Bibliografías temáticas / Feminism and mass media

Literatura académica sobre el tema "Feminism and mass media"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 4 de marzo de 2023

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  3. Libros
  4. Capítulos de libros
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Artículos de revistas sobre el tema "Feminism and mass media":

1

Wang, Xiaopei. "Comparison and Analysis of Feminism in China and the West: A Case Study of the 1950s". Communications in Humanities Research 1, n.º 1 (21 de diciembre de 2021): 111–15. http://dx.doi.org/10.54254/chr.iceipi.2021246.

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1950 is a very special period for the development of feminism in both China and the West. The Peoples Republic of China was just established and the West was experiencing the second wave of feminist. However, the feminism in these two areas developed in different ways, that Chinses feminism is the state feminism while the West is liberal feminism. This kind of difference results from the different social environment, especially the political policy in China and the West. The Communist Party of China took feminism as a tool to consolidate socialist construction, so it launched the feminist movement from top to bottom. The second feminism in the West is a bottom-up movement for women to fight for their own rights and interests, and they use magazines and other mass media as a means of struggle. By comparing the difference of the feminism in China and the West, the flaws of these two kinds of development of feminism could also be shown.
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Tally, Margaret J. "Mass Media and the Shaping of American Feminism, 1963-1975". Journal of American Culture 27, n.º 3 (septiembre de 2004): 345–46. http://dx.doi.org/10.1111/j.1537-4726.2004.141_15.x.

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Montana, Andrea Yovanny y Ahmad Junaidi. "Pengaruh Instagram @Feminist Terhadap Perubahan Pandangan Standar Kecantikan Wanita Indonesia". Kiwari 1, n.º 1 (1 de marzo de 2022): 54. http://dx.doi.org/10.24912/ki.v1i1.15503.

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The daily life of Indonesian people have been affected a lot by social media. Communication is more often done through social media than in person, especially during the pandemic. This makes social media have a big influence on people's perceptions. Social media that has a big influence on Indonesian society because of the large number of enthusiasts is Instagram. Instagram @FEMINIST is an account that discusses feminism issues. One of the worrying issues of feminism is about women's beauty standards. The purpose of this study is to determine the effect of Instagram @FEMINIST on changes in the views of Indonesian women's beauty standards. Quantitative methods is the method this study uses. The population in this study are followers of the @FEMINIST Instagram account. The sample taken is 100 respondents. Data was obtained by distributing questionnaires using a Likert scale with the indicators of Media Exposure and Body Image theory. The results of the Hypothesis Testing obtained using IBM SPSS version 22.0 For Windows obtained a significance value of 0.000 <0.05 with a t-count of 6.461 > 1.984 so it can be concluded that the hypothesis test or t-test is acceptable. So H0 is rejected and H1 is accepted, which shows that Instagram @FEMINIST exposure has a positive effect on the view of Indonesian women's beauty standards. Kehidupan sehari-hari masyarakat Indonesia telah banyak dipengaruhi media sosial. Komunikasi lebih sering dilakukan melalui media sosial dibandingkan secara langsung, terutama saat masa pandemi. Hal ini membuat media sosial memiliki pengaruh besar terhadap persepsi masyarakat. Media sosial yang berpengaruh besar pada masyarakat Indonesia karena banyaknya peminat adalah Instagram. Instagram @FEMINIST merupakan akun yang membahas mengenai isu-isu feminisme. Salah satu isu feminisme yang mengkhawatirkan adalah tentang standar kecantikan wanita. Tujuan penelitian adalah untuk mengetahui pengaruh instagram @FEMINIST terhadap perubahan pandangan standar kecantikan wanita indonesia. Penelitian ini menggunakan metode kuantitatif. Populasi dalam penelitian ini adalah followers dari akun instagram @FEMINIST. Sampel yang diambil berjumlah 100 responden. Data diperoleh dengan menyebarkan kuesioner yang menggunakan skala likert dengan indikator teori Terpaan Media dan Body Image. Hasil Uji Hipotesis yang didapat menggunakan IBM SPSS versi 22.0 For Windows diperoleh nilai signifikansi sebesar 0,000 < 0,05 dengan t hitung 6,461 > 1,984 kesimpulannya adalah uji t uji hipotesis atau uji hipotesis dapat diterima. Hasilnya H0 ditolak dan H1 diterima, yang bermaksud Terpaan Instagram @FEMINIST berpengaruh positif terhadap pandangan standar kecantikan wanita Indonesia.
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Gustema, Nurul Huda y Dr Wening Sahayu. "Feminism Values in the Posters of Yogyakarta’s Students Demonstration: The #Gejayanmemanggil". Lingua Cultura 14, n.º 1 (31 de julio de 2020): 23–29. http://dx.doi.org/10.21512/lc.v14i1.6234.

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The research aimed to examine feminism values on the posters of Yogyakarta’s students’ demonstration the #Gejayanmemanggil. Data collection technique was conducted by reading and note-taking techniques. From social media (Instagram), read the posters for several times, made a reduction for the data, and analyzed the feminism values which were reflected in the data based on the discourse or textual aspects. In the findings, the use of feminist languages, which contained the feminism values was revealed, in order to correlate it with the previous studies and theories. It was affected by the positive and negative meanings of the words and their impact on the audience. Discourse analysis was the proper way to examine the hidden ideologies of discourse. It revealed the discursive structures and manipulative language of the speakers or writers. The results reveal that the posters on the demonstration #Gejayanmemanggil contain feminism values as reflected in the feminist languages which support the ideology. Therefore, based on the findings of the research which conducts a discourse analysis in examining mass communication, language has enormous powers in appealing to emotions, manipulating someone’s thoughts and behavior, as well as misrepresenting the realities.
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Harinanda, Salsabila Astri y Ahmad Junaidi. "Representasi Feminisme Pada Film Disney Live-Action Mulan". Koneksi 5, n.º 2 (29 de septiembre de 2021): 269. http://dx.doi.org/10.24912/kn.v5i2.10299.

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Film is a mass media that presents a story in audio-visual form. This research aims to see how are the representation of feminism in the Disney Live-Action Mulan film. The method used is descriptive qualitative research methods with semiotic as data analysis techniques. Data are collected using the methods of documentation, observation, and literature study. The signs of the film were analyzed using Roland Barthes' semiotic model two-stage of signification, which are the denotation, connotation, and myth stages. This film shows the discrimination that happened in women due to patriarchal ideology. The results of this study indicate that the Disney Live-Action Mulan film dominantly represents the flow of liberal feminism, existentialism feminism, and radical-libertarian feminism through its main character, Hua Mulan. Hua Mulan's feminist behavior can be seen from her that are opposing discrimination and standards as a woman, performing male roles, able to be a leader, takes risks and being responsible, independent, able to gets recognition, and proving that she is able to give honor to her family. This film has a meaning that a woman can give honor to her family by being herself, and can have the right to be treated equally and also the right to determine and be responsible for her way of life.Film merupakan salah satu jenis media massa yang menampilkan cerita dengan bentuk audio visual. Penelitian ini bertujuan untuk melihat bagaimana representasi feminisme pada film Disney Live-Action Mulan. Metode yang digunakan adalah metode penelitian kualitatif deskriptif dengan teknik analisis data semiotika. Data yang dikumpulkan menggunakan metode dokumentasi, observasi, dan studi pustaka. Tanda-tanda dari film dianalisis dengan menggunakan model semiotika signifikasi dua tahap Roland Barthes yaitu tahap denotasi, konotasi, dan mitos. Film ini memperlihatkan diskriminasi yang terjadi pada perempuan yang disebabkan ideologi patriarki. Film Disney Live-Action Mulan secara dominan merepresentasikan aliran feminisme liberal, feminisme eksistensialisme, dan feminisme radikal-libertarian lewat tokoh utamanya yaitu Hua Mulan. Perilaku feminisme Hua Mulan terlihat dari perilakunya yang melawan diskriminasi serta standar sebagai perempuan, mampu melakukan peran laki-laki, menjadi pemimpin, berani mengambil resiko dan bertanggung jawab, independen, mendapat pengakuan dan membuktikkan bahwa ia mampu memberi kehormatan untuk keluarganya. Film ini dapat memiliki makna bahwa seorang perempuan dapat memberikan kehormatan pada keluarganya dengan menjadi dirinya sendiri, dan dapat memiliki hak untuk diperlalukan secara setara dan hak untuk menentukan dan bertanggung jawab atas jalan hidupnya sendiri.
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., Rully, Abdul Basit y Muji Prabella. "FEMINISM IN ‘AFTER 11’ AN ADVERTISIMENT OF BUKALAPAK". Profetik: Jurnal Komunikasi 13, n.º 1 (5 de septiembre de 2020): 168. http://dx.doi.org/10.14421/pjk.v13i1.1963.

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Abstrak. Perkembangan era digital saat ini telah memperlihatkan transformasi nyata dari perubahan ruang periklanan. Iklan dalam bentuk film telah menjadi bagian dari media massa sebagai salah satu media representasi yang merupakan cerminan dari masyarakat. Bukalapak melalui YouTube, membalut makna feminisme dalam kemasan film AFTER 11 yang sekaligus merupakan iklan untuk membangun pandangan agar masyarakat lebih berdaya. Dengan memperlihatkan figur perempuan seorang ibu yang tidak hanya berkiprah di ranah domestik, namun dapat melakukan aktifitas ataupun pekerjaan yang bersifat maskulin. Karakter perempuan yang menyadari kebebasannya membuat menarik untuk menguak dan menelitinya dari sisi feminisme, dengan menggunakan analisis semiotika Roland Barthes yang memaparkan denotasi, konotasi dan mitos. Kesimpulan dari penelitian ini menunjukan bahwa ada ideologi feminisme yang ingin dibawa oleh Bukalapak melalui media iklan dalam film AFTER 11, bahwa perempuan saat ini dapat beraktifitas sebebas-bebasnya tanpa perlu khawatir dan mampu berperan ganda dalam memenuhi kebutuhan anaknya, selain itu juga Bukalapak ingin mendobrak stereotip menjadi pengusaha harus dengan modal yang besar dan biasanya hal ini hanya dapat dilakukan oleh kaum kapitalis, namun dengan Bukalapak, UKM atau individu, ataupun hanya seorang ibu rumah tangga, dapat berdaya dan tangguh.Abstract. The development of the digital era today has shown a real transformation of the changing advertising space. Advertising in the form of films has become part of the mass media as one of the media representations that are a reflection of society. Bukalapak through YouTube, wrapped the meaning of feminism in the AFTER 11 film packaging which is also an advertisement to broaden views so that people are more empowered. By showing a female figure as a mother who not only takes part in the domestic sphere, but also carry out activities or jobs that are masculine. The character of women who realize their freedom makes it interesting to uncover and examine it from the side of feminism, using Roland Barthes's semiotic analysis which presents denotations, connotations and myths. The conclusion of this study shows that there is an ideology of feminism that Bukalapak wants to bring through the advertising media in the film AFTER 11, that women today can work as freely as possible without worrying and being able to play a dual role in meeting their children's needs, besides that Bukalapak also wants to break stereotypes being an entrepreneur must be with big capital and usually this can only be done by the capitalists, but with Bukalapak, UKM or individual, or just a housewife, can be empowered and resilient.
7

Song, Yitian. "Research on Male Gaze in Mass Media Opinion Guidance from the Perspective of Feminism". BCP Business & Management 31 (5 de noviembre de 2022): 313–17. http://dx.doi.org/10.54691/bcpbm.v31i.2598.

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This paper is a study and analysis of the gender consciousness embedded in the mass media in the news reports. Social media provides women with an open and inclusive discourse field in the way of autonomous and interactive expression, which also produces female discourse different from that in the context of mass media. In the process of civilization construction, the role composition of mass media not only reflects many social problems, but also participates in the construction of people's social cognition. From the perspective of mass media, we can get a glimpse of the current situation of gender. To be specific, from the perspective of the brand new social and cultural phenomenon and concept of "male gaze", this paper will take criminal news released by the official media as real case, and further analyze and criticize the potential gender opinion guidance in the press release of China’s official media based on the change of social gender consciousness and the awakening of feminism.
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Mendelman, Lisa. "Who Are We? Feminist Ambivalence in Contemporary Literary Criticism". American Literary History 32, n.º 1 (4 de diciembre de 2019): 190–200. http://dx.doi.org/10.1093/alh/ajz051.

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Abstract Feminism exists in a perpetual identity crisis—with a vexed past, an unstable present, and an uncertain future. A scholar interested in this charged identity must manage such existential conditions in order to enable their transformative ambitions. Historicizing Post-Discourses (2017), Bodies of Information (2019), and Selling Women’s History (2017) take up this cognitive and corporeal challenge and largely meet it. In these three books, feminism’s endemic ambivalence becomes a resource for literary and cultural criticism. Focused on popular, digital, and material cultures in the twentieth- and twenty-first-century US, these volumes dramatize the merits and drawbacks of irresolution and resist a definitive conclusion about what feminism, both past and present, necessarily means for contemporary scholarship. Instead, we get alternative archives and, hopefully, better practices. Analyzing mass media, data visualizations, and consumer products, these studies engage new materials to flesh out the gendered, racialized human body at their common center. They rethink feminist historiography and demonstrate the myriad ways in which the sense of an ending continually renews and unsettles feminism’s search for a useable past. These works aim to create strategic alliances: they drive at embodied, material concerns, foreground questions of pedagogy and other modes of public interchange, and embrace a style of advocacy that rejects such extreme position-taking and instead embraces ambivalence.
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Blake, Stephanie. "Book Review: Mass Media and the Shaping of American Feminism, 1963-1975". Journal of Communication Inquiry 29, n.º 1 (enero de 2005): 88–91. http://dx.doi.org/10.1177/019685990502900107.

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Whelehan, Imelda. "‘The Bloodless Revolution’: Feminism, Publishing and the Mass Media in Weldon'sBig Women(1997)". Women: A Cultural Review 19, n.º 1 (abril de 2008): 37–48. http://dx.doi.org/10.1080/09574040801919963.

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Artículos de revistas Tesis Libros

Tesis sobre el tema "Feminism and mass media":

1

Dobbs, Rhonda R. "The three musketeers : social process theories, feminism and violence in the mass media /". Thesis, This resource online, 1996. http://scholar.lib.vt.edu/theses/available/etd-02132009-172539/.

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Smith, Ashley Lorrain. "Girl Power: Feminism, Girlculture and the Popular Media". Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2200/.

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This project is an interrogation of three examples from recent popular culture of girlculture, specifically texts that target young female consumers: the Spice Girls, Scream and Buffy the Vampire Slayer. These examples are fundamentally different than texts from earlier female targeted generic models because they not only reflect the influence of the feminist movement, they work on feminism's behalf. The project's methodology grows out of feminist film theories and cultural studies theories. One chapter is dedicated to each text, and each reading works to reappropriate girlculture texts for a counter-hegemonic agenda by highlighting the moments when each text manages to subvert its mass mediated conservative biases.
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Legge, Janet Helen. "Post-feminism in Cosmopolitan and For Him magazine (FHM) : a critical analysis". Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1005956.

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Cosmopolitan and For Him Magazine (FHM) are, at present, both the most widely read and, therefore, the most popular "white" consumer magazines in South Africa. They both appeal to young audiences of between 18 and 34 years of age, approximately, and target middle-class, educated groups of readers. My interest in Cosmopolitan and FHM lies in their ability to influence and shape their readers' actions, values, identities and relationships, in particular with the other gender. My analysis is focused on the cover pages and the Editor's letters of six copies of each magazine, ranging from April to September 2003, providing me with a corpus of 12 cover pages and 12 Editor's letters. I adopt a critical perspective through the use of Fairclough's (1989) Critical Discourse Analysis, supported by Mills (1995) Feminist Stylistics, McLoughlin's (2000) textual analysis of cover pages and Kress & van Leeuwen's (1996) visual analysis tools. By combining these different methodologies my research falls into what is newly termed Feminist Critical Discourse Analysis (Lazar 2005). The cover page analyses used primarily McLoughlin and Kress & van Leeuwen and provides an element of pure genre analysis, while the analysis of the Editor's letters were subject to Fairclough's three inter-related stages of analysis, namely: a Description of the formal textual elements of the letters, an Interpretation which analyses the processes of text production and interpretation, and lastly an Explanation of the socio-historical context. Through an analysis of these magazines, whose interests are being served and how the readers are shaped and positioned by the magazines can be identified. My analyses revealed conflicting discourses within each magazine, however it was Cosmopolitan that revealed more tension and conflict in terms of identifying and representing women, while FHM subscribed, for the most part, uniformly to the "new lad" ideology. However, while Cosmopolitan attempted to show a forward-thinking and emancipatory view of the roles of men and women in society, both magazines covertly sustain patriarchal dominance and hegemonic masculinity. In conclusion, I reveal the need for consumers of the mass media to become more critically aware of the ideologies that are promoted through the differing tools of the media and that only through this critical awareness can any further movement towards equal relations between men and women be made.
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Sibielski, Rosalind. "What Are Little (Empowered) Girls Made Of?: The Discourse of Girl Power in Contemporary U.S. Popular Culture". Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277091634.

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Di, Guglielmo Antoinette Christine. "Sex and the city: A postmodern reading". CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3239.

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Sex and the City was a television show that aired on Home Box Office from 1998-2004. The tv show succeeded because of feminist's wanting a modern woman's drama rich in episodes about consumption, women's sexuality, financial independence, fashion and contemporary relationship dynamics. The characters captured and perpetuated just that. The modern take on the ideologies that drive women's perception of personal fulfillment, body image, consumerism, social behavior and values and romantic relationship dynamics made this tv show the phenomena that it became.
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Mayo, Tilicia L. "Black Women and Contemporary Media: The Struggle to Self-Define Black Womanhood". Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2102.

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Thesis (M.A.)--Indiana University, 2010.
Title from screen (viewed on February 26, 2010). Department of Communication Studies, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Catherine A. Dobris, Ronald M. Sandwina, Kim D. White-Mills, Kristina H. Sheeler. Includes vitae. Includes bibliographical references (leaves 68-70).
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Ettler, Justine. "The Best Ellis For Business: A Re-Examination Of The Mass Media Feminist Critique Of American Psycho". Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10020.

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The Best Ellis For Business analyses the mass media feminist critique of Bret Easton Ellis’s third novel, American Psycho (1991), and employs this to challenge the dominant modes of reading Ellis’s work. The thesis identifies the major shifts in literary criticism about American Psycho, both journalistic and scholarly, and discusses them in relation to the novel’s problematic sexualisation of misogynistic violence. In particular, the neutralisation of the mass media feminist critique in scholarly literary criticism is questioned, then contextualised in terms of the backlash, and finally linked to postmodern defences of the novel that ignore the important role played by the reader. The thesis employs a mixture of narratological and theoretical approaches to perform close readings of the sexually violent scenes. The thesis challenges dominant defences of American Psycho such as the ubiquitous defence of the novel as a satire, as well as the equally prevalent defence of the novel as a postmodern classic. The formalist qualities of the novel, which this thesis claims make it a postmodern parody, prevent the novel from ever being read as a straightforward satire. Further, analyses that focus on the novel’s form at the expense of its content tend to fail to account for the reader’s response to the sexualised violence. This thesis raises the oft-ignored but important issue of reader competence, particularly in relation to the marketing practices of Ellis’s corporate publishers. It will also be argued here that the novel’s excessive ambiguity leaves the reader no choice other than to resort to their biographical knowledge of the author in order to make sense of it. Thus, the thesis rereads the novel in relation to Ellis’s biography, as well as in relation to Ellis’s recent revelations about his sexuality and his interview practice.
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Le, Masurier Megan. "Fair go : Cleo magazine as popular feminism in 1970s Australia". Phd thesis, Department of Media and Communications, 2007. http://hdl.handle.net/2123/7777.

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Klokow, Nicole Ann. "Hijacking feminism: representations of the new woman in South African television advertising practice". Thesis, Nelson Mandela Metropolitan University, 2005. http://hdl.handle.net/10948/381.

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This study examines the extent to which feminism has been appropriated by the consumer culture. As the relationship between consumerism and patriarchy continues to dominate global economic and social practices, this appropriation points to a denial of the social and political importance of the feminist movement. An acknowledgement of our own complicity in the perpetuation of a sexist, racist and classist ideology – along with an understanding of the complicity of the media – is crucial in explaining relations of domination within our society (Thompson 1990). A study of television advertising practice allows us to “explore meaning as a social product, enmeshed in webs of power” (Jordan and Wheedon 1995:543). Consumer ‘freedom’ is the compulsory freedom (Slater 1997), as we buy as many symbols as products. This study shows that for all the ‘strides’ feminism has made, media images of women are largely traditional, prescriptive (although an ironic distance is often implied) or overtly sexualised. Feminism is never mentioned, as women’s gains are presented as ahistorical in a ‘post-feminist’ world. Third wave feminism is an attempt to embrace all feminisms and feminists, working to inject some substance and truth behind advertising’s feminist veneer.
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Ling, Qi. "Televising feminism: the Chinese television industry, female television professionals, and neoliberal empowerment". Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6179.

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Television drama is a crucial site where notions of gender, as well as other cultural issues, are formed. Since 2010, the Chinese television industry has shown a growing interest in representing feminism-inflected content, most evident in cashing in on serials centering on a strong female character. These women-centric dramas mark a departure from previous constructions of gender, women, and feminism due to their narrative centrality of women, portrayal of strong female leads, expansion of women’s spheres of action, and endorsement of female power and independence. This dissertation explores the phenomenon, examining what feminist discourses are being represented by juxtaposing them with the social context of gender in China and interrogating how they are shaped by industrial practices. The factors at play in the serial production that have surfaced in this study mainly include female television professionals, textual and narrative conventions, considerations of audience profile, and party-state cultural leadership. Based on textual analysis and interviews with professionals associated with several representative women-centric television dramas, this dissertation found that these social and industrial forces collaboratively shaped the feminist discourses into various forms including the post-feminist and neoliberal feminist tendency, a common-ground form of feminism shared by various sections of society, and a vision of gender that combines traditional feminine roles and a powerful presence in the public sphere. The research raises issues about the role of the television industry in cultivating public understandings of feminism and the relationship between televisual forms of feminism and feminist politics.
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Libros sobre el tema "Feminism and mass media":

1

Thornham, Sue. Women, feminism and media. Edinburgh: Edinburgh University Press, 2007.

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Kim, Sŏn-nam. Tʻellebijŏn kwa pʻeminijŭm =: Television and feminism. 8a ed. Sŏul-si: Pŏmusa, 2002.

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Zhang, Yanhong. Nü xing zhu yi shi ye xia de mei jie pi ping: Nüxingzhuyi shiyexia de meijie piping. 8a ed. Beijing Shi: Zhi shi chan quan chu ban she, 2010.

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Zoonen, Liesbet van. Feminist media studies. London: Sage, 1994.

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Zoonen, Liesbet van. Feminist media studies. London: Sage, 1994.

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1951-, Meehan Eileen R. y Riordan Ellen, eds. Sex & money: Feminism and political economy in the media. Minneapolis: University of Minnesota Press, 2002.

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N, Valdivia Angharad, ed. Feminism, multiculturalism, and the media: Global diversities. Thousand Oaks, Calif: Sage Publications, 1995.

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Masako, Amano, Teruko Inoue y Minako Saitō. Hyōgen to media. Tōkyō: Iwanami Shoten, 2009.

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1951-, Chester Gail y Dickey Julienne, eds. Feminism and censorship: The current debate. Bridport: Prism Press, 1988.

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Patricia, Bradley. Mass media and the shaping of American feminism, 1963-1975. Jackson: University Press of Mississippi, 2003.

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Capítulos de libros sobre el tema "Feminism and mass media":

1

Blackman, Lisa y Valerie Walkerdine. "Feminism, psychoanalysis and the media". En Mass Hysteria, 70–78. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-349-91159-2_6.

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Lóránd, Zsófia. "Feminism in the Popular Mass Media". En The Feminist Challenge to the Socialist State in Yugoslavia, 137–69. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78223-2_4.

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Steiner, Linda. "Feminist Media Theory". En The Handbook of Media and Mass Communication Theory, 359–79. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2014. http://dx.doi.org/10.1002/9781118591178.ch20.

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Moody-Ramirez, Mia y Jannette L. Dates. "A Feminist Reading of Mass Media". En The Obamas and Mass Media, 35–48. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137404930_4.

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Blackman, Lisa y Valerie Walkerdine. "Psychoanalysis and feminism". En Mass Hysteria, 79–89. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-349-91159-2_7.

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Tasker, Yvonne. "Vernacular Feminism". En Anti-Feminisms in Media Culture, 25–44. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003090212-2.

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Lind, Rebecca Ann y Colleen Salo Aravena. "Framing Feminism 1". En Race/Gender/Class/Media, 99–104. Fourth edition. | Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781351630276-22.

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Newton, Kenneth. "Mass Media". En Developments in British Politics 2, 313–26. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-10230-3_15.

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Fog, Agner. "Mass Media". En Cultural Selection, 156–68. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-015-9251-2_9.

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Bilton, Tony, Kevin Bonnett, Pip Jones, Tony Lawson, David Skinner, Michelle Stanworth, Andrew Webster, Liz Bradbury, James Stanyer y Paul Stephens. "Mass media". En Introductory Sociology, 328–53. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-0-230-21417-0_12.

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Actas de conferencias sobre el tema "Feminism and mass media":

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Duissekeyeva, Nurgul, Svetlana Lyausheva, Angela Nagoy, Alexander Rozhkov, Elena Studenikina y Natalya Dubinina. "Dichotomy "Our/Others" in the mass media discourse of feminism". En Proceedings of the International Conference on Man-Power-Law-Governance: Interdisciplinary Approaches (MPLG-IA 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/mplg-ia-19.2019.5.

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Hemphill, Libby, Ingrid Erickson, David Ribes y Ines Mergel. "Feminism and social media research". En the companion publication of the 17th ACM conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2556420.2558864.

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Huang, Rui. "Feminism Discourse in Different Gender-Temperament Social Media". En 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.029.

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Sheng, Qianyuan y Xiruo Wang. "Bra Purchase Choice Influenced by Feminism". En 2021 International Conference on Social Development and Media Communication (SDMC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220105.097.

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Shi, Jia, Yang Sui, Xuyan Tang y Zimo Wang. "The Role of Social Media in Female Gender Construction Under Feminism". En 2021 4th International Conference on Humanities Education and Social Sciences (ICHESS 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211220.178.

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Ao, Yahan, Heying Liu, Yujiao Xi y Runqing You. "From the Rococo to Lolita: The Division of Feminism in China". En 2021 International Conference on Social Development and Media Communication (SDMC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220105.108.

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Dziuba, Elena V. "Feminism Conceptual Meanings In Russian And French Media Picture Of The World". En X International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.08.43.

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Li, Zihan. "Bra in the New Era: A Study from the Perspective of Feminism". En 2021 International Conference on Social Development and Media Communication (SDMC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220105.069.

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Kasperovich-Rynkevich, Olga Nikolaevna. "Media economically oriented tecnologies in mass media activity". En Internationa Extra-murral Online Conference. TSNS Interaktiv Plus, 2020. http://dx.doi.org/10.21661/r-112426.

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Resumen
This article explores cost-effective mass media technologies. The experience of the use of paid access to the media content of Belarus was studied, the author also made the forecast on its future functioning. The paper provides global media industry trends and focuses on the use of messagers to promote content and increase the target audience of mass media. The research used the methods of content analysis and a written survey. During the study the author revealed that the media economically oriented technologies help to make a profit through distribution of content and formation of a loyal mass media audience.
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Tsybikova, Natalia S. "Types of Internet mass-media". En Eurasian paradigm of Russia: values, ideas and experience. Buryat State University Publishing Department, 2015. http://dx.doi.org/10.18101/978-5-9793-0814-2-107-109.

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Informes sobre el tema "Feminism and mass media":

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Velázquez, A., D. Renó, AM Beltrán Flandoli, JC Maldonado Vivanco y C. Ortiz León. From the mass media to social media: reflections on the new media ecology. Revista Latina de Comunicación Social, marzo de 2018. http://dx.doi.org/10.4185/rlcs-2018-1270en.

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Chornodon, Myroslava. FEAUTURES OF GENDER IN MODERN MASS MEDIA. Ivan Franko National University of Lviv, febrero de 2021. http://dx.doi.org/10.30970/vjo.2021.49.11064.

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The article clarifies of gender identity stereotypes in modern media. The main gender stereotypes covered in modern mass media are analyzed and refuted. The model of gender relations in the media is reflected mainly in the stereotypical images of men and woman. The features of the use of gender concepts in modern periodicals for women and men were determined. The most frequently used derivatives of these macroconcepts were identified and analyzed in detail. It has been found that publications for women and men are full of various gender concepts that are used in different contexts. Ingeneral, theanalysisofthe concept-maximums and concept-minimum gender and their characteristics is carried out in the context of gender stereotypes that have been forme dand function in the society, system atizing the a ctual presentations. The study of the gender concept is relevant because it reveals new trends and features of modern gender images. Taking into account the special features of gender-labeled periodicals in general and the practical absence of comprehensive scientific studies of the gender concept in particular, there is a need to supplement Ukrainian science with this topic. Gender psychology, which is served by methods of various sciences, primarily sociological, pedagogical, linguistic, psychological, socio-psychological. Let us pay attention to linguistic and psycholinguistic methods in gender studies. Linguistic methods complement intelligence research tasks, associated with speech, word and text. Psycholinguistic methods used in gender psychology (semantic differential, semantic integral, semantic analysis of words and texts), aimed at studying speech messages, specific mechanisms of origin and perception, functions of speech activity in society, studying the relationship between speech messages and gender properties participants in the communication, to analyze the linguistic development in connection with the general development of the individual. Nowhere in gender practice there is the whole arsenal of psychological methods that allow you to explore psychological peculiarities of a person like observation, experiments, questionnaires, interviews, testing, modeling, etc. The methods of psychological self-diagnostics include: the gender aspect of the own socio-psychological portrait, a gender biography as a variant of the biographical method, aimed at the reconstruction of individual social experience. In the process of writing a gender autobiography, a person can understand the characteristics of his gender identity, as well as ways and means of their formation. Socio-psychological methods of studying gender include the study of socially constructed women’s and men’s roles, relationships and identities, sexual characteristics, psychological characteristics, etc. The use of gender indicators and gender approaches as a means of socio-psychological and sociological analysis broadens the subject boundaries of these disciplines and makes them the subject of study within these disciplines. And also, in the article a combination of concrete-historical, structural-typological, system-functional methods is implemented. Descriptive and comparative methods, method of typology, modeling are used. Also used is a method of content analysis for the study of gender content of modern gender-stamped journals. It was he who allowed quantitatively to identify and explore the features of the gender concept in the pages of periodicals for women and men. A combination of historical, structural-typological, system-functional methods is also implemented in the article. Descriptive and comparative methods, method of typology, modeling are used. A method of content analysis for the study of gender content of modern gender-labeled journals is also used. It allowed to identify and explore the features of the gender concept quantitatively in the periodicals for women and men. The conceptual perception and interpretation of the gender concept «woman», which is highlighted in the modern gender-labeled press in Ukraine, requires the elaboration of the polyfunctionality of gender interpretations, the comprehension of the metaphorical perception of this image and its role and purpose in society. A gendered approach to researching the gender content of contemporary periodicals for women and men. Conceptual analysis of contemporary gender-stamped publications within the gender conceptual sphere allows to identify and correlate the meta-gender and gender concepts that appear in society.
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Butyrina, Maria y Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, febrero de 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.

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The research is devoted to the study of the phenomenon of mediatization of art on the example of virtual museums. Main objective of the study is to give communication characteristics of the mediatized socio-cultural institutions. The subject of the research is forms, directions and communication features of virtual museums. Methodology. In the process of study, the method of communication analysis, which allowed to identify and characterize the main factors of the museum’s functioning as a communication system, was used. Among them, special emphasis is put on receptive and metalinguistic functions. Results / findings and conclusions. The need to be competitive in the information space determines the gradual transformation of socio-cultural institutions into mass media, which is reflected in the content and forms of dialogue with recipients. When cultural institutions begin to function as media, they take on the features of media structures that create a communication environment localized by the functions of communicators and audience expectations. Museums function in such a way that along with the real art space they form a virtual space, which puts the recipients into the reality of the exhibitions based on the principle of immersion. Mediaization of art on the example of virtual museum institutions allows us to talk about: expanding of the perceptual capabilities of the audience; improvement of the exposition function of mediatized museums with the help of Internet technologies; interactivity of museum expositions; providing broad contextual background knowledge necessary for a deep understanding of the content of works of art; the possibility to have a delayed viewing of works of art; absence of thematic, time and space restrictions; possibility of communication between visitors; a huge target audience. Significance. The study of the mediatized forms of communication between museums and visitors as well as the directions of their transformation into media are certainly of interest to the scientific field of “Social Communications”.
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Shey Wiysonge, Charles, Lilian Dudley y Jimmy Volmink. Do mass media interventions increase uptake of HIV testing? SUPPORT, 2017. http://dx.doi.org/10.30846/1703052.

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Low uptake of HIV testing is one of the main reasons why only one third of people who need antiretroviral medications are currently receiving treatment worldwide. Mass media are sometimes used to promote voluntary HIV counseling and testing and to sustain test seeking behavior. Mass media include television, radio, internet, newspapers, books, posters, and billboards.
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Robinson, John R. Mass Media Theory, Leveraging Relationships, and Reliable Strategic Communication Effects. Fort Belvoir, VA: Defense Technical Information Center, marzo de 2008. http://dx.doi.org/10.21236/ada482173.

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NARYKOVA, N. A., S. V. KHATAGOVA y Yu R. PEREPELITSYNA. PEJORATIVE WORDS IN GERMAN MASS-MEDIA IN NOMINATIONS OF POLITICIANS. Science and Innovation Center Publishing House, abril de 2022. http://dx.doi.org/10.12731/2077-1770-2021-14-1-3-57-68.

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One of the main functions of mass media is influence on public opinion. So emotionally-painted lexical means are widely used in mass media in relation to leading politicians who are the centre of political arena. They are exposed to the frequent criticism, a negative estimation. The present article is devoted to the consideration of pejorative lexicon which is applied in nominations for heads of states. An empirical material of research were electronic newspapers and editions: Der Spiegel, Die Zeit, Sueddeutsche Zeitung, Der Tagesspiegel, taz, Die Welt, Gegenblende. As the basic methods of research are the following: the componental analysis, the lexico-semantic analysis, the stylistic analysis. The result of research revealed, that in German mass media there is a significant amount of persons names pejorative colouring. They express censure, disrespect, sneer, hatred, antipathy, condemnation, mistrust and so on. There main word-formations for persons nominations are composition, a derivation with using of suffixes and subsuffixes, attributive word-combinations, metaphorically-metonymical way. The materials of the research work can be used in the course of learning German language, at the practical training in oral speech, and also in the course of lexicology, general and aspect lexicography.
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Blanco Castilla, E., M. Quesada y L. Teruel Rodríguez. From Kyoto to Durban. Mass media editorial position about climate change. Revista Latina de Comunicación Social, junio de 2013. http://dx.doi.org/10.4185/rlcs-2013-983en.

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Greenbaum, Steve G. NMR Studies of Mass Transport in New Conducting Media for Fuel Cells. Fort Belvoir, VA: Defense Technical Information Center, enero de 2009. http://dx.doi.org/10.21236/ada502750.

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Roy Haggerty. Transport Visualization for Studying Mass Trasnfer and Solute Transport in Permeable Media. Office of Scientific and Technical Information (OSTI), enero de 2004. http://dx.doi.org/10.2172/836906.

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Adamchak, Susan, Karusa Kiragu, Cathy Watson, Medard Muhwezi, Tobey Nelson, Ann Akia-Fiedler, Richard Kibombo y Milka Juma. The Straight Talk Campaign in Uganda: Impact of mass media initiatives—Summary report. Population Council, 2007. http://dx.doi.org/10.31899/hiv2.1016.

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