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Libros sobre el tema "Feminist history"

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Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 30 de enero de 2023

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1

Mills, Sara. Feminist readings/feminists reading. 2a ed. London: Prentice Hall/Harvester Wheatsheaf, 1996.

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2

DiCenzo, Maria, Lucy Delap y Leila Ryan. Feminist Media History. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230299078.

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3

Feminist literary history. New York: Routledge, 1988.

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4

Radical feminism: Feminist activism in movement. Houndsmills, Basingstoke Hampshire: Palgrave Macmillan, 2015.

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5

Herstein, Sheila R. A mid-Victorian feminist, Barbara Leigh Smith Bodichon. New Haven: Yale University Press, 1985.

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6

Herstein, Sheila R. A mid-Victorian feminist, Barbara Leigh Smith Bodichon. New Haven: Yale University Press, 1985.

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7

Forging identities: Feminist history. S.l: University of Western Australia Press, 1997.

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8

1957-, Morgan Sue, ed. The feminist history reader. London: Routledge, 2006.

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9

The fantasy of feminist history. Durham: Duke University Press, 2012.

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10

Pensar con Celia Amorós. Madrid: Editorial Fundamentos, 2010.

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11

Becoming a feminist: The social origins of "first wave" feminism. Brighton, Sussex: Wheatsheaf Books, 1986.

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12

Banks, Olive. Becoming a feminist: The social origins of "first wave" feminism. Athens: University of Georgia Press, 1987.

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13

Banks, Olive. Becoming a feminist: The social origins of " First Wave" feminism. Brighton: Harvester Wheatsheaf, 1990.

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14

Gill, Plain y Sellers Susan, eds. A history of feminist literary criticism. Cambridge: Cambridge University Press, 2007.

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15

Barbara, Laslett, ed. History and theory: Feminist research, debates, contestations. Chicago: University of Chicago Press, 1997.

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16

Todd, Janet M. Feminist literary history: A defence. Cambridge [England]: Polity in association with B. Blackwell, 1988.

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17

Feminist poets. Ipswich, Mass: Salem Press, 2012.

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18

Banks, Olive. Becoming a feminist: The social origins of "first wave" feminism. Brighton: Wheatsheaf, 1986.

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19

1947-, Freedman Estelle B., ed. The essential feminist reader. New York: Modern Library, 2007.

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20

Wallach, Scott Joan, ed. Feminism and history. Oxford: Oxford University Press, 1996.

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21

Eoff, Shirley M. Viscountess Rhondda: Equalitarian feminist. Columbus: Ohio State University Press, 1991.

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22

The secret feminist cabal: A cultural history of science fiction feminisms. Seattle, WA: Aqueduct Press, 2009.

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23

Wittreich, Joseph Anthony. Feminist Milton. Ithaca: Cornell University Press, 1987.

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24

Burke, Sally. American feminist playwrights: A critical history. New York: Twayne Publishers, 1996.

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25

Plain, Gill y Susan Sellers, eds. A History of Feminist Literary Criticism. Cambridge: Cambridge University Press, 2007. http://dx.doi.org/10.1017/cbo9781139167314.

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26

Sellers, Susan y Gill Plain. A history of feminist literary criticism. Cambridge, UK: Cambridge University Press, 2012.

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27

Feminist utopias. Lincoln: University of Nebraska Press, 1989.

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28

K, Kerber Linda, Kessler-Harris Alice y Sklar Kathryn Kish, eds. U.S. history as women's history: New feminist essays. Chapel Hill: University of North Carolina Press, 1995.

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29

Card, Claudia, ed. Feminist Ethics. Lawrence, Kan: University Press of Kansas, 1991.

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30

1954-, Mills Sara, ed. Feminist readings/feminists reading. Charlottesville: University Press of Virginia, 1989.

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31

Scott, Joan Wallach. Fantasy of Feminist History. Duke University Press, 2011.

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32

Scott, Joan Wallach. Fantasy of Feminist History. Duke University Press, 2011.

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33

Gilley, Jennifer. Feminist Publishing/Publishing Feminism. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039805.003.0002.

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This chapter explores two case studies that each illustrate an attempt to infuse feminist politics into the economically driven apparatus of book publishing: Sisterhood Is Powerful (1970) and This Bridge Called My Back: Writings by Radical Women of Color (1981). Exploring the publication history of Sisterhood Is Powerful provides a landmark case study of feminist experimentation in publishing that was inevitably fraught with controversy due to the ideological struggles of the time over economic and political “purity.” This Bridge Called My Back was published under an unusual type of contract in which contributors, rather than receiving a one-time payment at the beginning, would continue to receive payments for every ten thousand copies sold. Overall, these studies show the variety of ways in which feminists tried to get around the “taint” of publishing's relationship to the power structure in order to enact a feminist sensibility not just in the content of their writing but also in its production and dissemination.
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34

Banks, Olive. Becoming a Feminist. Prentice-Hall, 1990.

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35

Todd, Janet. Feminist Literary History. Polity Press, 2018.

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36

Todd, Janet. Feminist Literary History. Polity Press, 2013.

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37

Thomas, Tracy A. y Tracey Jean Boisseau, eds. Feminist Legal History. New York University Press, 2020. http://dx.doi.org/10.18574/nyu/9780814784266.001.0001.

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38

Cain. MAKING FEMINIST HISTORY. Garland Science, 1993.

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39

Todd, Janet. Feminist Literary History. Polity Press, 2013.

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40

Dicenzo, Maria. Feminist Media History. Palgrave Macmillan, 2010.

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41

Grant, Judith. Fundamental Feminism: Radical Feminist History for the Future. Taylor & Francis Group, 2020.

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42

Grant, Judith. Fundamental Feminism: Radical Feminist History for the Future. Taylor & Francis Group, 2020.

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43

Grant, Judith. Fundamental Feminism: Radical Feminist History for the Future. Taylor & Francis Group, 2020.

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44

Fundamental Feminism: Radical Feminist History for the Future. Taylor & Francis Group, 2020.

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45

1944-, Shapiro Ann-Louise, ed. History and feminist theory. [Middletown, Conn.]: Wesleyan University, 1992.

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46

Ann-Louise, Shapiro, ed. History and feminist theory. Middletown, Conn: Wesleyan University, 1992.

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47

Lewis, Emma. Photography, a Feminist History. Chronicle Books LLC, 2021.

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48

(EDT), Chronicle Books. Photography, a Feminist History. Chronicle Books LLC, 2021.

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49

Garrard, Broude. Introducing Feminist Art History. Independently Published, 2018.

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50

1944-, Shapiro Ann-Louise, ed. History and feminist theory. [Middletown, Conn.]: Wesleyan University, 1992.

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