Tesis sobre el tema "Femmes et littérature – Psychologie"
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Zaugg, Brigitte. "Femmes et féminité dans l'oeuvre d'Ellen Glasgow". Dijon, 1998. http://www.theses.fr/1998DIJOL007.
Texto completoThis thesis is a re-reading of four novels by Ellen Glasgow, Virginia, Life and Gabriella, Barren Ground, and the sheltered life. It means to be faithful to the novelist's intentions and aims but not to analyse her fiction from a biographical perspective. My approach to the subject is a cultural one and is based on the novelist's avowed aim to write a social history of Virginia. The thesis is divided into two parts of unequal length which correspond to Glasgow’s twofold project, i. E. To denounce women's position in Virginian society from 1884 to 1924 (ch. 1 & 2) and to establish a system freeing women of bondage, based on their economic independence (ch. 3). Chapter 1 is devoted to the main principles on which the dominant ideology is based that defines woman both as an ideal and a biological body and maintains her in service and in a web of sentimental illusion. It also deals with Glasgow’s criticism of this ideology and studies its concrete and perverse effects: woman is kept in the domestic sphere and forbidden any access to knowledge; her very clothes are emblematic of her service, so is her inability to speak. Chapter 2 studies love, which in these novels invariably occurs at first sight. This choice of Glasgow’s enables her to denounce the influence of sentimental fiction and the far too great idealization that follows up. The chapter then examines the issue of marriage as necessity and illusion and focuses on the character of Eva Birdsong. Chapter 3 points out Glasgow’s claim for the equality of the sexes and her trust in woman's manifold abilities. It focuses on the heroines of life and Gabriella and Barren Ground who thanks to their will to power become successful business women yet retain a humanity Glasgow deems fundamental. It also shows how her way of thinking on the joint issues of economy and love became more radical as age wore on
Bejaoui, Faten. "Balzac et la condition féminine, ruse, perfidie, coquetterie et la psychologie de l'autre". Paris 12, 1996. http://www.theses.fr/1996PA120081.
Texto completoBen, Rahima Feriel. "Passions de femmes : Balzac analyste des émotions féminines". Paris 4, 2007. http://www.theses.fr/2007PA040074.
Texto completoIn the analysis of feminine passions, this study has been most specifically concerned with psychological innovation in Balzac’s works. The study has covered a panoply of themes related to the oscillation of woman between ephemeral love and ever endless melancholy. This continuous struggle between the search for the absolute, the acquisition of fleeing joy that can hardly be seized gives an account of the ills of feminine destiny, the commensurable suffering of women who are trapped within the harsh laws of a patriarchal society. The purpose of this study has therefore been to analyze the exquisite sensitivity, the quality of affection, the innocence and purity of feelings and the coldness as well the tender joy, at times extreme of infantile euphoric and melancholic love or dark melancholic, the profound confusion, the pains of jealousy, the devouring passion, the atrocious suffering and pain, the frailty and the silence, the resistance and the rebellion of a multitude of young girls and women of the human condition through the omniscient eye of Balzac who analyzes feminine emotions. The study has revisited some aspects of the feminine conditions in Balzac’s fictional world, as well certain aspects of feminine psychology. The explosive and the blooming or the distress and frustration of all these feminine lives are translated into emotions more or less related to pleasure and displeasure
Miguel-Mazoyer, Anne-Valérie de. "Psychologie de l'identité féminine au risque de la création littéraire". Montpellier 3, 2005. http://www.theses.fr/2005MON30037.
Texto completoBordered by the maternal one, the female identity is called in question to each crisis of life. The maternity, considered as one of these crises, can result in an impossibility to work out around maternal, as the sign the private clinic of the termination of pregnancy and infantile ill-treatment. With the place of a crossing of maternal, the suffering settles. This work proposes to analyze the incidence of maternal in the literary creation of four women writers (Mac Cullers, Hebert, Morrison, Huston). The exit of the release of maternal at the personal level marks the writing of these women: either their hero remains under the icy influence of maternal possessive, or it faces the specific crisis, while emancipant himself. The destiny of maternal points out that of the exile, connecting the four female authors. The exile can announce the change (language, of culture. . . ) but it can also remain with the state of unsatisfied running away. If the confrontation of with the maternal one is not balanced by an incomprehensible loss, then the writing becomes the sum of the female experiments. On the contrary, if the maternal one remains morbid (absence, death, ill-treatment), then the heroes choose imaginary solutions (recourse to the double, with the dream) or irreversible passages to the act (suicide, murder). The two types of writing, one marking the hero of fundamental instability and the other of sufficient bases to be maintained in spite of the crisis, account for the shelves in the crossing, which must lead to the stamping from the woman by the medium of creation
Danaei, Roshanak. "L'image de la femme en quête de son identité au miroir des œuvres d'Assia Djebar et de Fariba Vafi". Electronic Thesis or Diss., Limoges, 2024. http://www.theses.fr/2024LIMO0090.
Texto completoThe quest for identity is a recurring concern in contemporary literature. At first glance, identity appears complex, both in its definition and its various approaches. This suggests that the pursuit of identity is equally fraught with difficulty. Many feminine writers depict this difficulty in their works as they explore the subject in connection with the intimate and social realities of women’s lives. This study focuses on the representation of women in search of their identity through the works of Assia Djebar, an Algerian writer, and Fariba Vafi, an Iranian writer. Their portrayals of women reveal frustrations, sufferings, and daily concerns, particularly in relation to the earliest objects– the paternal and maternal figures– and in relationships of otherness within marriage. The aim is to examine, from a comparative perspective and through the psychological analysis of literary texts, how unspoken emotions and repressed feelings in relationships with others influence the construction of feminine identity. The analysis of Djebar's and Vafi's texts, grounded in Jungian, Freudian, and Lacanian psychoanalytic theories, clarifies the concept of the complex and reveals a causal link between early relational experiences with primary objects and a woman’s later experiences in marital life. This pattern not only recurs in relationships within marriage but also in interactions with children and in the experience of motherhood, particularly for women who have encountered paternal or maternal complexes. A crucial question thus arises: how can one free oneself from these complexes and the suffering they cause? In the works of Djebar and Vafi, the liberation of characters from these complexes is achieved through one primary means: speech
Kang, Yu-Pei. "Cendrillon et le fétichisme du pied : étude comparée des mythes et contes de fées européens et chinois". Paris 8, 2013. http://www.theses.fr/2013PA083922.
Texto completoFetishism is a fact but is kept silent. Traces exist in myth, ferry tale and other types of narratives. The mother goddess’s foot is sacred and objet of veneration. She has the faculty of giving birth to children. This faculty frightens men until they understand that they are co-responsible. The power of the goddess is not total ; her independence is reduced, according to the myth, when she transforms herself into a woman to be part of a man. The goddess’s foot is still sacred but it evolves in an objet of adoration. In Andersen’s fairy tale, the little mermaid takes her life into her hands in attempting to marry the prince. Foot is just a tool. In changing herself into a woman, the little mermaid sacrifices her beautiful voice to obtain handsome small feet so as to succeed into marrying the prince. Karen, the poor little girl adopted by a rich lady falls in love with her two beautiful little red shoes. She is punished for her arrogance and to put an end to her death dance has her two feet cut off. The twelve princesses dance with the twelve princes in the underground castle until interrupted by the old wounded soldier. They are all twines of Cinderella, the girl with beautiful small feet. But more so, Cinderella uses her feet as objet of love. Intentionally she looses her shoe and the prince will find it. She will marry the prince and be “happy” forever after. Do women today expect the charming prince ? Do they want to be saved ?
Ayadi, Hanna. "Violences et écriture dans l'oeuvre de Leila Marouane, la méditerranéenne des deux rives". Electronic Thesis or Diss., Toulon, 2018. http://www.theses.fr/2018TOUL3005.
Texto completoHow does the writing, for the french – algerian autor, signify for having recourse to weapons ?First of all, my dissertation deals with a contextual, historical and sociological analysis of Leila Marouane’s novels before analyzing the relationship between violence and writing in the postcolonial context.My thesis is about, showing the relationship between the history of Algeria and French language postcolonial literature, and how the novelist reappropriates this history both by the writing of the violence she suffered and by the writing of the overthrow of violence.How does the necessity of writing have a link with violence? What are the stylistic and narrative manifestations? We chose to put the word “violence” in plural forms in our title, because it is polymorphic and multifactorial. In addition to the fact no thesis has yet been entirely devoted to the works of Leila Marouane, the manifestations of recurring female violence were relevant to understand. First, the heroines seem to be victims, then they become criminals, and this is what we can notice in this corpus: testify to the putting in words of phenomenon of reversal of the violence. Through a raw and cynical language that is symptomatic of a resumption of power, the novelist denounces traumas, the confiscation of identity and feminity, religious obscurantism and the weight of tradition, but she also says the need to strive always towards an “elsewhere”, geographical or fantasized
Tarjoman, Porshkoh Naghmeh. "Images de la femme contemporaine au miroir des œuvres de Zoya Pirzad et Katherine Pancol". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA016/document.
Texto completoAt the crossroads of literature, sociology and psychology, this interdisciplinary work is intended to analyzing (analyze) the condition of contemporary women through a corpus of Persian and French works written respectively by Zoya Pirzad and Katherine Pancol and published between the years 1990 and 2010.These works, by their wide readership, are in popular literature. An analytical approach on the evolution of the novelistic genre, can define our corpus in relation to the new forms of sentimental literature, especially the Chick lit.The emergence of women novelists illustrating particularly the feminine universe requires studies on women’s writing.In this regard, Virginia Woolf insists on the importance of personal experiences in the creation of literary works, Luce Irigary identifies a language full of excess, folly and contradiction among women authors and Elaine Showalter proposes the construction of a framework (of a female executive) to analyze the literature of women.Subsequently, the question of feminism and its various currents in the West and the East explicitly developed. To approve the famous phrase of Simone de Beauvoir "One is not born a women, one becomes one", this work seeks to highlight the direct and indirect influence of the family, the school and the environment on training of the identity of the individual.Finally, by a psychological approach, this research promises a silent renaissance by examining the mental state of the female characters. The mother-daughter or father-daughter relationship and sexuality are major axes of this last part
Herbert, Catherine Deming. "Féminisme et féminité dans l'œuvre de Jules Laforgue". Montpellier 3, 2009. http://www.theses.fr/2009MON30009.
Texto completoIn the final decades of the nineteenth century, as Romanticism waned and was replaced by various movements such as Parnassianism, Decadence, and Symbolism, a poet emerged who was to have an influence on literature in France and abroad that far exceeds his short life. Before his death in 1887 at the age of 27, Jules Laforgue spent most of his writing career in Berlin, where he met his future wife, the Englishwoman Leah Lee, and where he wrote the majority of his poetry and prose. These same years also marked an evolution of the portrayal of women in literature, the misogyny of poets such as Baudelaire gradually being replaced by an optimistic willingness to empower women by giving them a voice and allowing them some control over their destiny. Jules Laforgue played an important role in this literary development, and his work reflects the sexist prejudices of his time, which he left behind in order to embrace a vision of women as the companion and equal of men, whether in a fraternal or romantic sense. Laforgue, sensitive to artistic and literary tendencies, took on popular subjects of his day – Salomé, Ophelia, the femme fatale, the female vampire, the Eternal Feminine – and put his own stamp on them through a mixture of parody, irony, anachronism, and feminist ideas. The silent, powerless women of the earlier poems discover, especially in the Moral Tales and the Last Verse, a voice and a determination which can lead to their death (Salomé) or the fulfillment brought by free will and true love (Andromeda). While Laforgue was never an outspoken feminist, he made a major contribution to the literary evolution of women in the years leading up to the twentieth century
Assa, Assa Syntyche. "Migrations et quête de l'identité chez quatre romancières francophones : Malika MOKEDDEM, Fawzia ZOUARI, Gisèle PINEAU et Maryse CONDE". Thesis, Montpellier 3, 2014. http://www.theses.fr/2014MON30030/document.
Texto completoThis work is part of cultural studies, more specifically regarding Francophone literatures of the Maghreb and the Caribbean. It will analyze the construction of the women's individual identity in its relationships with the phenomenon of migration in the texts of Malika Mokeddem, Fawzia Zouari, Gisèle Pineau and Maryse Condé. It consists of three main parts. The first replaces the texts and their authors in their historical, social and literary contexts and shows that the origins of identity alienation of female characters are to be found in the collective history, and macho and sexist culture of their societies.The second looks at the different forms of migration which engage the heroines of our corpus to escape a particularly alienating universe and to discover who they really are. Migrations then appear as a compulsory course in the identity construction of the female subject. These real and virtual migrations are on the one hand the crisis factors and deconstruction of identity and on the other hand, tools for the reconstruction of identity and self-Knowledge. The last part analyzes the roles of oral expression and writing in the construction of personal identity of the female subject. The speaking and the act of writing emerge as two forms of migration essential to the reconstruction of identity because they allow the female subject assert its presence in the world and out of anonymity. During these migrations, female characters develop a migrant and plural identity. The development of this migrant and plural identity is accompanied at the textual level with narrative and discursive migrations, so that the writing of Malika Mokeddem, Fawzia Zouari, Gisèle Pineau and Maryse Condé eventually becomes a migrant and plural literature
Han, Taek-Soo. "Corps plastique : problème de l'identité et de la sexualité dans l'oeuvre de Colette". Paris 8, 1997. http://www.theses.fr/1997PA081265.
Texto completoThe purpose of this thesis is on the scrupulous study of the "problem of the identity and the sex in the works of colette", which is considered from the point of view of the writing about the body. The methodology that i have used in this thesis follows the thematic of jean pierre richard. The aim of the present thesis is not to give an anthropology of imaginary but to have the themes' analysis benefit by the remarks on the structure of the text, as well as to enlight the contribution of the psychoanalysis. After having defined the differnts strategics of the obliteration and of the absence of the body, this thesis examines the complex relations that the feminity and the other maintain, as well as the particular state of the motherly body. The last part of this thesis deals with the central question of the sexual incertitude posed by the works of colette. In the works of colette, the essentiel fact is that the sex represents the basis and the masquerade. This thesis follows the mouvements of the dramaturgy of the desire, the windings unforeseen of the writing in the mouvement even of that's fantastic adventure
Ayadi, Hanna. "Violences et écriture dans l'oeuvre de Leila Marouane, la méditerranéenne des deux rives". Thesis, Toulon, 2018. http://www.theses.fr/2018TOUL3005/document.
Texto completoHow does the writing, for the french – algerian autor, signify for having recourse to weapons ?First of all, my dissertation deals with a contextual, historical and sociological analysis of Leila Marouane’s novels before analyzing the relationship between violence and writing in the postcolonial context.My thesis is about, showing the relationship between the history of Algeria and French language postcolonial literature, and how the novelist reappropriates this history both by the writing of the violence she suffered and by the writing of the overthrow of violence.How does the necessity of writing have a link with violence? What are the stylistic and narrative manifestations? We chose to put the word “violence” in plural forms in our title, because it is polymorphic and multifactorial. In addition to the fact no thesis has yet been entirely devoted to the works of Leila Marouane, the manifestations of recurring female violence were relevant to understand. First, the heroines seem to be victims, then they become criminals, and this is what we can notice in this corpus: testify to the putting in words of phenomenon of reversal of the violence. Through a raw and cynical language that is symptomatic of a resumption of power, the novelist denounces traumas, the confiscation of identity and feminity, religious obscurantism and the weight of tradition, but she also says the need to strive always towards an “elsewhere”, geographical or fantasized
Besnard, Ofelia. "La femme dans l'oeuvre et l'action de Gabriela Mistral". Rennes 2, 1997. http://www.theses.fr/1997REN20004.
Texto completoGabriela Mistral : her works and social fight. In her poetry and her prose work, Gabriela Mistral fought for the underprivileged, the poor, oppressed women and bottered children. She had always rebelled against injustice and oppression. She was the great protector of humble women because she had experienced the same ingratitude, contempt, slander. The Chilean poetess expresses her deepest thoughts in her poetry and in her social fight : the two of them can't be separated. These two sides of her personality as a committed woman and as a writer remained unchanged even though same contradictions and ambiguities can be found in her work. Gabriela Mistral always fought for social justice even though she fought against established laws, even though her fight proved to be more utopian than realistic. The purpose of this research work is to show her role as an avant-garde woman, but also to study the surprising progression of an ordinary school-teacher who climbed the ladder of success who had an extraordinary destiny, while remaining unchanged and honest. She was awarded the Nobel price for literature in 1945
Joubert, Claire. "La lectrice dans le texte : écriture et lecture au féminin dans les oeuvres de Dorothy Richardson, Katherine Mansfield et Jean Rhys, 1919-1939". Paris 3, 1993. http://www.theses.fr/1994PA030015.
Texto completoThis study explores the field of intersection between text and sexuality, as it proposes to examine the inscription of a feminine subjectivity within the fictional writings of dorothy richardson (pilgrimage), katherine mansfield (the collected short stories), and jean rhys (the left bank, quartet, after leaving mr mackenzie, and good morning, midnight). This analysis of gender takes root in the lacanian theories of the symbolic order of language in order to identify particular enunciative patterns, based on the practice of literature as a reading activity. The figure of the female reader in the text appears in these texts as the narrative locus for the exposition of the discursive nature of feminity and of gender identity, bound up with the sexual implications of signifying processes. By writing feminity into their texts, dorothy richardson, katherine mansfield and jean rhys direct the writing activity toward a semantic loss, and, through diferrent narrative strategies, offer a vision of reading as a feminine form of discourse, as the discourse of the female gender
Athanasopoulou, Dimitra. "Théâtre et psychanalyse : la femme sous le regard "masculin" de la dramaturgie". Paris 7, 2013. http://www.theses.fr/2013PA070095.
Texto completoThe connection between psychoanalysis and theater dates from Oedipus or, rather, from the Greek tragedy. Therefore, the Freudian myth that has nourished the psychoanalytic theory in a universal level is a "Greek scenario. If we see theater as the literary form that talks about psychoanalysis more than all the other literary forms, and respectively psychoanalysis as the theory of dramatic art, we might as well consider that the greatest European dramatists of the 20th century -Strindberg, Ibsen and Lorca- have created theater characters whose decoding has something to say about the experience of the unconscious. Therefore we are wondering whether psychoanalysis would be possible without theater, without the knowledge that theater has transmitted us on the subject and its passions, if we could think about Freud without thinking about the great dramatists. So how are we going to apply psychoanalysis in a theater play? What is the text's resistance to the analytical interpretation? Our goal is not only to question the literary creation in connection to the symptom, but to study as well the female characters in Ibsen, Strindberg, Lorca in order to support our hypothesis: The woman made hysterical and blamed by the male dramatist with no regard to her structure, her sexuality, her nationality. We wish to open a dialogue with the authors. The Strindberg, Ibsen, Lorca trilogy aims to show an image of the woman "transformed or not" by the psychical structure of the male dramatist. Therefore the theatrical trilogy meets the Freudian trilogy (neurosis — psychosis and perversion)
Alexoae, Zagni Nicoleta. "De l'écriture de soi et ses évolutions dans les oeuvres de deux écrivaines sino-américaines : Maxine Hong Kingston et Shirley Geok-lin Lim". Paris 7, 2011. http://www.theses.fr/2011PA070124.
Texto completoThis thesis examines certain contemporary inflections among Asian American self-referential writings. The study of the diptych The Woman Warrior : Memoirs of a Girlhood Ghosts / China Men by Maxine Hong Kingston as well as of Among the White Moon Faces : An Asian-American Memoir of Homelands by Shirley Geok-lin Lim will lead us to delineate conceptualizations of identity that testify to a specific idea of creative filiation, defined in the light of anteriority and otherness, at the intersection of generic plurality and a multiplicity of discursive forms. The first part will thus undertake an assessment of specific discursive and interdiscursive dimensions of Chinese-American texts in a diachronic perspective. In the next two sections we shall seek to identify the lines of force in the functioning of texts that assert a critical dialogism in several respects, the text of the self being written in counter-page to family, history as well as literature as intertexts. This will allow to conclude, in both cases, on an emancipatory evolution : from a mere actor - whose voice is lost in and/or when facing the polyphony of surrounding discourses or when confronted to silences, absences and losses - to auctor, the Chinese American woman writer appropriates an established genre ("nonfiction"), but expands its possibilities by showing a creative and critical intelligence that refuses to subscribe to generic principles and disturbs - as well as reconfigures - interpretative frameworks
Tavakoli, Aram. "L' image de la femme dans les nouvelles de Paul Morand". Paris 3, 2001. http://www.theses.fr/2001PA030022.
Texto completoLedru, Juliette. "Dialectique de l'américanité et de l'ethnicité dans les représentations littéraires des personnages féminins : l'assimilation à l'épreuve de la fiction sino-américaine féminine (1965-2010)". Thesis, Le Havre, 2015. http://www.theses.fr/2015LEHA0025/document.
Texto completoBetween the second half of the 19th century and the beginning of the 21st, Chinese American minorities experienced the evolution of their social status from unassimilable aliens to model minorities. At the intersection of political, economic, cultural and social stakes, the Chinese and Chinese Americans were subjected to discriminatory measures such as the Chinese exclusion act (1882) and orientalist cultural representations (the yellow peril) which defended an exclusionary definition of assimilation, based on the refusal to integrate racial minorities in the definition of what it meant to be “American.” When the social movements of the 1960s allowed social, sexual and ethnic minorities to have their voices heard, the American mainstream society turned Chinese Americans into the embodiment of the American success story of integration and of the inclusiveness of American assimilation. This Ph.D. dissertation will explore the evolution and the tensions at the core of the assimilation process in the United States through the prism of the Chinese experience, and more specifically that of second generation female characters in works of fiction by Chinese American female authors (published between 1965 and 2010). We will focus on the way in which assimilation and Americanness are represented, contested and redefined in a syllabus of forty-one works of fiction
Caujolle, Coralie. "Trauma et résilience chez Elizabeth Gaskell : corps, langage et signes dans les romans et leurs adaptations". Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040130.
Texto completoFrom Mary Barton to Wives and Daughters, Elizabeth Gaskell’s novels portray heroines who have to deal with ordeals such as death, disease, missing family member, illegitimate child, bankruptcy, etc. Her heroines are forced to evolve in order to survive, especially as they live in a period riddled with social, political and scientific changes which does not spare them. If trauma, which Greek origin refers to the wound, is often described as an extraordinary event, Gaskell’s novels, on the contrary, demonstrate that trauma arises in daily life. Even if these notions did not exist in the Victorian period, trauma and resilience were not born with psychoanalysis. Gaskell found her own language to describe her characters’ deep psychic life and their aptitude to resist and to recover from their wounds. She gives voice to the mental and physical repercussions of trauma, grasping all the hardly perceptible signs, in order to communicate these experiences of pain. We will see how these writing strategies enable Gaskell to build a new type of feminine character, the Gaskellian heroine, characterized by her aptitude to absorb traumatic shocks and by her heroism.Screen adaptations of her novels (North and South, Cranford, Wives and Daughters) were made in the last few years, thus contributing to Gaskell’s new popularity. As cinema offers a different regime of visibility and audibility to traumatic experiences, we will analyse the choices made by directors and scriptwriters (use of sound, editing processes, addition of characters, etc.) to adapt for the screen Gaskell’s subtlety
Qader, Fatima. "L' écriture féminine contemporaine et les représentations de la femme dans "Feux" de Marguerite Yourcenar, "Loin de Médine" d'Assia Djebar et "Te di la vida entera" de Zoé Valdés". Clermont-Ferrand 2, 2006. http://www.theses.fr/2006CLF20013.
Texto completoLabbioui-Harrison, Camille. "Une quête problématique de soi dans le roman maghrébin contemporain : religion, sexualité, altérité". Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA155.
Texto completoThose undergoing colonization, surviving pre-independence turmoil, and profiting from the colonizer’s withdrawal by adopting its models, are not looking for an identity. Yet those who are not adaptable, blind to opportunity, or old, are prone to reject models requiring giving up clothing or other such aspects of tradition which, they believe, would grant them a sense of identity – if only their community became homogenous again. The pitiful protagonist in ʿAmal-fil (Year of the Elephant), by Morrocan author Laylā Abū Zayd, and three of the four aged protagonists in ʿUššāq Bayya (The Lovers of Bayya), by Tunisian author Al-Sālimī, have a fear of cultural pollution so acute that they make themselves even sicker than they already were, especially when it comes to money which “rots everything”. Zahra is neither softhearted nor sensuous, and her marriage is brought to an end when her suddenly rich husband takes a lover; and the other three secretly nurture a sexual fantasy about the same woman while the son of the fourth, a visiting émigré who grew rich in Germany, decides to marry her. Zahra eventually turns to God to assure a place for herself in heaven whereas the old men agonize in the dread of hell. By dismissing this fear before they die, the two men who had the easiest youth point to the nature of genuine alterity in their community. It is the perversity of a tradition validated by terrifying religious beliefs, which prevents friendships among adolescent boys and girls, then marries them off with no consideration for their tastes and aptitudes, and then invites the men to brutalize wife and children in compensation. Since very few ever recover from their childhood, the cycle starts again and the tradition survives
Cammareri, Corinne. "Altérité , maternité création chez les écrivains du 20ème siécle à nos jours". Paris 7, 2010. http://www.theses.fr/2010PA070090.
Texto completoWomen have that particular characteristic of being able to bringing forth life, of living it, and, all the while, of keeping a trace of it within their bodies. What happens to women's writing when it collides with the physical demands of motherhood and makes it so necessary for them to come to terms with their maternal passion? I decided to study the works of women writers such as Colette, Anais Nin, Marguerite Duras, Nancy Huston, Julia Kristeva, Christine Angot, Marie Darrieussecq and others, from the beginning of the 20th century to the present in order to follow as closely as possible the construction of a maternal discourse within their writing. These writers manage to use their art to go beyond the passion while passing on the language, the ability to think and to create to that other being, their child. They try to bridge the cleavage of maternal passion to avoid choosing between submission or sublimation. Traversing their inner experience, we are able to discover the love of these mothers as well as the sublimation of women
El, sakezli Oreida. "Recherche identitaire et mémoire collective dans l'oeuvre d'Annie Ernaux". Thesis, Tours, 2013. http://www.theses.fr/2013TOUR2030/document.
Texto completoSearching for identity and collective memory in the works of Annie ُErnaux. This research aims to study Annie´s work on women and their multiple voices, Annie Ernaux is a famous writer who has enriched her novels through her own life experiences. A big figure in autobiography writing, Annie Ernaux has a unique style of writing. She addressed her history, her roots, and the social cultural context in which she grew up. She especially interrogates the feminine figure. Her works are both literary accounts and sociological documents of a life rooted in another centuries values and standards. She recalls the essential role of women in the family and in the city, questioning motherhood, sexuality, parenting, and the relationship between man and woman. She crafts her work in a simple and clear manner with pure emotion devoid of any effect that would divert from her true goal . Thus implicitly questioning the function of the novel
Martins, de Carvalho Adilia Cristina Ferreira Castro. "Lecture des marges dans les oeuvres de Maria Velho da Costa et Teolinda Gersão". Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030032/document.
Texto completoThe texts of Maria Velho da Costa and Teolinda Gersão are inhabited by landscapes, archetypes and self-reflexivity configured in margins, peripheral zones, that simultaneously unveil the central place occupied by the female subject. The matter of the first section of this work, the concept of landscape hinges on the ones of archetype [the archetypal relation] and of self-reflexivity - both being respectively dealt with in the second and in the third sections of this work - through a co-ordinate they share: space considered in these three aspects, the physical, the social and the mental. Landscapes appear in a physical margin in relation to the centre inhabited by the subject that builds them. Embodied by female characters, the archetypes of the Amazon, the Witch and the Madwoman emblematize these characters’ being excluded from the social circle as they are being pushed off to the periphery, whether it be the wilderness or the lunatic asy! lum. Situated in the margins of the text, “beside” the would-be content of the work, self-reflexivity turns out to be a marginal place with regard to the centre, traditionally held by the diegesis. This study aims at analysing configurations of landscapes, archetypes, archetypal relations and reflections on writing within fictions that, while possessing a peripheral and marginal dimension, still manage to paradoxically contribute to rendering female subjectivities and identity quests sought by the Authors and the female narrators and characters whose central vitality unsteadies dichotomies and binary oppositions
Gomis, Aimé. "Écritures du corps dans la littérature sénégalaise. Esquisse d'une corporéité et implications plurielles : de Senghor à Ken Bugul". Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030085.
Texto completoIdentity constitutes one of the fundamental themes of African literature. It takes on a resonance in the writing of Senghor and Ken Bugul as well as in the writing of many Senegalese writing. It allows the establishment of an epistemological footbridge with the body. Therefore, the discourses about the body help to understand what is at stake concerning identity which livens up the dramatic tension of the narrative structures. For example, in the work of Cheikh Hamidou Kane, the body becomes the motive for a metaphysical apprehension of the "esse". In Ken Bugul’s autobiographies, the affirmation of identity of the feminine "Me" refers to the existential condition, especially when the literatures show the conflicts of gender. However, we agree that the debate on identity and the body has its importance in the understanding in the psychology of the character. It also has its importance in the construction of meaning, through which society reveals its vices and virtues. Moreover, that is why in the works of Sembene, Abasse Ndione, Sanou Lô, Marouba Fall, Seydi Sow or still El Hadji Momar Sambe, the social implication of literary discourse fragments of meaning to which all writing about the body refers. The ambition of this thesis is to construct a comparative exchange between their richness of meaning
Hosseini, Mighan Seyedeh Fatemeh. "L’Image de la femme dans les récits des voyageurs français en Perse au XIXᵉ siècle (1786-1925)". Thesis, Université Clermont Auvergne (2017-2020), 2020. http://www.theses.fr/2020CLFAL004.
Texto completoThis thesis, entitled aims to study the representations of the world of women in Persia under the Qajars as they can be conceived through the accounts of twenty French-speaking travelers. The aim of this project is to explore the complex process that is at work in the construction of these representations of Persian women. Travelers of the nineteenth century are imbued with the writings of their predecessors who mainly contributed to the creation of a particular imagination of Persia. Moreover, their point of view is above all Western, marked by their socio-cultural origin, education, and religion. The feminine myths rooted in the French collective imagination also play a role in the vision of the Persian woman, just as the Persian literary and pictorial works reflect an image that also influences these representations. In the first place, we will focus on the images and stereotypes that contribute to the construction of Western topos in the representations of Persia. We will then study the representations of Persian women through the descriptions of travelers and also through the iconographic elements they bequeathed to us. We also conduct a thematic study which begins with the women’s outer appearance and which expands up to an analysis of their manners and customs and thus gets to the heart of the mystery of the harems. The analysis of travelers’ observations conveys, in a reflexive manner, their own perception of the place of women in the French society. Moreover, to understand the origin of these representations, we will seek to characterize the nineteenth century French collective imagination of women in general, and of Eastern women in particlar. To do so, we will adhere to Gilbert Durand's concept of «bassin sémantique» as well as the analysis of major ‘Eastern’ figures in French literature. Finally, considering the encounter between the traveler and the Persian woman as an expression of the confrontation of the two cultures, we will conclude our study by shedding light on the female figure in the Persian culture
Spartacus, Josette. "Stratégies de Survie chez Edwidge Danticat, Jamaica Kincaid et Toni Morrison". Thesis, Montpellier 3, 2014. http://www.theses.fr/2014MON30035/document.
Texto completoOur purpose is to explore the survival strategies that Edwidge Danticat, Jamaica Kincaid ans Toni Morrison develop in their novels. Only three novels of each author were the objects of our scrutiny. The three novelists are Afro-American and Afro-Caribbean from three different generations. A bear 20 years stands between each of them, yet the themes they tackle echo each others even if their writing strategies seem different. Our first part deals with the bases of black lore transmission: the impact of the mother figure, the place of the father and the social structure which transmits cultural features through relationships between each individual. Our second part is centered on the experiences from the margin: what it is to live" outside" and the silences it implies. Our third part explains the strategies that are elaborated from that margin. Finally, yhe fourth part concentrates on resilience strategies even if the understanding of the phenomenon happens belatedly
Angelone, Concetta. "La femme du Midi dans les nouvelles de Stendhal et Mérimée ˸ nature, caractère et passions". Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCA055/document.
Texto completoStudies about female characters in Stendhal’s and Mérimée’s works are in no doubt numerous. However, the aim of our work is to highlight the relationship between these authors and the theories that prevailed from the eighteenth century onwards. We refer in particular to both the four temperaments theory and the climate the theory and their influence on the creation of female characters, protagonists in the stories we chose for our corpus: the Chroniques italiennes of Stendhal and the shorts stories La Vénus d’Ille, Colomba and Carmen of Mérimée. Our purpose is to unveil a new aspect of the female problematic by analysing Southern Europe woman human type observed from the perspective of the influence of the above-mentioned theories. We also linked the form chosen by the two writers (short story, little novel) with the themes they address and the effect they want to produce on the reader. To which extent is the short story type contributing to the effect of violence supposed to be produced by the depiction of the South? Short stories serve the efficiency of a purpose at the same time aesthetic, ethnological and ethical. This study consists of three parts. First of all, we examine the the evolution of both four temperaments theory and climate theory, as well as the eighteenth, beginning of the nineteenth century historical and cultural background which also influences Stendhal and Mérimée literary creation. Secondly, we reflect upon Stendhal’s and Mérimée’s poetics in relation to short stories. Finally, we analyse the female characters in relation to the preliminary studies previously mentioned
Gli studi sui personaggi femminili di Stendhal e Mérimée sono sicuramenti numerosi. Ciò nonostante, il nostro lavoro prevede un nuovo approccio che ha come obiettivo di mettere in evidenza l’influenza che le correnti di pensiero, che predominano a partire dal diciottesimo secolo, hanno sulla produzione letterario di Stendhal e Mérimée. In particolare, ci riferiamo alla teoria dei quattro temperamenti e alla teoria dei climi rispetto alla creazione dei personaggi femminili, protagonisti delle storie che costituiscono il corpus delle Cronache italiane e delle novelle di Mérimée, ossia La Venere d’Ille, Colomba et Carmen. Il nostro scopo è quello di mettere in luce un nuovo aspetto della problematica femminile, analizzando il tipo umano della donna meridionale studiato sotto la prospettiva delle teorie sopra menzionate. Abbiamo anche messo in relazione la forma letteraria adottata dai due scrittori (la novella, il piccolo romanzo) con l’argomento che trattano e l’effetto che vogliono produrre sul lettore. Concretamente, in che modo la forma breve che scelgono contribuisce all’effetto di violenza che la rappresentazione del Sud è presupposta produrre? La novella serve a rendere efficace un pensiero estetico, etnologico et etico. Lo studio si divide in tre parti. In un primo momento, ci interessiamo all’evoluzione della teoria dei temperamenti e alla teoria dei climi, in seguito, al contesto storico-culturale del periodo a cavallo tra diciottesimo e diciannovesimo secolo che influenza anche la creazione letteraria di Stendhal et Mérimée. In un secondo momento, ci occupiamo della poetica di Stendhal et Mérimée rispetto alla novella. Infine, analizziamo i personaggi femminili in rapporto agli studi preliminari effettuati nelle parti precedenti della nostra tesi
Challita, Randa. "Les formes de déni de la sexualité chez la femme au Moyen-Orient". Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100178.
Texto completoMy thesis is based on numerous clinical reports of women under analysis, and purports to show certain forms of denial for a female sexual life in the Middle East. First, we explore and present current psychoanalytic concepts and theories on the sexual life of women, either in the East or in the West. Second, we study these clinical reports in light of what we have found in literary tales, in sociological research, and in the literature on psychoanalysis, and we try to answer the following question: Why do women, who have the same family, socio-cultural and economic profiles, and who we can can call (apparently) modern, show similar failures in what regards their simple sexual lives? Hence the title of our research is: The categories of denial of sexuality for women in the Middle East
Banes, Gardonne Marie-Stéphanie de. "La voix intimiste d'un poète de la terre". Bordeaux 3, 2002. http://www.theses.fr/2002BOR30054.
Texto completoJoseph Rouffanche was born in 1922, French teacher in 1961 and doctor in French literature in 1985, his poetry deals with the great elements of the literature and modern poetry in France : childhodd, the passion for the nature, the time and its own fate, the feeling of unfairness, feeling the life and the boarding school's experience like the most terrifying jail. Carrying on the Jean Follain's poetry in a certain way, Joseph Rouffanche finds his own answers to the strange and persistent questions which any man is confronted with one time, at least, in his life. With nostalgia and the most deep feeling of love for the disappeared childhood's world, Joseph Rouffanche sings the deep mystery of his world which focus on him writing and writing again
Desplats, Mireille. "Les femmes et la physique". Université Marc Bloch (Strasbourg) (1971-2008), 1989. http://www.theses.fr/1989STR20039.
Texto completoIn the field of scientific training, physics hold a particular place because it conditions future attitudes towards technical professions. Yet, as soon as they enter secondary school, girls show less interest in physics. Than boys, they find the subject also more difficult. A large number of them will take options in literature to avoid physics. After a large survey of international bibliography, of different hypotheses trying to explain that difference in attitude and performance as regards brain structure, ways of learning, educational habits and stereotyped social expectations leading to role and identity conflicts, the aim of this study is to find out the responsibility of the school system itself which, by the very themes chosen in the physics curriculum, the way the subject is taught and the pupils streamlined, makes the access to physics easier for boys. The teachers themselves admit making no difference between the sexes and therefore are not aware that to build up their sexual identity, boys and girls are very sensitive to social stereotypes and to help girls to appropriate a basic scientific culture without blocks, we still have to imagine a way to present the subject while girls will not identify with the male's world
Chouki, Amina. "Aspects comparatifs de l'hystérie chez la femme française et la femme marocaine du milieu rural". Rennes 2, 1988. http://www.theses.fr/1988REN20007.
Texto completoThe purpose of this study is to compare the clinic aspects of hysteria of the French and Moroccan women issued from rural environment. During this study our hypothesis was to determine if the expression of hysteria is related to the cultural and social environment. . . We have been confronted to the following: does the characteristic belong to a difference in the structure of hysteria or is it due to differences in the cultural symbolisation. Concerning the methodology, we have started to work on the historical summary of the hysteria and the neurosis. Then, we followed different steps of the socialisation of the Moroccan woman and as means; we employed the t. A. T. , the Rorschach and the study of 20 cases. In order to make an analysis and a comparison between the French and the Moroccan cases, we utilised the following: the age, the marital status, the number of children, the studies level and the social and economical level. We choose the criterium of psychiatric treatment, the purpose of hospitalisation, the disorders and the morbid demonstrations. We conclude that whatever is the background, the culture and the society, the inward mechanism of hysterical neurosis remain the same. Only its expression is changing
Rousseau, Amélie. "Stigmatisation et coping chez les femmes obèses". Toulouse 2, 2004. http://www.theses.fr/2004TOU20061.
Texto completoThe major objective of this study is to explore the different stigmatizing situations confronting obese women and their impact on these women. In addition, this study seeks to identify the different types of coping used by obese women confronted by stigmatization. It is also important to consider the relationship between the frequency of stigmatizing situations, their perceived effect, coping strategies used by obese women as well as their overall psychological functioning. In some cases, obese women suffer from binge eating disorder (BED), and these women will be compared with obese women not suffering from this disorder with particular attention to the impact of stigmatization and types of coping strategies employed. Finally, this study requires the French validation of the Body Shape Questionnaire (BSQ) which will allow for a measure of body dissatisfaction. The sample is composed of 160 obese women
Toro, cardona Angelica. "Femmes de guerre et guerre de femmes". Thesis, Rennes 2, 2020. http://www.theses.fr/2020REN20026.
Texto completoThe relationship between psychoanalysis and femininity has always been tormented : often blamed for its phallocentrism ; psychoanalysis, on the other hand, would blame women for not revealing their mystery. This thesis examines the relationship between the Freudian apparatus and femininity, and this with a specific goal, to highlight the active and even combative nature of women in Freudian thought ; but also the fact that psychoanalysis has never resigned from facing the incredible challenge represented by the meeting with the feminine soul. Aggressiveness being in the center of his becoming as a gendered being, the Freudian woman maintains a close relationship between death drive and acting out. This proximity as well as the women’s question in Lancanian theory helps us to establish our hypothesis in which acting out may constitute an expression of the woman’s being. What comes out of it is a clinical approach of the acting out in the feminine, involving two major issues for psychoanalysis : First femininity conceived as a style which is inscribed in the heart of the psychic structure, through more or less particular acting out ; secondly a study of the inner logic of the act, involving a distinction between the basic structure of the act and the clinical structure of the subject. That allows us to combine the question of the psychosexual position of the subject and the one of the psychic structures. In the third part of our thesis, we illustrate that point by clinical vignettes about women in the setting of Colombian armed conflict. The figure of warrior woman is thus expanded to feminine clinic as such
Vilchenon, Nadia. "Magie blanche et magie noire : littérature, dépendances et addictature". Amiens, 2001. http://www.theses.fr/2001AMIEA002.
Texto completoBarsagol-Schmidt, Marika. "Représentations et mythes de la femme dans la Grèce antique : images féminines dans la littérature grecque : orateurs attiques et poèmes homériques". Toulouse 1, 1988. http://www.theses.fr/1988TOU10042.
Texto completoThe way women are presented in attic orator's speeches and homeric poems show that, on an institutional as well as a mythical level they only have a minor position in greek society
Jacoponi, Tiziana. "Cristina Comencini : cinécritures - Femmes". Thesis, Paris 10, 2010. http://www.theses.fr/2010PA100103/document.
Texto completoAt first sight, Cristina Comencini’s works may seem simple, light, almost popular. Yet, she one of the rare authors, in contemporary Italy, who is at the same time a writer, a scenarist, a film director and a playright. These multiple aspects of her work led her to create a women’s « cinécriture » which stands at the crossroad between novel and film. It is a real conscious strategy which uses the texture of the language (grammar and syntax) to render the message more accessible to anyone. This thesis takes into consideration the period going from 1994 to 2007, during which the author became the spokeswoman of the feminin cause in the name a new subjectivity and she started to reinterpretate history, in particular the period of the Seventies, so crucial for her generation. Her mastery of the different kinds of genre structures and of technical skills allowed her to renew the literary landscape, first of all in terms of subject treated. From 2001, she has been able to propose a innovatory feminin and popular « format » whereby the private feelings are the pretext to express political analysis
Lu, Han Victor. "La question de l'origine chez des femmes métisses : ambivalence et fluctuation identitaire". Paris 7, 2014. http://www.theses.fr/2014PA070009.
Texto completoThis thesis deals with the question of "métissage" or mixed-heritage, leaning on the one hand, on the living experience of women of mixed-heritage, as it is expressed on the interviews from the present research and, on the other hand, on the studies in psycho-sociological literatures. "Métissage" is taken from the psychoanalytical concept of "identification" as well as from the notion of "identity", in the domain of social philosophy. It is less question of "métissage" under the cultural or artistic angle than from the "biological" and ethnical point of view, as it is about "métissage" during the colonial period, or, especially, under the current postcolonial period, these two historical contexts redesign new racial and ethnical frontiers of human populations. The background is constituted, in its political aspect, by the cultural imperialism of the West; the ethnical conflict is being inevitably displaced into the cultural terrain, carried by racialist and racist ideologies. The idea of identity recognition, as a mean of social inscription, contrasting with the often misleading image of a biracial subject being "free", who can afford — impossible matter? — to put away his or her origins, is the principal problematic that this research aims to fathom
Manguito, Armanda. "Images de femmes dans la littérature portugaise des années 20 et 30". Bordeaux 3, 2001. https://extranet.u-bordeaux-montaigne.fr/memoires/diffusion.php?nnt=2001BOR30058.
Texto completoDupin-Benesse, Marie-Paule. "Francs-maçons, femmes et féminin 1760-1997". Amiens, 1998. http://www.theses.fr/1998AMIE0002.
Texto completoA two-fold investigation, namely: an historical research based on findings during the 18th and 19th centuries, and a contemporary research (30 individual interviews in 1997 with members of the freemasonry) formed the ground-work for a psychological analysis of the male-female relationships in freemasonry, a progressive, initiatory society. Elements stemming from the 18th and 19th centuries reveal a perceptible picture of institutional oppositions and social representations regarding the admission of women to freemasonry. In 1997, with the use of the clinical approach, the freemason subject with which the woman in a masonic lodge is sometimes confronted, remains in the foreground. The psychoanalytical interpretation of the physical being allows one to extend the psychosocial male-female sphere in order to focus on the feminine in her double reference to the man and to the woman ; and also, to grasp how the man-woman relationship in its initiatory complicity with the masculine-feminine relationship weakens the narcissism, blurs the identity and renews the psychological bisexuality. Collective and individual difficulties are expressed which in turn reveal the resistance to change and the opposition between that which is identical and that which is different. In other words, the elements of a problematical solution of a particular social reality, where the complexity of bonds uniting the majority-minority relations with the masculine-feminine is formulated
Niedzwiecki, Patricia. "Théâtralité des parlers et des comportements féminins et masculins". Paris 7, 1992. http://www.theses.fr/1992PA070093.
Texto completoThe 1st part of this 2nd phd about "women's" and men's language" (the very 1st one dating from april '85 mainly dealing with analysing 13 taped conversation groups all female-all male, mixed - in english & dutch & french, univ. Paris 7) is partly based on some of the results of my 1st study "phenomenology of women's language"). It also examins sexism in speech & behaviour, gender, sex, feminity, masculinity, but from a more literary point of view, since it does not use any taped material but written documents. The 2nd part consists of a code of practice for the correct use of female language forms, which could be applied to virtually all languages, since it is clear there is no shere linguistic reason for ingoring female language forms other than biases. Indeed, through analysing the principles of femininity & masculinity, one comes to realise how fabricated our images of the world are, from infancy onward. Deciphering etymology also makes clear that our symbolic representations of life can easily be altered by bad habits. At the outset of life on earth, the powerful sun seems to have been feminine, and the moon masculine, whereas in the 17th cy, english & other european grammarians imposed their own masculine ideas puon society, so that the sun became masculine, and the moon feminine. The same probably happened to female & male voice pitches & behavioural patterns. But how feminine & or masculine are women's & men's speech & behaviour? This study mainly focuses on such question
Frémont, Paul. "Tabagisme et grossesse : revue de la littérature". Caen, 1993. http://www.theses.fr/1993CAEN3056.
Texto completoChamboux-Hales, Catherine. "Petites filles et femmes dans la littérature de jeunesse en France (1978-1981)". Paris 8, 1997. http://www.theses.fr/1997PA081340.
Texto completoThis thesis on children's literature is a study of the representations of girls and women in ten contemporary french novels. The analysis of the content of these novels reveals in the child protagonists' environments female characters in their roles as women and mothers, and male characters seen through male-female relations and the different figures of the father, in traditional, separated, and single-parent families. The private and/or professional lives of the adults determine the relationships between the parents and between the parents and their children. The study of the child protagonists shows that the heroine goes through different phases, from little girl to adolescent. The child's situation within the family and among her siblings leads to a variety of feelings and reactions. The little girls are overwhelmed by a common obligation to grow up and by the desire to refuse to grow up. The beginning of adolescence is another event shared by all the protagonists. The perception of all that which happens in the lives of the child protagonists and in their minds is resolved in reality and/or in the imagination, through words and silences. From the initial situation to the final phase, the child is transformed, modifies her behavior, experiences different feelings, and sets out on a path toward the future
Yuan, Yuan. "Réception et création : les littératures féminines française et chinoise au XXe siècle". Besançon, 2010. http://www.theses.fr/2010BESA1015.
Texto completoThis study aims at probing, measuring and describing the relationship between the Chinese and French female literature of the twentieth century. It concentrates particularly on the most representative female writers from both countries and their works that reflect female consciousness. The Chinese female writing in the 1920s-1940s shows strong feminist thought, similar to French female writing of the period. However, there was no direct communication between these two female literatures and the influence of French literature on the first generation of contemporary Chinese female writers came from males writers. The French feminist literary theory formed during the 1970s has become the theoretical pivot and practical model for the Chinese female writing in the 1990s, yet continually influenced by Chinese female writing in the 1920s-1940s. The use of the comparative method helps to show that Chinese contemporary female literature is “the fruit” of the combination of the development of Chinese female literature herself, the influences of western feminist theories and western literature, especially French literature
SOHN, YOUNG-SOON. "La femme coreenne. Ses conditions de vie et ses vetements du xviie au xixe siecle d'apres les romans et peintures de l'epoque". Paris 7, 1997. http://www.theses.fr/1997PA070016.
Texto completoThe korean woman, noble or belonging to the popular classes, was dependant on the man : her father, then her husband and finally her son. In this patrilinear and partriarchal context moral obedience, fidelity and chastity was demanded of her. Only the courtisan, or kisaeng escaped from these constraints. This appeared in the novels from the end of the choson era. The novels also spoke about women's clothes in which the material, the form, the colour and the usage were fixed according to the social rank of the woman in question. It should be understood that the clothes developed not only according to fashion but also according to social changes. The novels also describe the efforts made by the women to break free of the moral constraints of confucian customs imposed upon them, such as increasing the amount of undergarments to hide the form of their bodies. The historical documents show us that the women of low social standing were forced to dress and style their hair according the style of the noble women. The usage of silk and other precious materials, and the usage of luxurious hair-pieces are also displayed by paintings of the social customs and novels. Little by little women liberated themselves. They were eventually able to display their feelings, particularly in the sexual domain, and to manifest them by the type of costume, by the hairstyle, which at the end of the choson era was a short jacket, a long and full skirt and a hairstyle with a wig and long plait. Paradoxically, the women wore, on the outside, a chang'ot, a type of large overcoat, which covered their head and face. The kisaeng didn't escape this constraint. It can be said that the women's clothes from the latter period of choson were modeled on those of the noble women who were concerned to display their virtue. Women of all classes participated in this evolution. The kisaeng determined the exterieur characteristics of women's clothes in this latter period, while the peasants made various articles making possible the fabrication of luxury clothes
Kounga, Tatiana. "Représentations et identités des femmes afro-descendantes et africaines dans la littérature : cas du Pérou et du Gabon". Thesis, Reims, 2014. http://www.theses.fr/2014REIML004/document.
Texto completoRepresentations and identities of African descent in Peru and Gabonese women in literature is a comparative study on the status of women in their respective societies. In either society, one cannot fully grasp the experience of these two categories of women without looking into their social status, their life and the role (specific or not) that they play in their different communities. In Peru, women of African descent are constantly hobbled by many stereotypes and prejudice. We are interested to know the forms they take in contemporary Peruvian literature. That is why the analysis of female characters in the literary texts selected for this study represents a crucial step toward questioning this stereotyping dynamics. More importantly, attempts to “deconstruct” this social malady by Gregorio Martínez through such works as Canto de sirena, Crónica de músicos y diablos and Cuatro cuentos eróticos de Acarí were also analized.In Gabon, on the other hand, women's condition, their social status and the discrimination that they have to face is mainly due to the dual effects of traditions and misogyny in the modern society. In such novels Histoire d' Awu (“The Story of Awu”) and Féminin interdit (“No females”) by Justine Mintsa and Honorine Ngou, the characters are portrayed as the victims of traditional society because of their lack of freedom. Because of certain customs, women are oppressed, and abused; “they are constantly silenced, denied humanity and made nonfunctional”. Thus, women being seen as a heavy burden for female characters because they usually seem to be tasked with carrying the suffering of all womankinds.Key words: Representations - Identities - Afro-peruvian women - Gabonese Women - Literature
N, Guessan Marie-Régine. "Femmes, sexualité et politique dans les œuvres de Calixthe Beyala et Ken Bugul". Paris 8, 2013. http://www.theses.fr/2013PA084166.
Texto completoAfrican contemporary situation is sensibly marked by troubles, that determine its World level : political, social, economical and human realities. Before this general and increasing degradation, Ken Bugul and Calixthe Beyala wonder about writing evolution and adaptation, about African writers mission in current period. These preoccupations define two interests : The « women » subject (through the feminine sexuality and emancipation) and African Policy (through updating postcolonial literature). This work consist in analysing the scriptural treatments of these main themes in the works of Ken Bugul and Calixthe Beyala between 1983 (The crazy baobab of Ken Bugul) and 2006 (The golden piece, of the same author)
Naudier, Delphine. "La cause littéraire des femmes : modes d'accès et modalités de consécration des femmes dans le champ littéraire (1970-1998)". Paris, EHESS, 2000. http://www.theses.fr/2000EHES0127.
Texto completoCastagnès, Gilles. "Les femmes et l'esthétique de la féminité dans l'oeuvre d'Alfred de Musset". Paris 10, 2002. http://www.theses.fr/2002PA100034.
Texto completoDeliberaly on the fringes of the biographical investigations which have tried for 150 years to clarify the ambigous and often tumultuous relationships bonding the French writer to his work and to the many women who were part of his life, this study intends to put forth the essential structural and thematic importance of the Woman un the whole of this writer's work. Based on a semantic analysis of the archetypes - sources of the poetic imagination - this study puts the emphasis on the diversity and the complexity of the unique female world the author succeeded in creating, regardless of the genres to which the various texts belong. Going beyond the ecletic - not to say unfinished - aspect of Alfred de Musset's work, and with a mainly stylistic approach to the texts - focusing mostly on the allegory - this study attempts to shed light on a profound unity in what would be suited to call "the writing of feminity"
Lefèvre, Yves. "Des femmes et de leurs entreprises contribution a une clinique du +diriger-femme; dans l'espace social". Paris 7, 1998. http://www.theses.fr/1998PA070064.
Texto completoThis work aims at studying the particularities of the destinies of women who are the founders and leaders of companies. This theme concerns both the psychological field connected with management, and clinical psychology. In order to bring out particularities wich could go unnoticed in more common cases, the author chose characters showing a heroic and eminent dimension. Thus the autor studied destinies of mythological characters such as iphis, atalante, judith, electre, historical characters such as the bouboulina, pope joan, joan of arc, then women who are contemporary leaders such as coco chanel, ikue yamazaki, nicole armingault, phoolan devi, and to finish, with the case of the matador woman christina sanchez. From these biographies, the author suggests a + typical picture ; which points out four characteristic symptoms, linked to the family problematics. The social unease which appears to the benefit of such situations is explained thanks to freudian topics and theories of narcissism. By excelling in social life, each of these women would seek to climb to a level of a position that could satisfied the maternal look previously captured by their brotherly rival and they would identify themselves both to the wonderful child who would like a father with a particular weakness, in his daughter's eye. More often, these ambitions meet with the kultur, wich by being the victim of its divide, projects on this women the guilty feeling due to the keeling of origins wich launches the social dimension of human collectivity according to freud. Reminding this drive background in its erotic, aggressive, object and narcissic dimensions has a part in this charge for which women are more often victims. So, they would be more regularly condemned because they put on the father's clothes and brought back the fears of being abandoned at the same time and castrated