Bibliografías temáticas / Fiction, Romance, Contemporaey, Medical

Literatura académica sobre el tema "Fiction, Romance, Contemporaey, Medical"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 26 de julio de 2024

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Artículos de revistas sobre el tema "Fiction, Romance, Contemporaey, Medical"

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Wisłocka, Kamila. "PORTRAYAL OF LOSS AND SUFFERING IN LITERATURE AND ART- A REVIEW OF “LORENZO’S OIL”". Researchers' Guild 2, n.º 1 (9 de octubre de 2020): 68–71. http://dx.doi.org/10.15503/rg2019.7.

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Cinema has always been a powerful means of cultural, social and educational propaganda and people seem to be more receptive to the audio-visual media than just audio or print. Thus, films or movies have become a very effective means of social dissemination of information. The films are a reflection of the society and their stories come from society itself. The stories of the films do not just come from the present situation of societies around the world, rather since the time societies have been in existence. They revolve around a variety of themes ranging from romance to thriller or from science fiction to serious documentaries. A very crucial genre of films which began during the era of the ’70s communicated about the sufferings in human lives. The pivotal role in this genre was played by the films which revolved around the depiction of life-threatening diseases. This paper discusses the role and significance of cinema in unfolding the atrocities faced by the sufferers and how they handle it. The aim of this paper is to present the subject of suffering and death in contemporary cinema with the example of the film “Lorenzo’s oil”. The research not only explains how suffering is shown on the big screen, but also reveals the medical community's approach to patients in case of diagnosing and treating serious and rare diseases.
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Miller, Jessica. "Passionate Virtue: Conceptions of Medical Professionalism in Popular Romance Fiction". Literature and Medicine 33, n.º 1 (2015): 70–90. http://dx.doi.org/10.1353/lm.2015.0010.

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Arnold-Forster, Agnes. "Racing Pulses: Gender, Professionalism and Health Care in Medical Romance Fiction". History Workshop Journal 91, n.º 1 (1 de abril de 2021): 157–81. http://dx.doi.org/10.1093/hwj/dbab011.

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Abstract Following the foundation of the NHS in 1948, a new sub-genre of romantic fiction emerged: ‘Doctor–Nurse’ romances, usually involving romance between a male doctor and a female nurse, were set in NHS hospitals. Drawing on the Mills & Boon archive and the novels themselves, this article explores representations of the health service and notions of gendered healthcare professionalism in postwar Britain. I argue that rather than presenting ‘retrograde’ and ‘limited’ views of women’s lives, medical Mills & Boon novels frequently put forward nuanced versions of womanhood, professional identity, clinical labour, and the effective functioning of the welfare state.
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4

Rieger, Christy. "Chemical Romance: Genre andMateria Medicain Late-Victorian Drug Fiction". Victorian Literature and Culture 47, n.º 2 (2019): 409–37. http://dx.doi.org/10.1017/s106015031800150x.

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Despite Macfie's vivid assertion, studies of Victorian medicine and literature have not paid special attention to the pharmaceutical field, perhaps because of its messy associations with trade or inferiority to more respected healing practices. After all, it is Doctor Lydgate's refusal to prescribe the expected drugs inMiddlemarchthat proves his commitment to evidence-based Parisian medicine. As I aim to demonstrate, however, pharmacy and its products have a distinct and two-edged history in late-Victorian England. Medical writers increasingly assert the scientific authority and physiological promise of pharmacology. At the same time, they begin to show interest in the romance of drugs: their origins in alchemy and the occult, harvesting in the furthest outreaches of empire, and, at home, display in the magical space of the chemist's shop. This productive tension between medicinal drugs as stuff of ancient mystery and sign of medical progress informs their depiction in the transforming drug narratives of Robert Louis Stevenson'sStrange Case of Dr. Jekyll and Mr. Hyde(1886), Arthur Machen's “Novel of the White Powder” (1895), and Rudyard Kipling's “Wireless” (1902). Bringing romance and drugs together invites readers to think about their respective claims to invigorate, transport, even remake the self.
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Bacaller, Sarah. "Doc Martin and Comedy, with an Hegelian Twist". Journal of British Cinema and Television 21, n.º 2 (abril de 2024): 193–214. http://dx.doi.org/10.3366/jbctv.2024.0713.

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Buffalo Pictures’ long-running television series Doc Martin (ITV, 2004–22) has recently concluded, eighteen years since production began. Filmed every second year – excepting COVID interruption – in idyllic Cornwall, the show begins with exceptional but irascible London vascular surgeon, Martin Ellingham (Martin Clunes), moving into the fictional fishing village of Portwenn as local GP. This show, with its 79 episodes, weaves together situation comedy, medical mystery, drama and idiosyncratic romance. In this article I want to explore layers of comedy in this long-running ‘dramedy’ by heuristically deploying the comedy theory taught by Hegel in his Lectures on Aesthetics. By reference to the ‘three forms of comic action’ found in Hegel’s lectures – the comedies of ‘coincidence’, ‘reduction’ and ‘negation’, to adopt Mark Roche’s terminology – I aim to show how this television serial uses humour to raise questions about what is existentially meaningful within human experience; test the usefulness of Hegel’s ideas on comedy for analysis of contemporary forms of media such as television and film; and contribute to literature on the nature of comedy in television serials, particularly those that utilise situation comedy.
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Broad, Juliana. "A vaccination romance: Rider Haggard’s Dr. Therne (1898) in the vaccination debate". Medical History 66, n.º 4 (octubre de 2022): 287–303. http://dx.doi.org/10.1017/mdh.2023.1.

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AbstractHenry Rider Haggard, the famed author of adventure romances, wrote the novel Dr. Therne (1898) in response to weakening compulsory smallpox vaccination laws, thus entering one of the most heated debates of the late nineteenth century. With Dr. Therne, Haggard aimed to intervene in the lives of the many working-class anti-vaccinationists who, from the 1850s onwards, mobilised to evade what they perceived as a gross – and targeted – extension of state power at the expense of individual rights. Recovering the novel, which has not yet received scholarly attention from historians of medicine, reveals the way fiction was called upon to change minds during a crucial period of Victorian medicine, one that witnessed a climactic shift in public health intervention. This article will examine the reception of Dr. Therne in various print media – middle-class London papers, medical journals and working-class, anti-vaccinationist publications – to consider some new dynamics of the debate which the disagreement over Haggard’s polemic exposes, including the perceived power of fiction (when properly priced and distributed) to change minds, and the contested role of the evangelical press. Additionally, a discussion of the different iterations of Dr. Therne, and a look at an exceptional anti-vaccinationist response in the form of a competing novel, illustrates that pro- and anti-vaccinationists alike contributed to a moment in late Victorian society when the role of fiction was considered a worthy contender in a debate ostensibly about fact.
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Çerkezi, Edlira. "Possible Reading through Syntagma of the Novel "Palace of Dreams" by Ismail Kadare". European Journal of Social Science Education and Research 8, n.º 3 (9 de octubre de 2021): 43. http://dx.doi.org/10.26417/813plg52f.

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One of the important issues of reading the novel "Palace of Dreams" is his reading, because of the metaphor that Kadare seeks to build with this kind of novel structure, with a very modern fiction, because of the overlap of times not according to events but according to situations, which help to discover Tabir Saraj, because of the movement of some symbols, to understand a kind of code, through which the novel must be understood, then for a complete reason related to time, like a black veil, which does not allow you to see the real face hiding behind it, also due to the absence of some characters, who in a classic romance structure carry or convey lines, situations, their classification and that stratify society .
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Kamitsuka, Margaret D. "Prolife Christian Romance Novels: A Sign that the Abortion-as-Murder Center Is Not Holding?" Christianity & Literature 69, n.º 1 (marzo de 2020): 36–52. http://dx.doi.org/10.1353/chy.2020.0002.

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Abstract: In the field of evangelical Christian romance fiction, there is a little-known subset of novels about abortion. In general, prolife proponents fall into two camps: those who condemn any pregnancy termination as murder, and those who argue for compassion for women who turn to abortion. This essay analyzes the use of popular prolife tropes about the psychological and medical harms of abortion in Francine Rivers's The Atonement Child . Rivers's story about a pregnancy from rape perpetuates abortion myths and offers a fairy tale picture to her female Christian readers who statistically make up the largest segment of those getting abortions today.
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Kennedy, Meegan. "THE GHOST IN THE CLINIC: GOTHIC MEDICINE AND CURIOUS FICTION IN SAMUEL WARREN'SDIARY OF A LATE PHYSICIAN". Victorian Literature and Culture 32, n.º 2 (septiembre de 2004): 327–51. http://dx.doi.org/10.1017/s106015030400052x.

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IN 1856, WHEN MANY VICTORIAN PHYSICIANS WERE STRUGGLING TO DEFINE A MODEL OF CLINICAL MEDICINE, the reviewer of one collection of case histories voiced his dismay at the physician-author's preference for “dreadful incidents” and “cases exceptional and strange” (“Works” 473). Indeed, although physicians of the clinical era did not disguise their efforts to achieve a new kind of discourse, productive of a “realist” vision, few acknowledge how often the “clinical” case history of the nineteenth century also shares the romantic discourse of the Gothic, especially its interest in the supernatural and the unexplainable and its narrative aim of arousing suspense, horror, and astonishment in the reader. Literary critics have also focused primarily on the association of medical narrative with a realist literary discourse. Nineteenth-century physicians did campaign for the formal, objective, and professional clinical discourse that serves as their contribution to a realist aesthetic, in the process explicitly rejecting eighteenth-century medicine's fascination with “the curious” and its subterranean affiliation with the unknown, the unexplainable, and the subjective. But, as I show in this article, a discourse of “the curious,” allied with a Gothic literary aesthetic, stubbornly remained a critical element of many case histories, though it often presented under the mask of the more acceptable term, “interesting.” The discourse of Gothic romance in the case history provides a narrative frame that, unlike the essentially realist clinical discourse, could make sense of the physician's curious gaze, which had become nearly unrecognizable as a specifically medical vision. Indeed, a “curious” medical discourse haunts even case histories of the high clinical era, late in the century; and it energizes the nineteenth-century Gothic novel. Samuel Warren's novelPassages from the Diary of a Late Physician–deplored in the quotation above–illuminates this tradition of “Gothic medicine” as it plays out in the nineteenth-century novel. This tradition, I argue, provides the novel with a powerful model of cultural contamination and conflict in its yoking of disparate discourses. Gothic medicine demonstrates the importance of clinical medicine to literary romance, and it cannot help but reveal the ghost of “the curious” in the clinic.
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Willard, Thomas. "Juliana Cummings, Medicine in the Middle Ages: Surviving the Times, Yorkshire and Philadelphia: Pen & Sword Books, 2021, 197 pp., 16 pp. insert of b/w prints on glossy paper." Mediaevistik 35, n.º 1 (1 de enero de 2022): 347–48. http://dx.doi.org/10.3726/med.2022.01.41.

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Abstract This account of late medieval medicine is unusual in being the first non-fiction book by the author of several historical novels set in the period, most recently of “a historical romance of Vlad the Impaler” (2020). Juliana Cummings has a long-standing fascination with her family’s history back to the time of Henry VII of England (1457–1509), when male ancestors fought in the king’s army, and with the medical perils people faced even in times of relative peace and prosperity. Responding to her treatment of medicine and mortality in novels and short stories, an editor from Pen & Sword History reached out to Cummings and suggested she write this book. The aim is to instruct those who know little about medicine before the present day and to do so in a read­able fashion, with reliable background information about the development of medical knowledge since Greco-Roman times. Obviously, this is not a book for specialists, but a good gift for friends and relatives, especially younger ones who wonder what things were like in earlier times and how people managed to live through them. Hence the book’s subtitle, “Surviving the Times.”
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Libros sobre el tema "Fiction, Romance, Contemporaey, Medical"

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Hardy, Kate. Their Pregnancy Gift. Harlequin Mills & Boon, Limited, 2017.

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2

Fraser, Anne. St. Piran's: Daredevil, Doctor... Dad! Harlequin Enterprises, Limited, 2012.

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3

Bridal Remedy. Harlequin Mills & Boon Ltd (Large Print Books), 1997.

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Metcalfe, Josie. Two's Company (Medical Romance). Harlequin Mills & Boon, 2000.

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Taylor, Jennifer. Life Support (Medical Romance). Harlequin Mills & Boon, 2002.

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Webber, Meredith. Love Me (Medical Romance). Harlequin Mills & Boon Ltd (Large Print Books), 2000.

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Idyllic Interlude. Harlequin Mills & Boon, 2000.

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Gordon, Abigail. Precious Offerings (Medical Romance). Harlequin Mills & Boon Ltd (Large Print Books), 1998.

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9

Webber, Meredith. Love Me (Medical Romance). Harlequin Mills & Boon, 2000.

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10

Scott, Elisabeth. Danger, Dr.Heartbreak (Medical Romance). Harlequin Mills & Boon, 2001.

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Capítulos de libros sobre el tema "Fiction, Romance, Contemporaey, Medical"

1

Taylor-Pirie, Emilie. "Introduction: Stories of Science and Empire". En Empire Under the Microscope, 1–35. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_1.

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AbstractIn this introduction, Taylor-Pirie appraises the intersections of the ‘imaginative architecture of science and empire’ by examining how, as a fledging medical discipline at the fin de siècle, parasitology entered into significant encounters and exchanges with the literary and historical imagination. Introducing readers to Nobel Prize–winning parasitologist Ronald Ross (1857–1932), Taylor-Pirie lays the foundations for the rest of the book by examining how forms such as poetry and biography, genres such as imperial romance and detective fiction, and modes such as adventure and the Gothic together informed how tropical diseases, their parasites, and their vectors were understood in relation to race, gender, and nation. In addition to considering the contemporaneous public understanding of science, she also explores how parasitologists were often engaged in writing their own histories of the discipline, a practice that led to a predominantly white, predominantly male understanding of science that finds a legacy in gender disparities in STEM and biases in popular histories of medicine in favour of a mode of ‘heroic biography’. She provides a brief critical overview of the field of literature and science and places her methodology and the field in the context of contemporary topics like the Covid-19 pandemic, Black Lives Matter protests, and the heritage culture wars.
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Taylor-Pirie, Emilie. "Detecting the Diagnosis: Parasitology, Crime Fiction, and the British Medical Gaze". En Empire Under the Microscope, 131–73. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_4.

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AbstractIn this chapter, Taylor-Pirie traces the cultural encounters between the parasitologist and the scientific detective in the medico-popular imagination, revealing how such meetings helped to embed the figure of the doctor-detective in public understandings of science. Parasitologists like Ronald Ross and David Bruce were routinely reported in newspapers using detective fiction’s most famous archetype: Sherlock Holmes, a frame of reference that blurred the boundaries between romance and reality. Recognising the continued cultural currency of Holmesian detection in clinical and diagnostic medicine, she re-immerses the ‘great detective’ and his creator, Arthur Conan Doyle, in the literary-historical contexts of the fin de siècle, demonstrating how material and rhetorical entanglements between criminality, tropical medicine, and empire constructed the microscopic world as new kind of colonial encounter.
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Taylor-Pirie, Emilie. "The Knights of Science: Medicine and Mythology". En Empire Under the Microscope, 37–80. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_2.

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AbstractIn this chapter Taylor-Pirie examines how parasitologists invoked myths of British nationhood in their professional self-fashioning to frame themselves as knights of science fighting on behalf of Imperial Britain. Analysing scientific lectures, political speeches, letter correspondence, obituaries, medical biographies, and journalistic essays, she draws attention to the prominence of Arthurian legend and Greco-Roman mythology in conceptualisations of parasitology, arguing that such literary-linguistic practices sought to reimagine the relationship between medicine and empire by adapting historical and poetic models of chivalry. In this way, individual researchers were lionised as national heroes and their research framed as labour that could command the longevity of legendary stories like those recounted in Homeric poems and medieval romance. In acclimatisation debates, the tropics were frequently conceptualised in relation to the Greek Underworld, a suite of references that together with dragon slaying and the quest narrative helped to position parasitology as a type of ‘crusading fiction’ in the context of the Victorian medieval revival.
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Saunders, Corinne. "Thinking Fantasies: Visions and Voices in Medieval English Secular Writing". En Visions and Voice-Hearing in Medieval and Early Modern Contexts, 91–116. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52659-7_5.

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AbstractThe creative engagement with visions and voices in medieval secular writing is the subject of this essay. Visionary experience is a prominent trope in late medieval imaginative fiction, rooted in long-standing literary conventions of dream vision, supernatural encounter and revelation, as well as in medical, theological and philosophical preoccupations of the period. Literary texts repeatedly depict supernatural experience of different kinds—dreams and prophecies, voices and visions, marvels and miracles, otherworldly and ghostly visitants. In part, such narratives respond to an impulse towards escapism and interest in the fantastic, and they have typically been seen as non-mimetic. Yet they also engage with serious ideas concerning visionary experience and the ways in which individual lives may open onto the supernatural—taking up the possibilities suggested both by dream theory and by the theological and psychological models of the period. Examples drawn from a range of Middle English romances and from Chaucer’s romance writing demonstrate the powerful creative potential of voices and visions. Such experiences open onto fearful and fascinating questions concerning forces beyond the self and their intersections with the processes of individual thinking, feeling and being in the world, from trauma to revelation to romantic love.
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"From Medical Romance Novels to Science Fiction:". En Bestsellers of the Third Reich, 146–63. Berghahn Books, 2021. http://dx.doi.org/10.2307/j.ctv2tsx8sd.16.

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Scott, Walter. "Marmion". En Marmion, editado por Ainsley McIntosh, 9–286. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474425193.003.0001.

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Marmion is a medieval romance narrative, the action of which takes place in the forty days leading up to and including the Battle of Flodden. The plot is driven by the villainous deeds of the fictional English Knight Lord Marmion. Scott’s contemporary audience struggled to accept his flawed protagonist (a precursor of the Byronic anti-hero) and critics found the poem’s structure equally challenging. Each of its six cantos is prefaced by a verse epistle dedicated to one of Scott’s friends which addresses nineteenth-century events and personages. Today the verse epistles are arguably the most celebrated aspect of the text. A third, integral component is the substantial body of antiquarian and ethnographical notes that Scott appends to the poem. These notes have routinely been abridged or omitted in subsequent reprintings but are restored in full in the present volume.
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"Chapter 8. From Medical Romance Novels to Science Fiction: The Themes and Authors of Modern Light Literature". En Bestsellers of the Third Reich, 146–63. Berghahn Books, 2022. http://dx.doi.org/10.1515/9781800730403-014.

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