Literatura académica sobre el tema "European theatre"
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Artículos de revistas sobre el tema "European theatre"
Mercer, Wendy S. y Elizabeth Woodrough. "Women in European Theatre". Modern Language Review 92, n.º 4 (octubre de 1997): 985. http://dx.doi.org/10.2307/3734266.
Texto completoLeims, Thomas. "Japanese Theatre: European Performances and European Research". Maske und Kothurn 35, n.º 2-3 (septiembre de 1989): 7–10. http://dx.doi.org/10.7767/muk.1989.35.23.7.
Texto completoThorbergsson, Magnus Thor. "Being European". Nordic Theatre Studies 25, n.º 1 (15 de noviembre de 2018): 22–33. http://dx.doi.org/10.7146/nts.v25i1.110895.
Texto completoThorbergsson, Magnus Thor. "Being European". Nordic Theatre Studies 25, n.º 1 (15 de noviembre de 2018): 22–33. http://dx.doi.org/10.7146/nts.v25i1.110895.
Texto completoBarzilai, Reut. "Being European: "Hamlet" on the Israeli Stage". Multicultural Shakespeare: Translation, Appropriation and Performance 21, n.º 36 (30 de junio de 2020): 27–53. http://dx.doi.org/10.18778/2083-8530.21.03.
Texto completoBarzilai, Reut. "Being European: "Hamlet" on the Israeli Stage". Multicultural Shakespeare: Translation, Appropriation and Performance 21, n.º 36 (30 de junio de 2020): 27–53. http://dx.doi.org/10.18778/2083-8530.21.03.
Texto completoStefanova, Kalina. "Eastern European theatre: theatre in search of a face". South African Theatre Journal 14, n.º 1 (enero de 2000): 174–84. http://dx.doi.org/10.1080/10137548.2000.9687707.
Texto completoBrett, Margaret y Sue Vincent. "European developments in theatre nursing". Nursing Standard 7, n.º 3 (7 de octubre de 1992): 53–54. http://dx.doi.org/10.7748/ns.7.3.53.s60.
Texto completoBalme, Christopher. "European Theatre and Performance Studies". Forum Modernes Theater 28, n.º 2 (2013): 103–4. http://dx.doi.org/10.1353/fmt.2013.0013.
Texto completoDecheva, Violeta. "Theatre in the Digital World. The Experiment of Theater Treffen 2020". Sledva : Journal for University Culture, n.º 41 (19 de agosto de 2020): 8–17. http://dx.doi.org/10.33919/sledva.20.41.2.
Texto completoTesis sobre el tema "European theatre"
Salazar-Sutil, Nicolas. "Theatres of the Surd : a study of mathematical influences in European avant-garde theatre". Thesis, Goldsmiths College (University of London), 2010. http://research.gold.ac.uk/4754/.
Texto completoBucciarelli, Melania. "Italian opera and European theatre, 1680-1720 : plots, performers, dramaturgies". Thesis, King's College London (University of London), 1998. https://kclpure.kcl.ac.uk/portal/en/theses/italian-opera-and-european-theatre-16801720--plots-performers-dramaturgies(c1235462-b549-497d-aff7-34b0658ea912).html.
Texto completoBrown, Mark. "Modern Scottish theatre : the creation of a tradition". Thesis, University of Dundee, 2017. https://discovery.dundee.ac.uk/en/studentTheses/c8c2bf08-f3ad-470a-933e-613725aefddf.
Texto completoMur, Maria-Christina [Verfasser]. "The Physiognomical Discourse and European Theatre : Theory, Performance, Dramatic Text / Maria-Christina Mur". Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2017. http://d-nb.info/1136247696/34.
Texto completoChamberlain, Franc. "Embodying the spirit : Nihilism and spiritual renovation in the European theatre (1890-1914)". Thesis, University of East Anglia, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317568.
Texto completoStreet, Anna. "Comedy of the Impossible : The Power of Play in Post-war European Theatre". Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040179.
Texto completoBy tracing the development of theories of comedy within Western philosophy, this thesis claims that anti-comic prejudices prevented comedy from being recognized as a serious genre. Comedy’s inferior status for over two thousand years is shown to correspond to an ethical model that distinguishes the real from the Ideal and affirms a Neo-Platonic vision of existence. Through numerous examples taken from a particular phenomenon of post-war European theatre comprising five different playwrights, this thesis proposes three primary characteristics of comedy: the ontological instability of comic characters, comedy’s paradoxical relation to the world of appearances, and comedy’s willingness to accommodate the impossible. By throwing binaries into question and promoting a complete reversal of dominant value systems, comedy blurs the lines of distinction between the abstract and the concrete, the mechanical and the organic and, ultimately, between life and death. Demonstrating how this reversal is accomplished linguistically, metaphorically, or dramaturgically, this study concludes that comedy subverts the socio-symbolic order that relies upon the logic of possibility
Bocianowski, Cécile. "Les dramaturgies du grotesque en Europe au XXe siècle". Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040066.
Texto completoThis thesis proposes a comparative reading of the use of grotesque in French, Polish, French-speaking Belgian, German-speaking Italian and Spanish theatre so as to determinate the specificities of the grotesque and its reception in different cultural areas. It focuses in the first part on the theory of the notion in arts, from decorative to dramatic art, from Renaissance to the twentieth century. Special attention is given to the grotesque dance, which has been thus far insufficiently studied, and to the discrepancies between western and eastern critical discourses. The comparative analysis of the grotesque is conducted along three axes: deformation, excessiveness and hybridity. It emphasises the function of marionette, pantomime and the inspiration of circus, carnival and cabaret. The last part of the thesis concentrates on the hypothesis of a grotesque dramatic genre in Europe in twentieth century. Once established the theoretical basis of the reflexion upon genre, and in view of contemporary dramatic production, the thesis closes with the determination of the place of the grotesque in the creation and in the criticism. By calling into question traditional periodisation of European twentieth theatre, this thesis aims at giving its place to the grotesque in contemporary dramatic criticism as the shaping of the misshapen
Fearon, Fiona Kavanagh. "The Selection, Production and Reception of European Plays at the National Theatre of Great Britain from 1963-1997". Thesis, University of Sheffield, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486716.
Texto completoHalfyard, Janet Katherine. "Only connect : European music theatre in the context of Wagner's Gesamtkunstwerk and the early twentieth-century avant-garde". Thesis, University of Birmingham, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397944.
Texto completoDawood, Rasha Ahmed Khairy Hafez. "Critical discourse within European plays in the first half of the twentieth century and the manifestations of a similar phenomenon in modern Egyptian drama". Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/15359.
Texto completoLibros sobre el tema "European theatre"
Contemporary European theatre directors. London: Routledge, 2010.
Buscar texto completoEdited by Delgado, Maria M. y Dan Rebellato. Contemporary European Theatre Directors. Editado por Maria M. Delgado y Dan Rebellato. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285.
Texto completoWien, Don Juan Archiv, ed. Ottoman Empire and European theatre. Wien: Hollitzer, 2013.
Buscar texto completoPrentki, Tim. The Fool in European Theatre. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230357501.
Texto completoTheatre. London: [Hodder and Stoughton], 2002.
Buscar texto completoFischer-Lichte, Erika. History of European Drama and Theatre. London: Taylor & Francis Inc, 2004.
Buscar texto completoFischer-Lichte, Erika. History of European Drama and Theatre. London: Taylor & Francis Group Plc, 2004.
Buscar texto completoLee, Briant Hamor. European post-Baroque neoclassical theatre architecture. Lewiston: E. Mellen Press, 1996.
Buscar texto completoFischer-Lichte, Erika. History of European drama and theatre. London: Routledge, 2001.
Buscar texto completoFischer-Lichte, Erika. History of European drama and theatre. London: Routledge, 2002.
Buscar texto completoCapítulos de libros sobre el tema "European theatre"
Schumacher, Claude. "Arrabal’s Theatre of Liberation". En Twentieth-Century European Drama, 124–45. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23073-0_9.
Texto completoSingleton, Brian. "Ariane Mnouchkine". En Contemporary European Theatre Directors, 39–60. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-1.
Texto completoReinelt, Janelle. "Jan Lauwers". En Contemporary European Theatre Directors, 229–57. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-10.
Texto completoDelgado, Maria M. y Dan Rebellato. "Revised Introduction to The First Edition 1". En Contemporary European Theatre Directors, 1–28. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-101.
Texto completoRebellato, Dan y Maria M. Delgado. "Introduction to the second edition". En Contemporary European Theatre Directors, 29–38. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-102.
Texto completoKnapper, Stephen. "Simon Mcburney". En Contemporary European Theatre Directors, 259–74. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-11.
Texto completoFlannery, Denis. "Ivo Van Hove". En Contemporary European Theatre Directors, 275–98. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-12.
Texto completoLedger, Adam J. "Deborah Warner". En Contemporary European Theatre Directors, 299–323. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-13.
Texto completoRead, Alan. "Romeo Castellucci". En Contemporary European Theatre Directors, 325–40. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-14.
Texto completoMiller, Judith G. "Kristian Frédric". En Contemporary European Theatre Directors, 341–54. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429400285-15.
Texto completoActas de conferencias sobre el tema "European theatre"
Petrovic, Dominik, Luka Kicinbaci, Frano Petric y Zdenko Kovaaic. "Autonomous Robots as Actors in Robotics Theatre - Tribute to the Centenary of R.U.R." En 2019 European Conference on Mobile Robots (ECMR). IEEE, 2019. http://dx.doi.org/10.1109/ecmr.2019.8870908.
Texto completoApostolopoulos, G., G. Amolochitis, S. Stamataki, A. Giannopoulos y P. Kofakis. "Combined Geophysical Survey for the Detection of an Archaeological Theatre in Amphiareion of Oropos, Attica, Greece". En Near Surface Geoscience 2014 - 20th European Meeting of Environmental and Engineering Geophysics. Netherlands: EAGE Publications BV, 2014. http://dx.doi.org/10.3997/2214-4609.20141970.
Texto completoHassan, A., J. Parmar, E. Mulvaney y N. Bedforth. "ESRA19-0140 Outreach nerve block, a quality improvement project for providing out of theatre regional anaesthesia services". En Abstracts of the European Society of Regional Anesthesia, September 11–14, 2019. BMJ Publishing Group Ltd, 2019. http://dx.doi.org/10.1136/rapm-2019-esraabs2019.110.
Texto completoYARYMOVYCH, MICHAEL y JAMES WRIGHT. "EUROPEAN THEATER MISSILE DEFENSE - ISSUES AND OPTIONS". En Space Programs and Technologies Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1995. http://dx.doi.org/10.2514/6.1995-4017.
Texto completoKennedy-Karpat, Colleen. "Adaptation studies in Europe". En 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.02015k.
Texto completoKennedy-Karpat, Colleen. "Adaptation studies in Europe". En 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.02015k.
Texto completoCailliez, Matthieu. "Europäische Rezeption der Berliner Hofoper und Hofkapelle von 1842 bis 1849". En Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.50.
Texto completoHoffmann, Anne. "A trainer's guideline to teaching soft skills using improvisation theater". En the 16th European Conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2396716.2396720.
Texto completoNovello, Giuseppa y Maurizio Marco Bocconcino. "Dal Theatrum Sabaudiae: disegni di fortificazioni nelle raffigurazioni celebrative di una dinastia". En FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11522.
Texto completoSenenga, Praise. "Researching the Business and Management of Theater in Africa: A Mixed Methods Approach". En 18th European Conference on Research Methodology for Business and Management Studies. Academic Conferences and Publishing Limited, 2019. http://dx.doi.org/10.34190/rm.19.118.
Texto completoInformes sobre el tema "European theatre"
Kelleher, C. M. Offensive versus defensive tradeoffs in the European theater. Office of Scientific and Technical Information (OSTI), abril de 1989. http://dx.doi.org/10.2172/6101007.
Texto completoZubov, Andrey y Tatiana Novichkova. The East European and Balkan theaters in 1914). Editado por Andrey Zubov, Nikolay Komedchikov y Aleksandr Khropov. Astrel, noviembre de 2009. http://dx.doi.org/10.15356/dm2016-01-14-8.
Texto completoZubov, Andrey y Tatiana Novichkova. The East European and Balkan theaters in 1915. Editado por Andrey Zubov, Nikolay Komedchikov y Aleksandr Khropov. Astrel, noviembre de 2009. http://dx.doi.org/10.15356/dm2016-01-19-1.
Texto completoZubov, Andrey y Tatiana Novichkova. The East European and Balkan theaters in 1916. Editado por Andrey Zubov, Nikolay Komedchikov y Aleksandr Khropov. Astrel, noviembre de 2009. http://dx.doi.org/10.15356/dm2016-01-19-2.
Texto completoSchmidt, Axel y Frits Verschuur. The European Theater Missile Defense Program - A Field for International Cooperation. Fort Belvoir, VA: Defense Technical Information Center, abril de 1997. http://dx.doi.org/10.21236/ada397290.
Texto completoTerstegge, Stephen D. Ballistic Missile Defense in the European Theater: Political, Military and Technical Considerations. Fort Belvoir, VA: Defense Technical Information Center, abril de 2007. http://dx.doi.org/10.21236/ada468576.
Texto completoFrichtl, Paul J. Limitations of the Conventional Role of the B-1B in the European Theater. Fort Belvoir, VA: Defense Technical Information Center, mayo de 1989. http://dx.doi.org/10.21236/ada220571.
Texto completoPrysyazhnyi, Mykhaylo. UNIQUE, BUT UNCOMPLETED PROJECTS (FROM HISTORY OF THE UKRAINIAN EMIGRANT PRESS). Ivan Franko National University of Lviv, marzo de 2021. http://dx.doi.org/10.30970/vjo.2021.50.11093.
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