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Libros sobre el tema "Fetish objects"

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Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 10 de febrero de 2022

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1

Zuñi fetish carvings. Decatur, GA: South West Connection, 1994.

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2

Rodee, Marian E. The fetish carvers of Zuni. Albuquerque, N.M: Maxwell Museum of Anthropology, University of New Mexico, 1990.

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3

Whittle, Kay. Native American fetish carvings of the Southwest. Atglen, PA: Schiffer, 1998.

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4

Architekturmuseum, Deutsches, ed. Das Architektur Modell: Werkzeug, Fetisch, kleine Utopie = The architectural model : tool, fetish, small utopia. Frankfurt am Main: DAM, Deutsches Architekturmuseum, 2012.

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5

What are these queer stones?: Baetyls : epistemology of a Minoan fetish. Oxford: Archaeopress, 2013.

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6

photographer, Dubois Hughes y Claes, Didier, editor, writer of preface, eds. Fétiches et objets ancestraux d'Afrique: African fetishes and ancestral objects. Milan, Italy: 5 Continents, 2013.

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7

McManis, Kent. Zuni fetishes and carvings. Tucson, Ariz: Rio Nuevo Publishers, 2004.

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8

In Gegenwart des Fetischs: Dingkonjunktur und Fetischbegriff in der Diskussion. Wien: Verlag Turia + Kant, 2014.

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9

El fetiche en el museo: Aproximación al arte primitivo. Madrid: Alianza Editorial, 2011.

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10

Zuni fetishes: Using Native American objects for meditation, reflection, and insight. [San Francisco]: HarperSanFrancisco, 1993.

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11

Robin, Stancliff y Gentry Linnea 1948-, eds. A guide to Zuni fetishes and carvings. Tucson, Ariz: Treasure Chest Books, 1995.

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12

Robin, Stancliff, ed. A guide to Zuni fetishes and carvings. Tucson, Ariz: Treasure Chest Books, 1998.

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13

Surgy, Albert de. Nature et fonction des fétiches en Afrique noire: Le cas du Sud-Togo. Paris: L'Harmattan, 1994.

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14

Cunningham, Keith. Two Zuni artists: A tale of art and mystery. Jackson: University Press of Mississippi, 1998.

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15

Branly, Musée du quai, ed. Recettes des dieux: Esthétique du fétiche. Arles: Actes sud, 2009.

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16

Genève, Musée d'ethnographie de la ville de. Objets de pouvoirs: Ancienne magie bantou en Afrique centrale. Ivrea, Torino, Italy: Priuli & Verlucca, 1992.

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17

Le fétiche africain: Chronique d'un "malentendu". Paris: Harmattan, 2000.

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18

Tobia-Chadeisson, Michèle. Le fétiche africain: Chronique d'un "malentendu". Paris: Harmattan, 2000.

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19

Along an African border: Angolan refugees and their divination baskets. Philadelphia: University of Pennsylvania Press, 2011.

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20

1928-, Wagner Bernard Meyer, Museum for African Art (New York, N.Y.) y National Museum of Health and Medicine (U.S.), eds. To cure and protect: Sickness and health in African art. New York: Museum for African Art, 1999.

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21

Photogr, Clippel Catherine de, ed. Secrets: Fétiches d'Afrique. Paris: Martinière, 2007.

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22

1948-, Gentry Linnea, ed. Spirit in the stone: A handbook of Southwest Indian animal carvings and beliefs. Tucson, AZ: Treasure Chest Books, 1999.

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23

Spirit in the stone: A handbook of Southwest Indian animal carvings and beliefs. 2a ed. Tucson, AZ: Rio Nuevo Publishers, 2016.

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24

Prinz, Ina. Intuitive und konstruktive Geometrie. Berlin: Nicolai, 2008.

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25

Magia vudú. Madrid: Tikal, 1995.

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26

Prinz, Ina. Intuitive und konstruktive Geometrie. Berlin: Nicolai, 2008.

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27

Massarini, Carlo. Vaudou d'Africa: L'arte nera della Costa degli Schiavi. Roma: Edizioni Carte segrete, 1992.

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28

Mayombe: Ritual sculptures from the Congo. Tielt: Lanoo, 2010.

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29

Agus, Suwage, ed. Fetish: Objects art project #1. Kuta, Bali, Indonesia: Biasa Art Space, 2007.

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30

Pels, Peter J. Magical Things: on Fetishes, Commodities, and Computers. Editado por Dan Hicks y Mary C. Beaudry. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199218714.013.0027.

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This article focuses on the concepts of magical things followed by fetishes, commodities, and then the modern world of computers. When do things become magical is a vital question which this article tries to answer. This article discusses the magical elements associated with various objects that we come across in our daily lives. It also focuses on the problematic aspect associated with magic and fetish. The understanding reached by the impossibility of the fetish can be extended to our own everyday lives by zooming in on the magic of the commodity — to show that a certain fear of the object that behaves as a subject is both affirmed as well as denied in consumer society. The last part of this article shows through a reflection on the early popularization of the computer how the modern problematic of magical things plays out even in contexts where people embrace rather than fear the autonomously acting object.
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31

Dickinson, Colby. The Fetish of Theology: The Challenge of the Fetish-Object to Modernity. Palgrave Macmillan, 2020.

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32

Zuni Fetishes & Carvings. Rio Nuevo Publishers, 2010.

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33

Whittle, Kay. Native American Fetishes. 2a ed. Schiffer Publishing, 2006.

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34

Lamb, Susan. A Guide to Zuni Fetishes and Carvings. Western National Parks Association, 2003.

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35

1964-, Seelig Thomas, Stahel Urs, Fotomuseum Winterthur, UBS AG y Stiftung für die Photographie (Switzerland), eds. The ecstasy of things: From the functional object to the fetish in 20th century photographs. Göttingen: Steidl, 2004.

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36

Brosses, Charles de, Rosalind C. Morris y Daniel H. Leonard. The Returns of Fetishism: Charles de Brosses and the Afterlives of an Idea. University of Chicago Press, 2017.

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37

The Returns of Fetishism: Charles de Brosses and the Afterlives of an Idea. University of Chicago Press, 2017.

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38

Lee, Hyonho. Local-spin mutual exclusion algorithms on the DSM model using fetch&store objects. 2003.

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39

France), Musée Dapper (Paris, ed. Magies. Paris: Editions Dapper, 1996.

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40

France), Musée Dapper (Paris, ed. "Magies": [exposition, Paris, Musée Dapper, 21 novembre 1996-29 septembr997]. Paris: Musée Dapper, 1996.

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41

Yves, Lanceau, Musée national de Conakry, Guinea. Ministère de la jeunesse, des sports et de la culture. y Guinea Ambassade (France), eds. Mémoire de Guinée. Conakry: SOGUIDIP, 2002.

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42

Mémoire de Guinée. Conakry: SOGUIDIP, 2002.

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43

Hogh-Olesen, Henrik. The Woman in Red and the Man with the Chrome-Plated Wheels. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190927929.003.0005.

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Chapter 4 looks at how key stimuli and brain programming affect our own species’ aesthetics and determine which shapes, colors, and landscapes humans are attracted to and consider beautiful. Like other animals, people are predisposed to respond to certain key stimuli, which have been associated with an expectation of functionality, fitness, and increased well-being. In other words, the perception of beauty represents a strong internal indicator, which it pays to be guided by in order to gain various benefits. In this investigation, the chapter enters the micro-processes of artistic creation. It looks at the aesthetic effects that make up an artwork and at the understanding of why something captivates and fascinates people. The right embellishment can transform a trivial everyday object into an overwhelming power object—a kind of fetish that means the world to us and costs a fortune. How does something like this happen?
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44

Amulets, Effigies, Fetishes, and Charms: Native American Artifacts and Spirit Stones from the Northeast. University Alabama Press, 2016.

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45

Burnakov, V. A. Fetishes of Tos in the Traditional Worldview of Khakass (End of the 19th – the Middle of the 20th Century). IAET SB RAS Publishing, 2020. http://dx.doi.org/10.17746/7803-0306-0.2020.

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The monograph is devoted to the study of the cult of toses – fetishes in the traditional Khakass culture. Based on a wide range of sources, both published and for the fi rst time introduced into scientifi c circulation – archival materials and museum collections, the place and role of these cult objects in the spiritual life of Khakass were analyzed. The practice and technology of their manufacture were studied in detail. Sacral functions attributed to fetishes and rituals of their worship are considered. The connection of shamans with the cult of toses has been revealed. For the fi rst time, certain types of cult products have been artistically reconstructed. The book is addressed to specialists in the fi eld of history, ethnography, museology, local history and researchers of the traditional beliefs of the peoples of Siberia.
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46

Silva, Sónia. Along an African Border: Angolan Refugees and Their Divination Baskets. University of Pennsylvania Press, 2013.

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47

Herreman, Frank, N. Y.) Museum for African Art (New York y National Museum of Health and Medicine (U. S.). To Cure and Protect: Sickness and Health in African Art. Museum for African Art, 1989.

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48

Western Gallery (Western Washington University), ed. A-shi-wi: Zuni carvings from the collection of Diane Parker. [Bellingham, Wash: Western Gallery, Western Washington University, 2003.

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49

D, Blum Thomas Ph, ed. Prenatal perception, learning, and bonding. Berlin: Leonardo Publishers, 1993.

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