asia-Pacific microelectronics 2000" : proceedings : November 6-10, 1995, Hong Kong Convention and Exhibition Centre, Hong Kong. Hong Kong: Institution of Electrical and Electronics Engineers, Hong Kong Section, 1995.

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25

Mänz, Peter y Christian Maryška. Ufa film posters, 1918-1943. Heidelberg: Umschau Braus, 1998.

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26

Klerck, Gange Eva y Nasjonalgalleriet (Norway), eds. Marte Aas: Film og fotografier = film and photography. Oslo: Nasjonalmuseet for kunst, arkitektur og design, 2010.

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27

Dirk, Luckow, Schreiber Daniel J, Albarrán Juan, Dyck Rebecca van, Kunsthalle Tübingen y Sammlung Falckenberg, eds. Santiago Sierra: Skulptur, Fotografie, Film = Sculpture, photography, film. Tübingen: Kunsthalle Tübingen, 2013.

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28

Jedlička, Jan. Maremma 1980-1994: Kresby, mezzotinty, obrazy, fotografie, film = drawings, mezzotints, paintings, photographs, films. V Praze: Národní galerie, 1995.

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29

Siewert, Senta. Performing Moving Images. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985834.

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Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-screenings, re-enactments, and found footage works, that are using archival material? How does the affective experience of the images, sounds and music resonate today? Performing Moving Images: Access, Archive and Affects proposes a theoretical framework from the perspective of the performative practice of programming, curating, and reconstructing, bringing in insights from original interviews with cultural agents together with an interdisciplinary academic discourse.
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30

Kevin, Mulroy y Autry Museum of Western Heritage., eds. Western amerykański: Polish poster art and the Western. Los Angeles: Autry Museum of Western Heritage in asssociation with the University of Washington Press, 1999.

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31

Meyer-Hermann, Thomas. Thomas Meyer-Hermann: Film Bilder. Stuttgart: Die Akademie, 1985.

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32

Bertetto, Paolo. I film di Andy Warhol. Torino: Lingotto, 1990.

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33

Henle, Jan. Jan Henle: Topographical film drawings. Buffalo, New York: Albright-Knox Art Gallery, 1988.

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34

1943-, Seiberling Grace, Victoria and Albert Museum y National Museum of Photography, Film, and Television (Great Britain), eds. A vision exchanged: An exhibition held at the Victoria & Albert Museum from 6 February until 8 April 1985, and at the National Museum of Photography, Film and Television at Bradford from 23 April until 23 June 1985. [London]: Victoria & Albert Museum, 1985.

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35

Thompson, Allison. Black diaspora visual art: Symposium-exhibitions, film presentations. Editado por National Art Gallery Committee (Barbados). [Bridgetown, Barbados]: National Art Gallery Committee, 2008.

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36

Stevens, Kirsten. Australian Film Festivals: Audience, Place, and Exhibition Culture. Palgrave Macmillan, 2017.

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37

Australian Film Festivals: Audience, Place, and Exhibition Culture. Palgrave Macmillan, 2016.

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38

Johnson, Andrew. The History of Film Exhibition in Toronto, 1894-1952. Univ of Delaware Pr, 1994.

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39

Waller, Gregory. Moviegoing in America: A Sourcebook in the History of Film Exhibition. Blackwell Publishing Limited, 2001.

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40

Photofascism: Photography, Film, and Exhibition Culture in 1930s Germany and Italy. Bloomsbury Publishing Plc, 2020.

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41

Waller, Gregory. Moviegoing in America: A Sourcebook in the History of Film Exhibition. Blackwell Publishing Limited, 2001.

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42

Swedish Porn Scene: Exhibition Contexts, 8mm Pornography and the Sex Film. Intellect, Limited, 2016.

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43

Rocco, Vanessa. Photofascism: Photography, Film, and Exhibition Culture in 1930s Germany and Italy. Bloomsbury Publishing Plc, 2022.

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44

Muir, Gregor y Jessica Morgan. Time Zones: Recent Film and Video. Tate, 2004.

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45

BBS, Budapest: Twenty years of Hungarian experimental film : a film exhibition organized by the American Federation of Arts. New York, NY: American Federation of Arts, 1985.

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46

When Movies Were Theater - Architecture, Exhibition, and the Evolution of American Film. Columbia University Press, 2016.

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47

Paul, William. When Movies Were Theater: Architecture, Exhibition, and the Evolution of American Film. Columbia University Press, 2016.

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48

Paul, William. When Movies Were Theater: Architecture, Exhibition, and the Evolution of American Film. Columbia University Press, 2016.

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49

Simonetta, Cargioli y Lischi Sandra, eds. Invideo 2004: Stati liquidi : video d'arte e cinema oltre [mostra internazionale di video d'arte e cinema oltre, XIV edizione] = Liquid states : exhibition of video art and cinema beyond [International exhibition ... Roma: AIACE, 2004.

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50

Bal, Mieke. Thinking in Film. Bloomsbury Publishing Plc, 2013. http://dx.doi.org/10.5040/9781350335080.

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What is a moving image, and how does it move us? In Thinking In Film, celebrated theorist Mieke Bal engages in an exploration - part dialogue, part voyage - with the video installations of Finnish artist Eija-Liisa Ahtila to understand movement as artistic practice and as affect. Through fifteen years of Ahtila's practice, including such seminal works as The Annunciation, Where Is Where? and The House, Bal searches for the places where theoretical and artistic practices intersect, to create radical spaces in which genuinely democratic acts are performed. Bringing together different understandings of 'figure' from form to character, Bal examines the syntax of the exhibition and its ability to bring together installations, the work itself, the physical and ontological thresholds of the installation space and the use of narrative and genre. The double meaning of 'movement', in Bal's unique thought, catalyses anunderstanding of video installation work as inherently plural, heterogenous and possessed of revolutionary political potential. The video image as an art form illuminates the question of what an image is, and the installation binds viewers to their own interactions with the space. In this context Bal argues that the intersection between movement and space creates an openness to difference and doubt. By 'thinking in' art, we find ideas not illustrated by but actualized in artworks. Bal practices this theory in action to demonstrate how the video installation can move us to think beyond ordinary boundaries and venture into new spaces. There is no act more radical than figuring a vision of the 'other' as film allows artto do. Thinking In Film is Mieke Bal ather incisive, innovative best as she opens up the miraculous political potential of the condensed art of the moving image.
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