Artículos de revistas sobre el tema "Feminism and mass media"
Siga este enlace para ver otros tipos de publicaciones sobre el tema: Feminism and mass media.
Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros
Consulte los 50 mejores artículos de revistas para su investigación sobre el tema "Feminism and mass media".
Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.
También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.
Explore artículos de revistas sobre una amplia variedad de disciplinas y organice su bibliografía correctamente.
1
Wang, Xiaopei. "Comparison and Analysis of Feminism in China and the West: A Case Study of the 1950s". Communications in Humanities Research 1, n.º 1 (21 de diciembre de 2021): 111–15. http://dx.doi.org/10.54254/chr.iceipi.2021246.
Resumen
1950 is a very special period for the development of feminism in both China and the West. The Peoples Republic of China was just established and the West was experiencing the second wave of feminist. However, the feminism in these two areas developed in different ways, that Chinses feminism is the state feminism while the West is liberal feminism. This kind of difference results from the different social environment, especially the political policy in China and the West. The Communist Party of China took feminism as a tool to consolidate socialist construction, so it launched the feminist movement from top to bottom. The second feminism in the West is a bottom-up movement for women to fight for their own rights and interests, and they use magazines and other mass media as a means of struggle. By comparing the difference of the feminism in China and the West, the flaws of these two kinds of development of feminism could also be shown.
2
Tally, Margaret J. "Mass Media and the Shaping of American Feminism, 1963-1975". Journal of American Culture 27, n.º 3 (septiembre de 2004): 345–46. http://dx.doi.org/10.1111/j.1537-4726.2004.141_15.x.
3
Montana, Andrea Yovanny y Ahmad Junaidi. "Pengaruh Instagram @Feminist Terhadap Perubahan Pandangan Standar Kecantikan Wanita Indonesia". Kiwari 1, n.º 1 (1 de marzo de 2022): 54. http://dx.doi.org/10.24912/ki.v1i1.15503.
Resumen
The daily life of Indonesian people have been affected a lot by social media. Communication is more often done through social media than in person, especially during the pandemic. This makes social media have a big influence on people's perceptions. Social media that has a big influence on Indonesian society because of the large number of enthusiasts is Instagram. Instagram @FEMINIST is an account that discusses feminism issues. One of the worrying issues of feminism is about women's beauty standards. The purpose of this study is to determine the effect of Instagram @FEMINIST on changes in the views of Indonesian women's beauty standards. Quantitative methods is the method this study uses. The population in this study are followers of the @FEMINIST Instagram account. The sample taken is 100 respondents. Data was obtained by distributing questionnaires using a Likert scale with the indicators of Media Exposure and Body Image theory. The results of the Hypothesis Testing obtained using IBM SPSS version 22.0 For Windows obtained a significance value of 0.000 <0.05 with a t-count of 6.461 > 1.984 so it can be concluded that the hypothesis test or t-test is acceptable. So H0 is rejected and H1 is accepted, which shows that Instagram @FEMINIST exposure has a positive effect on the view of Indonesian women's beauty standards. Kehidupan sehari-hari masyarakat Indonesia telah banyak dipengaruhi media sosial. Komunikasi lebih sering dilakukan melalui media sosial dibandingkan secara langsung, terutama saat masa pandemi. Hal ini membuat media sosial memiliki pengaruh besar terhadap persepsi masyarakat. Media sosial yang berpengaruh besar pada masyarakat Indonesia karena banyaknya peminat adalah Instagram. Instagram @FEMINIST merupakan akun yang membahas mengenai isu-isu feminisme. Salah satu isu feminisme yang mengkhawatirkan adalah tentang standar kecantikan wanita. Tujuan penelitian adalah untuk mengetahui pengaruh instagram @FEMINIST terhadap perubahan pandangan standar kecantikan wanita indonesia. Penelitian ini menggunakan metode kuantitatif. Populasi dalam penelitian ini adalah followers dari akun instagram @FEMINIST. Sampel yang diambil berjumlah 100 responden. Data diperoleh dengan menyebarkan kuesioner yang menggunakan skala likert dengan indikator teori Terpaan Media dan Body Image. Hasil Uji Hipotesis yang didapat menggunakan IBM SPSS versi 22.0 For Windows diperoleh nilai signifikansi sebesar 0,000 < 0,05 dengan t hitung 6,461 > 1,984 kesimpulannya adalah uji t uji hipotesis atau uji hipotesis dapat diterima. Hasilnya H0 ditolak dan H1 diterima, yang bermaksud Terpaan Instagram @FEMINIST berpengaruh positif terhadap pandangan standar kecantikan wanita Indonesia.
4
Gustema, Nurul Huda y Dr Wening Sahayu. "Feminism Values in the Posters of Yogyakarta’s Students Demonstration: The #Gejayanmemanggil". Lingua Cultura 14, n.º 1 (31 de julio de 2020): 23–29. http://dx.doi.org/10.21512/lc.v14i1.6234.
Resumen
The research aimed to examine feminism values on the posters of Yogyakarta’s students’ demonstration the #Gejayanmemanggil. Data collection technique was conducted by reading and note-taking techniques. From social media (Instagram), read the posters for several times, made a reduction for the data, and analyzed the feminism values which were reflected in the data based on the discourse or textual aspects. In the findings, the use of feminist languages, which contained the feminism values was revealed, in order to correlate it with the previous studies and theories. It was affected by the positive and negative meanings of the words and their impact on the audience. Discourse analysis was the proper way to examine the hidden ideologies of discourse. It revealed the discursive structures and manipulative language of the speakers or writers. The results reveal that the posters on the demonstration #Gejayanmemanggil contain feminism values as reflected in the feminist languages which support the ideology. Therefore, based on the findings of the research which conducts a discourse analysis in examining mass communication, language has enormous powers in appealing to emotions, manipulating someone’s thoughts and behavior, as well as misrepresenting the realities.
5
Harinanda, Salsabila Astri y Ahmad Junaidi. "Representasi Feminisme Pada Film Disney Live-Action Mulan". Koneksi 5, n.º 2 (29 de septiembre de 2021): 269. http://dx.doi.org/10.24912/kn.v5i2.10299.
Resumen
Film is a mass media that presents a story in audio-visual form. This research aims to see how are the representation of feminism in the Disney Live-Action Mulan film. The method used is descriptive qualitative research methods with semiotic as data analysis techniques. Data are collected using the methods of documentation, observation, and literature study. The signs of the film were analyzed using Roland Barthes' semiotic model two-stage of signification, which are the denotation, connotation, and myth stages. This film shows the discrimination that happened in women due to patriarchal ideology. The results of this study indicate that the Disney Live-Action Mulan film dominantly represents the flow of liberal feminism, existentialism feminism, and radical-libertarian feminism through its main character, Hua Mulan. Hua Mulan's feminist behavior can be seen from her that are opposing discrimination and standards as a woman, performing male roles, able to be a leader, takes risks and being responsible, independent, able to gets recognition, and proving that she is able to give honor to her family. This film has a meaning that a woman can give honor to her family by being herself, and can have the right to be treated equally and also the right to determine and be responsible for her way of life.Film merupakan salah satu jenis media massa yang menampilkan cerita dengan bentuk audio visual. Penelitian ini bertujuan untuk melihat bagaimana representasi feminisme pada film Disney Live-Action Mulan. Metode yang digunakan adalah metode penelitian kualitatif deskriptif dengan teknik analisis data semiotika. Data yang dikumpulkan menggunakan metode dokumentasi, observasi, dan studi pustaka. Tanda-tanda dari film dianalisis dengan menggunakan model semiotika signifikasi dua tahap Roland Barthes yaitu tahap denotasi, konotasi, dan mitos. Film ini memperlihatkan diskriminasi yang terjadi pada perempuan yang disebabkan ideologi patriarki. Film Disney Live-Action Mulan secara dominan merepresentasikan aliran feminisme liberal, feminisme eksistensialisme, dan feminisme radikal-libertarian lewat tokoh utamanya yaitu Hua Mulan. Perilaku feminisme Hua Mulan terlihat dari perilakunya yang melawan diskriminasi serta standar sebagai perempuan, mampu melakukan peran laki-laki, menjadi pemimpin, berani mengambil resiko dan bertanggung jawab, independen, mendapat pengakuan dan membuktikkan bahwa ia mampu memberi kehormatan untuk keluarganya. Film ini dapat memiliki makna bahwa seorang perempuan dapat memberikan kehormatan pada keluarganya dengan menjadi dirinya sendiri, dan dapat memiliki hak untuk diperlalukan secara setara dan hak untuk menentukan dan bertanggung jawab atas jalan hidupnya sendiri.
6
., Rully, Abdul Basit y Muji Prabella. "FEMINISM IN ‘AFTER 11’ AN ADVERTISIMENT OF BUKALAPAK". Profetik: Jurnal Komunikasi 13, n.º 1 (5 de septiembre de 2020): 168. http://dx.doi.org/10.14421/pjk.v13i1.1963.
Resumen
Abstrak. Perkembangan era digital saat ini telah memperlihatkan transformasi nyata dari perubahan ruang periklanan. Iklan dalam bentuk film telah menjadi bagian dari media massa sebagai salah satu media representasi yang merupakan cerminan dari masyarakat. Bukalapak melalui YouTube, membalut makna feminisme dalam kemasan film AFTER 11 yang sekaligus merupakan iklan untuk membangun pandangan agar masyarakat lebih berdaya. Dengan memperlihatkan figur perempuan seorang ibu yang tidak hanya berkiprah di ranah domestik, namun dapat melakukan aktifitas ataupun pekerjaan yang bersifat maskulin. Karakter perempuan yang menyadari kebebasannya membuat menarik untuk menguak dan menelitinya dari sisi feminisme, dengan menggunakan analisis semiotika Roland Barthes yang memaparkan denotasi, konotasi dan mitos. Kesimpulan dari penelitian ini menunjukan bahwa ada ideologi feminisme yang ingin dibawa oleh Bukalapak melalui media iklan dalam film AFTER 11, bahwa perempuan saat ini dapat beraktifitas sebebas-bebasnya tanpa perlu khawatir dan mampu berperan ganda dalam memenuhi kebutuhan anaknya, selain itu juga Bukalapak ingin mendobrak stereotip menjadi pengusaha harus dengan modal yang besar dan biasanya hal ini hanya dapat dilakukan oleh kaum kapitalis, namun dengan Bukalapak, UKM atau individu, ataupun hanya seorang ibu rumah tangga, dapat berdaya dan tangguh.Abstract. The development of the digital era today has shown a real transformation of the changing advertising space. Advertising in the form of films has become part of the mass media as one of the media representations that are a reflection of society. Bukalapak through YouTube, wrapped the meaning of feminism in the AFTER 11 film packaging which is also an advertisement to broaden views so that people are more empowered. By showing a female figure as a mother who not only takes part in the domestic sphere, but also carry out activities or jobs that are masculine. The character of women who realize their freedom makes it interesting to uncover and examine it from the side of feminism, using Roland Barthes's semiotic analysis which presents denotations, connotations and myths. The conclusion of this study shows that there is an ideology of feminism that Bukalapak wants to bring through the advertising media in the film AFTER 11, that women today can work as freely as possible without worrying and being able to play a dual role in meeting their children's needs, besides that Bukalapak also wants to break stereotypes being an entrepreneur must be with big capital and usually this can only be done by the capitalists, but with Bukalapak, UKM or individual, or just a housewife, can be empowered and resilient.
7
Song, Yitian. "Research on Male Gaze in Mass Media Opinion Guidance from the Perspective of Feminism". BCP Business & Management 31 (5 de noviembre de 2022): 313–17. http://dx.doi.org/10.54691/bcpbm.v31i.2598.
Resumen
This paper is a study and analysis of the gender consciousness embedded in the mass media in the news reports. Social media provides women with an open and inclusive discourse field in the way of autonomous and interactive expression, which also produces female discourse different from that in the context of mass media. In the process of civilization construction, the role composition of mass media not only reflects many social problems, but also participates in the construction of people's social cognition. From the perspective of mass media, we can get a glimpse of the current situation of gender. To be specific, from the perspective of the brand new social and cultural phenomenon and concept of "male gaze", this paper will take criminal news released by the official media as real case, and further analyze and criticize the potential gender opinion guidance in the press release of China’s official media based on the change of social gender consciousness and the awakening of feminism.
8
Mendelman, Lisa. "Who Are We? Feminist Ambivalence in Contemporary Literary Criticism". American Literary History 32, n.º 1 (4 de diciembre de 2019): 190–200. http://dx.doi.org/10.1093/alh/ajz051.
Resumen
Abstract Feminism exists in a perpetual identity crisis—with a vexed past, an unstable present, and an uncertain future. A scholar interested in this charged identity must manage such existential conditions in order to enable their transformative ambitions. Historicizing Post-Discourses (2017), Bodies of Information (2019), and Selling Women’s History (2017) take up this cognitive and corporeal challenge and largely meet it. In these three books, feminism’s endemic ambivalence becomes a resource for literary and cultural criticism. Focused on popular, digital, and material cultures in the twentieth- and twenty-first-century US, these volumes dramatize the merits and drawbacks of irresolution and resist a definitive conclusion about what feminism, both past and present, necessarily means for contemporary scholarship. Instead, we get alternative archives and, hopefully, better practices. Analyzing mass media, data visualizations, and consumer products, these studies engage new materials to flesh out the gendered, racialized human body at their common center. They rethink feminist historiography and demonstrate the myriad ways in which the sense of an ending continually renews and unsettles feminism’s search for a useable past. These works aim to create strategic alliances: they drive at embodied, material concerns, foreground questions of pedagogy and other modes of public interchange, and embrace a style of advocacy that rejects such extreme position-taking and instead embraces ambivalence.
9
Blake, Stephanie. "Book Review: Mass Media and the Shaping of American Feminism, 1963-1975". Journal of Communication Inquiry 29, n.º 1 (enero de 2005): 88–91. http://dx.doi.org/10.1177/019685990502900107.
10
Whelehan, Imelda. "‘The Bloodless Revolution’: Feminism, Publishing and the Mass Media in Weldon'sBig Women(1997)". Women: A Cultural Review 19, n.º 1 (abril de 2008): 37–48. http://dx.doi.org/10.1080/09574040801919963.
11
Nwachukwu, Charles y Onyebuchi Udochukwu Joel. "Jadesola Osiberu’s Isoken: A Filmic Postulation for Feminism". Studies in Media and Communication 7, n.º 1 (29 de mayo de 2019): 49. http://dx.doi.org/10.11114/smc.v7i1.4306.
Resumen
While other media of mass communication such as Television, Radio and Print have to contend, largely, with the expectations of informing, educating and entertaining, film ascends over all these to find a niche in “expressing”. Film, therefore, can set out for the singular purpose of expression. This study intends to analytically expose those indicators and determinants of feminism locked in within the film content of Isoken, a 2017 Nollywood movie produced and directed by Jadesola Osiberu. These components should lend evidence to the central argument in this paper that this particular film displays a strong tendency towards feminist sentiments.The Feminism Theory is, aptly, adopted to buttress the standpoint here. A theoretical study, it utilizes the qualitative research approach, relying on personal analysis and interpretation of the film. It found that a good number of elements exist within the film content to suggest that ISOKEN leans sufficiently towards feminism. These include Isoken's defiance of communal and family values, the predominantly female cast as well as the brazen usurpation of certain privileged roles that the Nigeria society had hitherto reserved for men, amongst others.The study concludes that both the scriptwriter and the director have succeeded in focusing on the female gender and putting forward female related issues. Wittingly or unwittingly, they have also ended up producing a film that is clearly within the sphere of feminism. Thus, this paper has added to the activity level in that particular aspect of knowledge, whilst also increasing available stock.
12
Kay, Jilly Boyce. "Speaking Bitterness". Feminist Media Histories 1, n.º 2 (2015): 64–89. http://dx.doi.org/10.1525/fmh.2015.1.2.064.
Resumen
This article explores the six-part television debate series No Man's Land, which was broadcast on ITV in Britain in 1973. It argues that the program is a historically significant example of the public orientation of the women's liberation movement and its engagement with, rather than straightforward hostility toward, the mass media. The program was produced by women who were active in the women's liberation movement; it was presented by the feminist Juliet Mitchell; and its studio audience was populated by, among others, many women who were aligned with the movement. The format of No Man's Land mixed short documentary films that were explicitly concerned with the structural oppression of women and discussion with a studio audience in response to the themes of these films. The article reflects on how television texts such as No Man's Land tend to be absent from existing popular and academic histories; it suggests that dominant understandings of the relationship between the mass media and the women's liberation movement as mutually antagonistic frequently function to close off the spaces where such texts might be considered. Through close analysis of the program and its reviews in print media, it considers the problems and possibilities of and constraints on early second-wave feminists who appropriated and operated within mass-media—and specifically televised—forms. It also points to the importance of socialist feminism as a discursive context for British television in the early 1970s.
13
Siklosi, Kate. "‘Dream’, ‘Spellbound’ and ‘Skin’". Explorations in Media Ecology 20, n.º 2 (1 de junio de 2021): 227–31. http://dx.doi.org/10.1386/eme_00087_1.
Resumen
With these pieces, I’m exploring the rich history of wimmin’s handicraft as a feminist poetic praxis. In today’s saturated, technomediatic world, domesticity and handcraft often get left out of discussions of ‘media ecologies’. What happens when we incorporate the feminist practices of care, fragility, uniqueness, domesticity and craft into an increasingly digitized and mass-produced means of publishing and sharing literary work? Using found objects, Letraset and thread, these ‘offline’ poetic works explore an unmediated intimacy with poetic materials; in the tactility of hand-to-object care and contact, an oft overlooked ethics of intimacy and vulnerable surfaces. With these pieces I am also thinking alongside the work of feminist theorist Sara Ahmed who thinks of feminism as ‘a fragile archive, a body assembled from shattering, from splattering, an archive whose fragility gives us responsibility: to take care’. Against the masculinist impulse for permanence and enduring legacy in poetics, these pieces make space for radical openness: working with transient and precarious materials and media not only quells the ego, but allows for a greater responsiveness to and engagement with the world and the conditions that shape it.
14
Huda Abdullah Abdulateef Al-Hassani. "Adapting the Grimms: Going Against Patriarchy in Singh’s Movie Mirror Mirror". Journal of the College of Education for Women 33, n.º 3 (28 de septiembre de 2022): 36–52. http://dx.doi.org/10.36231/coedw.v33i3.1618.
Resumen
Many cinematic adaptations were produced for the Grimms’ “Little Snow-White” (1812) including Mirror Mirror movie (2012), the contemporary version adapted by Taresm Singh. Singh’s version was able to depict the modern reality of women and went against patriarchy by embracing feminist ideologies of the fourth-wave feminism. Therefore, he challenged the ideologies of the mainstream cinema dominated by the patriarchal élite’s capitalist mode of production that still adhere to the stereotyped patriarchal image of women’s ‘victimization,’ ‘objectification’ and ‘marginalization,’ which did not represent women’s modern reality anymore. This paper, however, is a qualitative study aimed to prove that the feminist ideologies could only be retained after a cultural transformation process from the patriarchal élite culture to the popular culture of mass media after the World War II, which noticeably affected women’s image in the cinema. And thus, this paper is an analytical study of Mirror Mirror that used the analytical textual and production approaches to popular culture along with the Marxist and feminist film theories to unfold the feminist ideologies prevailed in the movie. The study has concluded that the cultural transformation from the patriarchy into the popular culture of mass media led to the emergence of counter-cinema or cinefeminism that encouraged the reversing of the traditional gender roles in cinema. It has also shown that class conflict and economic power caused by the cultural transformation helped in redefining women’s role and place in society. Thereby maintaining the feminist ideologies of the fourth-wave’s ‘women’s empowerment’ positively affected women and girls to reflect their modern reality
15
Mudita Aryacetana y Santi Delliana. "Women's Image Exploitation in Television News of Aisha Weddings". Proceedings Of International Conference On Communication Science 2, n.º 1 (10 de noviembre de 2022): 195–211. http://dx.doi.org/10.29303/iccsproceeding.v2i1.102.
Resumen
Women's images in the media are exciting. When the role of women in society shifts, the media will shape public perception. Verbal exploitation has ended. Aisha Weddings presents women as commercial products by selling early marriage, unregistered marriage, and polygamy in the media. This study aims to show the depiction of the exploitation of the image of women in Aisha Weddings on television. The approach used is qualitative with a critical paradigm, and Roland Barthes' semiotic analysis method consists of Denotation, Connotation, and Myth. The results of this study indicate that Aisha Weddings uses the image of women in the mass media in 3 categories, namely the image of the pillar that the image of women is considered the main object in forming a harmonious family, the image of the contest that women can meet the needs of their husbands both physically and mentally as a wife, and the image of association that women are considered to have unstable emotional and thinking aspects. The phenomenon of exploitation carried out by Aisha Weddings is included in the sexualization of news by using image objects and writing down articles or photo captions whose contents corner the image of women in society and pornography using female adolescent models as supporting images. There are three streams of Feminism contained in the news of Aisha Weddings on television, namely Liberal Feminism marked by Aisha Weddings forming the image of young women to get married immediately to have a better and secure future, Marxist Feminism marked by Aisha Weddings forming a class system in marriage making men feel more in control of women's lives. Existentialist Feminism is characterized by women having only two roles, namely the role of mother and wife.
16
Nascimento, Daniela De Almeida. "(Con)figurações femininas nos desvãos da ordem patriarcal: uma leitura feminista de A vida sonhada das boas esposas, de Possidónio Cachapa / (Con)figurations in the Patriarchal Breaks: A Feminist Reading of A vida sonhada das boas esposas, by Possidónio Cachapa". Revista do Centro de Estudos Portugueses 41, n.º 65 (27 de diciembre de 2021): 127. http://dx.doi.org/10.17851/2359-0076.41.65.127-143.
Resumen
Resumo: Fundamentando a investigação no feminismo decolonial (LUGONES, 2020; VÈRGES, 2019), o propósito deste trabalho é empreender uma discussão acerca do modo como se apresentam personagens femininas e as relações de gênero no século XXI no romance português contemporâneo A vida sonhada das boas esposas (2019), de Possidónio Cachapa. As personagens femininas constituem o fio condutor de uma narrativa situada em um Portugal cosmopolita contemporâneo que, embora interligado pelas tecnologias das redes sociais, mantém resquícios de ditames que remetem aos ideais de família nuclear propagados pelo Estado Novo (1933-1974). Assim, discurso e poder patriarcal perpassam e são determinantes das relações sociais da narrativa, sobretudo as que envolvem a protagonista Madalena que, apenas após a morte do marido, percebe-se como sujeito e passa a experimentar a vida desse novo lugar, a partir do qual estabelece relacionamentos próprios e não mais circunscritos ao seu papel social de esposa. Considera-se o feminismo como pressuposto filosófico do romance uma vez que a narrativa aponta, por meio das figurações femininas, para modelos existenciais múltiplos. Trata-se, portanto, de uma inscrição de modelos existenciais diversos no lugar da tradicional identidade feminina única, fixa e presa aos papéis de gênero estabelecidos por uma ordem patriarcal que, não obstante, ainda apresenta vestígios de um pensamento colonial.Palavras-chave: feminino; figuração; feminismo; Possidónio Cachapa.Abstract: Supporting the investigation in Decolonial Feminism (LUGONES, 2020; VÈRGES, 2019), this work aims to lead a discussion about how female characters as well as gender relations in the 21st century are presented in the contemporary Portuguese novel A vida sonhada das boas esposas (2019), by Possidónio Cachapa. The female characters compose the thread of a narrative placed in a cosmopolitan and contemporary Portugal that, while connected by the social media technologies, shows traces of the Novo Estado (1933-1974) diktat ideals about nuclear families. Therefore, the patriarchal discourse and power are determining of the social relations in the narrative, mainly the ones involving the protagonist Madalena who, only after her husband’s death, realizes she is a subject and comes to experience life in this new place where she establishes her own relationships no longer based on her social wife role. Feminism is considered the philosophical foundation of the novel once it points to multiple existential models through female figuration. Consequently, it is an inscription of diverse existential models instead of the fixed gender roles established by a patriarchal order. Nevertheless, there are still vestiges of a colonial thought.Keywords: female; figuration; feminism; Possidónio Cachapa.
17
Nasution, Lia Anggia. "Sejarah Pers Perempuan di Sumut (Studi Analisis Wacana Kritis Perspektif Feminis dalam Konten Koran ‘Perempoean Bergerak’ di Sumut)". JURNAL SIMBOLIKA: Research and Learning in Communication Study 5, n.º 1 (27 de abril de 2019): 59. http://dx.doi.org/10.31289/simbollika.v5i1.2293.
Resumen
<p>This study has three main objectives. First, to observe the concept of feminism inside Perempoen Bergerak newspaper’s contents that echoed by journalists in 1919-1920. Second, to observe the working process of Perempoen Bergerak’s redaction “kitchen” as well as the relation of women and men that gave birth to this newspaper. Third, to discover the correlations between Perempoen Bergerak newspaper and women’s movement at that time. This study uses critical discourse analysis method with feminist perspective. The model used in this study is a three-dimensional analysis of Norman Fairlough which illustrates that every event using language is a communicative event consisting of three dimensions namely ; text, discourse practice, and sociocultural practice. Moreover, this study also uses feminist perspective and gender. The researcher found an unequal relationship because men still did not value women equally. The Ethical Political policies imposed by the Dutch at that time greatly influenced the social context of this newspaper. Freedom to taste open education, including freedom to organize, spawns and disseminates ideas for the advancement of women through mass media.</p>
18
Bratich, Jack Z. "U.S. Feminism, 1968 and Mediated Collective Intellectuality". Journal of Communication Inquiry 42, n.º 3 (17 de abril de 2018): 290–99. http://dx.doi.org/10.1177/0196859918770854.
Resumen
In response to the editorial call to examine the legacy of 1968 and critical intellectual formations, this short paper maps some of the feminist intellectual practices in and out of the university system around that era. The paper focuses on intellectuality defined via three features: publication, pedagogy, and peer development; in sum, peer transmission of analysis and know-how. Along the way, we find parallel educational institutions, small scale media production, biopolitical information transmission, and underground support networks. 1968 was a pivotal year for the development of collective intelligence within movements, forged through media ecologies, using academia as a site and resource while not being contained in it. This feminist intellectual production illuminates contemporary feminist mediated intellectuality as part of the “Long ’68.”
19
Sydorenko, Olha, Olena Bondarenko y Maryna Sadymaka. "GENDER NARRATIVES IN THE MASS MEDIA:FEMINITIVES vs MASCULINATIVES". Fìlologìčnì traktati 14, n.º 1 (2022): 126–34. http://dx.doi.org/10.21272/ftrk.2022.14(1)-13.
Resumen
The article describes the trendsin the use of feminitives and masculinatives in media discourse in view of their lexical-semantic and formal-grammatical properties in the context of observing gender-correct speech.The application of the descriptive method made it possible to characterize the formal-grammatical and lexical-semantic properties of feminine and masculine forms; 2) the analysis of dictionary definitions contributed to the establishment of lexical-semantic groups of representatives of social gender in the language of mass media; 3) the modeling method made it possible to determine the lexical-grammatical models of verbalizers of social gender; 4) the contextual-interpretive method made it possible to reveal stereotypical tendencies in the functioning of feminitives and masculinatives.A means of achieving gender-correct communication is gender-sensitive speech -the use of language resources, in particular, feminine vocabulary to designate women by occupation or profession, with the aim of avoiding gender discrimination in media speech in particular. The Ukrainian language has a significant potential for maintaining gender-correct speech: gender lexemes represented by masculine or feminine grammes; bigender -from a grammatical point of view, split into two generic forms, devoid of immanent signs of femininity / masculinity, but able to name both female and male persons by type of activity or profession; agender, which are characterized by the systematic independence of gender characteristics from the grammatical gender, can be expressed by any gender grammes.In the mass media discourse, there is a tendency to activate feminisms, which is a vivid manifestation of the language policy aimed at expanding this lexical-semantic group, establishing a gender culture in the language. At the same time, the use of feminitives in the language of mass media has not become systematic: there are lexical gaps in the names of women's professions, gender asymmetry (grammatical and semantic), which are explained by the situational-pragmatic use of bigender and agender tokens as names of women according to their social roles; there are manifestations of stereotypical ideas about the social roles of men and women.
20
Cimdiņa, Ausma. "Anglicisma gender tulkošana un adaptācija kā kritiskās domāšanas impulss literatūras un kultūras studijās". Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, n.º 25 (4 de marzo de 2020): 287–98. http://dx.doi.org/10.37384/aplkp.2020.25.287.
Resumen
Nowadays, gender and sexuality have become the object of global interdisciplinary research, and, searching the common grounds for the description of the issue, a brand-new theoretical category of “gender” is being developed in the frames of the Anglophone feminist theoretical discussion. The category acquires its meaning in the frames of the “sex – gender” opposition and is meant as the distinction between a human’s biological self (sex) and the socially constructed conceptions about social roles and functions. Introducing the theoretical concept of “gender” into the international communication outside the Anglophone linguistic space, new theoretical, methodological, translation and adaptation problems have been revealed, especially in the languages, where the category of the grammatical gender is strongly related to the lexical and grammar field and the creation of the “sex – gender” opposition seems to be controversial. “Gender” in the nowadays English language functions as a poly-semantic category – the notions of “sex” and “gender” are used interchangeably or as partial synonyms. Various terminological solutions are being found for the recreation of the category in other languages, taking into consideration the field and contextual meaning. Translating European gender equality political documents into Latvian, the notion “dzimums” is mostly used. Various terms – “dzimums”, “dzimte”, “dzimumsocialitāte”, “dženders” – are used interpreting the works of feminism theoreticians. The mass media do not often translate the term, using the variants “dženders” or “genders”, often in the pejorative meaning, connecting it to some type of genderism ideology, foreign to the Latvian mentality and traditional culture. The aim of the article is to offer an insight into the theoretical discussions about the search for “gender” terminological equivalence outside the Anglophone linguistic space that flourished in the Western academic feminism in the 1980s and 1990s. The article is devoted to the most characteristic problematic cases related to the adaptation of the notion into the vocabulary of the Latvian humanities and social sciences and mass media.
21
Arifin, Sharifa y Muhammad Syukron Anshori. "Studi Semiotik Feminisme pada Film Marlina Si Pembunuh dalam Empat Babak (Analisis Semiotika Roland Barthes)". Jurnal Indonesia Sosial Sains 3, n.º 2 (15 de febrero de 2022): 191–200. http://dx.doi.org/10.36418/jiss.v3i2.540.
Resumen
Background : Film is one of the modern mass communication media as an information medium that has the ability to convey messages. One of the Indonesian films that carries the theme of feminism is the film Marlina The Murderer in Four Acts which is also directed by a woman, Mouly Surya. Objective : To find out more about the signs of feminism that exist in the two characters Marlina and Novi in the film Marlina The Murderer in Four Acts directed by Mouly Surya. Methods : This study uses a qualitative approach to the theory of semiotic analysis of Roland Barthes. The primary data used is data obtained directly from the object of research, namely the film Marlina The Killer in Four Acts and secondary data obtained from scientific sources that can support this research. significant two stages and their mythical elements. Results : This film tells the story of a woman who struggles against the patriarchal system where she gets violence and sexual harassment and the resistance of women in this film is very different from the stereotype in general where women are described as gentle figures. Conclusion: The results of this study show signs of feminism with two female characters with different characters but able to fight, this film indicates feminism but has an element of masculinity. In this film, it is legal to use masculine attributes to seize the goals of feminism, which in this study femininity cannot be limited by symbols and attributes.
22
Figaro, Roseli. "The World of Work if Female Journalists: Feminism and Professional Discrimination". Brazilian Journalism Research 14, n.º 2 (30 de agosto de 2018): 546–67. http://dx.doi.org/10.25200/bjr.v14n2.2018.1052.
Resumen
This article discuss the gender question from the feminist perspective as part of the general struggle for female emancipation in the class struggle. It addresses this perspective creating a link between the main struggles of the journalist women for a respectful place of work and labour rights and the general feminist struggle along history. The argumentative line is based on bibliographic theoretic research, investigation on women conditions and profile data, as well as on research about the work of journalists with special attention to the work of female workers in new independent labour arrangements of media conglomerates. In conclusion, this article highlights the feminist protagonism and the necessity of professional engagement in defence of quality journalism as expression and place of speech for human rights and for its emancipation.O artigo trata da discussão sobre gênero a partir do feminismo como aspecto da luta geral pela emancipação das mulheres nos embates das classes sociais. Aborda essa perspectiva traçando um elo de continuidade entre as lutas mais específicas das mulheres jornalistas por seus direitos no mundo do trabalho e a luta mais geral das mulheres trabalhadoras ao longo da história. A linha argumentativa baseia-se em pesquisa teórica bibliográfica, em pesquisa de dados sobre perfil e condições das mulheres, e em pesquisa específica sobre o perfil dos jornalistas e de seu trabalho em novos arranjos independentes dos conglomerados de meios, dando destaque à situação de trabalho das mulheres jornalistas. À guisa de conclusão, o artigo destaca a luta feminista e sua importância para a coletividade, o engajamento das profissionais em defesa do jornalismo de qualidade e como expressão e lugar de fala dos direitos humanos, pela emancipação.El articulo discute la cuestión de género tiendo el feminismo como aspecto general por la emancipación en las luchas de las clases sociales. Esta perspectiva constituye uno eje de continuidad entre las luchas más específicas de las mujeres periodistas por sus derechos en el mundo del trabajo y las luchas de las mujeres trabajadoras al largo de la historia. La argumentación esta basada en investigaciones bibliográficas, en dados sobre perfil y condiciones de las mujeres, y en investigación específica sobre el perfil de los periodistas y del trabajo del periodista en nuevos arreglos periodísticos independientes de los conglomerados de medios, con destaque para la situación del trabajo de las mujeres periodistas. En conclusión, el artículo destaca la lucha feminista y su importancia para la colectividad y también como las periodistas luchan por un periodismo de cualidad y por expresión de las voces ciudadanas por los derechos humanos y de la emancipación ciudadana.
23
Kim, Sumi. "Feminist Discourse and the Hegemonic Role of Mass Media". Feminist Media Studies 8, n.º 4 (diciembre de 2008): 391–406. http://dx.doi.org/10.1080/14680770802420303.
24
Anindya, Annisa y Defhany Defhany. "Feminisme dan Stereotip Gender dalam Iklan Produk Kecantikan". JESS (Journal of Education on Social Science) 3, n.º 2 (31 de octubre de 2019): 113. http://dx.doi.org/10.24036/jess/vol3-iss2/159.
Resumen
Submission of patriarchal cultural ideologies makes inequality in gender identity. The ideology states that gender should have certain characteristics that are perpetuated from time to time. A stereotype of gender identity was formed which was then displayed in various social interactions, including in the mass media, especially advertising. Gender bias, inequality of women's representation, and women objectification are found in advertisements, especially for beauty products. Feminism is the rationale for this study related to the objectification of these women. But this research will explain how women are forever not only objects, but also begin to show themselves as subjects.
25
Navarro, Celina y Òscar Coromina. "Discussion and mediation of social outrage on Twitter: The reaction to the judicial sentence of "La Manada"". Communication & Society 33, n.º 1 (7 de enero de 2020): 93–106. http://dx.doi.org/10.15581/003.33.37295.
Resumen
In recent years, digital feminism has been prominent in the international public sphere and the massive release of individual testimonies of violence against women has had an important presence on social media. In Spain, the reaction to the judicial sentence of the La Manada case, which only convicted the five men accused of abuse, rather than rape, provoked a public outrage that was negotiated on social networks and was later displayed in mass demonstrations across the country. The aim of this study is to analyze the reaction that took place on Twitter on the day of the ruling of the sentence (26 April 2018) and how the dominant frames were initiated and stabilized on Twitter. With a sample of almost 500.000 tweets, the posts achieving most retweets per hour and the most salient media objects (including hashtags, visual content and links) have been analyzed based on the framing theory. Media objects have been explored through flowcharts allowing the visualization of the evolution of the dominant messages. The results show a hegemonic conversation on Twitter against the ruling of the court with a high presence of feminist demands. Furthermore, the analysis of the evolution of the main frames shows that the different Twitter affordances allow rapidity in the negotiation of the dominant messages. This paper contributes to the understanding of the articulation of framing from a complex perspective including media objects such as images and URLs that broaden the layers of meaning of the Twitter discourse on collective actions.
26
Medrado, Andrea Meyer y Ana Paula Muller. "Maternal Rights Digital Activism and Intersectional Feminism: an Analysis of the Independent Media Platform “Cientista Que Virou Mãe”". Brazilian Journalism Research 14, n.º 1 (30 de abril de 2018): 174–201. http://dx.doi.org/10.25200/bjr.v14n1.2018.1055.
Resumen
This article seeks to obtain a deepened understanding of the phenomenon of maternal rights digital activism, drawing from an analysis of Cientista Que Virou Mãe (CQVM or Scientist who became a mother, in Portuguese), a blog which became an independent media platform. By doing this, we hope to fill an important research gap as little is written on the relationships between motherhood, feminism and the media. Based on preliminary evidence, we also wish to suggest that the CQVM platform can be located within the context of digital activism, arguing that the latter has lots to benefit from incorporating the perspectives of intersectional feminism. In order to achieve this, our study has a netnographic inspiration, analyzing one particular event that was significant in the history of the CQVM platform as it echoed the voices of black mothers. Neste artigo, buscamos compreender o ativismo digital materno a partir da análise de um blog que passou a operar como uma plataforma de mídia independente: o Cientista Que Virou Mãe (CQVM). Gostaríamos de apresentar os indícios que revelam que esta plataforma atua como importante iniciativa de ativismo digital materno. Tanto nos estudos feministas, como nos estudos de comunicação e mídia, este recorte, mais voltado para a análise das relações entre maternidade, feminismo e mídia, é relativamente pouco trabalhado. Após localizarmos a plataforma CQVM dentro do contexto do ativismo digital materno, destacamos que tal fenômeno pode ser beneficiado por uma maior incorporação das perspectivas do feminismo interseccional. Para demonstrar esse ponto, adotamos uma abordagem de inspiração (n)etnográfica, analisando um evento marcante na história da plataforma, o qual trouxe à tona as vozes das mulheres e mães negras. El objetivo de este artículo es conducirnos una comprensión más profunda del fenómeno del activismo digital materno, a partir de un análisis de Cientista Que Virou Mãe (CQVM, La Cientista que se Convirtió en Madre, traducido al español), un blog que se convirtió en una plataforma de medios independientes. A partir de aqui, esperamos llenar una brecha de investigación importante ya que se escribe poco sobre las relaciones entre la maternidad, el feminismo y los medios. También deseamos sugerir que la plataforma CQVM se pueda ubicar dentro del contexto del activismo digital, argumentando que este último tiene mucho que beneficiarse al incorporar las perspectivas del feminismo interseccional. Para cumplir con este propósito, nuestra investigación adopta una inspiración (n)etnográfica, analizando un evento particular que fue significativo en la historia de la plataforma CQVM ya que se manifestaron más fuertemente las voces de las madres negras.
27
Numan, Haitham. "The Multimodal Framing Demands by Protesters’ Signs in Social Media". Contemporary Arab Affairs 15, n.º 3-4 (septiembre de 2022): 7–33. http://dx.doi.org/10.1525/caa.2022.15.3-4.7.
Resumen
Using the Iraqi Tishreen movement as a case study, this paper applies frame and content analysis to explore the multimodal framing of the 2019 popular protests in Iraq to understand how protesters’ signs framed mass demands on social media. It analyses themes in the signs used by Iraqi protesters during the October 2019 uprising which were later posted on social media. The author collected 2113 posts from social media (Facebook, Twitter, and Instagram), including digital images of people holding protest materials, graphic designs, and placard designs. Images of protesters and their signs were considered material data. The author stopped compiling images after finding duplicates. The images included textual and visual signs as well as icons and symbols. The analysis revealed four major themes and messages intended by the protesters: a willingness to sacrifice for the nation, national unity, feminism, and demands. The theme of the demands is divided into 14 subthemes, such as ending militias, the separation of religion and state, and the rejection of sectarianism. The findings revealed Iraqi political expression on social media and the developments of Arab visual protest culture.
28
Lindsay, Angus. "Swallowing the Black Pill: Involuntary Celibates’ (Incels) Anti Feminism within Digital Society". International Journal for Crime, Justice and Social Democracy 11, n.º 1 (1 de marzo de 2022): 210–24. http://dx.doi.org/10.5204/ijcjsd.2138.
Resumen
Involuntary celibates (incels) are part of the online ‘manosphere’ and have been widely discussed in contemporary media in recent years due to their involvement in several offline mass murders. This article presents empirical data that specifically map aspects of the incel worldview: the ‘black pill’. Analysis of online discussion forums demonstrates how incels believe society is ordered through a hetero-patriarchal racial hierarchy and justify their sexlessness through beliefs rooted in biological determinism and victimisation by women and feminism. It is argued that the black pill is a disciplinary device that aids in building a digital counter-public that engenders a collective incel identity. Further, the article argues that the black pill produces a form of ‘stochastic terrorism’ in which users interpret its spectrum of beliefs to enact harms from online gender-based hate speech through terrorist violence in the offline world. As a point of departure, the article argues that incel counter-publics transcend the false distinctions between online and offline; both ‘worlds’ contribute to the (re)production of incel anti-feminism and misogyny.
29
Kotliuk, Galyna. "POSTFEMINIST FEMININITY IN POP CULTURE DISCOURSES OF THE 1990s AND 2000s". CULTURE AND ARTS IN THE MODERN WORLD, n.º 23 (30 de junio de 2022): 47–56. http://dx.doi.org/10.31866/2410-1915.23.2022.260785.
Resumen
The concept of postfeminism has become one of the central and most important concepts in feminist cultural studies continually raising a lot of debates and discussions. As an important social and cultural phenomenon, postfeminism has extensively invaded popcultural and media spaces at the turn of the last century, and by doing so has drastically (re)shaped the very concept of femininity in mass culture of the 1990s and early 2000s. The controversial nature of postfeminism has created a new concept of femininity, which was located outside of both patriarchal and feminist discourses. The purpose of this article is to analyse postfeminist femininity in various popular TV series and films of the time, locate their representations of femininity within the existing contemporary postfeminist discourse and trace its impacts on the modern understanding of womanhood. The research methodology consists of comparative analysis and synthesis methods, which have made it possible to identify the main features and key concepts of postfeminism as socio-cultural phenomenon. The historical and cultural approaches as well as the systemic method have allowed us to understand the influence of postfeminism on pop-culture as well as to trace its multifaceted relations to public media discourses. The elements of critical and content analyses, as well as the complex processes decomposition method, were used for the assessment of postfeminist theory as a concept-methodological basis for the further analysis of media products in their relation to postfeminist discourses. The scientific novelty lies in analysing the unique sensibilities typical for postfeminism and applying this theoretical knowledge to reinvent female images in pop culture discourses, thus offering a new approach to understanding femininity outside the patriarchal narratives as well as second- and third-wave feminism. Conclusions. The findings of the article provide a new perspective on popular and well-known products of the media industry of the 1990s and 2000s, re-read them within the scope of the postfeminist framework, and offer a new angle of interpretation of femininity at the turn of the last century.
30
Subrizi, Carla. "Carol Rama and the Beast: Becoming a Woman and Feminism in the Nineties". Boletín de Arte, n.º 40 (19 de noviembre de 2019): 61–67. http://dx.doi.org/10.24310/bolarte.2019.v0i40.5809.
Resumen
In 1996, television publicizes the news of a disease that affects cows, bringing them to death. This fact in a few days has a central place in the mass media information. Carol Rama, however, is interested by other aspects: the suffering and agony of the animal, the poses it takes, the obsessiveness of irrepressible movements. The animal and the woman, the madness of the cow and the individual state towards which Rama does not stop addressing, seem to be joining on a fragile threshold, without finding a balance and which remains in the condition of an identity oscillation. The contribution focuses on the presence of the animal in the work of Carol Rama and especially in the nineties, analyzing how the seduction for the disease of the animal reveals the gaze of a woman sensitive to many issues of the most recent feminist theories.
31
Karpovets, Maksym, Maria Petrushkevych y Olena Shershnova. "The Specifics of Religious Issues in Ukrainian Gender Electronic Mass Media". Journal of Education Culture and Society 13, n.º 2 (27 de septiembre de 2022): 515–30. http://dx.doi.org/10.15503/jecs2022.2.515.530.
Resumen
Aim. The purpose of this study was to analyze religious issues in gender and feminist electronic mass media in Ukraine, taking into account the specifics of their policy, audience, and communication strategy Methodology. The empirical methods were gathered by a grouping of sites and electronic media: the official sites, the convergent scanned print media, and the social network Facebook. Overall, the 21 electronic mass media were analyzed. The main method of this research is a discourse analysis of religious topics. The main identified topics are representation of religions, political issues, gender history of religion, female priesthood, dogma of religion, pedagogical and scientific topics, critique of religion/church, anti-gender and religion, LGBT issues, sexuality, body, and religion. Only a small amount of material and topics are dedicated to religion, which is marginalized in the Ukrainian media. Conclusions. Our main conclusion is that the more analytical analysis in the material, the more tolerant the authors are to religion, but not to religious organizations. The sensitive topics of sexual orientation, sexual violence, pedophilia, and abortion rights related to church activities, are raised in the feminist/gender mass media. Originality. The coverage of religious issues depends on the type of media that presents a particular gender discourse: the more radical Ukrainian media in their visions, the less critical and stereotypical the representation of religion. Most Ukrainian gender media reflect general trends in the representation of religion.
32
Wardlow, Holly. "Bobby Teardrops: A Turkish video in Papua New Guinea Reflections on Cultural Studies, Feminism, and the Anthropology of Mass Media". Visual Anthropology Review 12, n.º 1 (marzo de 1996): 30–46. http://dx.doi.org/10.1525/var.1996.12.1.30.
33
Cabrera, Ana. "Feminismo, poder e representações mediáticas ao longo dos 40 anos da democracia portuguesa." RIHC. Revista Internacional de Historia de la Comunicación 1, n.º 16 (2021): 179–203. http://dx.doi.org/10.12795/rich.2021.i16.09.
Resumen
Em Portugal, o período pós-revolucionário, não originou alterações nas questões da igualdade entre homens e mulheres. Contudo, nos últimos 40 anos, houve duas questões centrais para a igualdade de género, debatidas no Parlamento: a paridade e a legalização do aborto. Em 1975 a política era profundamente masculina e os homens ocupavam o centro das decisões em todas as esferas da sociedade. Quarenta anos depois, a representação das mulheres na Assembleia da República passou 7,6% para 40% em 2019, graças à aprovação da Lei da Paridade em 2006. Também a luta pela despenalização do aborto se arrastou desde 1974 a 2007, altura em o segundo referendo foi aprovado. Este consistiu num processo longo e muito polarizado, com confronto de posições antagónicas, dentro e fora do Parlamento. Neste percurso intervieram, partidos políticos, ONGs e diversas organizações de mulheres. Neste artigo analisaremos as dinâmicas sociais e políticas que propiciaram aquelas mudanças, destacaremos as lutas em que as mulheres se envolveram, e examinaremos as alterações na cobertura mediática para as questões de género, a partir de dois casos centrais: a Paridade e a Interrupção Voluntária da Gravidez (IVG). Verificamos que foram os debates sobre estes assuntos que mais envolveram as mulheres, e que mais contribuíram para a tomada de consciência da sua situação face à sociedade patriarcal, abrindo portas à sua emancipação e empoderamento.
34
Wulandari, Lusi Setyo y Nova Permata Sari. "Women's journalists in the practice of mass media in Semarang city". Informasi 49, n.º 2 (10 de enero de 2020): 101–12. http://dx.doi.org/10.21831/informasi.v49i2.27854.
Resumen
This study aims to determine the balance between female and male journalists in the mass media, and the subjective experience of women journalists in carrying out their duties. Data collection was carried out by in-depth interviews and interviewees in this study as many as five people from print and electronic media, to determine the sources of researchers using purposive sampling. This research uses the descriptive qualitative method with gender structuration theory which is a combination of structuration theory and feminist analysis. The results of this study indicate that male dominance is still very strong in the mass media, this can be seen in terms of the number of female journalists in each company. In terms of wages, almost all have not received the same wages as male journalists and there is still violence received by women journalists in carrying out their duties. Violence received in the form of verbal and nonverbal violence and women journalists consider the violence that occurs is a risk of work. It is hoped that with this research companies, journalists and the public will become more aware of gender equality. The formation of a special organization for women journalists was also felt to be very important in solving the problems of women journalists.Penelitian ini bertujuan untuk mengetahui keseimbangan antara jurnalis perempuan dan laki laki di media massa, dan pengalaman subyektif jurnalis perempuan dalam menjalankan tugasnya. Pengambilan data dilakukan dengan wawancara mendalam dan narasumber dalam penelitian ini sebanyak lima orang dari media cetak dan media elektronik, untuk menentukan narasumber peneliti menggunakan proposive sampling. Penelitian ini menggunakan metode kualitatif deskriptif dengan teori strukturasi gender yang merupakan perpaduan antara teori strukturasi dan analisis feminis. Hasil dari penelitian ini menunjukkan bahwa dominasi laki-laki masih sangat kuat dalam media massa hal ini terlihat dari segi jumlah jurnalis perempuan yang ada dalam setiap perusahaan. Dari segi pengupahan, hampir semua belum mendapatkan upah yang sama dengan jurnalis laki-laki serta masih adanya kekerasan yang diterima para jurnalis perempuan dalam melakukan tugasnya. Kekerasan yang diterima berupa kekerasan verbal dan nonverbal dan para jurnalis perempuan menganggap kekerasan yang terjadi merupakan resiko dari pekerjaan. Diharapkan dengan adanya penelitian ini perusahan, jurnalis dan masyarakat semakin sadar akan kesetaraan gender. Pembentukan organisasi khusus jurnalis perempuan juga dirasa sangat penting dalam menyelesaikan permasalahan jurnalis perempuan.
35
Steeves, H. Leslie. "Mass Media and the Shaping of American Feminism, 1963–1975 by Patricia Bradley. Jackson: University Press of Mississippi, 2003. 322 Pp." American Journalism 21, n.º 3 (julio de 2004): 118–20. http://dx.doi.org/10.1080/08821127.2004.10677603.
36
Zamzuardi, Yosi. "ANALISIS WACANA KASUS PELECEHAN SEKSUAL TERHADAP PEREMPUAN PADA BERITA ONLINE DALAM PERSPEKTIF ANALISIS SARA MILS". Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia 6, n.º 1 (2 de octubre de 2019): 36–53. http://dx.doi.org/10.15408/dialektika.v6i1.9750.
Resumen
Abstract : This study discusses the discourse of sexual violence that occurs among women in online media coverage. Good media can display balanced information. Various reports related to sexual harassment often experienced by women can be represented in a discourse differently. At present the exploitation of women is carried out through more intellectual and neatly packaged methods, one of which is through discourse revealed in the mass media. Women in the media are positioned visually prominent , but also marginalized in meaning. If this continues, it will reinforce the existence of gender differences between women and men which has implications for the potential for increasing gender oppression with women as victims. The problem discussed in this study is a critical discourse analysis using the theory of Sara Mils. The discussion of Sara Mills around discourse theory makes the discourse of feminism a vortex of study. In addition, it also addresses women's issues such as how women are displayed in text, images, photos and in the news. The focus of this study is to examine 1) how the text experiences bias in representing women in the text, 2) how the marginalization of women is formed in weakening women's position.Abstrak: Penelitian ini membahas tentang wacana kekerasan seksual yang terjadi di kalangan perempuan dalam pemberitaan media online. Media yang baik dapat menampilkan informasi yang berimbang. Berbagai pemberitaan terkait pelecehan seksual sering dialami perempuan dapat direpresentasikan ke dalam sebuah wacana secara berbeda-beda. Saat ini eksploitasi terhadap perempuan dilakukan melalui cara-cara yang lebih intelektual dan dikemas secara apik, salah satunya melalui wacana yang diungkap dalam media massa. Perempuan dalam media diposisikan yang menonjol secara visual, tetapi juga terpinggirkan dalam makna. Hal tersebut jika terus dibiarkan, akan mempertegas adanya perbedaan gender antara perempuan dengan laki-laki yang berimplikasi pada potensi meningkatnya penindasan gender dengan perempuan sebagai korbannya. Permasalahan yang dibahas dalam penelitian ini adalah analisis wacana kritis menggunakan teori Sara Mils. Pembahasan Sara Mills seputar teori wacana menjadikan wacana feminisme sebagai pusaran kajiannya. Selain itu juga membahas isu-isu perempuan seperti bagaimana perempuan ditampilkan dalam teks, gambar, foto serta dalam berita. Fokus penelitian ini yaitu mengkaji 1) bagaimana teks mengalami bias dalam merepresantasikan perempuan dalam teks, 2) bagaimana marginalisasi perempuan terbentuk dalam pelemahan posisi perempuan.
37
Surahman, Sigit, Ignasius Liliek Senaharjanta y Shella Fendisa. "Representasi Pergolakan Batin Perempuan dalam Film Little Women (Analisis Wacana Kritis Sara Mills)". Sense: Journal of Film and Television Studies 5, n.º 1 (31 de mayo de 2022): 55–70. http://dx.doi.org/10.24821/sense.v5i1.7002.
Resumen
The issue of gender is still a debate in society today. Women cannot enjoy a free life, and are often constrained to follow the rules that exist in society. Film as one of the mass media that can convey messages widely, has become a medium used by feminist fighters to raise the issue. One of them is Greta Gerwig's Little Women. The film tells the story of the author's life journey with 3 sisters, each of whom has a dream when they grow up, but has to deal with the rules that limit them, which of course becomes an inner struggle for the March brothers, between achieving their dreams or living in a marriage. The researcher uses a qualitative approach, with Liberal Feminism Theory and Sara Mills Critical Discourse Analysis to analyze the film based on the position of the subject, object, and audience. Intended to find discrimination, as well as stereotypes contained in the film, as the cause of the inner turmoil of women in the film Little Women. The conclusion of this film represents the position of women as marginalized and not getting equal opportunities with men. Various aspects of life limit women's space for movement and place women in a women's social construction, causing inner turmoil in living life between following their wishes, or the rules in society.
38
Ndonye, Michael M. "Mass-Mediated Feminist Scholarship failure in Africa: Normalised Body-Objectification as Artificial Intelligence (AI)". Editon Consortium Journal of Media and Communication Studies 1, n.º 1 (30 de abril de 2019): 1–8. http://dx.doi.org/10.51317/ecjmcs.v1i1.47.
Resumen
Mass media culture and its role in defining, inculcating and shaping sexual orientation of a society cannot be gainsaid. In this paper, the mass-mediated western feminist scholarship failure in Africa is interrogated in the wake of Sex Robots such as ‘Samantha.’ The argument is that these sex robots function to normalise woman body objectification. The study aims to anchor on Pan African project perspective and the ontological formulation of the African woman as human-being deserving her voice concerning her experiences with patriarchal social structures. The mass media, in its romanticisation of western feminist scholarship denies African woman this voice. There are four fundamental questions central to this paper: 1) what are the epistemological foundations of western feminist scholarship in patriarchal Africa? 2) What is the political economy of western feminist scholarship in sex robotics in Africa? 3) Can sex robots fill the western-feminist-scholarship-born inorganic sexist relation in Africa? And 4) what alternative framework is fit for African woman transformation and emancipation project? The study analyses the feminist scholarship from the past, present and future to give possible solutions to challenges and failures of the strategy toward woman emancipation and transformative agenda in Africa and the developing world.
39
Saputri, Gisa Maya. "HOW WOMEN LEAD PODCAST SERIES: FEMINIST MEDIA FRAMING IN CHALLENGING SYMBOLIC ANNIHILATION OF INDONESIAN WOMEN LEADERSHIP". SALASIKA Indonesian Journal of Gender Women Child and Social Inclusion s Studies 4, n.º 2 (10 de marzo de 2022): 81–94. http://dx.doi.org/10.36625/sj.v4i2.78.
Resumen
The media presents gender stereotyping through its journalism works on a daily basis. This media framing could shape consumers’ beliefs and values. Women become the objects of media stereotyping since they are omitted from the discourse, condemned for the traditional gender role, and trivialized for being dependent. The rise of alternative media, including feminist media, challenges this situation. Magdalene, as one of the feminist media, releases a project of ‘How Women Lead’ podcast series. These podcast series are highlighted as the object to analyze how feminist media framing challenges the symbolic annihilation of women leaders. This paper intends to explore the framing of Indonesian women leaders in feminist media and to elaborate on the ways this feminist media challenges symbolic annihilation. The concept of symbolic annihilation in mass media by Tuchman (2000) becomes the basis of analysis. She classifies this concept into three categories; omission, condemnation, and trivialization. By employing Critical Discourse Analysis (CDA), this paper focuses on the power held by media for shaping people’s ideology through interpretation and explanation. The result proves that Magdalene through the ‘How Women Lead’ podcast series could promote inclusivity, opportunity, and independence as the main notions to challenge symbolic annihilation, particularly for women leaders.
40
Rezkia, Fitri, Syahrul Abidin y Rholand Muary. "Analisis Framing “Zero Tolerance” Pada Film Indonesia: Diversity Under Threat di Youtube DW Documentary". Journal of Education, Humaniora and Social Sciences (JEHSS) 4, n.º 4 (1 de mayo de 2022): 2201–11. http://dx.doi.org/10.34007/jehss.v4i4.1034.
Resumen
This paper aims to find out how DW Documentary frames the meaning and perpetrators of “zero tolerance” which is considered at threat in Indonesia trough journalistic work in the form of the documentary film, Indonesia: Diversity under Threat. The problem is focused on how to frame the media in presenting the film. To approach this problem, the theoretical basis of Peter L. Berger & Thomas Luckmann is used, namely the social construction of reality which is innovated into the social construction of mass media and the theory of Pamela J. Shoemaker & Stephen D. Reese, namely the theory of the hierarchy of influence. The research approach used is a qualitative approach. The data were collected through observation techniques, namely in depth observations and analyzed through framing analysis of the Zhongdang pan dan Gerald M. Kosicki model. This study concludes that DW Documentary frames the meaning of “zero tolerance” as the biggest threat to the Indonesian state, namely religious intolerance and corruption. In terms of religious intolerance, the media through the choice of words, statements, and quotes frame the label for a populist Muslim community. In this case, the media specializes in conservative Islam, through Syariah law which is considered to discriminate against minority communities, contrary to human rights and feminism. The perpetrators of intolerance were discussed with fundamentalist and radicals with violence, injustice, and does not accept differences or called intolerance.
41
Darmon, Keren. "Framing SlutWalk London: How Does the Privilege of Feminist Activism in Social Media Travel into the Mass Media?" Feminist Media Studies 14, n.º 4 (4 de julio de 2014): 700–704. http://dx.doi.org/10.1080/14680777.2014.935208.
42
Beaulieu, Laure. "Journalistes et féministes". Sur le journalisme, About journalism, Sobre jornalismo 8, n.º 2 (20 de diciembre de 2019): 62–77. http://dx.doi.org/10.25200/slj.v8.n2.2019.402.
Resumen
FR. Trois groupes de femmes journalistes, qui dénoncent les inégalités liées au genre dans les rédactions et les représentations stéréotypées des femmes dans les productions journalistiques, sont apparus au tournant des années 2010 en France. Dans cet article, nous cherchons à interroger les tensions entre les logiques d’actions militantes et le statut de « professionnelle » du journalisme, et à appréhender quels sont les coûts et les rétributions de l’engagement féministe pour les journalistes étudiées. Dans la première partie, nous distinguons trois formes idéale-typiques d’articulation entre féminisme et journalisme : celles que l’on appelle les « politiques », les « expertes » et les « élitistes ». Nous abordons ensuite les stéréotypes stigmatisants auxquels sont assignés les femmes journalistes féministes dans leurs rédactions. Dans une deuxième partie, nous évoquons les conséquences de cette assignation à des stéréotypes dans les relations avec les collègues, avec la hiérarchie, et les coûts pour les carrières professionnelles et pour la pratique journalistique. On montre que les coûts varient en fonction de la forme d’articulation entre féminisme et journalisme. Les femmes de l’idéal-type des « politiques » subissent plus souvent la stigmatisation que les « expertes » et les « élitistes » qui adoptent, elles, des stratégies pour limiter les coûts. Nous évoquons, en outre, les ressources professionnelles que peut constituer l’engagement féministe pour les journalistes étudiés. Le fait d’être assignée au stéréotype de la féministe les rend visibles à l’intérieur de leur rédaction où elles peuvent acquérir une position de spécialistes sur les questions de genre et de féminisme. Cet engagement peut aussi les rendre visibles à l’extérieur de leurs rédactions, si elles sont invitées dans des émissions de télé ou de radio comme porte-parole d’un collectif ou pour parler d’une de leur production. Les liens créés dans un collectif autorisent enfin dans certains cas des formes de solidarité entre des femmes exerçant dans différentes rédactions.
***
EN. Three groups of female journalists have emerged in the 2010s in France denouncing gender inequalities in newsrooms and stereotyped representations of women in journalistic production. In this article, we examine the tensions between activism rationales and the status of the journalism professional. First, we distinguish three different ideal-typical relationships between feminism and journalism: the “political,” the “experts” and the “elitists,” and how female and feminist journalists are stigmatized according to stereotypes in their newsrooms. Second, we examine the consequences of these stigmatizing stereotypes on relations with colleagues and the corporate hierarchy, and the costs they have on professional careers and the practice of journalism. We demonstrate how these effects vary depending on the link between journalism and feminism: the “political” are stigmatized more than the “experts” or the “elitists,” for example, who adopt strategies to mitigate iniquities. We also examine the professional resources feminist engagement may attract. For example, being assigned a feminist stereotype may afford a journalist higher visibility inside the newsroom, where she may acquire a position as an expert on gender and feminist issues. She may also become more visible outside the newsroom if she is invited to talk about her work or as the spokesperson for a group on TV or radio shows. Feminist engagement and the bonds created within the group may also create solidarity between journalists working for different media.
***
PT. Três grupos de jornalistas, denunciando desigualdades de gênero nas redações e representações estereotipadas de mulheres em produções jornalísticas, surgiram nos anos 2010 na França. Neste artigo, questionamos as tensões entre a lógica do ativismo e o status profissional do jornalismo. Na primeira parte, distinguimos três vínculos ideais-típicos diferentes entre feminismo e jornalismo: os chamados “políticos”, os “especialistas” e os “elitistas”. Depois, falamos sobre como as jornalistas femininas e feministas são designadas a estereótipos estigmatizantes em suas redações. Na segunda parte, evocamos as conseqüências da atribuição de estereótipos estigmatizantes para relacionamentos com colegas e com a hierarquia. Também mencionamos os custos para carreiras profissionais e a prática do jornalismo. Mostramos que os custos não são os mesmos de acordo com a forma de interligação entre jornalismo e feminismo: os "políticos" são mais estigmatizados do que os "especialistas" ou os "elitistas". Finalmente, falamos sobre os recursos profissionais que o engajamento feminista pode constituir para jornalistas. Ser nomeado com estereótipos feministas pode torná-los visíveis dentro da redação, onde elas adquirem uma posição como especialista em questões de gênero e feministas. Elas também podem ser mais visíveis fora da redação, se forem convidadas para a TV ou em programas de rádio para falar sobre seus trabalhos ou como porta-voz de um grupo. O engajamento feminista e os vínculos criados em um grupo também podem criar solidariedade entre jornalistas que trabalham para diferentes mídias.
***
43
VATUK, SYLVIA. "Islamic Feminism in India: Indian Muslim Women Activists and the Reform of Muslim Personal Law". Modern Asian Studies 42, n.º 2-3 (marzo de 2008): 489–518. http://dx.doi.org/10.1017/s0026749x07003228.
Resumen
AbstractI describe here a nascent ‘Islamic feminist’ movement in India, dedicated to the goal of achieving gender equity under Muslim Personal Law. In justifying their demands, these women activists refer neither to the Indian Constitution nor to the universalistic human rights principles that guide secular feminists campaigning for passage of a gender-neutral uniform civil code of personal law, but rather to the authority of the Qur'an—which, they claim, grants Muslim women numerous rights that in practice are routinely denied them. They accuse the male ‘ulamaof foisting ‘patriarchal’ interpretations of the Qur'an on the unlettered Muslim masses and assert their right to read the Qur'an for themselves and interpret it in a woman-friendly way. Their activities reflect an increasing ‘fragmentation of religious authority’ in the globalizing Muslim world, associated with the spread of mass education, new forms of media and transport and a mobile labour force, in which clerical claims to exclusive authoritative knowledge are being questioned by a wide variety of new voices, women's among them. Whether it can ultimately succeed is an open question but the movement is clearly having an impact, even on the clerical establishment itself, insofar as the legal issues it considers most pressing for women are concerned.
44
Shea, Jeanne L. "Dressing the Older Woman in Post-Mao China: Perspectives from Official Feminist Mass Media and Ordinary Chinese Women". Anthropology & Aging 35, n.º 1 (1 de diciembre de 2014): 27–52. http://dx.doi.org/10.5195/aa.2014.27.
Resumen
This article examines Chinese discourses on dressing the aging female body as a window into the tensions involved in the historical transformation of habitus in early post-Mao China. Drawing on Chinese media articles and ethnographic interviews conducted with Chinese women in their 40s-60s, the analysis compares depictions of new official ideals for older women’s dress that appeared in Chinese government-sponsored feminist media with ordinary older Chinese women’s personal sensibilities about dress. Assessing the applicability of dominant western feminist theories of gender, dress, and age, this article provides a historicized culture-specific application of practice theory, examining older women’s struggles with competing moral logics associated with past and present, and with official media versus personal experience. Overall, it documents experiences of ambivalence and compromise accompanying lifecycle adjustment in embodiment in the context of rapid social change.
45
Pougy, Lília Guimarães. "Pedagogia de gênero e o feminismo em perspectiva: implicações à cidadania brasileira". Revista Educação e Emancipação 10, n.º 4 (12 de enero de 2018): 142. http://dx.doi.org/10.18764/2358-4319.v10n4especialp142-165.
Resumen
O artigo aborda o tema das relações de gênero, com objetivo de provocar o reconhecimento de seus efeitos na educação diferenciada e desigual de meninos e meninas, operada direta, e imediatamente pela religião e meios de comunicação de massa. O percurso a ser utilizado envolve apresentar o debate conceitual sobre gênero, abordar o lugar do feminismo na interpelação da sociedade e do Estado assim como ensaiar sobre as perspectivas futuras à cidadania brasileira, a partir do tema dos direitos humanos. A pedagogia de gênero pode ser um potente recurso da formação básica para a construção de um projeto de Nação coadunado com as necessidades do povo brasileiro, apesar da conjuntura nacional, na área da educação em particular, exigindo um esforço de reconhecimento dos desafios para a superação de uma ordem social excludente e propondo rearranjos e deslocamentos para uma educação crítica e libertadora.Palavras-chave: Gênero. Feminismo e Cidadania. Gender pedagogy and feminism in perspective: implications to brazilian citizenshipABSTRACTThe article addresses the theme of gender relations to induce the recognition of its effects on differential and unequal education of boys and girls operated directly and immediately by the family and school and mediated by the religion and the media. The course that will be used involves to present a conceptual debate about gender, to address the place of feminism in the interpellation of the society and the State, as well to rehearse about the future perspectives to Brazilian citizenship, based on the theme of human rights. The gender pedagogy can be a potent resource of basic training for the construction of a nation project in accordance with the needs of the Brazilian people despite the national context, in the area of education in particular. It also requires an eff ort to recognize the challenges to overcoming a excluded the social order and to propose rearrangements and displacements for a critical and liberating education.Keywords: Gender. Feminism and citizenship. Pedagogía de género y el feminismo en perspectiva: implicaciones a la ciudadanía brasileñaRESUMENEl artículo aborda el tema de las relaciones de género con el objetivo de provocar el reconocimiento de sus efectos en la educación diferenciada y desigual de niños y niñas, operada directa e inmediatamente por la familia y por la escuela y mediada por la religión y medios de comunicación de masa. La trayectoria utilizada incluye presentar un debate conceptual sobre género, abordar el lugar del feminismo en la interpelación de la sociedad y del Estado, así como ensayar sobre las perspectivas futuras de la ciudadanía brasileña, a partir del tema de los derechos humanos. La pedagogía del género puede ser un potente recurso de la formación básica para la construcción de un proyecto de Nación coadunado con las necesidades del pueblo brasileño, a pesar de la conjuntura nacional, en el área de la educación en particular, exigiendo un esfuerzo de reconocimiento de los desafíos para la superación de un orden social excluyente y proponiendo disposiciones y cambios para una educación crítica y libertadora.Palabras clave: Género. Feminismo y ciudadanía.
46
Fazekaš, Ana. "I Love Dick: A Pop-Cultural Investigation of Desire and the Female Gaze". AM Journal of Art and Media Studies, n.º 17 (16 de octubre de 2018): 89. http://dx.doi.org/10.25038/am.v0i17.273.
Resumen
This paper intends to outline an analysis of the Amazon series I Love Dick, based on the pseudo-autobiographical theoretical fiction by experimental (self-described ‘failed’) filmmaker Chris Kraus. The series completed its first season in 2017, and it appears it will not be coming back for a second, as its non-cushioned feminist agenda and sophisticated intertextual elements seem to have not resonated with the mass audience. However, the series brings into popular/mass culture not only an erratic contemplation (mind the oxymoron) on intersectional feminism, but a provocative uncensored performance of female desire. Jill Soloway, creator of the series, insists on its being a celebration of the female gaze, which begs the question what is the aesthetic and political significance of what we could call the female gaze. The series is not solely an adaptation, it is an artistic reaction to the text, adding characters and changing some of the premises of the text, while remaining true to the general project. This article aims to map out some of the intertextual elements in the series and provide an interpretation based mostly on revisiting Laura Mulvey’s critique of narrative cinema in the framework of psychoanalytic theory, as the fictional Chris passes through the fantasy, slides through the chain of signifiers, challenging Dick/the phallic element, and finds her creative power in the very subversive act of – accepting failure. Article received: March 31, 2018; Article accepted: May 10, 2018; Published online: October 15, 2018; Original scholarly paperHow to cite this article: Fazekaš, Ana. "I Love Dick: A Pop-Cultural Investigation of Desire and the Female Gaze." AM Journal of Art and Media Studies 17 (2018): 89−102. doi: 10.25038/am.v0i17.273
47
Handayani, Diah. "Political Identity, Popular Culture, and Ideological Coercion: The Discourses of Feminist Movement in the Report of Ummi Magazine". Jurnal Pemberdayaan Masyarakat: Media Pemikiran dan Dakwah Pembangunan 5, n.º 1 (18 de junio de 2021): 185–210. http://dx.doi.org/10.14421/jpm.2021.051-08.
Resumen
This research examines the rise of Islamic populism in Indonesia and understands it as an instrument to clear a new pathway for populism movement into popular culture. Ummi magazine is one of the religious media used to be political vehicles of stablishing constituencies, especially for the Tarbiyah movement in the Soeharto era to the current tendency to popularize the Tarbiyah identity as a new lifestyle. Historically, The Tarbiyah movement in Indonesia is a social and political movement among Indonesian Muslimah students, especially activists in the Suharto period. Muslim middle class entrepreneurs launched a campaign of ‘economic jihad. This research uses a qualitative approach by interpreting and studying the data contained in Ummi Magazine. Media studies were carried out in the January 2017 to 2018 editions. The data obtained were described and associated with the magazine's transformation as an ideological medium and Muslim women's lifestyle today. The result shows that the magazine's transformation from ideology magazine to lifestyle magazine can influence readers because there are more new readers. Whether Ummi as a media for da'wah and a women's magazine, it is still perceived by the readers to apply ideological coercion or simply provide an alternative lifestyle or consumption where religious independence is the main characteristic of the magazine. We argue that Islamic populism is mainly a medium for coercion ideology to gain tracks to power, while the poor remain as ‘floating mass’, and entrapped in many so-called 'empowerment' projects. Populism can be interpreted as a communication style in which a group of politicians considers themselves to represent the people’s interests contrasted with elite interests. Nevertheless, the populism approach is gaining momentum. Abdullah, I. (1996). Tubuh, Kesehatan, dan Struktur yang Melemahkan Wanita. Kumpulan Makalah Seminar Bulanan. Pusat Penelitian Kependudukan UGM.Al-Abani, S. M. N. (1999). Jilbab Wanita Muslimah. Pustaka At-Tibyan.Ahmed, L. (1992). Women and Gender in Islam: Historical Roots of Modern Debate. Yale University Press.Al-Ghifari, A. (2005). Kerudung Gaul, Berjilbab Tapi Telanjang. Mujahid Press.Armbrust, W. (2000). ‘Introduction’, Mass Mediation: New Approaches to Popular Culture In The Middle East and Beyond. University California Press.Askew, K. (2002). ‘Introduction’, The Anthropology of Media: A Reader.Blackwell.Astuti, S. N. A. . (2005). Membaca Kelompok Berjilbab Sebagai Komunitas Sub Kultur. Universitas Gadjah Mada.BPS. (2017). Statistika Pendapatan. BPS Publication. Banet-Weiser, S. (2006). “I just want to be me again!”: Beauty pageants, reality television and post-feminism. Feminist Theory, 7(2), 255–272. https://doi.org/10.1177/1464700106064423Banna, H. (2011). Majmu’ah Rasail Al Iman As Syahid (Risalah Pergerakan Ikhawanul Muslimin. Era Intermedia. Barthel, D. (1976) . The Impact of Colonialism on Women’s Status in Senegal.Ph.D Dissertation, Harvard University.Barthes, R. (1977). Image, Music, Text. Fortana Press.Bertrand, I., & Hughes, P. (2005). Media Research Methods: Audiences, Institutions, Texts. Palgrave Mecmillan.Bordo, S. (1995). Unbearable Weight : Feminism, Western Culture, and The Body. University of California Press.Branner, S. (1995). Why Women Rule the Roost: Rethiking Javanese Ideologies of Gender and Self-Control. In Bewitching Women, Pioner Men. University of California Press.______. (1996). ‘Reconstructing Self and Society, Javannese Muslim Women and The Veil’. American Ethnologist.Bruneinessen, M. v. (2002). ‘Genealogies of Islamic Radicalism in Post-Suharto Indonesia’. South East Asian Research. Champagne, J. (2004). Jilbab Gaul. Bali. Latitudes, 46, 114-123.Damanik, A. S. (2000). Fenomena Partai Keadilan: Transformasi 20 Tahun Gerakan Tarbiyah di Indonesia. Mizan.Durkin, K. (1985). Television and Sex Role Acquisition I: Content’. British Journal of Social Psycology, 24, 102-113.Effendi, B. (2003). ‘Islam Politik Pasca Suharto’. Refleksi, 5(2).El-Guindi, F. (1991). Veil, Modesty, Privacy, and Resistance. Berg.Frederick, W. H. (1982). Rhoma Irama and The Dangdut Style: Aspects of Contemporary Indonesian Popular Culture. Indonesia, 34, 103-130.Featherstone, M. (2001). The Body in Consumer Culture. In The Body: Social Process and Cultural Theory. SAGE Publication.Foucault, M. (1981). The Order of Discourse. Routledge and Keagon Paul.Fukuyama, F. (2018). Against Identity Politics. Foreign Affairs, Sptember/October, 1-25.Gough, Y. A. (2003). Understanding Women Magazine. Routledge.Gautlett, D. (2002). Media, Gender, and Identity: An Introduction. Routledge.Geetzt, C. (1973). The Interpretation of Culture. Verso.Gill, R. (2009). Mediated Intimacy and Post Feminism: a Discourse Analytic Examination of Sex and Relationship advice in Woman’s Magazine. Discourse and Communication Journal, 3(4), 345-369. https://doi.org/10.1177/1750481309343870Gramsci, A. (1992). Selection from The Prison on Notebooks. International Publisher.Gorham, B. W. (2004). The Social Psychology of Stereotypes: Implications for Media Audiences. In Race/Gender/Media: Considering Diversity Across Audiences, Content, and Producers. Pearson.Hall, S. (1997). The Work Of Representation. In Representation: Cultural Representations and Signifying Practices. SAGE Publication.Handayani, D. (2014). Performatifitas Muslimah dalam Majalah Ummi. At-Tabsyir. Jurnal Komunikasi Penyiaran Islam, 2(1), 73-98. http://doi.org/10.21043/at-tabsyir.v2i1.461.Hanifah, U. (2011). Konstruksi Ideologi Gender pada Majalah Wanita (Analisis Wacana Kritis Majalah Ummi). KOMUNIKA: Jurnal Dakwah dan Komunkasi, 5(2), 199-220. https://doi.org/10.24090/komunika.v5i2.170Imdadun, R. (2005). Arus Baru Iislam Radikal: Transmisi, Revivalisme Islam Timur Tengah ke Indonesiaan. Erlangga.Itzin, C.(1986). Media Images of Women: The Social Construction of Ageism and Sexism. In Feminist Social Psycology: Developing Theory and Practice. Milton Keynes. Open University Press.Kailani, N. (2008). Budaya Populer Islam di Indonesia: Jaringan Dakwah Foru Lingkar Pena. Jurnal Sosiologi Reflektif, 2(3). Kellner, D. (1995). Cultural Studies, Identities and Politics Between The Modern and Postmodern. Routledge.Machmudi, Y. (2006). Islamizing Indonesia: The Rise of Jamaah Tarbiyah and The Presperous Justice Party (PKS). PhD Dissertation, Australia National University.Maulidiyah, L. (2014). Wacana Relasi Gender Suami Istri dalam Keluarga Muslim di Majalah Wanita Muslim Indonesia. Universitas Airlangga.Parihatin, A. (2004). Ideologi Revivalisme Islam dalam Majalah Perempuan Islam (Analisis Wacana pada Majalah Ummi). Universitas Indonesia. Qadarawi, Y. (2004). Al Islamu wal Fannu. Islam Bicara Seni. Era Intermedia. Qutb, S. (1980). Ma’alim fi Al Tariq (Petunjuk Jalan-Milestone). Media Dakwah.Rozak, A. (2008). Citra Perempuan dalam Majalah Wanita Islam UMMI. Jurnal Penelitian Agama. VXII(2), 332-354.Storey, J. (2010). Culture and Power in Cultural Studies: The Politics of Signification. Edinburg University Press.Ulfa, N. M. (2016). Dakwah Melalui Media Cetak (Analisis Isi Rubrik Mutiara Islam Majalah Ummi). Islamic Communication Journal, 1(1), 73-89.
48
Franzia, Elda. "FIGUR WANITA BERTANGAN BANYAK SEBAGAI REPRESENTASI VISUAL WANITA INDONESIA PADA MAJALAH FEMINA". Jurnal Dimensi Seni Rupa dan Desain 7, n.º 1 (1 de septiembre de 2009): 77–94. http://dx.doi.org/10.25105/dim.v7i1.1089.
Resumen
AbstractMulti-handed Woman Figure as Visual Representation of Indonesian WOman in Femina Magazine. Magazine is one of the printed mass media that published in a scheduled time and focused in a spesific segmented target. Through visual and verbal text, printed mass media conveying ideologist discourse to the readers. Elements of design including image that appear in a magazine function as visual language structure's developer. Multi-handed woman figure as a model image that appear several times in Femina magazine becoming visual representation of practical feminist ideology that has compromised to patriarchic ideology which affecting Indoensian woman's life. A manipulated photographic model image is conveying a relation betweenbody and woman's image that has affected by root of Indoensian culture. The superwoman figure is finally becoming idealistic figure of Indonesian women for Femina's readers AbstrakFigur Wanita Bertangan Banyak sebagai representasi Visual Wanita Indonesia pada Majalah Femina . Majalah merupakan salah satu media cetak yang terbit dalam waktu tertentu dan ditujukan untuk target sasaran tertentu. memalui teks visual dan verbal, media massa cetak menyampaikan wacana ideologis tertentu kepada pembacanya. Elemen-elemen desain termasuk image yang hadir di majalah menjadi pembentuk struktur bahasa visual yang berperan dalam penyampaian wacana tersebut. Image model berupa figur wanita bertangan banyak yang secara berulang kali muncul pada majalah Femina selama 37 tahun terbitnya merupakan wujud representasi secara visual ideologi feminisme praktis yang berkompromi terhadap pengaruh ideologi patriarkis pada kehidupan wanita di Indonesia. Model yang dimanipulasi secara fotografis menampilkan relasi anatara tubuh dengan citra wanita, yang dipengaruhi oleh akar budaya Indonesia. Sosok superwoman ini pada akhirnya menjadi reprentasi ideal figur wanita Indonesia bagi pembaca majalah Femina
49
Everbach, Tracy y Jenny Mumah. "“They Never Do This to Men”: College Women Athlet’ Responses to Sexualized Images of Professional Women Athletes". Women in Sport and Physical Activity Journal 22, n.º 2 (octubre de 2014): 92–99. http://dx.doi.org/10.1123/wspaj.2014-0020.
Resumen
This study analyzed the reactions of college women athletes to mass media images of nude and scantily clad professional female athletes. The study focused on interviews of 18- to 22-year-old female athletes about the pressure on women to pose for sexualized photographs. Using a feminist framework, the study found that some of the college athletes rejected socially constructed concepts of femininity, others criticized the professional athletes for posing, and others accepted socially constructed standards of beauty. This research suggests that young women athletes are conflicted by the images of femininity presented by mass media and react in complex ways to them.
50
Dong, Wanjin y Soonbae Kim. "Promotion and Protection of Feminism Creativity for Public Environment: The Integration of Ecofeminism and Public Environment". Journal of Environmental and Public Health 2022 (21 de noviembre de 2022): 1–7. http://dx.doi.org/10.1155/2022/5706699.
Resumen
Each of us leaves a trace of our consumption on the environment. Take a step back, though, and consider how much influence people have had on the Earth. The Anthropocene, sometimes known as the era of humans, refers to how significantly we have changed the Earth’s systems. This is the grand view of humanity’s impact on the Earth. In this article, we plan to introduce and explain ecofeminism. Because of the natural connection with nature and the social role as housekeepers, women often have empathetic power when expressing their demands for the public environment, thus becoming a vital force in public environmental protection. Facing the public environmental forces spurting from ecofeminism, we study the dissemination of ecofeminism with the help of mass media. However, in present-day China, as pointed out by ecofeminism, the predatory exploitation of nature and the catastrophic killing of plants and animals make the fate of women challenging to control. Therefore, we study the theory of multicultural ecofeminism and public environmental protection. Finally, based on the integration of ecofeminism and the public environment, we interpret Lawrence’s famous work, Sons and Lovers, and analyze the relationship between men and women and the public environment in this work from the perspective of ecofeminism. In human socialization, ecofeminism has provided strong support for protecting the public environment, and at the same time, it has also improved.