Libros sobre el tema "Eventi rock"

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1

I giorni del rock: Gli eventi che hanno fatto la storia della musica. Milano, Italia: Edizioni White Star, 2016.

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2

Marcello, Nitti, ed. ' 80, new sound, new wave: Vita, musica ed eventi nella provincia italiana degli anni '80. Taranto: Geophonìe, 2007.

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3

Ghesquière, Gaëlle. All access events. Paris: Vade-Retro, 2005.

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4

The rock cried out. Jackson: University Press of Mississippi, 2012.

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5

McCarthy, Jim. Voices of Latin rock: People and events that created this sound. Milwaukee, WI: Hal Leonard Corporation, 2004.

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6

L, Swanson P., ed. Accuracy and precision of microseismic event locations in rock burst studies. Washington, D.C: U.S. Dept. of the Interior, Bureau of Mines, 1992.

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7

Upon this rock: The life of St. Peter. New York: Macmillan, 1987.

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8

McCarthy, Jim. Voices of Latin rock: People and events that created this sound. Milwaukee, WI: Hal Leonard Corporation, 2005.

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9

Riefenberg, Jennifer S. A simplex-method-based algorithm for determining the source location of microseismic events. Washington, DC: Dept. of the Interior, 1989.

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10

Riefenberg, Jennifer S. A simplex-method-based algorithm for determining the source location of microseismic events. Washington, D.C: U.S. Dept. of the Interior, Bureau of Mines, 1989.

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11

Gordon, Jes. Party like a rock star: A celebrity party planner's tips and tricks for throwing an unforgettable bash. Guilford, Conn: Globe Pequot Press, 2010.

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12

United States. National Highway Traffic Safety Administration, ed. Make your parties rock: Substance-free : a guide to safe and sober event planning. [Washington, D.C.?]: U.S. Dept. of Transportation, National Highway Traffic Safety Administration, 2001.

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13

Make your parties rock: Substance-free : a guide to safe and sober event planning. Washington, D.C.?]: U.S. Department of Transportation, National Highway Traffic Safety Administration, 2001.

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14

Justyna, Rybakiewicz, ed. Rok w Polsce: Kulturalny rozkład jazdy. Bielsko-Biała: Wydawn. Park, 2006.

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15

Nichols, K. M. Petrology and depositional setting of Mississippian rocks associated with an anoxic events at Samak, western Uinta Mountains, Utah.: Petrology and significance of a Mississippian (Osagean-Meramecian) anoxic event, lakeside mountains, northwestern Utah. Denver, CO: U.S. Geological Survey, 1992.

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16

Nichols, K. M. Petrology and depositional setting of Mississippian rocks associated with an anoxic event at Samak, western Uinta Mountains, Utah ; Petrology and significance of a Mississippian (Osagean-Meramecian) anoxic event, Lakeside Mountains, northwestern Utah. Washington, D.C: U.S. G.P.O., 1991.

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17

Enabling creative chaos: The organization behind the Burning Man event. Chicago: The University of Chicago Press, 2009.

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18

Roca, Deodoro. Deodoro Roca, el hereje. Buenos Aires: Editorial Biblos, 1999.

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19

United States. National Highway Traffic Safety Administration, ed. Make Your Parties Rock Substance-Free, A Guide to Safe and Sober Event Planning, July 2001, (CD-ROM). [S.l: s.n., 2004.

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20

1921-, Ketner Keith Brindley y United States Geological Survey, eds. An outline of tectonic, igneous, and metamorphic events in the Goshute-Toano range between Silver Zone Pass and White Horse Pass, Elko County, Nevada: A history of superposed contractional and extensional deformation. Washington: U.S. G.P.O., 1998.

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21

Hahn, Allison. Media Culture in Nomadic Communities. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723022.

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Media Culture in Nomadic Communities examines the ways that new technologies and ICT infrastructures have changed the communicative norms and patterns that regulate mobile and nomadic communities’ engagement in local and international deliberative decision-making. Each chapter examines a unique communicative event, such has how the Maasai of Tanzania have used online petitions to demand government action, how Mongolians in northern China have used microblogs to record and debate land tenure, and how herding communities from around the world have supported the Lakota Sioux protests at Standing Rock. Through these case studies, Hahn argues that mobile and nomadic communities are creating and utilizing new communicative networks that are radically changing local, national, and international deliberations.
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22

Dovrat, Ran. Ḥazaḳim be-Rusyah: Big in Russia. Tel Aviv: Aḥuzat bayit, 2016.

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23

Heavy metal Islam: Rock, resistance, and the struggle for the soul of Islam. New York: Three Rivers Press, 2008.

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24

Okulitch, A. V. Pr oposals for time classification and correlation of Precambrian rocks and events in Canada and adjacent areas of the Canadian Shield. Ottawa, Canada: Energy, Mines and Resources Canada, 1988.

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25

1946-, Clinton Bill, ed. President Clinton's new beginning: The complete text, with illustrations, of the historic Clinton-Gore Economic Conference, Little Rock, Arkansas, December 14-15, 1992. New York: D.I. Fine, 1992.

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26

Pitman, Janet K. Reservoir quality and diagenetic evolution of Upper Mississippian rocks in the Illinois Basin: Influence of a regional hydrothermal fluid-flow event during late diagenesis. Washington, D.C: U.S. G.P.O., 1998.

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27

Smallwood, Beverly. This wasn't supposed to happen to me: 10 make-or-break choices when life steals your dreams and rocks your world. Nashville: Thomas Nelson., 2007.

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28

Smallwood, Beverly. This wasn't supposed to happen to me: 10 make-or-break choices when life steals your dreams and rocks your world. Nashville: Thomas Nelson., 2007.

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29

Okulitch, A. V. Proposals for time classification and correlation of Precambrian rocks and events in Canada and adjacent areas of the Canadian Shield. Part 3, A Precambrian time chart for the geological atlas of Canada. Ottawa, Ont: Energy, Mines and Resources Canada, 1988.

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30

Canada, Geological Survey of. Proposals For Time Classification and Correlation of Precambrian Rocks and Events in Canada and Adjacent Areas of the Canadian Shield: Part 3: A Precambrian Time Chart For the Geological Atlas of Canada. S.l: s.n, 1987.

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31

Coyner, David H. The lost trappers: A collection of interesting scenes and events in the Rocky Mountains : together with a short description of California : also, some account of the fur trade especially as carried on about the sources of Missouri, Yellow Stone, and on the waters of the Columbia, in the Rocky Mountains. New York: Hurst, 1985.

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32

Asano, Inio. Solanin. San Francisco, CA: VIZ, 2008.

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33

Nine Inch Nails (Musical group). Not the actual events. 2017.

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34

Gordon, Jes y Jessica Baumgardner. Party Like a Rock Star. Globe Pequot Press, The, 2009.

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35

Geotechnics for Catastrophic Flooding Events. Scitus Academics Llc, 2016.

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36

Disappearing: Future Events That Will Rock the World. Defender Publishing, 2022.

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37

Foulk, Ray y Caroline Foulk. Last Great Event. Medina Publishing, Limited, 2016.

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38

The Milestones of Rock and Roll: The Events That Changed the History of Music. White Star Publishers, 2015.

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39

The mane event ufgwegruwyurwuefiwjroiw. Orchard Books, 2015.

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40

Assante, Ernesto. The milestones of rock & roll: The events that changed the history of music. 2016.

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41

The Greatest Rock & Roll Stories: The Most Outrageous, Magical and Scandalous Events in the History of Rock & Roll. Stoddart, 1996.

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42

Accuracy and precision of microseismic event locations in rock burst studies. Washington, D.C: U.S. Dept. of the Interior, Bureau of Mines, 1992.

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43

McCarthy, Jim. Voices of Latin Rock: The People and Events That Created This Sound. Leonard Corporation, Hal, 2004.

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44

McCarthy, Jim. Voices of Latin Rock: The People and Events That Created This Sound. Leonard Corporation, Hal, 2004.

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45

McCarthy, Jim. Voices of Latin Rock: The People and Events That Created This Sound. Leonard Corporation, Hal, 2004.

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46

Sansoe, Ron y Jim McCarthy. Voices of Latin Rock : The People and Events That Shaped The Sound. Hal Leonard, 2004.

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47

Smith, Giles. Lost in Music: Culture, Style, and the Musical Event (Sociological Review Monograph). Kegan Paul International, 1987.

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48

Temperley, David. Rhythm and Meter. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190653774.003.0004.

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Simple duple meter is predominant in rock; the metrical structure is usually clearly conveyed by the alternating “kick-snare” pattern in the drums. An important aspect of rock rhythm is anticipatory syncopation, the placement of accented events (such as stressed syllables) on weak beats just before the strong beat on which they are understood to “belong.” Adjacent syncopations at different levels (e.g., eighth-note and sixteenth-note syncopations) can create cross-rhythms. Harmonic rhythm—the rhythm of changes in harmony—is occasionally used in interesting ways in rock. Hypermeter—meter above the level of the measure—is generally regular, but irregularities are not uncommon; sometimes irregular and shifting meter occurs at lower levels as well.
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49

Wierzbicki, James. Rock ’n’ Roll. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040078.003.0003.

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This chapter discusses the romantic genealogy of rock 'n' roll and how its style resulted from the happy integration of white hillbilly music with black “race music” or, as it came to be known in the 1950s, “rhythm and blues.” Supported by recent scholarship that has delved into the files of record companies, analyses affirm that rock 'n' roll represents a blatant appropriation of black music by white entrepreneurs. A postmodern view might regard rock 'n' roll not even as music, but as simply “a marketing concept that evolved into a lifestyle.” The chapter also analyzes how Bill Haley's recording of “Rock Around the Clock” turned the tide of American popular music in late 1955.
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50

Paul, David C. Censorship and the Politics of Reception. Editado por Patricia Hall. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199733163.013.3.

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This article examines censorship and the politics of reception by focusing on Marc Blitzstein’s opera The Cradle Will Rock. It first describes the external events that conspired to enable Blitzstein’s work to circumvent the censors, making it a legend in the history of American theater. It then considers three screenplays that translated the events connected with the premiere of The Cradle Will Rock to the big screen: the first two written separately by Ring Lardner Jr. and Orson Welles in the mid-1980s and the third written by Tim Robbins in the late 1990s. The article explains how each screenplay illustrates the fact that the relevance of censorship is open to various interpretations and can be used to serve a number of agendas.
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