Literatura académica sobre el tema "Feuilletonist"
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Artículos de revistas sobre el tema "Feuilletonist"
Mazurov, A. E. "Feuilletons by F. V. Volkhovsky (Ivan Brut) in the “Siberian newspaper”". Studies in Theory of Literary Plot and Narratology 15, n.º 2 (2020): 78–89. http://dx.doi.org/10.25205/2410-7883-2020-2-78-89.
Texto completoRybka, Małgorzata y Marta Wrześniewska-Pietrzak. "„Czemuż nie zostawiłem tej kartki pustej?!” – obraz felietonopisarstwa i felietonisty w tekstach Macieja Stuhra pisanych dla „Zwierciadła”". Poznańskie Studia Polonistyczne. Seria Językoznawcza 23, n.º 2 (4 de diciembre de 2016): 159–87. http://dx.doi.org/10.14746/pspsj.2016.23.2.10.
Texto completoHárs, Endre. "Ein Wiener Feuilletonist geht auf Urlaub. Ludwig Hevesis Die Althofleute. Ein Sommerroman (1897)". Neohelicon 45, n.º 1 (16 de abril de 2018): 17–33. http://dx.doi.org/10.1007/s11059-018-0430-4.
Texto completoFedotova, Svetlana V. "“A curious fellow”: Letters of Z.N. Gippius and D.S. Merezhkovsky to K.I. Chukovsky (1907–1920)". Literary Fact, n.º 20 (2021): 31–81. http://dx.doi.org/10.22455/2541-8297-2021-20-31-81.
Texto completoProshchenko, Anastasia. "F. M. Dostoevsky in the Biased Opinions of the Feuilletonist and Critic V. P. Burenin". Неизвестный Достоевский 8, n.º 3 (septiembre de 2021): 107–35. http://dx.doi.org/10.15393/j10.art.2021.5561.
Texto completoMajewska, Magdalena. "Językowo-kulturowy obraz męskości w felietonach Tomasza Raczka". LingVaria 14, n.º 27 (31 de mayo de 2019): 67–76. http://dx.doi.org/10.12797/lv.14.2019.27.04.
Texto completoUjvári, Hedvig. "Meilensteine der journalistischen Karriere von Theodor Herzl vor der Neuen Freien Presse •". Hungarian Studies 34, n.º 2 (6 de julio de 2021): 223–38. http://dx.doi.org/10.1556/044.2020.00021.
Texto completoNesci, Catherine. "Feuilletons sans frontières ? Le « Monde » selon Delphine de Girardin". Études littéraires 40, n.º 3 (15 de febrero de 2010): 61–72. http://dx.doi.org/10.7202/039244ar.
Texto completoFedotova, S. V. "Gender inversion in the ‘critique of a critic’. Zinaida Gippius on Korney Chukovsky". Voprosy literatury, n.º 1 (5 de abril de 2022): 163–78. http://dx.doi.org/10.31425/0042-8795-2022-1-163-178.
Texto completoFokin, Pavel E. "The Last Newspaper Fyodor Dostoevsky Read (Based on the Collections of Vladimir Dahl State Museum of the History of Russian Literature)". Dostoevsky and world culture. Philological journal, n.º 4 (2020): 197–218. http://dx.doi.org/10.22455/2541-7894-2020-4-197-218.
Texto completoTesis sobre el tema "Feuilletonist"
Du, Laney Michael A. "Joseph Roth's feuilletons as historiographical paradigm". Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1206388187.
Texto completodu, Laney Michael Anthony. "Joseph Roth's Feuilletons as Historiographical Paradigm". Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1206388187.
Texto completoPrévot-Bombled, Noëlle. "Feuilletons, romans-feuilletons et pouvoirs sous la Monarchie de Juillet dans "La Presse" et "Le Siècle" (1836-1848)". Paris 4, 2003. http://www.theses.fr/2003PA040067.
Texto completoThe purpose of this doctorate research is to rediscover literary works of very important French authors published as serials in La Presse and Le Siècle during the July Monarchy. La Presse and Le Siècle thus revealed to many readers, between 1836 - the year of their first publication and 1848, the extraordinary value and richness of a wide range of serial literature such as novels, short stories, articles concerning dramatic, artistic and literary criticism, poetry and plays. We have chosen to present these literary works by comparing them with the most significant 19th century literature and by analysing their intricate ties with the press universe and the governing powers in place
Koval, Yu. "Topics and issues of Pylyp Kapelhorodskyi's feuilletons". Thesis, Sumy State University, 2017. http://essuir.sumdu.edu.ua/handle/123456789/66238.
Texto completoKoval, Yu. "Topics and issues of Pylyp Kapelhorodskyi's feuilletons". Thesis, Sumy State University, 2017. http://essuir.sumdu.edu.ua/handle/123456789/65302.
Texto completoVan, Besien Hugues Dureau Jeanne-Marie Didelot Maurice. "Bibliographie des romans feuilletons du Nouvelliste de Lyon entre 1879 et 1914 /". [Villeurbanne] : [ENSB ], 1985. http://catalogue.bnf.fr/ark:/12148/cb410300994.
Texto completoBatista, Roselis. "La femme dans les telenovelas brésiliennes et mexicaines : entre stéréotypie et modernité". Rennes 2, 2002. http://www.theses.fr/2002REN20067.
Texto completoThis research is a comparative analysis of the representation of Brazilian and Mexican women through a compilation of ten telenovelas from the eighties and the nineties years. This hybride kind of fiction has a considerable success in the Latin American continent chieffly in Brazil and Mexico. Stereotype is not the only feature telenovela provides for its characters. It can be divided into two groups that we have called the "traditionnal" and the "modern realistic". There is a good distance between the classical subjects of melodramatic television novel - love and suffering - and the ones of realistic telenovelas where the woman interacts with social, cultural and even political contexts. The second one is a Brazilian typical creation for all that love, feminity, motherhood and happiness in the couple are not forgotten. This research presents the relation with stereotype in this two variations of telenovelas in their narrative construction, in their social status of femenine characters, as well as their own relations to feminity patterns. To conclude we realize that Brazilian and Mexican telenovelas seemed to be quite similar but they are culturally different also as the result of two special television experiences
Benassi, Stéphane. "Télévision et sérialité : éléments pour une typologie des genres fictionnels télévisuels". Metz, 1998. http://docnum.univ-lorraine.fr/public/UPV-M/Theses/1998/Benassi.Stephane.LMZ9802.pdf.
Texto completoThe general aim of this thesis is to give an approach to the notion of seriality wittrin the television medium, taking as a starting point the fictional televised narrations, programmes which appear to be subject, most overly to the phenomena of mise-en-serie (serialisation) and of mise-en-feuilleton (episodisation). To achieve this aim, we have tried in the first part to establish a typology of the televised fictional genres, taking as a starting point the endogenous generic classifications (i. E. The transmitting authorities) and the exogenous generic classifications, (i. E. The receiving authorities), both categories already existing. The different observations that we have been able to make, have allowed us to see that the fictions created for television could be separated into three forms of successive determinations. Firstly, they are classifiable into two ideal types, according to their number (whether they are singular or plural). Then, they can be divided up according to their syntactic forms into the tree main forms of televised fictions : the tv movie, the episodes and the series. Finally, it is also possible to put them together into several fictional genres and sub-genres, according to their degree of serial and episodesque affection, as well as the type of picture that they summon up. In the second part, we have worked on a genealogical and trans-media exploration of the fictional narrations, while examining the evolution of both semiotic forms that are the episodes and the series following their mediological development. This has allowed us to see that the televised fictions come from inner and outer categories, while following a twofold logic : a logic of stream and an editorial logic, the latter seldomly escaping from some sort of serial contagion due to the modularisation or to the paradigmation of products following an editorial logic. On the other hand, it seems that the presence among the fictional genres of hybridization between methods of fictional, factual and virtual representation, may also be considered as a innovation suited to the televised fiction. Lastly, it seems that a semio-pragmatic approach to the televised fiction could not be done without taking into account its economic dimension
Thevenet, Stéphane. "Les feuilletons télévisés sentimentaux sud-coréens : histoire et analyse d'un genre télévisuel (1992-2005)". Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030169.
Texto completoThis study investigates the genre of Prime Time South Korean Romantic TV serials (TV dramas),known as k.drama abroad. The first section introduces the history and evolution of the Korean television system.It shows how the system emerged from the influence of general-interest TV channels, such as KBS and MBC,but especially took shape after the foundation of the private TV Channel SBS, which helped to trigger the crazefor Korean audiovisual content in Asia (Korean Wave). The second section describes the history and typology of Korean TV Drama, which sets up my analysis of the Prime-Time TV Schedule from 1992 to 2005. The analysis shows the predominance of TV Dramas and short romantic serials, called “miniseries” by distributors but “trendy dramas” by specialists. I then question those two generic labels, compare them and show their incongruity. After problematizing these labels, I conduct an analysis of fifteen Prime Time TV dramas airedduring the study period and selected because of their audience or representative aspects. By trying to discover ageneric formula, I show the similarities with serial literary romance but differences regarding location and number of secondary narratives. I then demonstrate that the narrative process contains some particular qualities,with a focus on the fluidity of the narrative and the representation of time (coincidence of narrative time withviewing time). The third section of the analysis of the generic process shows the attention to displaying musicand images with an emphasis on sentimental tone. The final section deals with the “mediatization” of theaudiovisual narrative. The process entails the hybridization of content, the consideration of gender in messagingand the strong emphasis on marketing which concentrates on product placement
Karamanoukian, Taline. "Les figures de femme moderne dans les feuilletons de la télévision française, (1963-1973)". Bordeaux 3, 2011. http://www.theses.fr/2011BOR30047.
Texto completoThe aim of this research is to study the lead-up to the modern identity of women in French television series between 1963 and 1973, a time when issues regarding women’s emancipation were emerging in both the public and media spheres. During this period, most homes became equipped with televisions which replaced the cinema as the favourite public past-time; television series were therefore a major issue in production and programming and were among the most popular programmes that were watched and appreciated by the public. Serials that are centred around a modern woman fall into three categories: sentimental serials, family or “maternal” sagas and social “feminine” sagas. These fictional series, which are aimed at family audiences, are broadcasted and financed (for the major part) by state-run television, a mission of which includes public service and which has a role of social regulation, are in line with the dominating beliefs of sexual norms and contribute to their elaboration. However, they are essentially intended for women and consequently must take into account their hopes and experiences. Since they fall between respect for social-sexual norms and new social realities, these programmes provide a platform to express popular feminism, working towards building a version of women’s emancipation that would be acceptable for the society of the epoch
Libros sobre el tema "Feuilletonist"
Pem. Pem, der Kritiker und Feuilletonist Paul Marcus. München: ET+K, Edition Text + Kritik, 2009.
Buscar texto completoDollner-Koln, Max. Kleine Mitteilungen aus der Heimatgeschichte: Feuilletonist. Erg.zur Entwicklungsgeschichte der Stadt Neustadt a.d.Aisch. Neustadt a.d.Aisch: Schmidt, 1986.
Buscar texto completoWilhelm Scherer (26.4.1841 - 6.8.1886): Essayist, Feuilletonist, Sprach- und Literaturwissenschaftler : Aufbruch der Goethe-Forschung. 3a ed. Freiburg i. Br: Rombach Verlag, 2015.
Buscar texto completoNathan, Michel. Lautréamont: Feuilletoniste autophage. Seyssel: Champ Vallon, 1992.
Buscar texto completoPia, Pascal. Feuilletons littéraires. [Paris]: Fayard, 1999.
Buscar texto completoEduard, Korrodi. Ausgewählte feuilletons. Berne: P. Haupt, 1995.
Buscar texto completoMorgenstern, Soma. Dramen, Feuilletons, Fragmente. Lüneburg: zu Klampen, 2000.
Buscar texto completoScherer, Hans. Feuilletons eines Globetrotters. Frankfurt am Main: Umschau, 1987.
Buscar texto completoScherer, Hans. Feuilletons eines Globetrotters. Frankfurt am Main: Umschau, 1987.
Buscar texto completoInstitut national de l'audiovisuel (France) y Documentation Française, eds. Feuilletons et séries. Paris: INA et La Documentation Française, 1987.
Buscar texto completoCapítulos de libros sobre el tema "Feuilletonist"
Braun, Bettina. "»Der neue Feuilletonist in Deutschland marschiert auf der Straße mit«1. Die Konzeption einer ›deutschen‹ Textgattung in der zeitungswissenschaftlichen Forschung Wilmont Haackes". En Feuilleton, editado por Hildegard Kernmayer y Simone Jung, 79–104. Bielefeld: transcript Verlag, 2017. http://dx.doi.org/10.14361/9783839437223-005.
Texto completoTadday, Ulrich. "Funktionale Aspekte des frühen Feuilletons". En Die Anfänge des Musikfeuilletons, 8–27. Stuttgart: J.B. Metzler, 1993. http://dx.doi.org/10.1007/978-3-476-03484-7_3.
Texto completoPfoser, Alfred. "Die Wiener Feuilletonisten ziehen in den Krieg". En Krieg in der Literatur, Literatur im Krieg, 415–30. Göttingen: Vandenhoeck & Ruprecht, 2020. http://dx.doi.org/10.13109/9783666301988.415.
Texto completoSchütz, Erhard. "Unterm Strich. Über Grenzverläufe des klassischen Feuilletons". En Feuilleton, editado por Hildegard Kernmayer y Simone Jung, 31–50. Bielefeld: transcript Verlag, 2017. http://dx.doi.org/10.14361/9783839437223-002.
Texto completoThériault, Barbara. "Anstelle eines Schlusswortes. Kulturkritik im Namen der Menschlichkeit. Siegfried Kracauer und das Feuilleton". En Edition Kulturwissenschaft, 193–208. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839465288-012.
Texto completoSahner, Simon. "Unter dem Radar der Feuilletons - Gegenbewegung zur Gruppe 47". En Lettre, 13–30. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839460146-001.
Texto completoMichael, Hendrik. "Between Feuilletonism and Social ReportageHans Ostwald's Literary Journalism in Berlin's Popular Press Around 1900". En The Routledge Companion to World Literary Journalism, 29–40. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429331923-3.
Texto completoKernmayer, Hildegard. "Genre mineur oder Programm der literarischen Moderne? Zur Ästhetik des Wiener Feuilletons". En Literarisches Leben in Österreich 1848–1890, 395–413. Wien: Böhlau Verlag, 2000. http://dx.doi.org/10.7767/9783205126232-012.
Texto completoSchlösser, Hermann. "Der Einzug des Feuilletons in die kaiserlich privilegierte Wiener Zeitung. Eine pressegeschichtliche Fallstudie". En Literarisches Leben in Österreich 1848–1890, 414–30. Wien: Böhlau Verlag, 2000. http://dx.doi.org/10.7767/9783205126232-013.
Texto completoSchönborn, Sibylle. "Selbstreflexion und Poetik der Kritik und des Feuilletons am Beispiel der Kritiken und Essays Max Herrmann-Neißes". En Feuilleton, editado por Hildegard Kernmayer y Simone Jung, 181–96. Bielefeld: transcript Verlag, 2017. http://dx.doi.org/10.14361/9783839437223-009.
Texto completoActas de conferencias sobre el tema "Feuilletonist"
Goudmand, Anaïs. "Ethos et posture du feuilletoniste :interventions d’auteur dans Les Mystères de Paris". En Posture d'auteurs: du Moyen Âge à la modernité. Fabula, 2014. http://dx.doi.org/10.58282/colloques.2344.
Texto completoMazurov, Aleksandr E. "“Survey” feuilletons of a mere mortal (F. V. Volkhovsky) in the “Siberian newspaper” (1885–1887)". En Communication and Cultural Studies: History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1258-1-57-64.
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