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Libros sobre el tema "Fashion"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 31 de julio de 2024

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1

Newman, Cathy. Fashion. Washington, D.C: National Geographic Society, 2001.

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2

Office, Great Britain Foreign and Commonwealth. Fashion. London: Foreign and Commonwealth Office, 2001.

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3

1952-, Doonan Simon, ed. Fashion. San Francisco: Chronicle Books, 2004.

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4

Gish, Melissa. Fashion. Mankato, MN: Creative Education, 1999.

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5

Black, Judy. Fashion. New York: Crestwood House, 1994.

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6

Wolfe, Mary Gorgen. Fashion! Tinley Park, Ill: Goodheart-Willcox Co., 1998.

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7

Lehnert, Gertrud. Fashion. London: Laurence King, 1998.

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8

Lucie, Doug. Fashion. London: Methuen London, 1987.

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9

Beckett, Kathleen. Fashion. 2a ed. Princeton, NJ: Peterson's, 1999.

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10

Lucie, Doug. Fashion. London: Methuen, 1987.

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11

Hobbs, Mike. Fashion. Mankato, Minn: Smart Apple Media, 2014.

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12

Baker, Wendy. Fashion. New York: Thomson Learning, 1994.

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13

Salmansohn, Karen. Fashion. Berkeley, Calif: Tricycle, 2005.

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14

Mauro, Lucia. Fashion. Lincolnwood, Ill: VGM Career Horizons, 1996.

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15

Fashions: Exploring fashion through cultures. Freeland, Oxfordshire, United Kingdom: Inter-Disciplinary Press, 2012.

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16

Spicher, Michael R., Sara Emilia Bernat y Doris Domoszlai-Lantner, eds. Digital Fashion. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350359659.

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This collection of topical essays by academics and industry professionals brings a unique lens to the issues broached, questions raised, and solutions offered regarding the history and advancement of digital fashion. While digital fashion’s roots can be traced back to the development of the Jacquard loom, its modern-day antecedents are found in video games and Instagram filters - allowing users to apply virtual makeup, accessories, and clothes to their posts. With 12 essays and four specialist interviews, this collection begins with digital fashion's origins, its placement in the history of fashion, and its status as an aesthetic object. Part 2 focuses on the practice of making digital fashion, including NFTs, sneaker culture, cyborg vs skins and education. Part 3 provides a critical overview of digital fashion's potential to impact wider society, including questions of social equity, sustainability and African decoloniality and the future of the industry. Interviewees:
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17

Park, Sejin. Fashion vs. fashion. workroom (workroom press), 2018.

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18

Fashion Scandinavia Contemporary Cool. Thames & Hudson Ltd, 2013.

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19

Fink, Eugen. Fashion: Seductive Play. Editado por Stefano Marino y Giovanni Matteucci. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350200425.

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In Germany, 1969, Eugen Fink's Fashion: Seductive Play was published. This first English language edition, updated with an introduction by Stefano Marino and Giovanni Matteucci, makes available Fink’s philosophical investigation into fashion to an English-speaking audience. One of the greatest figures in the “phenomenological movement,” Fink here investigates fashion at various philosophical levels - aesthetic, ethical, social - and in relationship to other forms of human culture, especially contemporary culture. Although there have been many transformations and changes in the world of fashion since the late 1960s, from prêt-à-porter to fast fashion, fashion’s connection to both high culture and popular culture, and the new relationship between fashion and the advent of social media, Fink’s insights allow wide-ranging and far-reaching inquiries into fashion's philosophical essence. Fink's extraordinary lucidity and his unique conceptual capacities have made his work crucial to the study of the philosophy of fashion today. His work, like that of Simmel’s, Veblen’s or Benjamin’s, is as essential and important now as when it was first published.
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20

Publishing, ARFashion Book. Amazing Fashion Coloring Book for Adults: Woman Relaxation Fresh Styles Fashion Coloring Book - a Traditional Fashion, Jumbo Fashion, Jazz Age Fashions, Pretty Girls Fashion, Fanciful Fairy Fashion Coloring Book. Independently Published, 2021.

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21

Ancient Egyptian Fashions (History of Fashion). Dover Publications, 1999.

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22

PaperStudio, M. Moses. Fashion Sketchbook: Essentials Fashion Sketchbook Fashion Sketchpad. Independently Published, 2021.

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23

Fashion Photographer (Fashion World). Hodder Wayland, 1990.

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24

Roberts, Zinna. Fashion Design: Fashion Sketchbook. Independently published, 2019.

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25

Diamond, Ellen. Fashion Retail: Merchandising Fashion. Delmar Pub, 1993.

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26

Fashion and Accessories (Fashion). Lannoo International, 2007.

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27

Fashion Studies in Fashion. Bloomsbury Publishing PLC, 2008.

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28

Harper, Charise Mericle. Fashion Kitty versus the Fashion Queen (Fashion Kitty. Hyperion, 2007.

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29

lovers, girl fa shion. Fashion: Fashion Coloring Book for Girls, Fun Fashion and Fresh Styles,Creative Haven Fabulous Fashions, 40 Beauty Coloring Pages for Girls Loving Fashion. Independently Published, 2020.

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30

Freese, Susan M. Fashion. ABDO Publishing Company, 2011.

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31

Staff, Pearson Education. Fashion. Pearson Education, Limited, 2011.

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32

Deloeuvre, Guy. Fashion. Independently Published, 2019.

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33

Wolfe, Mary. Fashion. Goodheart-Willcox Publisher, 2017.

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34

Deloeuvre, Guy. Fashion. Independently Published, 2019.

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35

Fashion. Tokyo, Japan: Mitsubishi Corp., 1992.

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36

Breward, Christopher. Fashion. Editado por Frank Trentmann. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199561216.013.0032.

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In 1947, the Parisian couturier Christian Dior launched his celebrated New Look, a collection that offered an aspirational alternative to the fabric restrictions and low consumer expectations of post-war austerity – seemingly re-routing fashionable trends in Europe and North America in the space of a season. The diarist had unwittingly become first a witness to, and then a participant in, the mysterious process of fashion change. Suffering from a version of sartorial jet-lag, she faced an oncoming tide of novelties, fresh versions of the fashion designer's diktat, while her own wardrobe remained in another, less contemporary, time zone. She knew that she must adapt or be overtaken. Though it would be difficult to re-enact this precise scenario today or in the more distant past, it does present some generic issues concerning fashion's close relationship with novelty, change, competition, guilt, and desire that will be familiar to historians of consumption in the early modern period and the contemporary. Fashion's relation to time and space has formed a fascinating context in which to consider the development of consumerism.
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37

Parkins, Ilya y Maryanne Dever, eds. Fashion. Routledge, 2020. http://dx.doi.org/10.4324/9781003010418.

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38

Schraff, Anne E. Fashion. Artesian Press, 2006.

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39

Bolino, Monika. Fashion. Greenhaven Press, 2002.

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40

Fashion. Bt Bound, 1999.

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41

Wolfe, Mary. Fashion. Goodheart-Wilcox Publisher, 2006.

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42

Fashion. Tokyo: Mitsubishi Corporation, 1991.

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43

Wolfe, Mary. Fashion! Goodheart-Wilcox Publisher, 2001.

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44

Loh-Hagan, Virginia. Fashion. Cherry Lake Publishing, 2021.

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45

Publishing, Ferguson. Fashion. Ferguson Publishing Company, 2001.

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46

Newman, Cathy. Fashion. National Geographic, 2001.

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47

Fashion. Princeton, N.J: Peterson's, 1992.

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48

Fashion. Wayland (Publishers) Ltd, 2009.

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49

K, Ben C. Fashion. Blurb, 2015.

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50

Hibbert, Adam. Fashion. Franklin Watts Ltd, 2004.

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