Tesis sobre el tema "Femmes occidentales au Japon"
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Seya, Anne-Aurélie. "Des Françaises au Japon : les mécanismes de l'exotisme et de l'altérité dans les écrits de voyage (XIXe-XXe siècle)". Electronic Thesis or Diss., Lyon, 2021. http://www.theses.fr/2021LYSE3033.
Texto completoThis study proposes an analysis of French women’s travels to Japan from the end of the Sakoku to the period just after the WWII. French women’s presence in History of travel and travel writing has been quite undervalued. Those subjects tend to be silenced in French historiography by the fact that main resources are dominated by male travelers. Even English-language and Japanese studies about Western Women’s travels in Japan, may have somehow muted them. Despite being identified for some, they aren’t studied, mostly because an apparent lack of resources. Who were those French women travelling to Japan and for some even settling there? Why and how did they travel? Did they leave their mark by writing about their experience or their settlement?By bringing together investigations in French and Japanese archives about the travelers and their possible writings (published, unpublished and personal handwritten papers) but also interviews with women travelers’ descendants it was possible to elaborate an overview of French women travelling situation in Japan (19th and 20th century) and build a resources database for their travel writings between 1859 and 1949. Because travelling as a women had specificities, how women travelers did write about their experiences has been impacted. Results of crossing the resources database and a corpus of 5 documents showed how women’s travel writings were not opposing to males ones but completing each other by bringing different representations of Japanese exoticism and alterity
Portier, Anne. "L'influence des idées politiques occidentales sur le système politique japonais". Bordeaux 1, 1992. http://www.theses.fr/1992BOR10001.
Texto completoThe contemporary japanese political system seems to be essentially the resyult of the western influence. Nevertheless, the logical analysis of the imperial institution and ideology shows that some japanese values, non dualist and adaptative, are unvarying, bayond the historical changes. On another hand, the introduction of democratic institutions has created an important change. But japan has been able to use its own values code to adapt the democratic ideas, dualist and conflictual. The differences between the japanese political system and its western pattern can be explained in this way
Portier, Anne. "L'influence des idées politiques occidentales sur le système politique japonais". Bordeaux 1, 1992. http://www.theses.fr/1992BOR1D001.
Texto completoThe contemporary japanese political system seems to be essentially the resyult of the western influence. Nevertheless, the logical analysis of the imperial institution and ideology shows that some japanese values, non dualist and adaptative, are unvarying, bayond the historical changes. On another hand, the introduction of democratic institutions has created an important change. But japan has been able to use its own values code to adapt the democratic ideas, dualist and conflictual. The differences between the japanese political system and its western pattern can be explained in this way
Gervais, Lourdes. "La sous-représentation des femmes dans les démocraties occidentales". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0003/MQ36695.pdf.
Texto completoShibata, Tomo. "L'objectivation sexuelle et l'abus incestueux du mineur par le père au Japon". Paris, EHESS, 2005. http://www.theses.fr/2005EHES0284.
Texto completoIn the socio-psychic phenomenon called the sexual objectivation of woman, woman is perceived and treated as the sexual materialized object ready to be exploited. Sexual objectification transmutes primordial sexuality into sexual impulsion, which incurs the incestuous abuse of the daughter by the father - the supreme betrayal of the faith of the child. The ideology of "feminine beauty" succeeds in perpetuating itself servilely in the psyches of woman through the strategic occultation of the exploitative mechanism by which "beauty" revolves around immanent sexual objectification. In the other modality of sexuality, one hopes good for the other's sake, and treats the other as the subject with sexual will and human dignity, as the end in herself. It is imperative to teach this inter-subjective modality at the levels of education, to promote the expressions of this modality of sexuality and criminalize the production of sexual objectification
Konuma, Isabelle. "Le statut juridique de la femme mariée en droit japonais de la famille". Paris 7, 2008. http://www.theses.fr/2008PA070087.
Texto completoWith the reception of Western legal Systems by Japan in Meiji era (1868-1912), law entered the family and invariably began to define its ideal mode! and that of the wives. In tact, marked as they were by the emergence of ie family institution under Meiji family law (1868), the wives underwent many unequal regimes which were abolished in 1947, when some equality was at least formally introduced within the married couple. Today, Japanese society is confronted to marriage and birth crisis which is spreading, known as « family crisis ». Nevertheless, before using the word « crisis », it seems important to define precisely what is said in crisis and in this way to find out the different stages up to today statute of married women. Then we can see a « modernisation » process of the family by law, a process which appeared in several ways, like in the introduction of monogamy, the keeping of a patriarchal System within the family, the appeal to sexual equality, that is to say in aspects which were often very far from social reality, which could not express but through « family crisis »
Ohyama, Yumiko. "Introduction des sciences et des techniques occidentales au Japon au milieu du XIXe siècle : construction des fours à réverbère et moulage des canons". Thesis, Paris, EHESS, 2022. http://www.theses.fr/2022EHES0029.
Texto completoAbstract: In the years 1850 -1860, under the policy of closure to foreigners, the Japanese tried to manufacture cannons from the Dutch book, Het Gietwezen in’s Rijks Ijzer-geschutgieterij te Luik (Description of the making of guns at the Liege Firearms Foundry), written by U. Huguenin. This book was probably introduced in 1836, before being translated into Japanese, as the presence of Western warships demanding the opening of the country became more frequent. The Japanese wanted introduce Western iron-making technology to mold cannons and strengthen the coastal defense. However, doing practical work from the manual was not easy, as the Japanese did not have the same technical background as the Westerners. Theirs attempts were not a simple transfer in the field of metallurgy, but involved the whole technical sector around the production of guns. It was very difficult for them without any prior knowledge of bricks or drills and harboring a completely different concept of metals. Despite the traditional production of iron and bronze cannons, they had to "re-conceive" all the elements involved in the work: raw materials, construction with bricks, furnace temperature, control of melting, iron cannon casting, and so on. It was through a series of "trial and error" that they were able to assimilate these new materials and these new practices thus constituting the later basis of Japanese industry.My research is based not only on archives, but also on archaeological data. Indeed, four reverberator furnaces, having been used to melt iron, are preserved in Nirayama in Japan. It aims to show how scientific and technical concepts can be understood and appropriate from the translation of foreign texts alone
Le, Bois Jérôme. "Les femmes de la Maison impériale dans le Japon des VIIe et VIIIe siècles : impératrices régnantes, épouses impériales et princesses consacrées". Paris, INALCO, 2012. http://www.theses.fr/2012INAL0003.
Texto completoWomen in japanese High Antiquity have a special status which differs deeply from the one they'll keep over the centuries. This finding is even clearer if one looks at the princesses of the Imperial household, who stood out very clearly by the important historical role they were led to play in the critical early hours of Japanese history. Periods of Asuka and Nara- during which we see the establishment of the foundations of the Japanese Imperial state and its laws - present the uniqueness of seeing six women access to sovereignty, during a time when Japan receives massively the Chinese models which totally refute the idea of ruling women. Through the study of these great historical female figures, our goal is to define and explain the precise role played by the women of the japanese Imperial Household in the 7th and 8th centuries
Saeed, Abdulalem. "La femme yéménite dans les récits de voyageuses occidentales francophones de 1950 à 1990". Electronic Thesis or Diss., Pau, 2022. http://www.theses.fr/2022PAUU1105.
Texto completoTraveling across Yemen, a distant country, closed to Western countries and rich with a mythical past of whom a lot of songs of praise are sung since antiquity, is like a real adventure. This exceptional character is highlighted in travel narratives of those who were able to go there. In their respective narratives, the four western, francophone female travellers, Lucile Fevrier, Claudie Fayein, Laurence Deonna and Blandine Destremau show at first the same desire and the same eagerness to which preceded their travels and are part of different encounter experiences and discoveries of people they did not know the people of Yemen. As women, one of the dynamic elements of their travel experiences is "the" Yemeni woman to whom they tried to make their approaches even to her most intimate sides (Harem) in order to better grasp and to report on the different ways of ways of being a woman in Yemen and the Status of Women in this country called the country of Queen of Sheba.The narratives of the four travelers selected in this dissertation cover two periods: from 1948 to 1962 et and from 1962 to 1990, following the 1962 revolution which marked the end of the monarchy as well as the significant developments related to. the status of women. Even, though these encounters are simply travel relations They bring a decisive layer to any attempt at understanding Yemeni society of the past and of the future. Indeed, because of their occupations as doctors, sociologists, ethnologists, and also because of their status as women, photographer reporter, L. Fevrier, C. Fayein, L. Deonna, and B. Destremau are admitted to the world of harems which they could practice, observe and describe at this time. Thus, their testimonies about the subject, are more accurate in the richness of the analysis and in authenticity all, so that the western male travelers did not have access to such places. One can largely attribute the seal of the unexpected and new to these narratives about Arab Yemeni women
Kato, Etsuko. "The tea ceremony and women's empowerment in modern Japan : bodies re-presenting the past /". London : RoutledgeCurzon, 2004. http://catalogue.bnf.fr/ark:/12148/cb39060262z.
Texto completoLe, Falher Claire. "La condition féminine à l'ère du post-féminisme vue par les écrivaines japonaisesdes années 1980 à nos jours". Thesis, Montpellier 3, 2014. http://www.theses.fr/2014MON30065.
Texto completoOccidental studies about condition of women in Japan establish that this country is late and seems to stagnate as regards the gender equality compared with western countries. This feeling of disparity is not generally visible in the works of the Japanese feminine novelists whose current began in the 1980s. Indeed, they do not stage the wrestling against discriminatory situations but recreate in their novels a society where the roles are redefined and grant more liberties for both sexes. It's a eminized version of the Japanese society whitch insists on the progressive change of the mentalities rather than the confrontation. First, the story is mainly insured by feminine characters or male characters whose behavior is feminized. These characters have in common to have difficulty in becoming integrated into the Japanese society in which the characters of the male literature evolve. Their ill-being is translated by a heightened sensibility which the characters are incapable to include and to master. The reinstatement of the characters is assured by the control of these feelings. But the environment of the characters is too oppressive to allow the control of these feelings. That's why the feminine narrator (or the masculine narrator) has to act on this environment for it to be adapted to her need for freedom. That's why the characters, often, flee their environment or create an other one. They are assisted by a character on whom they focus to create a microsociety of transition. The particularity of the feminine popular literature, it is that in spite of that the society established at first is the same that that of the male literature, it is more sensitive to the social faintness which seems to be outlined with the crisis of the hypermodernity. So, the first victims of this social faintness, who are women and the maladjusted persons propose a solution which is to feminize partially and for a a brief moment the social environment to restore a kind of balance between the men who accept the pressures of the dynamics of the modern world without asking questions and the women who refuse to have the choice between adapt themselves to the society or to move away from it
Kim, Sun-Mi. "Les femmes asiatiques et l'enseignement supérieur en France : rapport au savoir et positionnement social dans les sociétés asiatiques : Corée du Sud, Japon et Tai͏̈wan". Paris 8, 2000. http://www.theses.fr/2000PA081785.
Texto completoAlvarez, Melero Anthony. "Matronae equestres: la parenté féminine des chevaliers romains originaires des provinces occidentales sous le Haut-Empire romain, Ier-IIIe siècles". Doctoral thesis, Universite Libre de Bruxelles, 2010. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210178.
Texto completoDoctorat en Histoire, art et archéologie
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Chujo, Chiharu. "Formes et enjeux politiques de la musique populaire dans le Japon des années 1970 jusqu'à aujourd'hui : arrangements stratégiques des artistes femmes engagées". Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE3053/document.
Texto completoThe figure of the Japanese pop singer reflects the reality of women’s status in Japan. Although Japan went through a crucial feminist movement, like France or the United States, which resulted in a slight improvement in women’s situation in society, the majority of women are still struggling with social norms that remain unrewarding and unfavorable to them. According to the Global Gender Gap Report the World Economic Forum published in 2017, Japan ranks 114th out of 144 countries in terms of gender equality. In this reality, one may notice that Japanese women, whatever their social milieu, are forced to comply with the notion of hyper-normed gender that is anchored in society. In the sphere of Japanese popular music, this social norm dominating female representation has repercussions for many female singers’ positions, either in naive immaturity relating to vulnerability or in a certain magnanimity based on motherhood, two notions not necessarily incongruent. Certain female idols are particularly representative of this phenomenon, whereas their counterparts in other musical styles internalize this social straitjacket. Since March 11, 2011, artists against nuclear increase in Japanese society have fueled reflection on the relationship between music and politics by those who question the postures of politically committed musicians. It should be pointed out, though, that female artists attract quite a bit less public attention than their male counterparts. Although women significantly participate in movements against nuclear programs since the Fukushima disaster, committed female singers and musicians often seem to be relegated to a lower rank than their male colleagues. This ignorance of female musicians’ commitment and the breaking-off between civil society and the popular musical scene can be explained by—as much as it is linked to—the condition of women in a stubbornly patriarchal society. If such a state of affairs does not, in the present time, raise radical opposition among artists, it nevertheless develops in them strategies and arrangements that ensure them a place and visibility in society.Our study examines the contemporary situation of female artists and their positions as committed musicians, by analyzing their artistic expression and considering the social and societal contexts in which they are implicated. The time frame ranges from the 1970s, when women's liberation movements emerged in Japan, to today—and more specifically to the post-Fukushima period, when women's participation in the country's social movements became more prominent. The core of our research focuses particularly on the characterization of committed female musicians and their postures in Japan from the 1990s to the present, revealing the possibility for Japanese women to have positioning plurality based on their social and economic backgrounds
Zanetta, Marianna. "The blind shaman and the lonely death : the last itako of Japan". Thesis, Paris, EPHE, 2016. http://www.theses.fr/2016EPHE5030.
Texto completoIn the north-west of Japan can still be found the last representative of a peculiar shamanism, the shamanism of the itako イタコ, the blind female fusha. The itako can be considered as the last heiresses of a shamanism which has his own roots in the myth; however, they have often been the target of different controversies and debates among anthropologist and religious specialists, who questioned the authenticity of their shamanic experience, and even the possibility to include it in the field of Shamanism. Nevertheless, taking a wider look at the phenomenon, her role, her path, her whole experience allows us to put them in the shamanistic phenomenon. Their activities have a particular functional focus: their specialty resides in the preferential communication with the dead, ancestors’ souls who can’t find peace and who, if neglected, may represent a threat for the living. The main important duty for the itako is to allow the spirit to communicate with their living relatives in order to have their needs satisfied, and their anguish eased. The analysis will thus take into consideration the special relationship between the blind fusha and the world of the dead, on the one hand through the notion of kegare (impurity), which seems to connect both actors, and on the other hand through the notion of on (bond), which seems to indissolubly tie together living and the dead in a relationship of remembrance and debt
Hayashi, Mari. "Images de femmes dans la littérature japonaise contemporaine, 1935-1975: cas des nouvelles couronnées par le prix Akutagawa". Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210557.
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Doctorat en sciences sociales, Orientation sociologie
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Taiuti, Aurora. "Représenter la femme à la fin de la République". Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL090.
Texto completoThe statues of roman women during the end of the Republic and the first decades of the Empire were far more diversified than what previous scholars have claimed so far. Thanks to two-hundred and four female statues on round and high-reliefs collected from the west provinces of the roman Empire, the classifications proposed in the previous studies are retreated in order to stress the existence of a rich group of variations, which were different from the hellenistic statue types or from those which had been introduced during the imperial period. This variations are fundamental for the understanding of the relations between the different regions of the Empire as is the knowledge of traditional handicrafts, which were still heterogeneous in spite of the hellenization of roman art in the roman Republic. Moreover, this study of female honorific statues stresses the difference between the private and the official levels: on the contrary of masculine honorific sculpture, the first female statues from honorific context don't strictly reproduce the types and the facial features of female members of the Domus Augusta. The importance of this study resides in the peculiarity of this period of transition that, lying between the hellenistic and the imperial eras, represents a key moment for the elaboration of the image of the roman woman
Bahuaud, Rozenn. "Imaginaires coloniaux, mépris et migration : femmes japonaises et coréennes entre adaptation, contraintes et résignation". Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2101.
Texto completoThis thesis focuses on the construction of migratory careers of women from North Korea, South Korea and Japan. The challenge is to understand the objective and subjective structure of these routes from historical and cultural heritage of the societies of origin, from migration policies, from biographical bifurcations and from social and work experiences in “totalitarian spaces”. In the first part, the thesis focuses on international migration of women as well as the methodology established to collect comparative data from suffering women in "mined" fieldwork and to analyze them. The second part tries to reconstruct the objective careers of migrants focusing on starting contexts, on the construction of migration projects and on the arrival contexts. The migrants will face the reiteration of grammar of contempt and injustice - in the sense of L. Roulleau-Berger – and the violence and dominations influenced by colonial or national imaginary of the host population. The “weak” bodies of these women, under individual and collective imaginary of host societies, become sensual bodies, sexual bodies, resistant bodies etc. and will build socially in "totalitarian spaces" erected in view of these imaginary. The third section analyzes the construction of the subjective Career of Women of the Korean Peninsula and Japan. Between the bloated obligations to adapt (imposed on migrants through process of mortifications - in the sense of Goffman –), the imposed roles and the adaptive strategies, they try to survive their disappointed migration imaginary by deploying tactics that define by the refusal of any personal participation, assimilation of the role imposed by the host society or emancipation
Lachaud, François. "La jeune fille et la mort : la représentation de l'impur et celle des Neuf Notions dans le Japon classique : une étude des représentations macabres du corps et du féminin". Paris, INALCO, 1998. http://www.theses.fr/1998INAL0011.
Texto completoYoo, Eunkyung. "La genèse de la politique familiale en Corée du Sud". Thesis, Rennes 1, 2014. http://www.theses.fr/2014REN1G042.
Texto completoThis doctoral thesis deals with the genesis of family policy in South Korea. In the first chapter, we discuss in which context policies in support of family have appeared in Korea since 1990’s. It’s a political and social democratization which brought about the expansion of laws and regulations in the fields of gender equality and work-family balance. The decrease of birth rate influenced more directly the development of family policy in 2000’s. Despite its late development, family policy progressed rapidly. The ‘healthy family support center’ is a symbolic example of this recent change. However, despite of state’s efforts, this center is flawed. The direct financial support for inhabitants is too weak and the centres only offer moral and preventive supports. Women are still facing vulnerable conditions in their job and inequality between women is still important. Few women can benefit from this new development in family policy. The last part of the thesis positions South Korea in the comparative literature. In order to do this, diverse typologies of family policy and experiences of different countries like as France, Japan and South Europe are examined. In short, we can see residual characteristic of Korean welfare system. From now on, the family policy in South Korea became explicit, but still very limited in its applications. The thesis notes the limited effect of public interventions in the domain of family. Among the main reasons, the author underlines the maintenance of family support obligation principle. The reason of the limits of Korean family policy lies in its purpose itself. Main institutions of the field of family do not aim to attack the roots of family problems, but to help the family to solve them herself or through the market
Okada, Tomoko. "Le japonisme sur scène en France de 1870 à 1914". Paris 4, 2005. http://www.theses.fr/2005PA040248.
Texto completoThis thesis deals with examples of japonism on the stage (opera, ballet, theatre) at the end of the XIXth century, a field which remains largely unexploited. In the first part, after the two first chapters devoted to the press and the theater and to an historical review of exoticism, japonism will be considered in a global perspective, in literature, the arts and music, in connection with the scenic works and their authors dealt with in the second part. This second part presents specific analyses of each work, using numerous iconographic documents of that time, under three aspects corresponding to the three elements of the first part : the libretto, the scenery and costume, and the music. Besides some still little-known aspects of the geishas or music instruments, the study, always based on historical facts, will highlight some works which are now completely forgotten but were always highly successful at the time
Dubuc, Claude-Ève. "Langage de femmes et pouvoir : évolution du langage des femmes en politique au Japon". Thèse, 2004. http://hdl.handle.net/1866/16867.
Texto completoPolleri, Maxime. "Le kawaii : répercussion d’un idéal culturel et médiatique sur l’identité féminine japonaise". Thèse, 2013. http://hdl.handle.net/1866/10030.
Texto completoThe overall objective of this thesis is to update the impact of a given visual culture in the formation and construction of a female identity in Japan. This ideal, known as kawaii, advocates cuteness and childish behaviour. The female representations related to this ideal differ according to the different groups and locations analyzed. As a result, these variances have an important influence on the vision, perception and social acceptance of Japanese women, particularly when they are linked to their identity. The aesthetics of kawaii has been strongly criticized by the anthropological community. Cuteness has often been looked in a negative way as having harmful consequences for Japanese women. However, these judgments stem from a misunderstanding related to epistemological errors, as well as the misuse of the connotations of Japanese words. The hegemony attached to the ideal of kawaii mainly comes from an economic policy promoted by the government and known as Cool Japan. The female representations found in this policy are linked to the inferior state of Japanese women. Despite that, these images are not representative of identities and roles associated with Japanese women. They mainly reinforce cultural stereotypes. Through the kawaii phenomenon, intellectuals, be they Japanese or not, have often endorsed fixed identity and stereotyped gender roles for Japanese women, which are far from the reality of the younger generation.
Ross, Dionne Laurie-Mei. "Réception et interprétation du couple dans les jeux otome : une approche anthropologique d’un corpus vidéoludique japonais". Thesis, 2020. http://hdl.handle.net/1866/25049.
Texto completoThis thesis tries to shed light on Japanese otome games and how player agency through the video game medium can lend itself to the exploration of new identities by the player and become a tool for cultural (re)negotiation. As otome games have been mainly created for female customers in the insular Japanese market, cultural ideals regarding female gender performance would logically be embedded in the various narratives that are presented, albeit this process may be unintentional by their creators. Since otome games hinge mostly on obtaining a successful romantic relationship with a male character, this seems to echo national criticism of female celibacy; women should fulfill their roles as wives and mothers through marriage. Although this ideal may not be upheld due to socioeconomic happenstance such as the crash of 1990 and has found pockets of resistance throughout the younger generation as time went by, this notion still permeates Japanese culture. That is not to say women who play otome games are bound to accept these roles. Through the use of play and their digital proxy that is their avatar, they can take part in the social prescribed order without submitting to it. Moreover, it could be seen as a way to subvert the original intent in doing so, as they embrace a relationship that is withdrawn from the social expectation of childbirth.
Scott, Gabrielle. "Violence, sexualité et double : les représentations féminines dans Perfect Blue et Paprika de Kon Satoshi". Thèse, 2010. http://hdl.handle.net/1866/4404.
Texto completoThe present thesis consists of a thematic analysis of the feminine representations in Satoshi Kon’s work, from Perfect Blue to Paprika. Our objective is to demonstrate that these female depictions reflect the status of women in contemporary japanese society. To this end, we examined the director’s movies according to feminist film theory. Also, we separated our analysis in three themes : violence, sexuality and the double. It seems that Kon’s feminine representations possess parallels to the present Japanese society. Indeed, the director uses figures and narrative motifs common to Japan and anime in order to produce and reproduce gender stereotypes. In addition, he utilizes filmic elements and the particularities of the anime medium to support these definitions of sexual roles. This study is original in its feminist and psychoanalytic approach which is rarely employed by anime theorists. Furthermore, the studies regarding this medium are fairly new and usually focus on the anime easthetic and the establishment of a Japanese national identity rather than the construction of gender in a popular culture media.