Literatura académica sobre el tema "Fashion and visual art"
Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros
Consulte las listas temáticas de artículos, libros, tesis, actas de conferencias y otras fuentes académicas sobre el tema "Fashion and visual art".
Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.
También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.
Artículos de revistas sobre el tema "Fashion and visual art"
Miller, Sanda. "Fashion as Art; is Fashion Art?" Fashion Theory 11, n.º 1 (marzo de 2007): 25–40. http://dx.doi.org/10.2752/136270407779934551.
Texto completoBeltrán-Rubio, Laura. "Reading Fashion in Art". Dress 47, n.º 1 (2 de enero de 2021): 103–5. http://dx.doi.org/10.1080/03612112.2021.1872973.
Texto completoDurst, Elizabeth. "Russian Art Nouveau Fashion". Experiment 7, n.º 1 (2001): 209–32. http://dx.doi.org/10.1163/2211730x-00701009.
Texto completoGenç, Çağlar, Oğuz Turan Buruk, Oğuzhan Özcan, Sejda Inal Yilmaz y Kemal Can. "Forming Visual Expressions With Augmented Fashion". Visual Communication 16, n.º 4 (26 de septiembre de 2017): 427–40. http://dx.doi.org/10.1177/1470357217714652.
Texto completoGoodrum, Alison L. "Exhibition Review: Flaunt: Art/Fashion/Culture". Fashion Theory 9, n.º 1 (marzo de 2005): 89–94. http://dx.doi.org/10.2752/136270405778051482.
Texto completoRadford, Robert. "Dangerous Liaisons: Art, Fashion and Individualism". Fashion Theory 2, n.º 2 (mayo de 1998): 151–63. http://dx.doi.org/10.2752/136270498779571103.
Texto completoDuncan, Alexandra. "Digitization after a fashion: The art of compromise". Art Libraries Journal 42, n.º 1 (15 de diciembre de 2016): 55–60. http://dx.doi.org/10.1017/alj.2016.47.
Texto completoSzkoda, Ena. "Exhibition Review: Art/Fashion. Guggenheim Museum SoHo". Fashion Theory 1, n.º 3 (agosto de 1997): 321–27. http://dx.doi.org/10.2752/136270497779640107.
Texto completoLoreck, Hanne. "De/constructing Fashion/Fashions of Deconstruction: Cindy Sherman's Fashion Photographs". Fashion Theory 6, n.º 3 (agosto de 2002): 255–75. http://dx.doi.org/10.2752/136270402790577604.
Texto completoKim, Dong Ok y Jung Hwa Choi. "Analysis of Fashion Design Reflected Visual Properties of the Generative Art". Journal of the Korean Society of Clothing and Textiles 41, n.º 05 (31 de octubre de 2017): 825–39. http://dx.doi.org/10.5850/jksct.2017.41.5.825.
Texto completoTesis sobre el tema "Fashion and visual art"
Lee, Youjung. "A study on the application of contemporary visual art into flagship stores of luxury fashion brands". Thesis, Brunel University, 2014. http://bura.brunel.ac.uk/handle/2438/8568.
Texto completoSilberstein, Rachel. "Embroidered figures : commerce and culture in the late Qing fashion system". Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:3f170232-4836-47ee-a535-901834528b21.
Texto completoKim, Pielah. "A New Approach to Co-branding: Visual Artist and Fashion Retailer Ingredient Branding and Hedonic Brand Extension". The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1436882468.
Texto completoDu, Preez Martelize. "The construction of multiple identites in the display of women as objects of desire and submission". Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/1731.
Texto completoAs manufacturing jewellery artist, I have found that it is now most often women rather than men who commission or purchase jewellery. These women often earn substantial salaries and therefore they are in a position to indulge freely in what traditionally was considered the frivolous pursuit of beauty. Consequently, women are challenging expectations that they be submissive and desirable display objects, thereby signifying their dependence on male economical power. The aim of this research is to encourage transformation and the development of an individual and independent feminine identity by exposing the pressures placed on women to construct their identities as prescribed by patriarchal institutions, dress codes, fashion, science and therefore also gender stereotyping and gender inequalities. The three chapters of my thesis are titled Restriction, Change and Liberation?, which is followed by a discussion of my practical work in the addendum. The thesis and practical work were developed in support of one another.
Söderström, Carina. "Garderobstaktik som visuell retorik : En kvalitativ studie av tre Youtube-influencers argumentation för en hållbar personlig still". Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-444268.
Texto completoDuring the last decade, fashion influencers have used social media channels to spread the word about personal style. Due to the global focus on the climate change the content has begun to shift from a consumption culture to creating awareness about the negative influence of the textile industry on the environment. The purpose of this study is to examine three of these influencers’ argumentation in the videos they publish on YouTube. It investigates how the influencers use visual rhetoric to make a trustworthy impression to increase the number of followers and get paid sponsorships, without supporting unnecessary consumption. The study investigates a total of nine videos published on YouTube during 2019 and 2020. The visual content is processed using a qualitative method and analysed with a focus on the theoretical perspectives of visual rhetoric and production of social identity. The written follower comments, of the videos, are used to validate the result of the analysis. The three YouTube channels increased the number of followers with an average of 64 % during the study and the influencers are all in paid collaborations that represent all, or a part of, their total income. They thoroughly research the company before adding a new sponsorship and avoid brands that are not accepted by their followers to be ethical and sustainable. All the three influencers participating in the study use the same principal visual rhetoric arguments to convince the followers of the advantage of a sustainable style. They show a vast variety of outfit combinations using the limited amount of clothes in their wardrobes to create a personal style without the need of adding new clothes. The result of the study indicates, however, that the content of the videos is of less importance than how trustworthy the influencer is perceived by the followers. An analysis of the viewer comments suggest that their primary interest is to get inspiration from how the influencer produces identity through dress and appearance. By emulating their personal style, the followers hope to gain membership of the influencer’s community and achieve similar social status.
Söderström, Carina. "Garderobstaktik som visuell retorik : En kvalitativ studie av tre Youtube-influencers argumentation för en hållbar personlig stil". Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-444268.
Texto completoDuring the last decade, fashion influencers have used social media channels to spread the word about personal style. Due to the global focus on the climate change the content has begun to shift from a consumption culture to creating awareness about the negative influence of the textile industry on the environment. The purpose of this study is to examine three of these influencers’ argumentation in the videos they publish on YouTube. It investigates how the influencers use visual rhetoric to make a trustworthy impression to increase the number of followers and get paid sponsorships, without supporting unnecessary consumption. The study investigates a total of nine videos published on YouTube during 2019 and 2020. The visual content is processed using a qualitative method and analysed with a focus on the theoretical perspectives of visual rhetoric and production of social identity. The written follower comments, of the videos, are used to validate the result of the analysis. The three YouTube channels increased the number of followers with an average of 64 % during the study and the influencers are all in paid collaborations that represent all, or a part of, their total income. They thoroughly research the company before adding a new sponsorship and avoid brands that are not accepted by their followers to be ethical and sustainable. All the three influencers participating in the study use the same principal visual rhetoric arguments to convince the followers of the advantage of a sustainable style. They show a vast variety of outfit combinations using the limited amount of clothes in their wardrobes to create a personal style without the need of adding new clothes. The result of the study indicates, however, that the content of the videos is of less importance than how trustworthy the influencer is perceived by the followers. An analysis of the viewer comments suggest that their primary interest is to get inspiration from how the influencer produces identity through dress and appearance. By emulating their personal style, the followers hope to gain membership of the influencer’s community and achieve similar social status.
Larsson, Josefin. "Exquisite corpse : Exploring the methods of surrealism to challenge the hierarchies of body, dress and accessories". Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-13011.
Texto completoGreenidge, Giselle C. M. "The Role of Male Fashion in Protests against the Majority Culture: An Exploratory Study". Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538656/.
Texto completoDiliwi, Avesta y Josefin Bäcker. "Are You Creating Socially Responsible Visual Communication? : An Exploratory Study of Fashion Companies’ External Social Responsibility on Instagram: A Marketer’s Perspective". Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-21905.
Texto completoCorrêa, Clecius Campos. "Agentes da modernização: os artistas plásticos e suas atuações na arte, na moda e na imprensa brasileiras dos anos 1950 e 1960". Universidade Federal de Juiz de Fora (UFJF), 2016. https://repositorio.ufjf.br/jspui/handle/ufjf/4061.
Texto completoApproved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-04-18T13:38:37Z (GMT) No. of bitstreams: 1 cleciuscamposcorrea.pdf: 4897242 bytes, checksum: ea16e084b3939092bb26fced236ddcb1 (MD5)
Made available in DSpace on 2017-04-18T13:38:37Z (GMT). No. of bitstreams: 1 cleciuscamposcorrea.pdf: 4897242 bytes, checksum: ea16e084b3939092bb26fced236ddcb1 (MD5) Previous issue date: 2016-08-31
Esta dissertação analisa o papel dos artistas plásticos no processo de modernização ocorrido no Brasil após a Segunda Guerra Mundial, especificamente nos anos 1950 e 1960, apresentando-os como agentes desse movimento, particularmente nos domínios da arte, da moda e da imprensa. As principais referências são as reformas gráficas realizadas no Jornal do Brasil e no Correio da Manhã, pelos artistas Amilcar de Castro e Alexandre Wollner, respectivamente, e a obra da artista plástica Olly Reinheimer — desenvolvida entre a arte e a moda. Por meio desses exemplos, investiga-se como as novas correntes estéticas no período — notadamente o Concretismo e o Neoconcretismo — procuraram promover a integração arte e vida, por meio da estetização do cotidiano e dos novos estilos de vida.
This dissertation analyzes the role of plastic artists in the modernization process that occurred in Brazil after World War II, specifically in the 1950s and 1960s, presenting them as agents of this movement, particularly in the fields of art, fashion and the press. The main references are the graphic reforms carried out in the Jornal do Brasil and Correio da Manhã, by the artists Amilcar de Castro e Alexandre Wollner, respectively, and the artwork of the plastic artist Olly Reinheimer — developed between art and fashion. Through these examples, we investigate how the new aesthetic currents in the period — notably Concretism and Neoconcretism — sought to promote the integration of art and life, through the aestheticization of daily life and new lifestyles.
Libros sobre el tema "Fashion and visual art"
1956-, Huang Martha Elizabeth, ed. China chic: A visual memoir of Chinese style and culture. New York: ReganBooks, 2000.
Buscar texto completoFinkelstein, Joanne. The art of self invention: Image and identity in popular visual culture. London: I.B. Tauris, 2007.
Buscar texto completoGermano, Celant y Guggenheim Museum Soho, eds. Art/fashion. New York: Distributed Art Publishers, 1997.
Buscar texto completoArt & fashion. London: Thames & Hudson, 2000.
Buscar texto completoLussier, Suzanne. Art deco fashion. Boston: Bulfinch Press, 2003.
Buscar texto completoArt deco fashion. Boston: Bulfinch Press, 2003.
Buscar texto completoArt and fashion. London: Batsford, 2005.
Buscar texto completoGersten, Rita. Fashion art for the fashion industry. New York: Fairchild Publications, 1989.
Buscar texto completo1952-, Doonan Simon, ed. Fashion. San Francisco: Chronicle Books, 2004.
Buscar texto completoWeber, Edith. Art nouveau & art deco fashion postcards. Atglen, PA: Schiffer Pub., 2009.
Buscar texto completoCapítulos de libros sobre el tema "Fashion and visual art"
Weinstein, Jeff. "Is Clothing Art?" En Fashion Statements, 69–72. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230115408_10.
Texto completoLiu, Si, Lisa M. Brown, Qiang Chen, Junshi Huang, Luoqi Liu y Shuicheng Yan. "Visual Attributes for Fashion Analytics". En Visual Attributes, 215–43. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50077-5_9.
Texto completoAllen, Rob y Nina Krebs. "Visual Art". En Dramatic Psychological Storytelling, 82–92. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230800557_9.
Texto completoHickman, Richard y Rebecca. "Visual Art". En The SAGE Handbook of Curriculum, Pedagogy and Assessment: Two Volume Set, 343–57. 1 Oliver's Yard, 55 City Road London EC1Y 1SP: SAGE Publications Ltd, 2016. http://dx.doi.org/10.4135/9781473921405.n22.
Texto completoTaylor, Jeffrey. "Art history, art criticism, and the art press". En Visual Arts Management, 103–10. New York : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315543666-12.
Texto completoTaylor, Jeffrey. "Art fairs". En Visual Arts Management, 71–78. New York : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315543666-8.
Texto completo"Art Direction". En The Visual Dictionary of Fashion Design, 24. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: English Language Support Office, 2007. http://dx.doi.org/10.5040/9781474218573.0012.
Texto completoMayer, Hylton R. y Marc L. Weitzman. "Automated Perimetry in Glaucoma". En Visual Fields. Oxford University Press, 2010. http://dx.doi.org/10.1093/oso/9780195389685.003.0009.
Texto completoLucey, Patrick, Gerasimos Potamianos y Sridha Sridharan. "Visual Speech Recognition Across Multiple Views". En Visual Speech Recognition, 294–325. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-60566-186-5.ch010.
Texto completo"Overview and Benefits of Visual Assessments". En Cross-Cultural Analysis of Image-Based Assessments, 1–17. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-2691-9.ch001.
Texto completoActas de conferencias sobre el tema "Fashion and visual art"
Ningsih, Yosepin y Jeani Widjaja. "Analysis of Fashion Product using Traditional Woven Textile and The Correlation with The Trend in Indonesia". En Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294882.
Texto completoHou, Min, Le Wu, Enhong Chen, Zhi Li, Vincent W. Zheng y Qi Liu. "Explainable Fashion Recommendation: A Semantic Attribute Region Guided Approach". En Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. California: International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/650.
Texto completoFan, Zhihao, Zhongyu Wei, Piji Li, Yanyan Lan y Xuanjing Huang. "A Question Type Driven Framework to Diversify Visual Question Generation". En Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/563.
Texto completoKošak, Karin, Deja Muck, Marjeta Čuk y Tanja Nuša Kočevar. "3D printed jewellery design process based on sculpture inspiration". En 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p57.
Texto completoTaube, M. V., A. N. Goltsova y T. M. Borisova. "TRANSFORMATION OF NATIONAL MOTIVES IN MODERN SKIN ACCESSORIES". En TWEET-FENTS. Новосибирский государственный университет архитектуры, дизайна и искусств им. А.Д. Крячкова, 2020. http://dx.doi.org/10.37909/978-5-89170-266-0-2020-1005.
Texto completoBekk, N. V., A. N. Goltsova, A. V. Rajapova y T. Sh Safiev. "TRANSFORMATION OF NATIONAL MOTIVES IN MODERN SKIN ACCESSORIES." En TWEET-FENTS. Новосибирский государственный университет архитектуры, дизайна и искусств им. А.Д. Крячкова, 2020. http://dx.doi.org/10.37909/978-5-89170-266-0-2020-1025.
Texto completoSuo, Wei, MengYang Sun, Peng Wang y Qi Wu. "Proposal-free One-stage Referring Expression via Grid-Word Cross-Attention". En Thirtieth International Joint Conference on Artificial Intelligence {IJCAI-21}. California: International Joint Conferences on Artificial Intelligence Organization, 2021. http://dx.doi.org/10.24963/ijcai.2021/143.
Texto completoFeng, Ranran y Balakrishnan Prabhakaran. "Facilitating fashion camouflage art". En the 21st ACM international conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2502081.2502121.
Texto completoGuo, Dan, Yang Wang, Peipei Song y Meng Wang. "Recurrent Relational Memory Network for Unsupervised Image Captioning". En Twenty-Ninth International Joint Conference on Artificial Intelligence and Seventeenth Pacific Rim International Conference on Artificial Intelligence {IJCAI-PRICAI-20}. California: International Joint Conferences on Artificial Intelligence Organization, 2020. http://dx.doi.org/10.24963/ijcai.2020/128.
Texto completoAl-Halah, Ziad, Rainer Stiefelhagen y Kristen Grauman. "Fashion Forward: Forecasting Visual Style in Fashion". En 2017 IEEE International Conference on Computer Vision (ICCV). IEEE, 2017. http://dx.doi.org/10.1109/iccv.2017.50.
Texto completoInformes sobre el tema "Fashion and visual art"
Galenson, David. Language in Visual Art: The Twentieth Century. Cambridge, MA: National Bureau of Economic Research, marzo de 2008. http://dx.doi.org/10.3386/w13845.
Texto completoReeves-DeArmond, Genna. Visual rhetoric: Significance and application to fashion and dress scholarship. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-541.
Texto completoLapolla, Kendra, Jaclyn Gordyan y Brian Lapolla. Critiquing Design Aesthetics in Collaborative Fashion Creation: Design Conversations with a Fashion Designer, an Architect, and Art Director. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-901.
Texto completoGorea, Adriana y Katya Roelse. Criteria Decision Matrix Applied to Pedagogy: A Pilot Study for Fashion Art Studio. Ames: Iowa State University, Digital Repository, noviembre de 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1134.
Texto completoGalenson, David. Portraits of the Artist: Personal Visual Art in the Twentieth Century. Cambridge, MA: National Bureau of Economic Research, abril de 2008. http://dx.doi.org/10.3386/w13939.
Texto completoJang, Ju Yeun, So-Yeon Yoon, Eunsoo Baek y Ho Jung Choo. The Effects of Visual Complexity in a Fashion Store Environment on Consumer Emotions and Approach Behavior. Ames: Iowa State University, Digital Repository, noviembre de 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1328.
Texto completoLeslie, Catherine Amoroso y Diane G. Scillia. Northern Renaissance: Art and the Birth of Fashion, a collaborative progression from multidisciplinary through interdisciplinary to transdisciplinary. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-367.
Texto completoHuang, Ran y Sejin Ha. The Role of Need for Cognition in Consumers' Mental Imagery: A Study of Visual Social Media of Fashion Brands. Ames: Iowa State University, Digital Repository, noviembre de 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1307.
Texto completoJung, Dongjin, Hyosun An y Minjung Park. Analysis of Gucci Runway Images Using an Artificial Intelligence Based Visual Search Tool: A Comparison of Fashion Styles by Creative Directors. Ames (Iowa): Iowa State University. Library, enero de 2019. http://dx.doi.org/10.31274/itaa.8264.
Texto completoMagie, Anna A. y Deborah D. Young. Building Bookstore Displays: A Collaboration Between University Fashion Students and Campus Bookstore to Develop Merchandising, Management, and Leadership Skills Through the Development of Visual Displays. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1839.
Texto completo