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1

Jones, Michael y Marie Stenseke, eds. The European Landscape Convention. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-90-481-9932-7.

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2

Marie, Stenseke y SpringerLink (Online service), eds. The European Landscape Convention: Challenges of Participation. Dordrecht: Springer Science+Business Media B.V., 2011.

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3

Dopo la Convenzione europea del paesaggio: Politiche, piani e valutazione = After the European landscape convention : policies, plans and evalutaion. Firenze: Alinea, 2011.

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4

Torino, Politecnico di, Università di Torino y UNISCAPE, eds. Landscape education and research in Piedmont for the implementation of the European Landscape Convention: Exhibition catalogue on the occasion of the Uniscape General Meeting 2010, Turin, 16-17th October. Beinasco (TO): Agit Mariogros Industrie Grafiche srl, 2010.

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5

Zanon, Simonetta. Luoghi di valore : un'esperienza nel territorio di Treviso, nel solco della Convenzione europea del paesaggio: Outstanding places : an experiment in the Province of Treviso, in the wake of the European landscape convention. Treviso: Edizioni della Fondazione Benetton studi ricerche, 2016.

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6

Poli, Daniela, ed. Regole e progetti per il paesaggio. Florence: Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-189-8.

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This book brings together the materials of a study carried out by the Florence Faculty of Architecture in liaison with the Tuscan scientific community (five universities, research institutes and technicians from the Regional Authority) to define the methods and approaches of the new Landscape Plan. The aim was to exploit the opportunities offered by recent legislation, such as the European Landscape Convention and the Cultural Heritage and Landscape Code, in order to formulate public policies and projects designed to enhance the quality of life throughout the entire territory, both valuable and degraded. Different skills, aptitudes and passions have come together in the hope that the recent phase of planning can trigger mechanisms that stimulate the inhabitants of Tuscany to continue to produce the collective work of art that is their landscape, in the exquisitely normal manner and form that left scholars such Desplanques pleasantly perplexed when he wrote: «These people have constructed their rural landscapes as if they had no concern other than beauty.»
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7

Strecker, Amy. The European Landscape Convention. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198826248.003.0006.

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Chapter 6 discusses the origins and implications of the European Landscape Convention (ELC), the first international instrument solely dedicated to the protection, management and planning of landscape, adopted by the Council of Europe in 2000. It assesses the radical definition and concept of landscape espoused by the ELC as well as its institutional framework, before moving on to problematizing the ELC from a legal perspective. It argues that despite the Convention’s lack of legal bite, it has nevertheless been paradigm-changing for its societal influence and impact on landscape discourse more broadly. The chapter concludes by offering some observations on current proposals for a global landscape convention inspired by the ELC.
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8

Strecker, Amy. Landscape Protection in International Law. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198826248.001.0001.

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This book explores the various avenues—institutional, substantive, and procedural—for the protection of landscape in international law. Since the inclusion of ‘cultural landscapes’ within the scope of the UNESCO World Heritage Convention in 1992, landscape has gained increasing importance at the international level. ‘Cultural landscapes’ were intended to give recognition to the intangible and associative values attached to certain landscapes, to sustainable agricultural practices, and to ‘people and communities’—essentially the human dimension of landscape. This shift came full circle with the adoption of the European Landscape Convention (ELC) in 2000. The European Landscape Convention conceives of landscape above all as a people’s landscape and accordingly, provides for the active participation of the public in the formulation of plans and polices. It not only focuses on outstanding landscapes, but also on the everyday and degraded landscapes where most people live and work. This brings ‘landscape’ back to its early etymological origins—when it corresponded to a close up, human perspective—and has a number of implications for human rights, democracy, and spatial justice. How does international law, which deals for the most part with universality, deal with something so region-specific and particular as landscape? What is the legal conception of landscape and what are the various roles played by international law in its protection? This book assesses the institutional framework for landscape protection, analyses the interplay between landscape and human rights, and links the etymology and theory of landscape with its articulation in law.
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9

Jorgensen, Karsten, Morten Clemetsen, Anne-Karine Thoren y Tim Richardson, eds. Mainstreaming Landscape through the European Landscape Convention. Routledge, 2015. http://dx.doi.org/10.4324/9781315685922.

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10

Tim, Richardson, Karsten Jorgensen, Morten Clemetsen y Anne-Karine Halvorsen Thoren. Mainstreaming Landscape Through the European Landscape Convention. Taylor & Francis Group, 2016.

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11

Tim, Richardson, Karsten Jorgensen, Morten Clemetsen y Anne-Karine Halvorsen Thoren. Mainstreaming Landscape Through the European Landscape Convention. Taylor & Francis Group, 2015.

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12

Tim, Richardson, Karsten Jorgensen, Morten Clemetsen y Anne-Karine Halvorsen Thoren. Mainstreaming Landscape Through the European Landscape Convention. Taylor & Francis Group, 2015.

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13

European landscape convention and explanatory report. Strasbourg: [s. n.], 2000.

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14

Office, Stationery y Great Britain: Foreign and Commonwealth Office Staff. European Landscape Convention: Florence, 20 October 2000. Stationery Office, The, 2012.

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15

European Landscape Convention: Concept, Policy and Practice. Taylor & Francis Group, 2016.

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16

Jones, Michael y Marie Stenseke. The European Landscape Convention: Challenges of Participation. Springer, 2013.

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17

Landscape and Sustainable Development: Challenges of the European Landscape Convention (Environment). Council of Europe, 2006.

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18

Strecker, Amy. Landscape Protection and EU Law. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198826248.003.0007.

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Chapter 7 provides a critical overview of landscape protection in EU law. It begins by briefly outlining the impact of EU agricultural policy on European landscapes. It then moves on to ascertain the extent to which the cultural heritage dimension to landscape protection is considered within EU policy, before analysing EU environmental law, particularly environmental impact assessment directives, which include consideration of cultural heritage and the landscape. While the ELC provides for public participation, EU law requires member states to legislate not only for public participation but also for access to justice and broader standing requirements in environmental matters. The implications of this for landscape protection are explored, and some concluding observations are drawn on the role of the EU in landscape governance more broadly.
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19

Strecker, Amy. Conclusions. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198826248.003.0010.

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The final chapter of this book advances four main conclusions on the role of international law in landscape protection. These relate to state obligations regarding landscape protection, the influence of the World Heritage Convention and the European Landscape Convention, the substantive and procedural nature of landscape rights, and the role of EU law. It is argued that, although state practice is lagging behind the normative developments made in the field of international landscape protection, landscape has contributed positively to the corpus of international cultural heritage law and indeed has emerged as a nascent field of international law in its own right.
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20

Strecker, Amy. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198826248.003.0001.

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This chapter provides an introduction to Landscape Protection in International Law. It discusses the scope and terms of reference used throughout the book and provides an overview of the book’s structure. Since the adoption of the European Landscape Convention in 2000, there has been a burgeoning amount of literature relating to landscape from a variety of disciplines. However, in the realm of legal analysis there has been comparatively scarce investigation. While it is true that landscape requires more than strict legal approaches, the conceptual convergence of landscape, law, and justice means that law as a discipline can contribute to discussions on landscape governance in a productive way, especially given the expanding normative framework dealing with landscape protection at the international level.
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21

Staël, Madame de y John Isbell. Corinne. Editado por Sylvia Raphael. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199554607.001.0001.

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‘Look at her, she is the image of our beautiful Italy.’ Corinne, or Italy (1807) is both the story of a love affair between Oswald, Lord Nelvil and a beautiful poetess, and an homage to the landscape, literature and art of Italy. On arriving in Italy, Oswald immediately falls under Corinne’s magical spell as she is crowned a national genius at the Captitol. Yet, on returning to England, he succumbs to convention and honours his late father’s wish by marrying the dutiful English girl, Lucile, despite having learned that Corinne is Lucile’s Italian half-sister. Corinne dies of a broken heart and Lord Nelvil is left with a seared conscience. Staël weaves discreet French Revolutionary political allusion and allegory into her romance, and its publication saw her order of exile renewed by Napoleon. Indeed, the novel stands as the birth of modern nationalism, and introduces to French usage the word ‘nationalitié’. It is also one of the first works to put a woman’s creativity centre stage. Sylvia Raphael’s new translation preserves the natural character of the French original and the edition is complemented by notes and and introduction which serve to set an extraordinary work of European Romanticism in its historical and political contexts.
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