Acceder

Bibliografías temáticas / Farce / Artículos de revistas

Artículos de revistas sobre el tema "Farce"

Siga este enlace para ver otros tipos de publicaciones sobre el tema: Farce.

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 4 de marzo de 2023

Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros

Elija tipo de fuente:

Consulte los 50 mejores artículos de revistas para su investigación sobre el tema "Farce".

Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.

También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.

Explore artículos de revistas sobre una amplia variedad de disciplinas y organice su bibliografía correctamente.

1

Mende, Jan. "Französische Farce". Lebensmittel Zeitung 73, n.º 9 (2021): 2. http://dx.doi.org/10.51202/0947-7527-2021-9-002.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

2

Deputter, Mark. ""Kalldewey, farce"". Documenta 3, n.º 4 (17 de abril de 2019): 246–49. http://dx.doi.org/10.21825/doc.v3i4.10748.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

3

Patel, V., M. Kelleher y M. McGurk. "Regulatory farce". British Dental Journal 208, n.º 10 (mayo de 2010): 440–41. http://dx.doi.org/10.1038/sj.bdj.2010.459.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

4

Kutty, Faisal. "Farce Majeure". American Journal of Islam and Society 19, n.º 2 (1 de abril de 2002): 116–20. http://dx.doi.org/10.35632/ajis.v19i2.1946.

Texto completo

Resumen

One of the fundamental principles of justice is that no accusation be allowed to stand unless there is sufficient evidence to support the allegation. Butsuch principles do not seem to get in the way of propagandists in their mission to discredit. Nobody knows this better than the Sudanese government. And no one has written more on Sudan's plight than Dr. David Hoile, the director of the European-Sudanese Public Affairs Council. Farce Majeure is a comprehensive critique, based largely on Hoile's previously published articles, of the Clinton administration's Sudan policy. Hoile, who has specialized in Sudanese issues for several years, argues that the Clinton administration succeeded in two areas with respect to its policy: preventing a peaceful resolution of the Sudanese civil war, and succeeding in the propaganda war, at least in North America. Hoile then explores how and why this was achieved and helps the reader to understand how Sudan moved from being an insignificant African state, at least from a western vantage point, into a nation constantly in the international limelight. Chapter I provides a good, albeit brief, analysis of the evolving rela tionship between the US and Africa's largest country, since its independence in 1956. Granted that the book's focus is the period from 1993 to 2000, readers could have benefited from a more extensive discussion of the historical context. In chapters I and 5 the author identifies what may be at the root of American aversion to Sudan: ...

Los estilos APA, Harvard, Vancouver, ISO, etc.

5

Winckler, Reto. "Profound farce". Cahiers Élisabéthains: A Journal of English Renaissance Studies 97, n.º 1 (10 de enero de 2018): 4–19. http://dx.doi.org/10.1177/0184767817750668.

Texto completo

Resumen

As the genre of farce more generally, Shakespeare’s early farce The Comedy of Errors is often dismissed as superficial because of its farcical elements, or its farcical nature is downplayed by well-meaning critics. In this essay, I argue that it is precisely in its farcical superficiality that the play unfolds sceptical philosophical potential. Employing concepts developed by Ludwig Wittgenstein and Stanley Cavell, I try to show how this farce, in comically unsettling the very foundations of human language, culture and identity, gestures at uncomfortable truths about the fundamental conventionality of human nature and society.

Los estilos APA, Harvard, Vancouver, ISO, etc.

6

Wiesman, Annette. "Een farce?" Management Kinderopvang 25, n.º 3 (mayo de 2019): 30–32. http://dx.doi.org/10.1007/s41190-019-0059-1.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

7

Koopmans, Jelle. "La farce rétrospective – revoir la farce au xvie siècle". Studi Francesi, n.º 188 (LXIII | II) (1 de agosto de 2019): 263–70. http://dx.doi.org/10.4000/studifrancesi.18380.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

8

Hayes, E. Bruce. "Rabelais' Radical Farce: A Comparative Analysis of the Ecolier Limousin Episode and the Farce de Maître Mimin Etudiant". Renaissance and Reformation 40, n.º 2 (1 de enero de 2004): 61–78. http://dx.doi.org/10.33137/rr.v40i2.9014.

Texto completo

Resumen

Parmi les intertextes qui imprègnent les écrits de Rabelais, le théâtre de la farce a une fonction dont l'importance n'a toujours pas été suffi samment approfondie. Les histoires de Gargantua et de Pantagruel sont littéralement farcies de référence au genre, et beaucoup d’épisodes dans les Chroniques sont structurés comme des farces. Rabelais apprécie énormément la farce et la connaissance intime qu'il en a imprègne la composition de son oeuvre d'une façon importante. Le premier épisode farcesque dans l’oeuvre rabelaisienne, la rencontre de l’écolier limousin (Pantagruel, chapitre 6), sert à illustrer cet assemblage de la farce théâtrale et de la satire humaniste que l'on retrouve à travers les écrits de Rabelais. En comparant cet épisode à la farce de Maitre Mimin étudiant, nous explicitons le rapport entre les épisodes farcesques des Chroniques et la farce dramatique, soulignant non seulement comment Rabelais s'approprie la farce, mais de façon plus importante, comment il transforme et radicalise le genre en l'introduisant dans un nouveau contexte humaniste. Là où la farce châtie les écarts sociaux du protagoniste, sa démesure, au nom d'une norme conservatrice, les Chroniques censurent la démesure des institutions du statu quo telle que la Sorbonne, au nom d'un idéal humain et social. Il en résulte une forme nouvelle de farce, aussi bien qu'une nouvelle forme de satire humaniste.

Los estilos APA, Harvard, Vancouver, ISO, etc.

9

Wineapple, Brenda y Frances Sherwood. "Tour de Farce". Women's Review of Books 12, n.º 12 (septiembre de 1995): 22. http://dx.doi.org/10.2307/4022240.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

10

Huckelbury, Charles. "Tour de Farce". Journal of Prisoners on Prisons 18, n.º 1-2 (1 de diciembre de 2009): 126–28. http://dx.doi.org/10.18192/jpp.v18i1-2.5326.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

11

Colin, Jean-Paul. "Attrape la farce !" Coulisses, n.º 19 (1 de enero de 1999): 30. http://dx.doi.org/10.4000/coulisses.5532.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

12

Wilson, Richard. "Tragedy and farce". Nursing Standard 17, n.º 17 (8 de enero de 2003): 27. http://dx.doi.org/10.7748/ns.17.17.27.s44.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

13

Brinton, L. J. "Farce and fiction". British Dental Journal 200, n.º 8 (abril de 2006): 419. http://dx.doi.org/10.1038/sj.bdj.4813534.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

14

Gottlieb, Vera. "Why This Farce?" New Theatre Quarterly 7, n.º 27 (agosto de 1991): 217–28. http://dx.doi.org/10.1017/s0266464x00005728.

Texto completo

Resumen

In exploring the repertoire of farce from its nineteenth-century exponents in France and England through the ‘typically British’ pre- and post-war varieties at the Aldwych and the Whitehall, to the work of such contemporary exponents as Alan Ayckboum and Michael Frayn, Vera Gottlieb also analyzes the ways in which ‘mechanistic’ or ‘clockwork’ kinds of farce are philosophically akin to absurdist drama. She suggests that English approaches to Chekhov have overlaid his work with similar assumptions – as in the contention of Michael Frayn, himself both a Chekhov translator and a highly successful farceur, that Chekhov's characters are ‘reduced by their passions to the level of blind and inflexible machines’. In arguing that this is not the case, she elaborates a crucial distinction between farces which, in effect, assume the impotence of human aspirations, and those in which behaviour derives from character rather than from imposed situations, thus offering at least the potential for change. Vera Gottlieb is Professor of Drama at Goldsmiths’ College, University of London, and the author of Chekhov and the Vaudeville (Cambridge, 1982) and Chekhov in Performance in Russia and Soviet Russia (Chadwyck-Healey, 1984). She was also translator and director of A Chekhov Quartet, first seen at the New End Theatre, London, in 1990, and subsequently at the Chekhov Festival in Yalta and the GITIS Theatre in Moscow.

Los estilos APA, Harvard, Vancouver, ISO, etc.

15

Brenner, Sydney. "Tour de Farce". Current Biology 8, n.º 13 (junio de 1998): R437. http://dx.doi.org/10.1016/s0960-9822(98)70283-0.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

16

Figueroa Dorrego, Jorge. "“Dwindling Down to Farce”?: Aphra Behn’s Approach to Farce in the late 1670s and 80s". Journal of English Studies 17 (18 de diciembre de 2019): 127. http://dx.doi.org/10.18172/jes.3565.

Texto completo

Resumen

In spite of her criticism against farce in the paratexts of The Emperor of the Moon (1687), Aphra Behn makes an extensive use of farcical elements not only in that play and The False Count (1681), which are actually described as farces in their title pages, but also in Sir Patient Fancy (1678), The Feign’d Curtizans (1679), and The Second Part of The Rover (1681). This article contends that Behn adapts French farce and Italian commedia dell’arte to the English Restoration stage mostly resorting to deception farce in order to trick old husbands or fathers, or else foolish, hypocritical coxcombs, and displaying an impressive, skilful use of disguise and impersonation. Behn also turns widely to physical comedy, which is described in detail in stage directions. She appropriates farce in an attempt to please the audience, but also in the service of her own interests as a Tory woman writer.

Los estilos APA, Harvard, Vancouver, ISO, etc.

17

Chesterton, G. K. "The Philosophy of Farce". Chesterton Review 27, n.º 3 (2001): 289–92. http://dx.doi.org/10.5840/chesterton200127336.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

18

Cameron, Keith y Claude Longeon. "La Farce des Theologastres". Modern Language Review 85, n.º 4 (octubre de 1990): 952. http://dx.doi.org/10.2307/3732696.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

19

Laramee, Eve Andree. "Netherzone: A Psychogeographical Farce". Art Journal 63, n.º 3 (2004): 32. http://dx.doi.org/10.2307/4134489.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

20

Daly, Leo, Frances Phipps, Alison Armstrong, Seamus O. hInneirge, Breasail Uilsean y Seamus O. Mongain. "Cooks' tour de farce". Books Ireland, n.º 119 (1987): 246. http://dx.doi.org/10.2307/20625933.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

21

Ashaolu, Olubunmi O., Wim Hüsken, Konrad Schoell y Leif Søndergaard. "Farce and Farcial Elements". Sixteenth Century Journal 35, n.º 1 (1 de abril de 2004): 280. http://dx.doi.org/10.2307/20476908.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

22

Blouin, Patrice. "Politique de la farce". Critique 893, n.º 10 (20 de septiembre de 2021): 817–32. http://dx.doi.org/10.3917/criti.893.0817.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

23

Kovelman, Arkadi. "FARCE IN THE TALMUD". Review of Rabbinic Judaism 5, n.º 1 (2002): 86–92. http://dx.doi.org/10.1163/15700700260052672.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

24

Mikhail Troyansky. "FROM FARCE TO TRAGEDY". Current Digest of the Russian Press, The 74, n.º 034 (28 de agosto de 2022): 15–16. http://dx.doi.org/10.21557/dsp.80622252.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

25

Parker, John. "Postmodern Ethics, Premodern Farce". Romanic Review 113, n.º 2 (1 de septiembre de 2022): 293–99. http://dx.doi.org/10.1215/00358118-9812544.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

26

Serrano Mañes, Montserrat. "Feydeau et la farce". Cuadernos de Investigación Filológica 25 (15 de julio de 1999): 253. http://dx.doi.org/10.18172/cif.2251.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

27

Zeron, Carlos. "From Farce to Tragedy". Journal of Jesuit Studies 2, n.º 3 (29 de junio de 2015): 387–420. http://dx.doi.org/10.1163/22141332-00203002.

Texto completo

Resumen

This article relates the story of the rivalry between Portuguese, Brazilian, and foreign Jesuits in the province of Brazil, seeking to identify when, how, and why an internal dispute became enmeshed in the Society of Jesus’s relationship with the outside world. In fact, the riots caused by the 1680 enactment of the charter of freedom of the Indians not only deepened divisions among Jesuits in Brazil, but also involved representatives of residents, governors, and the Portuguese crown in the Society’s internal affairs. António Vieira’s defeat in this dispute contributed to the broader defeat of the colonial tutelage project implemented by Manuel da Nóbrega beginning in the mid-sixteenth century (and which Vieira still advocated in his last political text, in 1694), as well as to the suspension of the aforementioned charter.

Los estilos APA, Harvard, Vancouver, ISO, etc.

28

Laramée, Eve Andrée. "Netherzone: A Psychogeographical Farce". Art Journal 63, n.º 3 (septiembre de 2004): 32–47. http://dx.doi.org/10.1080/00043249.2004.10791133.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

29

Lynch, Michael. "From Ruse to Farce". Social Studies of Science 36, n.º 6 (diciembre de 2006): 819–26. http://dx.doi.org/10.1177/0306312706067897.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

30

Howard, Michael. "History, Tragedy and Farce". Survival 51, n.º 1 (10 de febrero de 2009): 215–20. http://dx.doi.org/10.1080/00396330902749806.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

31

Krauss, Lawrence M. "A fifth force farce". Physics Today 61, n.º 10 (octubre de 2008): 53–55. http://dx.doi.org/10.1063/1.3001868.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

32

Girard, D. "War as (Surrealistic) Farce". Forum for Modern Language Studies 46, n.º 1 (30 de noviembre de 2009): 97–106. http://dx.doi.org/10.1093/fmls/cqp125.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

33

Allakhverdov, A. "RUSSIA:Relief From Finance Farce?" Science 281, n.º 5375 (17 de julio de 1998): 319a—319. http://dx.doi.org/10.1126/science.281.5375.319a.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

34

Runnalls, Graham A. "Une farce inédite : La farce du vilain, sa femme et le curé". Romania 106, n.º 423 (1985): 456–80. http://dx.doi.org/10.3406/roma.1985.1760.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

35

Saunders, Donna, Pierre Spierckel y Andree Vary. "La Farce de Maitre Pathelin". Modern Language Journal 79, n.º 4 (1995): 578. http://dx.doi.org/10.2307/330025.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

36

Marriage, Guy. "Chase Corp: Force or Farce?" Architectural History Aotearoa 6 (30 de octubre de 2009): 33–50. http://dx.doi.org/10.26686/aha.v6i.6753.

Texto completo

Resumen

During the 1980s, one company grew to symbolise New Zealand's unhealthy obsession with money. Chase Corporation appeared as the pinnacle of the New Zealand dream – tall buildings, high finance, the sky was the limit. At last we were joining the big time. The mantra "Greed is Good" was taken to heart in New Zealand, by architects, developers, and much of the public – at least in Auckland and Wellington. Glittering towers of mirrored glass appeared weekly in the press, promising to change the face of the city forever. The reality was different: poorly designed, badly built buildings were financed by shady deals, and heritage was destroyed casually, with little thought for the consequences. This paper will attempt to unravel some of the work undertaken by Chase Corp during the 1980s.

Los estilos APA, Harvard, Vancouver, ISO, etc.

37

Siguret, Françoise. "Les violons de la farce". Littératures classiques 21, n.º 1 (1994): 31–44. http://dx.doi.org/10.3406/licla.1994.1768.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

38

Madondo, Bongani. "Vanity Farce: The Africa Issue". Transition: An International Review 98 (julio de 2008): 170–79. http://dx.doi.org/10.2979/trs.2008.-.98.170.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

39

Koopmans, Jelle. "La farce aristocratique et épiscopale". Réforme, Humanisme, Renaissance N° 93, n.º 2 (25 de noviembre de 2021): 31–46. http://dx.doi.org/10.3917/rhren.093.0031.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

40

Andrejev, Mikhail L. "PLOT STRUCTURE OF MEDIEVAL FARCE". RSUH/RGGU Bulletin. Series History. Philology. Cultural Studies. Oriental Studies, n.º 6 (2016): 120–35. http://dx.doi.org/10.28995/2073-6355-2016-6-120-135.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

41

Koopmans, Jelle. "Quand la farce fait scandale". Cahiers de recherches médiévales et humanistes, n.º 25 (30 de junio de 2013): 93–108. http://dx.doi.org/10.4000/crm.13078.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

42

Foster, Brian. "First a tragedy, then farce". Physics World 21, n.º 09 (septiembre de 2008): 14–15. http://dx.doi.org/10.1088/2058-7058/21/09/24.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

43

Ramos, Howard. "Sociology as Dangerous or Farce?" Canadian Review of Sociology/Revue canadienne de sociologie 54, n.º 3 (agosto de 2017): 369–71. http://dx.doi.org/10.1111/cars.12158.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

44

Tice, Paul. "The Farce of Pain Scales". Emergency Medicine News 32, n.º 1 (enero de 2010): 6–7. http://dx.doi.org/10.1097/01.eem.0000365890.66118.df.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

45

Rey-Flaud, Bernadette. "Le comique de la farce". Cahiers de l'Association internationale des études francaises 37, n.º 1 (1985): 55–67. http://dx.doi.org/10.3406/caief.1985.1943.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

46

Levy, Brian J. "Du Fabliau à la Farce". Reinardus / Yearbook of the International Reynard Society 15 (8 de noviembre de 2002): 87–100. http://dx.doi.org/10.1075/rein.15.08lev.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

47

Wystup, Uwe. "The Sales‐Margin Transparency Farce". Wilmott 2019, n.º 101 (mayo de 2019): 18–19. http://dx.doi.org/10.1002/wilm.10760.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

48

Ballaster, Ros. "Who’s the Dupe? A Farce". Restoration and Eighteenth-Century Theatre Research 34 (diciembre de 2022): 105–9. http://dx.doi.org/10.5325/rectr.34.0105.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

49

Knowles, Ronald y Leslie Smith. "Modern British Farce: A Selective Study of British Farce from Pinero to the Present Day". Modern Language Review 86, n.º 4 (octubre de 1991): 987. http://dx.doi.org/10.2307/3732575.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

50

Hubert, Marie-Claude. "L'impromptu des philosophes, farce et pamphlet". Revue d'histoire littéraire de la France 113, n.º 4 (2013): 833. http://dx.doi.org/10.3917/rhlf.134.0833.

Texto completo

Los estilos APA, Harvard, Vancouver, ISO, etc.

Ofrecemos descuentos en todos los planes premium para autores cuyas obras están incluidas en selecciones literarias temáticas. ¡Contáctenos para obtener un código promocional único!