Tesis sobre el tema "Feminist psychoanalysis"
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Campbell, Janet. "The mother as subject within the writings of psychoanalysis and women's writings". Thesis, University of Sussex, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.238820.
Texto completoCampbell, Kirsten. "From this one to an other : Jacques Lacan and feminist epistemology". Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310442.
Texto completoPajaczkowska, Claire. "Before language : the rage at the mother". Thesis, Middlesex University, 1988. http://eprints.mdx.ac.uk/13278/.
Texto completoErikson, Kajsa. "No Need for Penis-Envy : A Feminist Psychoanalytic Reading of The Bell Jar". Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-36034.
Texto completoBatorowicz, Beata Agnieszka y n/a. "Undoing Big Daddy Art: Subverting the Fathers of Western Art Through a Metaphorical and Mythological Father/Daughter Relationship". Griffith University. Queensland College of Art, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040319.090547.
Texto completoBatorowicz, Beata Agnieszka. "Undoing Big Daddy Art: Subverting the Fathers of Western Art Through a Metaphorical and Mythological Father/Daughter Relationship". Thesis, Griffith University, 2004. http://hdl.handle.net/10072/367273.
Texto completoThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Full Text
Bruteig, Rune. "Who's afraid of the Fenris-wolf? : projections of a skin self and Nordic mythographic filmmaking (a feminist and psychoanalytical introspective)". Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23208.
Texto completoChapter Two seeks to establish some of the possible socio-political implications of a recovered pre-oedipal sensibility, by way of situating the place of the personal within critical discourse--the cross-fertilization of critical theory and self-critical artistic discourses. Using the specific example of film, my central conceit consists in drawing a parallel between the skin and the filmic screen as both being simultaneously introjective and projective liminal membranes.
Chapter Three is a case study of sorts, one which traces the manifestations of a liminal subjectivity during a critical phase in the history of my native Nordic culture--the period of transition between pagan and Christian society. Its spirit is then shown to be alive and well within the ensemble films of Ingmar Bergman, whose work has come to stand as something of an archetype of the Nordic film form.
The second section, PRAXIS, appropriately provides this project's own creative component, a sketch of a film scenario that I hope to one day be able to liberate from the stasis of the written page and project into the uncertain spaces of a theater screen.
Jennings, Morgan J. ""There's a real hole here": Female Masochism and Spectatorship in Michael Haneke's La Pianiste". Scholar Commons, 2017. http://scholarcommons.usf.edu/etd/6869.
Texto completoAnderson, Elizabeth Joan y n/a. ""Lest we lose our Eden" : Jessie Kesson and the question of gender". University of Otago. Department of English, 2006. http://adt.otago.ac.nz./public/adt-NZDU20060906.095909.
Texto completoSeu, Irene Bruna. "A psychoanalytic feminist inquiry into shame". Thesis, University College London (University of London), 1996. http://discovery.ucl.ac.uk/1317507/.
Texto completoZafar, Yasmeen. "Feminism, psychoanalysis and postmodernism : bridging the discourses". Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/42051.
Texto completoLaw, Peter A. Allard School of
Graduate
Minato, Mauren de Vargas. "MULHERES CONVERSANDO SOBRE SAÚDE: A EXPERIÊNCIA DE PASSAGEM DO TEMPO". Universidade Federal de Santa Maria, 2014. http://repositorio.ufsm.br/handle/1/10340.
Texto completoO presente trabalho objetiva conhecer e analisar as narrativas de um dos grupos de empoderamento de mulheres da 4ª edição do projeto de extensão Direitos sexuais e reprodutivos: conversando sobre saúde , enfocando as representações sobre a experiência da passagem do tempo para as mulheres na atualidade. Essa pesquisa é uma ramificação de um projeto intitulado Saúde Sexual e Reprodutiva das Mulheres: O Grupo como Dispositivo , vinculado ao Grupo de Pesquisa Saúde, Minorias Sociais e Comunicação . Configura-se como pesquisa-intervenção, na qual uma das pesquisadoras atua como mediadora/observadora do grupo em questão. Para a análise das informações qualitativas foi empregada a escuta clínica, trabalhando com a atenção flutuante, para identificar as características dos discursos, assinalar os elementos periféricos e as particularidades da argumentação. A interpretação do conjunto de informações foi a partir da Psicologia Social Crítica, estabelecendo um diálogo com os Estudos de Gênero/Feministas, Psicologia de Grupos e a Psicanálise.
Hofmann, Ingrid. "Deadly seductions : femme fatales in 90's film noir". Title page, table of contents and abstract only, 1998. http://web4.library.adelaide.edu.au/theses/09ARM/09armh713.pdf.
Texto completoJacobs, Amber. "Theorising matricide : psychoanalysis, feminism and the Oresteian myth". Thesis, Queen Mary, University of London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394372.
Texto completoBuck, Claire. "Reading the feminine self : H.D./Freud/psychoanalysis". Thesis, University of Kent, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328627.
Texto completoSilas, Elizabeth J. "THEMES OF AWAKENING IN MAINSTREAM FILMS: FEMALE SUBJECTS AND THE LACANIAN SYMBOLIC". Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1133495057.
Texto completoTitle from first page of PDF document. Document formatted into pages; contains [1], iv, 63 p. Includes bibliographical references (p. 58-63).
Drew, Lorna Ellen. "The mysteries of the gothic, psychoanalysis/feminism/the female gothic". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1993. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq23880.pdf.
Texto completoMcIver, Victoria. "Psychoanalytic feminism: a systematic literature review of gender". AUT University, 2010. http://hdl.handle.net/10292/905.
Texto completoSchmiedel, Stevie. "Contesting the oedipal legacy : Deleuzean vs psychoanalytic feminist critical theory". Thesis, University of Nottingham, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289082.
Texto completoRhodes, Molly Rae. "Doctoring culture : literary intellectuals, psychology and mass culture in the twentieth-century United States /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9809139.
Texto completoPotgieter, Liske. "Deconstructing Disney's diva: a feminist psychoanalytic critique of the singing princess". Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/3379.
Texto completoHöglund, Sebastian. "A Lacanian Psychoanalytic Feminist Interpretation of Marie in Louise Erdrich’s Love Medicine". Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-26141.
Texto completoGamboa, Solis Flor De Maria. "Towards a New Psychoanalytic Theory of Abandonment : A Feminist Intervention via Myth". Thesis, University of Sussex, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504359.
Texto completoCarson, Juli (Juli Christine) 1962. "Excavating discursivity : Post-Partum Document in the conceptualist, feminist and psychoanalytic fields". Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/9386.
Texto completoIncludes bibliographical references (v. 2, leaves 441-473).
Post-Partum Document, a multi - media artwork made by American artist Mary Kelly from 1973- 1978 , was informed by and contributed to contemporaneous debates in the fields of Conceptualism, feminism, and psychoanalysis throughout the seventies. This dissertation addresses the project's "debate - specificity." The conventional art historical categorization and analysis of an artwork, one based upon its medium specificity, was a mode of modernist criticism that Kelly's work specifically interrogated. What therefore distinguished Post-Partum Document from other artworks of its period was an interrogation of the "discursive site," i. e. a specific site of debate grounded within a given discourse. Within the practice of art, Post-Partum Document begs us to think of the discursive site as a displacement of the "material" site. It's "multimedia" status thus indicates the manner in which it simultaneously addressed questions of aesthetics, semiotics, film, psychoanalysis, and activism within the visual field. Previous studies have engaged Post Partum Document primarily as an example of psychoanalytically informed feminist art. My dissertation traces its original debate within the broader history of Conceptualism, feminism, and psychoanalysis in Britain, followed by its American reception in the eighties, at which point PostPartum Document became a model for feminist critical art practice.
by Juli Carson.
Ph.D.
Mendonça, Ligia Gama e. Silva Furtado de. "Há mulher na estrutura perversa?" Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5260.
Texto completoEsta dissertação propõe-se a discutir a existência de mulheres estruturalmente perversas a partir da teoria psicanalítica, sobretudo através das contribuições indispensáveis de Freud e Lacan. Inicialmente, ao estudar a perversão, há a dificuldade de isolá-la como uma estrutura específica distinguindo-a da psicose e da neurose a partir do ponto de vista fenomenológico devido à manifestação polimorfa-perversa da sexualidade humana. No entanto, uma das questões discutidas ao tratar este tema tão nebuloso é se há mulher na estrutura perversa, ou se as posições perversas seriam apenas restritas ao homem. Logo, para esta pesquisa, fez-se necessário, além de abordar as questões referentes à mulher, entender o percurso freudiano no estudo da perversão, desde os seus primeiros usos até a sua formação conceitual. Para isso, é preciso compreender os diversos usos do vocábulo Verleugnung em Freud e o estudo de Lacan que, por sua vez, consolida o termo como um mecanismo perverso. Examinando acerca do fetichismo e dos pares de opostos freudianos que as questões decorrentes da aproximação entre mulher e perversão se perfizeram. Finalmente, mostrou-se essencial abordar a discussão quanto à clínica da perversão e ilustrar a teoria tratada através de casos da literatura e de exemplos oriundos da arte.
Walters, Ruth. "Utopias lost : feminism and the problem of masochism". Thesis, University of Sussex, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282969.
Texto completoFuentes, Maria Josefina Sota. "As mulheres e seus nomes: Lacan e o feminino". Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/47/47131/tde-16122009-090444/.
Texto completoUnlike the feminism abstracting the feminine into a historical discursive construction and currently demanding to deconstruct the dualism of sexual differences considered mandatory and restrictive, in this research we intend to demonstrate that, if The woman does not exist, according to the thesis of Jaques Lacan, the feminine insists not as category that would finally give consistency to the woman as gender, but as a real that affects the talking being and requires solutions of nomination according the foreclosure of The women significant in the unconscious. In the first part, entitled \"The women and the feminine in the culture\", we explored the various female names that designated the women throughout western history ranging from the terror on women, through different forms of defamation, until its worship by the beauty bias or by the effect that its appointment can cause. The names of the feminine that Freud sought on psychoanalytic experience and in the contribution brought by women analysts at the time are also evaluated, as well as the theory of Lacan on women and the feminine condition. In the second part, entitled \"Women analysis\", we investigated the solutions and deadlocks heading the female from the analysis of four women: Anna O., the young homosexual, Helene Deutsch and Marguerite Duras through its character Lol V. Stein, praised by Lacan to have elucidated a practice of convergent letter with the use of the unconscious, theme of our research.
Mendonça, Ligia Gama e. Silva Furtado de. "Da perversão-polimorfa à estrutura perversa: um estudo sobre a possibilidade de haver mulheres estruturalmente perversas". Universidade do Estado do Rio de Janeiro, 2015. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=9010.
Texto completoEsta tese é um prolongamento de uma pesquisa em psicanálise sobre perversão e mulheres iniciada no curso de Especialização e estendida no Mestrado. A partir da constante afirmação no campo lacaniano sobre a inexistência de mulheres estruturalmente perversas, traçamos um percurso sobre o estudo da perversão em Freud e Lacan para interrogarmos a possibilidade de haver mulheres perversas. Para isso, no primeiro capítulo, aprofundamo-nos na teoria da sexualidade freudiana, diferenciando perversidade de perversão e delimitando a distinção entre perversão-polimorfa e estrutura perversa através dos conceitos de fixação e exclusividade, presentes em Freud desde 1905, e do mecanismo perverso (Verleugnung), proclamado por Lacan, mas presente na obra freudiana. Investigamos também neste capítulo a importância das fantasias de espancamento (FREUD, 1919) e da vivência edipiana para o entendimento acerca das perversões. A partir disso, analisamos o fetichismo e os pares de opostos, sadismo-masoquismo (esmiuçando as obras de Marquês de Sade e Sacher-Masoch, responsáveis pela origem dos termos), e voyeurismo-exibicionismo. O segundo capítulo foi dedicado, de maneira geral, à fantasia. De início percorremos o conceito em Freud e Lacan para, posteriormente, através do entendimento sobre fantasia, pensarmos sobre os atos. Em seguida, examinamos a definição de homem e mulher para a psicanálise, diferente daquela utilizada pela biologia, para interrogarmos a possibilidade de uma mulher ser perversa. Na terceira parte desta pesquisa, utilizamos a história de duas mulheres, Gertrude Bainszewski e Suzane von Richthofen, avaliamos o caso Violette de André (1995) e ponderamos sobre a personagem Erika Kohut de A professora de piano (2001) para pensarmos sobre a teoria até então apresentada
This thesis is an extension of a research in psychoanalysis about perversion and women started in the Specialization course and extended in the Masters. From the constant affirmation in the Lacanian field about the lack of women structurally perverse, we followed the course on the Freud and Lacan study of perversion to question the existence of structurally perverse women. To do this, in the first chapter, we pursued the Freudian theory of sexuality, distinguishing perversity of perversion and delimiting the difference between polymorphous perversity and perverse structure through the concepts of fixation (Fixierung) and exclusivity, present in Freud since 1905, and the perverse mechanism (Verleugnung), proclaimed by Lacan, but current in Freudian work. This chapter also researched the importance of the text A child is being beaten (FREUD, 1919) and the Oedipal experience to understand the perversions. From there, we analyze the fetishism and the pairs of opposites, sadism-masochism (scrutinizing the works of Marquis de Sade and Sacher-Masoch, responsibles for the origin of the terms) and voyeurism-exhibitionism. The second chapter was dedicated generally to fantasy. We start this concept in Freud and Lacan to subsequently think about the acts. Then, we examine the definition in psychoanalysis of man and woman, different from that used by biology, to question the existence of perverse women. In the third part of this research, we use the story of two women, Gertrude Bainszewski and Suzane von Richthofen, evaluate the Violette case from André (1995) and we ponder the character of Erika Kohut in The piano teacher (2001) to think about the theory presented so far
Barbosa, Marina Silvestre. "Devastação feminina: a outra face do amor". Universidade Federal de Alagoas, 2018. http://www.repositorio.ufal.br/handle/riufal/3494.
Texto completoFAPEAL - Fundação de Amparo à Pesquisa do Estado de Alagoas
Não há limites às concessões que cada mulher faz a um homem, afirmou Lacan (1974) em Televisão. É possível observar casos assim na história, na literatura, nas músicas e na clínica psicanalítica. Isso levou escritores, músicos e psicanalistas a produzirem trabalhos a respeito do modo de amar das mulheres. Elas se utilizam de diversos semblantes a fim de recobrir a falta de um significante que designe o que é ser mulher. O amor é considerado um desses semblantes que pode tamponar a falta do significante do sexo feminino. Diante disso, questiona-se a importância do amor para as mulheres, consequentemente busca-se identificar o que levou Lacan (1975-1976) a afirmar que o homem pode ser uma devastação para a mulher. Deste modo, a presente pesquisa tem como objetivo analisar, a partir das proposições lacanianas, o conceito de devastação feminina, sob a hipótese de que esta pode ser um dos efeitos do chamado gozo feminino. Para isso, foi realizada uma pesquisa de cunho teórico em psicanálise. Realizou-se uma pesquisa na obra de Jacques Lacan, principalmente a partir do Seminário XX Mais, ainda (1972-1973) e também em textos de autores contemporâneos que discutem aspectos relacionados à devastação, à sexualidade feminina e ao gozo feminino. As teorizações a respeito da sexualidade feminina modificaram-se desde Freud e o início do ensino de Lacan. Com a noção de que a sexualidade feminina está mais além do falo, desenvolvida por Lacan no Seminário XX, foi possível discutir a devastação nas parcerias amorosas. Conclui-se que a devastação feminina pode ser considerada a outra face do amor, pois ela está relacionada à queda do amor enquanto um semblante que pode proporcionar um limite ao gozo feminino.
Massoura, Kiriaki. "The politics of body and language in the writing of Margaret Atwood". Thesis, University of York, 2001. http://etheses.whiterose.ac.uk/10907/.
Texto completoPires, Teresa Cortez Pereira Bento. "A mulher na psicanálise: Estudo exploratório". Master's thesis, ISPA - Instituto Universitário, 2012. http://hdl.handle.net/10400.12/2292.
Texto completoAlgumas teorias convencionais da Psicanálise acerca da mulher têm sido criticadas por serem determinadas por ideologias patriarcais e inadequadas à realidade psíquica das mulheres, recebendo também pouco apoio empírico tanto da Psicologia como de outras áreas. Tendo como base estas teorias psicanalíticas, procurava explorar-se o quanto psicólogos e estudantes de Psicologia concordavam com as mesmas e se tal se encontrava relacionado com aspetos da sua representação pessoal das mulheres. Foi aplicado um questionário com dois instrumentos desenvolvidos para este estudo (a Escala de Concordância com as Teorias Psicanalíticas acerca da Mulher e o Teste Semiprojetivo da Representação da Mulher) a uma amostra de conveniência de 101 Psicólogos e estudantes de 4º ou 5º ano de Psicologia (85 mulheres; média de idades de 27,2 anos). Existiu uma grande variabilidade entre sujeitos no acordo com as teorias psicanalíticas. Este surgiu mais ligado a variáveis pessoais (i.e., maior acordo em homens e sujeitos mais jovens) do que profissionais (i.e., modelo teórico, área). Um maior acordo relacionou-se com diversos aspetos da representação das mulheres: a uma representação menos vaga e mais precisa da mulher; a um maior foco no próprio como referência para a apreensão da mulher; a mais respostas narcísicas; a mais conteúdos morais e de aparência/sexualizados. Encontraram-se diferenças de sexo, idade, modelo teórico e área na representação pessoal da mulher. Estes resultados questionam o valor objetivo e universalizável das teorias psicanalíticas acerca da mulher, já que estas parecem estar consideravelmente relacionadas com um envolvimento pessoal, o que tem implicações na prática clínica. ------- ABSTRACT ------- A number of the conventional psychoanalytical theories about women have been criticized for being determined by patriarchal ideologies and inadequate to the psychic reality of women. They have also received limited empirical support from Psychology and other areas. Based on these psychoanalytical theories, we aimed to explore the extent in which psychologists and Psychology students agreed with them and if that agreement was related to aspects of their personal representation of women. A questionnaire containing two instruments developed for this study (ECTPM scale and TRIC semi-projective test) was administered to a convenience sample of 101 psychologists and 4th and 5th year Psychology students. It was found a considerable variability between subjects concerning the agreement with psychoanalytical theories. This agreement was more related to personal variables (i.e., it was higher in men and in younger subjects) than to professional variables (i.e., model, area). A higher agreement was related with several aspects of the representation of women: a less vague and more precise representation of women; a higher self-focus as reference for the perception of women; a higher amount of narcissistic answers; a higher amount of moral and appearance/sexual contents. There were differences in the representation according to gender, age, model and area of Psychology. These results question the objective and universalized value of these theories about women, since they seem to be considerably related to a personal involvement, which has practical implications.
Haden, Heather Jean. "The Aesthetics of Unease: Telepresence Art and Hyper-Subjectivity". Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1429862881.
Texto completoNubile, Marisa Vieira Ferraz Cunha. "Uma viagem pelo território das letras: ressonâncias do feminino na escrita numa perspectiva psicanalítica". Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-07062011-153248/.
Texto completoThis work is based on the contribution of the psychoanalytic theory, especially the one developed by Lacan on the feminine and writing. By using this reference, an attempt was made to theoretically track those two concepts, intending to articulate them. In Psychoanalysis, since Freud, the writing was thought as a metaphor of the psychic registrations, so, from the unconscious substrate. The feminine received as well a differentiated treatment of the common sense, because, despite anatomy and gender are aspects that can\'t be neglected, the latest contributions on the feminine, for the Lacanian oriented Psychoanalysis, make reference to a position where the person is not-all regulated by the phallic patterns. Besides, this position comprises an enjoyment that escapes from the possibility of seizure by the human symbolic apparatus. Nevertheless, if the feminine indicates a surplus, this same perspective is found in the conception of writing and, in special, of the letter, when Lacan started to articulate it with the enjoyment. From this point of view moment, it is proposed that the feminine inhabits the place of enjoyment of the writing/letter. As it\'s possible to observe, a twist was made in the use of both significants, so that, instead of a feminine writing, it was suggested to think about the feminine in the writing. No longer used as an adjective, the feminine started to be treated not as a quality in some writings, but as a substance of writing, which would be, eventually, recognized in some literary writings made in this territory-coast, where enjoyment and significant are side by side. So, leaving the perspective of the psychic writing, some literary texts were studied where it was possible to observe resonance of the feminine position. At last, it was discussed how such position could attend in education in a general way and in writing as worked at school, in a specific way. It is noticed that the teacher has more and better conditions to create alternatives to deal with the \"excess of enjoyment\" that permeates the educative field when the feminine position, in it\'s not fullness and plurality can be sustained.
Tobler, Judith. "Gendered signs of the sacred : contested images of the mother in psychoanalysis, feminism, and Hindu myth". Doctoral thesis, University of Cape Town, 1997. http://hdl.handle.net/11427/13910.
Texto completoThis thesis engages a multi-disciplinary theoretical approach to identifying, analysing, and interpreting discourse relating to the feminine and the maternal found at the intersection of psychoanalysis, feminism, and religion. The study explores embodiment, gender, and the sacred as expressed in symbolic representations of the mother and the institution of motherhood in patriarchy. I have therefore drawn on Freudian and post-Freudian theories, gender analysis, feminist critical analysis, and classical Hindu goddess myth to discern ways in which sacred images of the mother serve to reinforce the oppression of women on the one hand and can be transformed to provide empowering symbols for women's lived reality on the other. Theory of sacred space is also employed, particularly with regard to the human production of the sacred through the contested politics of sacred space.
Zana, Augusta Rodrigues de Oliveira. "Identidades e posições nas relações sociais em perspectivas feministas : interrogações à psicanálise a partir de articulações entre materialidade e discurso". Thesis, Université de Paris (2019-....), 2020. https://theses.md.univ-paris-diderot.fr/RODRIGUES_DE_OLIVEIRA_ZANA_Augusta_va2.pdf.
Texto completoBoth in the field of psychoanalysis and in that of feminist and queer studies, different perspectives conceive the identity “women” as a kind of imaginary unification. However, once we recognize the importance of desessentialization, we cannot deny the existence of differentiated vulnerabilities. This tension placed, our objective is to think about the category “women” under the assumption that if there is nothing “genuinely feminine”, but there is indeed a differentiated vulnerability, that category can only be defined by the oppression experienced by them. In order to question psychoanalysis about some feminist perspectives’ contributions, we outline a theoretical-conceptual methodology guided by the “situated knowledge” theoretical-methodological approach based on a theoretical framework anchored in psychoanalysis, notably Freud and Laplanche, and in feminist perspectives. Appealing to propositions outwards identity approaches, such as performativity according to Judith Butler and positions in social relations provided by materialist feminism perspectives, we achieve a non-essentialist understanding of the category “women”, characterized by positions in social relations bounded to concrete and varied forms of oppression, which cannot be understood outside multiple and imbricated social relations. In this perspective, “becoming a woman” can be defined by the experience of oppression, which psychoanalysis allows us to situate as operative standards, such as the principle of gender hierarchy, that at the same time that work reveal their flaw, in the way that is posed to the child as an enigma to translate. Understanding the notion of “women” in those terms allows us to locate gender oppressions, as well as to articulate what would be the “specificity of psychoanalysis” considering the imbrications between discourse (or the field of representation) and materiality
Tanto no âmbito da psicanálise quanto nos campos dos estudos feministas e queer, diferentes perspectivas concebem a identidade “mulheres” como uma espécie de unificação imaginária. No entanto, uma vez reconhecida a importância da dessessencialização, não podemos negar a existência de vulnerabilidades diferenciadas. A partir dessa tensão, nosso objetivo é pensar a categoria “mulheres” segundo a hipótese de que, se não há nada de “autenticamente feminino” e, ao mesmo tempo, existe uma vulnerabilidade diferenciada, tal categoria não pode ser definida senão em virtude de sua opressão. A partir de um referencial teórico ancorado na psicanálise, notadamente Freud e Laplanche, bem como em perspectivas feministas, delineamos uma metodologia de pesquisa teórico-conceitual, orientada pela abordagem teórico-metodológica dos “saberes situados”, a fim de interrogar a psicanálise a partir de inflexões ocasionadas por perspectivas feministas. Fazendo recurso a proposições não-identitárias, tais como a performatividade em Judith Butler e as contribuições de perspectivas feministas materialistas no que se refere a posições nas relações sociais, chegamos a uma compreensão não essencialista da categoria “mulheres”, caracterizada por posições nas relações sociais que circunscrevem formas concretas e variadas de opressão, as quais não podem ser compreendidas senão a partir de relações sociais múltiplas e imbricadas. Nessa perspectiva, o “tornar-se mulher” pode ser concebido enquanto a experiência mesma da opressão, que a psicanálise permite situar a partir de normas operantes – por um princípio de hierarquia de gêneros – ao mesmo tempo em que sempre existe algo que falha, uma vez que essa hierarquia se coloca para a criança como um enigma a traduzir. Esa abordagem possibilita situar opressões gênero-específicas, assim como articular o que seria a “especificidade da psicanálise”, levando em consideração as imbricações entre discurso (ou o campo da representação) e materialidade
Crowell, Mary L. "Facilitating difficult knowledge in the classroom| Intimate transgressive pedagogy from a psychoanalytic and poststructural feminist framework". Thesis, Washington State University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3715181.
Texto completoThis dissertation seeks to address the facilitation of difficult knowledges in the classroom. I employ constructs of poststructural feminism to critique rationalist-only frameworks that limit the forms of knowledge that "count" in the construction of knowledge. In response to these critiques, this dissertation constructs an alternative pedagogical framework from a psychoanalytic and poststructural feminist lens that emphasizes the bordered landscapes of the un/conscious. This approach is named Intimate Transgressive Pedagogy (ITP). Additionally, this dissertation introduces an empirical study that explored one semester of classroom teaching using Intimate Transgressive Pedagogy. Student and teacher experiences are analyzed through the theoretical concepts of ITP with a further discussion of the implications of the pedagogical concepts and empirical findings for multicultural teacher education.
Sözalan, Hürriyet Özden. "The representation of the female subject in contemporary women's dramatic writing". Thesis, University of Essex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310122.
Texto completoMEDEIROS, SERGIO. "BEAUTY AND DEATH: A PSYCHOANALYTIC APPROACH ON AESTHETICS AND THE FEMININE SUBJECT". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=6712@1.
Texto completoConstruindo a hipótese de que a estética é uma estratégia para mitigar a angústia e consubstanciar o desejo, o autor busca estabelecer seu estatuto para o aparelho psíquico. No campo do sujeito, a estética participaria do nasrcisismo primário, momento em que a constituição do Eu é testemunha por uma imagem que dá materialidade ao sujeito e à presença da alteridade. Desenhar um perímetro para o vazio e poder vê-lo é atribuir sentido à existência e conter a angústia da morte. A estética também serviria à causa do desejo. Das cenas do sonho manifesto à imagem do objeto erótico, o desejo não pode dispensar a forma que constituirá o conteúdo de sua ilusão. Caberia a estética apresentar os contornos do recalcado e resgatar a criatividade da polimórfica perversão infantil. Através das obras-de-arte, o autor apresenta a estética como uma relação entre os sujeitos, intermediada pela angústia e pelo desejo. Investigando o sentido da busca pela estética designada como bela, analisa-se o papel desta na atualidade. Tendo como foco a subjetividade feminina contemporânea, o autor destaca sua dupla relação com a imagem. Se há, de um lado, um discurso estético enunciado pela mídia constituindo um corpo destinado ao consumo haveria, por outro, um mandamento estético proferido pelo superego feminino impondo o olhar do Outro como compensação ou negação da castração. O autor conclui sua abordagem do que designou como Doenças de beleza identificando dois grupos distintos um formado por sujeitos que buscam a morte do corpo como estratégia de sobrevivência do Eu. E outro, constituído pelos aderentes à mensagem estética contemporânea e adictos à visibilidade.
In order to build up the hypothesis that aesthetics is a strategy to alleviate anguish and to consubstantiate desire, the author seeks to set up a statute for the psychic system. In the field of the subject, aesthetics would be part of the primary narcissism, a moment when the formation of the Ego is witnessed by an image that lends materiality to the subject and to the presence of alterity. To design a perimeter for the void and to be able to see it is to bestow sense to existence and to restrain the anguish of death. Aesthetics would serve the cause of the desire. From scenes of manifest dreams to the image of the erotic object, desire can not dispense with the shape which will grant form to its illusion. It would be incumbent on aesthetics to present the configurations of the repressed and to redeem the creativity of the polymorphic infantile perversion. By means of works of art the author presents aesthetics as a relation between the subjects, mediated by anguish and desire. Investigating the sense of the quest for aesthetics regarded as beautiful, one analyses its role at the present time. Using as a focus the contemporaneous feminine subjectivity, the author points out its double relation with image. Whereas, on one hand, there is an aesthetic discourse expressed by the media making up a body intended for consumption, on the other hand there would be another, an aesthetic commandment stated by the feminine superego imposing the regard of the Other as compensation for or negation of castration. The author concludes his approach of what he named as Infirmities of Beauty by identifying two distinct groups, one made up by subjects who seek the death of the body as a strategy for the survival of the Ego. And another made up by those who adhere to the contemporaneous aesthetic message and are addicted to visibility.
Nguyen, Catthuan L. "A Joint Reading of the Color Purple and the Awakening: From Feminism to Womanism and the Significance of Authentic Feminine Space". Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/87.
Texto completoSanada, Elizabeth dos Reis. "A mulher e o (não) saber: um estudo psicanalítico sobre os avatares da sexualidade feminina". Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/47/47131/tde-02092006-075830/.
Texto completoThe current paper proposes to carry out an analytical study of avatars in the female sexuality, having for its core discussion point the checking of different positions assumed by women in an attempt to explain the structural distress that guides their constitution in respect to the lack of significance capable of being named by them. Hence, in consonance with the logical structure of the three-staged Lacanian Oedipus complex, we move through the process of the female subjects constitution, placing it firstly before the influence of the maternal Other, then next related to paternal knowledge, to finally consider this process in his cultural dimension, bound by the supplying concept, tin this manner, embracing the field of constituted knowledge, by means of an unnamable script that provides apprehending through art, literature and analysis. Further to that, we will present as research material, a psychoanalytic reading, specifically propped on the assessment of three clinical cases with women aged from 20 to 30. The objective of this reading is to verify a specific relationship with knowledge, as an attempt to ensure a place previously occupied by maternal desire. However, as we shall see at the papers conclusion, the gleaned data only partially confirms this hypothesis, since the research sequence plays itself out showing that the father figure turns out to be fundamental, not only in that related to the sexual issue, but mainly in that which refers to the female positioning before knowledge.
Guignard, Sophie. "Le cœur, l’âme et le corps : Expressions de l’intime féminin dans sept romans du XIXe siècle et de l’extrême contemporain". Doctoral thesis, Uppsala universitet, Romanska språk, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-260215.
Texto completoTheus, Tyler A. "Hitchcock and the Material Politics of Looking: Laura Mulvey, Rear Window, and Psycho". Digital Archive @ GSU, 2013. http://digitalarchive.gsu.edu/communication_hontheses/3.
Texto completoSouza, Cristiane de Almeida. "Gozo místico: testemunho do feminino". Universidade do Estado do Rio de Janeiro, 2008. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1260.
Texto completoSupported by Freuds and Lacans theories and some of their commentators, the present research aims at working on the psychoanalytical considerations on the feminine and its relation to the mystic jouissance (enjoyment). Lacan, in The Seminar, Book XX: Encore (1972-1973), stated that the mystic experience stands for the truth as regards the feminine. By doing so, he showed us a way to be paved so as to get as near as possible to what is considered to be ineffable. We intend to support our points by presenting the theories on the feminine according to psychoanalysis. By doing so, we not only discard the idea related to the biological sex but we also state that the feminine is an affirmative subjective position which can be visited by both men and women and that is why we turn to the experience of San Francisco de Assis, a great mystic man. We not only work on the concept of jouissance extracted from Freudians notion of death drive but we also work on the concepts which deal with the feminine jouissance once Lacan related it to the one mystic people experience. It is important to differ the mystic jouissance from the psychotic mystic delirium and to do so we must highlight some specific points which will enable us to distinguish one position from the other. We finally intend to clear up some of the mistaken ideas with regard to the mystic people once most of such ideas lead to the prejudiced notion that the mystic person is mentally sick. Once San Fancisco de Assis biography is very rich, we also mean to bring up the notion regarding the oceanic feeling and the one related to the awakening, as we intend to point out that the truth that supports and guides a mystic persons life is something that is placed far beyond .
Proctor, Nancy E. "American women sculptors in Rome in the mid-nineteenth century : feminist and psychoanalytic readings of a displaced canon". Thesis, University of Leeds, 1998. http://etheses.whiterose.ac.uk/894/.
Texto completoPapadima, Maria. "Debates on child abuse and trauma in psychoanalysis and feminism : the shift from non-trauma to trauma-based psychotherapy discourse". Thesis, University of East London, 2010. http://roar.uel.ac.uk/2609/.
Texto completoCossi, Rafael Kalaf. "A diferença dos sexos: Lacan e o feminismo". Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/47/47133/tde-25072017-090645/.
Texto completoThis thesis looks into the debate established between lacanian psychoanalysis and feminist and gender studies on the difference between the sexes, as well as the developments that Lacan\'s theory of sexuation can bring to this theme. We examine the fundamental french feministss works that deal with this interface, in the case Irigaray´s, Cixouss, Montrelays, Kristevas and Wittigs. Those works, especially edifying of the feminine writing movement, have had a decisive impact on both Lacan and in contemporary gender studies. We examined the work of Robert Stoller, the introduction of the term gender in this context, and the development of his \"core gender identity\" theory, to be criticized by Lacan in the seminar XVIII, and which we have found to be determinant in establishing the lacanian notion of semblant. We verified that the lacanian strand incorporated in United States of America was the one that turned to Levi-Strauss\'s structuralism and kinship relations, as we see in the works of Rubin and Butler. We realized that the criticisms to Lacan were about his notions established through the symbolic register and its supposed apolitical and ahistorical character, which compelled proponents of psychoanalysis to react. Under the hypothesis that the lacanian sexuation could move this discussion forward, we concluded that dealing with the phallus as a function, the theory of jouissance and derivations of the aphorisms \"There is no sexual relation\" and \"The woman does not exist\", from logic field, number theory and set theory resources, finally invigorated the lacanian understanding of difference between the sexes, which escapes heteronormative prescriptions and gender binarity
Langford, Wendy. "The subject of love : a study of domination in the heterosexual couple". Thesis, Lancaster University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306913.
Texto completoMachado, Lucienne de Almeida. "Pagu: a arte no feminino como performance de si". Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/8311.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
The present dissertation has as objective to show the construction of the conception of feminine in which that is understood as the art of the performance of self. Such relationship will happen through the analysis of autobiographical writing: Paixão Pagu: uma autobiografia precoce de Patrícia Galvão (1940). As a way of implementing this proposal was used the theoretical framework of psychoanalysis going through numerous authors that may contribute to this thematic. Specifically, however, a bibliographic review was carried out in some theoretical productions of Sigmund Freud and Jacques Lacan, by means of a clipping of texts that address the question of the feminine. Thinking on the paths that would guide us we resorted to the methodology of Cartography, Poetics and Poetry as traces that allowed the construction of this conception of feminine. By means of Pagu’s autobiography, the present work proposes the construction of a notion of a performance of self, another way of thinking the subjective construction of feminine, as a piece of art. The metaphor of the birth of flowers goes through the discussion in aid of the understanding of certain nakedness, not in the pornographic sense of the phallic vision of the presentation of the female, but in the sense of a blossom. The art of the feminine as performance of self is that of a body naked and removed from excesses for the creation of its flowers. Therefore, the present work intents to present a certain conception of the feminine in its approximation with art.
A presente dissertação tem por objetivo apontar para a construção de uma concepção do feminino em que este é entendido como a arte da performance de si. Tal relação acontecerá por meio da análise do escrito autobiográfico: Paixão Pagu: uma autobiografia precoce de Patrícia Galvão (1940). Como forma de execução dessa proposta utilizou-se do referencial teórico da psicanálise perpassando por diversos autores que possam contribuir para essa temática. Especificamente, entretanto, foi realizada uma revisão bibliográfica em algumas das produções teóricas de Sigmund Freud e Jacques Lacan, por meio de um recorte de textos que abordam a questão do feminino. Pensando nos caminhos que nos guiassem recorremos à metodologia da Cartografia, da Poiética e Poética como traçados que nos permitissem a construção dessa concepção do feminino. Por meio da autobiografia de Pagu, o presente trabalho propõe a construção da noção de uma performance de si, um outro modo de se pensar a construção subjetiva do feminino, como uma obra de arte. A metáfora do nascimento das flores percorre a discussão no auxílio da compreensão de um certo desnudamento, não no sentido pornográfico de uma visão fálica da apresentação feminina, mas no sentido de um desabrochar. A arte no feminino como performance de si é a arte “nu” feminino, um corpo despido e retirado dos excessos para a criação de suas flores. Por isso, o presente trabalho pretende apresentar uma certa concepção do feminino na sua aproximação com a arte.
Chiaretti, Paula. "O que quer uma mulher segundo o discurso da revista feminina". Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/59/59137/tde-20072016-170040/.
Texto completoFemale magazines emerge as an official knowledge that objectively and impartially produces an effect of transparency of meaning and truth about woman. According to the Discourse Analysis proposed by Pêcheux -DA (the theoretical-methodological referential adopted by this research), this erasing of the constitution process of the meaning leads the subject to the recognition of itself and to the occupation of the place where it belongs in the discourse. In this perspective, the subject is a discursive position. Interpellated by the ideology, the subject creates meaning. That occurs because there is a need of sedimentation of sense so that it originates a logically stable universe. However, Freud at the end of his work asks himself what does the woman want, while Lacan, in his return to the Freudian work, proposes his provocative formula the woman does not exist. This dissertation aims to analyze female magazines extracts from different periods (from 1917 to 2007) to propose how these magazines build meanings about what is a woman and what a woman wants, under the discourse production conditions. Because the DA concerns the historical determination of the signification processes, it is important to return to the feminism history and to academic feminists texts, both seen here as an interdiscourse present in the discourse of female magazines. While the Psychoanalysis tries to investigate how The woman is formed, female magazines are concerned with describing the woman and her behavior, sedimenting and naturalizing meanings and originating a norm of identification. The Psychoanalysis considers The woman as a subject position in front of the joy and the submission of the phallic logic (not-whole), so the woman would not form a rule as the man, they could only be counted one by one. On the other hand, the female magazines build these meanings by using discursive generics (encapsulated formulas that codify values and beliefs), naturalizing the meanings assigned to the woman and her activities. We concluded that both the feminist movement, in order to promote changes and brakages of all kinds (moral, religious, juridical), and the female magazines, different from the Psychoanalysis, propose a positivity of an universal subject named woman
Kohlrausch, Luciana Portella. "A HETEROGENEIDADE, LINGUAGEM E FEMININO: UMA ABORDAGEM LINGÜÍSTICA E PSICANALÍTICA ACERCA DO FEMININO EM TEXTOS DE CLARICE LISPECTOR". Universidade Federal de Santa Maria, 2009. http://repositorio.ufsm.br/handle/1/9811.
Texto completoEssa dissertação tem como objetivo analisar, segundo a teoria de Authier-Revuz, textos de Clarice Lispector e relacionar essa análise com teorias sobre o feminino. O corpus do trabalho são textos do livro A descoberta do mundo de Clarice Lispector, no qual se encontra um conjunto de textos que foram publicados em jornal. Os pressupostos teóricos utilizados foram a Lingüística da Enunciação, especificamente a teoria da(s) heterogeneidade(s) de Authier-Revuz e a psicanálise freudo-lacaniana. Authier-Revuz diferencia heterogeneidade mostrada e heterogeneidade constituída. A heterogeneidade mostrada é classificada em diversas formas de marcas lingüísticas no texto que denunciam essa heterogeneidade. A psicanálise mostra que o feminino está no lugar de representar o significante da falta. Essas associações mostram as características da escrita feminina: transparecer uma falta.