Bibliografías temáticas / Expressivité vocale

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Literatura académica sobre el tema "Expressivité vocale"

Autor: Grafiati
Publicado: 25 de mayo de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Expressivité vocale"

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Malatesta-Magai, Carol, Sharon Leak, Johanna Tesman, Beth Shepard, Clayton Culver, and Beatrice Smaggia. "Proffles of Emotional Development: Individual Differences in Facial and Vocal Expression of Emotion during the Second and Third Years of Life." International Journal of Behavioral Development 17, no. 2 (1994): 239–69. http://dx.doi.org/10.1177/016502549401700202.

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This study is a third-year (34 months) follow-up investigation of the socioemotional behaviours of preterm and fullterm children previously seen at four points in time during the first two years of life. A total of 42 mother/ child pairs were seen for videotaped mother/child and child/peer play sessions. The tapes were coded on a second-to-second basis using Izard's MAX facial affect coding system and a vocal affect coding system. Data analysis focused on the contribution of the individual difference variables of gender, birth status, attachment classification, and maternal contingency behavio
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Kim, Heejung, Youngshin Cho, Sunghee Lee, and Chaehyeon Kang. "MULTIMODAL AFFECTIVE ANALYSIS OF FACIAL AND VOCAL EXPRESSIVITY USING SMARTPHONE AND DEEP LEARNING ANALYSIS." Innovation in Aging 6, Supplement_1 (2022): 593–94. http://dx.doi.org/10.1093/geroni/igac059.2221.

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Abstract Limited expressivity of emotion is one of the most common symptoms of major depression, particularly in older adults. Although assessing facial and vocal expressivity is very important for accurate clinical evaluation of geriatric depression, research has rarely examined older adults via telehealth technology. This study aims to quantify facial and vocal expressivity via a multimodal affective system with deep learning. A total of 19 Korean adults aged over 65 years with severe depressive symptoms participated in this research. Using smartphone video recording, 1,429 facial and vocal
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3

Abbas, Anzar, Bryan J. Hansen, Vidya Koesmahargyo, et al. "Facial and Vocal Markers of Schizophrenia Measured Using Remote Smartphone Assessments: Observational Study." JMIR Formative Research 6, no. 1 (2022): e26276. http://dx.doi.org/10.2196/26276.

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Background Machine learning–based facial and vocal measurements have demonstrated relationships with schizophrenia diagnosis and severity. Demonstrating utility and validity of remote and automated assessments conducted outside of controlled experimental or clinical settings can facilitate scaling such measurement tools to aid in risk assessment and tracking of treatment response in populations that are difficult to engage. Objective This study aimed to determine the accuracy of machine learning–based facial and vocal measurements acquired through automated assessments conducted remotely throu
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Elblaus, Ludvig, Carl Unander-Scharin, and Åsa Unander-Scharin. "Singing Interaction: Embodied Instruments for Musical Expression in Opera." Leonardo Music Journal 24 (December 2014): 7–12. http://dx.doi.org/10.1162/lmj_a_00187.

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In the opera Sing the Body Electric! A Corporatorio, artists from the disciplines of opera, dance and the development of new musical instruments collaborated to create an onstage fusion of different technologies and artistic practices that connected performer, scenography and instrument. Gestures and movements of singers were captured by custom-built technologies. The singers also used custom-built technologies for transforming their vocal qualities and for creating synthesized accompaniment in real time. In this way the singers’ bodily musical processes further extended their vocal performanc
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Bickford, Tyler. "Music of Poetry and Poetry of Song: Expressivity and Grammar in Vocal Performance." Ethnomusicology 51, no. 3 (2007): 439–76. http://dx.doi.org/10.2307/20174545.

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Arya, Shantanu, Sachin ., L. N. Garg, Tashi Wangmo, Nima Zangmo, and Komal Sharma. "Changes in speech charactersitics post thymoma." International Journal of Otorhinolaryngology and Head and Neck Surgery 5, no. 1 (2018): 212. http://dx.doi.org/10.18203/issn.2454-5929.ijohns20185318.

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<p class="abstract">Thymomas are rare tumors of the anterior mediastinum that may be benign or malignant. Thymomas are frequently associated with neuromuscular disorders like myasthenia gravis. Multiple cranial nerves are involved which may affect speech of the patients. Flaccid dysarthria is one of the common motor speech disorders associated with thymoma. Other characteristics may include decrease of intelligibility, reduced vocal stamina, reduction of emotional expressivity etc. The present case study illustrates changes in speech characteristics in a 35 year old male patient with thy
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Rovner, Anton А. "Vocal and Choral Symphonies and Considerations on Text Representation in Music." ICONI, no. 2 (2020): 26–37. http://dx.doi.org/10.33779/2658-4824.2020.2.026-037.

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The article examines the genres of the vocal and the choral symphony in connection with the author’s vocal symphony Finland for soprano, tenor and orchestra set to Evgeny Baratynsky’s poem with the same title. It also discusses the issue of expression of the literary text in vocal music, as viewed by a number of influential 19th and 20th century composers, music theorists and artists. Among the greatest examples of the vocal symphony are Gustav Mahler’s Das Lied von der Erde and Alexander von Zemlinsky’s Lyrische Symphonie. These works combine in an organic way the features of the symphony and
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Paschalidou, Stella. "Laban Effort in Empty-Handed Interactions of Hindustani Dhrupad Vocal Improvisation." Arts 13, no. 6 (2024): 177. https://doi.org/10.3390/arts13060177.

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Effort, commonly understood as the power of an action toward an intended goal, is acknowledged as an important aspect of music expressivity. Previous studies in Hindustani Dhrupad vocal improvisation, particularly those focusing on manual interactions with imaginary objects, have revealed the intricate connection between effort and various movement and melodic variables. The study employed manual annotations by participants who visually inspected and assessed the amount of effort that such interactions were perceived to require. However, since effort is inherently perceptual and subjective and
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Sokolskaya, Anna. "“Obedient bodies”: Space, time and sound in the operas by Christoph Marthaler." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 5, no. 1 (2020): 34–49. http://dx.doi.org/10.18522/2415-8852-2020-1-34-49.

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The article discusses the relationships between musical performance, theatrical space and gesturality in Christoph Marthaler’s operatic productions. The stage design, the types of actor’s physical and vocal expressivity in “Le Nozze di Figaro”, “La Grande Duchesse de Gérolstein”, “Kát’a Kabanová”, “Věc Makropulos”, “Les Contes d’Hoffmann” and “Tristan und Isolde” are studied. Gesture, vocalisation and text in Marthaler’s productions are discussed and interpreted by considering the mismatching of dance and musical rhythm, the contrast of academical and non-academical singing manners or sound
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Khilko, Natalia P. "Le marteau sans Maître by Pierre Boulez as a System of Cycles." Problemy Muzykal'noj Nauki / Music Scholarship, no. 3 (2022): 155–70. http://dx.doi.org/10.56620/2782-3598.2022.3.155-170.

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The article presents the results of the cyclical organization of Pierre Boulez’s Le Marteau sans maître in the aspect of combining the principles of linear and non-linear organization. The composer created a work of a probabilistic type, in which dispersed and localized sub-cycles coexist with each other. Their core is formed by the vocal movements in which René Char’s poems are interpreted. The number of compositional units in these structural-thematic groups coincides with the quantitative factor of the segments of the composition’s main series. The embedding of sub-cycles homogenous in thei
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Tesis sobre el tema "Expressivité vocale"

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Le, Beux Sylvain. "Contrôle gestuel de la prosodie et de la qualité vocale." Phd thesis, Université Paris Sud - Paris XI, 2009. http://tel.archives-ouvertes.fr/tel-00618427.

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La synthèse de parole expressive constitue aujourd'hui un nouveau défi . Un moyen direct de rendre la synthèse expressive consiste à la contrôler en temps réel par les gestes d'un opérateur. Notre recherche s'est donc déroulée selon deux axes : d'une part la modi fication prosodique (hauteur et durée) de la parole enregistrée, et d'autre part la synthèse de voyelles à partir d'un modèle de source glottique. Concernant la modifi cation prosodique, nous avons implémenté un algorithme temps réel permettant la modifi cation conjointe de la hauteur et de la durée d'une phrase enregistrée. Grâce à c
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Chabot-Canet, Céline. "Interprétation, phrasé et rhétorique vocale dans la chanson française depuis 1950 : expliciter l’indicible de la voix." Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20055.

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L’enjeu de cette thèse est d’étudier la chanson non dans sa dialectique parole/musique, mais par la saisie d’une troisième entité : l’interprétation vocale. Il s’agit à la fois d’en faire émerger l’importance fondamentale et la richesse et de lui conférer sa légitimité d’objet d’étude par la mise en place d’un protocole méthodologique et lexical spécifique qui en autorise l’analyse – au même titre que la composition – malgré son caractère mouvant et réputé réfractaire à la théorisation. Abordée comme objet complexe (selon la terminologie d’Edgar Morin), elle est soumise au feu croisé des disci
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Cadic, Didier. "Optimisation du procede de creation de voix en synthese par selection." Phd thesis, Université Paris Sud - Paris XI, 2011. http://tel.archives-ouvertes.fr/tel-00608610.

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Cette thèse s'inscrit dans le cadre de la synthèse de parole à partir du texte. Elle traite plus précisément du procédé de création de voix en synthèse par sélection d'unités. L'état de l'art repose pour cela sur l'enregistrement d'un locuteur pendant une à deux semaines, suivant un script de lecture de plusieurs dizaines de milliers de mots. Les 5 à 10 heures de parole collectées sont généralement révisées par des opérateurs humains, pour en vérifier la segmentation phonétique et ainsi améliorer la qualité finale de la voix de synthèse.La lourdeur générale de ce procédé freine considérablemen
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Cadic, Didier. "Optimisation du procédé de création de voix en synthèse par sélection." Thesis, Paris 11, 2011. http://www.theses.fr/2011PA112076/document.

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Cette thèse s'inscrit dans le cadre de la synthèse de parole à partir du texte. Elle traite plus précisément du procédé de création de voix en synthèse par sélection d'unités. L'état de l'art repose pour cela sur l'enregistrement d'un locuteur pendant une à deux semaines, suivant un script de lecture de plusieurs dizaines de milliers de mots. Les 5 à 10 heures de parole collectées sont généralement révisées par des opérateurs humains, pour en vérifier la segmentation phonétique et ainsi améliorer la qualité finale de la voix de synthèse.La lourdeur générale de ce procédé freine considérablemen
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5

Teytaut, Yann. "On temporal constraints for deep neural voice alignment." Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUS196.

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S’écouter, se répondre, faire se coïncider, se coordonner, s’accorder, se suivre, s’adapter, être à l’unisson, se synchroniser, s’aligner... Le riche vocabulaire dédié à la mise en correspondance dans le temps des activités humaines montre l’importance que revêt leur organisation temporelle. La communication humaine, multi-modale par nature, est pleinement concernée par cette problématique puisqu’il existe un écart sémantique entre les locutions orales et leurs séquences symboliques : comment bien interpréter un message écrit sans l’intonation vocale ? quel style performatif au delà d’une part
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Calzada, Defez Àngel. "Conveying expressivity and vocal effort transformation in synthetic speech with Harmonic plus Noise Models." Doctoral thesis, Universitat Ramon Llull, 2016. http://hdl.handle.net/10803/360587.

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Aquesta tesi s'ha dut a terme dins del Grup en de Tecnologies Mèdia (GTM) de l'Escola d'Enginyeria i Arquitectura la Salle. El grup te una llarga trajectòria dins del cap de la síntesi de veu i fins i tot disposa d'un sistema propi de síntesi per concatenació d'unitats (US-TTS) que permet sintetitzar diferents estils expressius usant múltiples corpus. De forma que per a realitzar una síntesi agressiva, el sistema usa el corpus de l'estil agressiu, i per a realitzar una síntesi sensual, usa el corpus de l'estil corresponent. Aquesta tesi pretén proposar modificacions del esquema del US-TTS que
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7

van, Stade Koenraad J. H. "Discovering Ideals of Expressivity and Artistry in 19th-Century Vocal Performance: Re-enacting Schumann’s Dichterliebe." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29588.

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The beginning of the 20th century saw the rise of modernist aesthetics which moulded modern performance practice. This change caused a steadfast distancing from the expressive practices of the late 19th century which were part of a continuum of practice going back to the 18th century or earlier. Recordings of singers, who in some cases were trained in the 1830s and 1840s, provide first-hand evidence of these late 19th-century practices and give insight into their embodied and tacit knowledge. Their singing sounds vastly different to the singing style generally heard today. This thesis exami
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Kouklia, Charlotte. "Dominance, hostilité et expressivité vocale dans le débat politique ˸ étude perceptive et acoustique du conseil municipal de Montreuil (93100)." Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCA013/document.

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Cette thèse étudie les rapports entre l’expression d’attitudes agressives contrôlées et la perception de la dominance, à partir d’extraits de séances télévisées du conseil Municipal de Montreuil (93100) durant l’année 2013, période marquée par un climat politique vif et hostile. Un corpus a été constitué à partir d’extraits de parole spontanée de la Maire, Dominique Voynet, et de quatre de ses opposants. Les cinq locuteurs ont participé à l’enregistrement d’une relecture neutre du corpus de leurs propres extraits de parole (25 stimuli par locuteur) ainsi qu’à l’auto-évalua
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Nunes, Rafaela Rohsbacker Gonzalez. "Voz-ruído na canção popular brasileira: a expressividade das vozes femininas do samba-canção da década de 1950." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07112017-155453/.

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A canção conta com o colorido das qualidades vocais de seus intérpretes, que através de diferentes sonoridades desempenham papel na expressividade e na construção de seu sentido. Dentre estas sonoridades estão as vozes-ruído, entendidas nesta pesquisa como qualidades vocais que apresentam ruído sonoro junto ao tom vocal. O presente estudo tem como objetivo investigar os aspectos intrínsecos do som proveniente de tais vozes - características fisiológicas, acústicas, psicoacústicas e psicodinâmicas -, e propor um levantamento de categoria, investigando sua relação com a expressividade da voz can
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Recly, Mathilde. "La technique vocale de Michael Jackson : polyvocalité, théâtralité et virtuosité." Thèse, 2018. http://hdl.handle.net/1866/21875.

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Libros sobre el tema "Expressivité vocale"

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Carey, David, and Rebecca Clark Carey. The Vocal Arts Workbook. 2nd ed. Bloomsbury Publishing Plc, 2022. http://dx.doi.org/10.5040/9781350178526.

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‘Refreshing and imaginative, this book teaches through enhanced awareness and instructs through clear and specific exercises.’ Cicely Berry A practical course for actors and other professional voice-users to achieve clarity and expressivity with the voice. Setting out the fundamental principles of voice training, the book provides structured and informed methods for developing vocal power, range and flexibility. At the heart of the book are practical projects with exercises and examples supplied in the accompanying online videos, which enable you to: - connect your breath with your voice - mee
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Nemec, John. The Ubiquitous Siva Volume II. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197566725.001.0001.

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The Introduction positions the history of girl and young woman singers in the 1960s in the context of broader histories of vocal training; ideas about voice, respectability, and expressivity; and the models of youthful femininity that were emergent in 1960s Britain. It opens with discussion of vocal discipline in magazines and books produced for young women. This is followed by reflections on the concept of voice as sound and voice as expression, how ideas about the use of voice are tied to gender, and how they have been used by feminist thinkers and scholars in the field of Voice Studies. The
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Bloom, Katya, Barbara Adrian, Tom Casciero, Jennifer Mizenko, and Claire Porter. The Laban Workbook for Actors. Bloomsbury Publishing Plc, 2018. http://dx.doi.org/10.5040/9781474220705.

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The Laban Workbook is a compendium of unique exercises inspired by the concepts and principles of movement theorist and artist, Rudolf Laban. Written by five internationally recognized movement experts, this textbook is divided into single-authored chapters, each of which includes a short contextual essay followed by a series of insight-bearing exercises. These expert views, honed in the creation of individual approaches to training and coaching actors, provide a versatile range of theory and practice in the creative process of crafting theatre. Readers will learn: Enhanced expressivity of bod
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Capítulos de libros sobre el tema "Expressivité vocale"

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Apolloni, Alexandra M. "Epilogue." In Freedom Girls. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190879891.003.0010.

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The epilogue ties the arguments about vocal expressivity and agency advanced in the previous chapters to questions about accountability, gender, and power raised by recent reports of sexual violence in the music industry. In 2012, Operation Yewtree revealed that high profile celebrities had used their power in the entertainment industry to abuse young people beginning in the 1960s. I ask how the notions of vocal expressivity and sexual liberation that emerged in the 1960s may have enabled these kinds of abuses. This epilogue reflects on how feminist music scholars and critics might honor expre
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Apolloni, Alexandra M. "Introduction." In Freedom Girls. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190879891.003.0001.

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The Introduction positions the history of girl and young woman singers in the 1960s in the context of broader histories of vocal training; ideas about voice, respectability, and expressivity; and the models of youthful femininity that were emergent in 1960s Britain. It opens with discussion of vocal discipline in magazines and books produced for young women. This is followed by reflections on the concept of voice as sound and voice as expression, how ideas about the use of voice are tied to gender, and how they have been used by feminist thinkers and scholars in the field of Voice Studies. The
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3

Nedecky, Jason. "Special Pronunciation Considerations." In French Lyric Diction. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197573839.003.0008.

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Abstract Idiosyncracies are to be encountered in every language; French is no exception. When it comes to singing in French, several features constitute topics particularly worthy of exploration. This chapter provides instruction on the most important of these topics. Emphatic stress (l’acccent d’insistance) involves shifting stress to a new syllable in the phonetic group in order to create a sense of urgency. This practice is widespread both in speech and in fine French singing. Another special topic is vocalic harmonization (l’harmonisation vocalique). Here, a relatively open vowel in an uns
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Kenny, Elizabeth. "Italian Performance Practices in Seventeenth-Century English Song." In The Edinburgh Companion to Literature and Music. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9780748693122.003.0022.

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This chapter discusses the role of performer additions in mid-seventeenth-century English song. It re-examines the relationship between delivery of a poetic text and musical performance. The ‘Hilton’ Songbook, BL Additional Manuscript 11608, demonstrates how a group of professional singers learned their ornamentation techniques from Italian sources such as Giulio Caccini, and how vocal expressivity could be achieved by breaking the customary rules of verbal rhetoric. Songs by Henry and William Lawes, Nicholas Lanier and Thomas Brewer, as well as theatrical music by Robert Johnson, are seen in
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Apolloni, Alexandra M. "Remembering Rock and Roll with P. P. Arnold." In Freedom Girls. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190879891.003.0009.

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This chapter asks how American singer P. P. Arnold’s vocal performances in the 1960s shaped British popular music production and how she renarrates rock history today. The story of Arnold’s music career reveals how the Black feminine vocality exemplified by Arnold’s style of singing shaped 1960s rock, and how Black women singers navigate experiences of marginalization and narratives of authenticity. Arnold’s recordings for Immediate Records and her work with the Small Faces on songs like “Tin Soldier” reveal how this dynamic manifests musically, while the story of her “lost” album The Turning
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Actas de conferencias sobre el tema "Expressivité vocale"

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Fontes, Mario, and Sandra Madureira. "Vocal and facial expressions and meaning effects in speech expressivity." In 10th International Conference of Experimental Linguistics. ExLing Society, 2019. http://dx.doi.org/10.36505/exling-2019/10/0020/000382.

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