Bibliografías temáticas / Ethical film / Libros

Libros sobre el tema "Ethical film"

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Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 20 de febrero de 2023

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1

Gronstad, Asbjorn. Film and the Ethical Imagination. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-58374-1.

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2

Frederick, Porter Burton, ed. Philosophy through film. 2a ed. Cornwall-on-Hudson, NY: Sloan, 2009.

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3

Vaknin, Samuel. The silver lining: Film reviews. [S.l: s.n.], 2003.

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4

Porter, Burton Frederick. Philosophy through fiction and film. Upper Saddle River, N.J: Pearson Prentice Hall, 2004.

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5

Mahony, Roger Michael. Film makers, film viewers: Their challenges and opportunities, a pastoral letter. Boston, Mass: St. Paul Books & Media, 1992.

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6

MacDonald, Alan. Films in close-up: Getting the most from film and video. Leicester, England: Frameworks, 1991.

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7

1975-, Saxton Libby, ed. Film and ethics: Foreclosed encounters. New York, NY: Routledge, 2009.

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8

Malone, Peter. Film, faith & the faith. Manila, Philippines: Communication Foundation for Asia, 2009.

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9

Visions of virtue in popular film. Boulder, Colo: Westview Press, 1999.

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10

Pulling focus: Intersubjective experience, narrative film, and ethics. New York: Continuum, 2008.

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11

Film and ethics: What would you have done? Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2013.

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12

Film values/family values: A parents' guide. Costa Mesa, CA: ATW Publications, 1997.

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13

Film, Lacan and the study of religion: A psychoanalytic approach to religious film analysis. New York: Continuum, 2009.

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14

Meyer, Janet L. Visual parables: Engaging the spiritual elements of film. Thousand Oaks, Calif: Institute of Southwest Pub. Division, 1997.

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15

Herrmann, Jörg. Sinnmaschine Kino: Sinndeutung und Religion im populären Film. 2a ed. Gütersloh: Kaiser, 2002.

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16

Almog, Shulamit. Mishpaṭ ṿe-ḳolnoʻa: Law and film. Śerigim-Leʼon: Nevo hotsaʼah le-or beʻam, 2012.

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17

Cohen, Herbert J. Kosher movies: A film critic discovers life lessons at the cinema. Jerusalem: Urim Publications, 2015.

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18

The ethical vision of Clint Eastwood. Grand Rapids, Mich: W.B. Eerdmans Pub. Co., 2011.

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19

Imaging religion in film: The politics of nostalgia. New York: Palgrave Macmillan, 2011.

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20

Ethical issues in international communication. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2011.

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21

1950-, Neal Vernon Edwin, ed. Reviewing the movies: A Christian response to contemporary film. Wheaton, Ill: Crossway Books, 2000.

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22

Limiting secularism: The ethics of coexistence in Indian literature and film. Minneapolis: University of Minnesota Press, 2008.

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23

Garrett, Greg. Holy superheroes!: Exploring the sacred in comics, graphic novels, and film. Louisville, Ky: Westminster John Knox Press, 2008.

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24

Garrett, Greg. Holy superheroes!: Exploring the sacred in comics, graphic novels, and film. Louisville, Ky: Westminster John Knox Press, 2008.

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25

The seductive image: A Christian critique of the world of film. Westchester, Ill: Crossway Books, 1989.

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26

How hysterical: Identification and resistance in the Bible and film. New York: Palgrave Macmillan, 2003.

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27

War, politics and superheroes: Ethics and propaganda in comics and film. Jefferson, N.C: McFarland & Company, Inc., Publishers, 2011.

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28

Sinnerbrink, Robert. Cinematic Ethics: Exploring Ethical Experience Through Film. Taylor & Francis Group, 2015.

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29

Cinematic ethics: Exploring ethical experience through film. Routledge, 2016.

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30

Sinnerbrink, Robert. Cinematic Ethics: Exploring Ethical Experience Through Film. Taylor & Francis Group, 2015.

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31

Gronstad, Asbjorn. Film and the Ethical Imagination. Palgrave Macmillan, 2016.

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32

Film and the Ethical Imagination. Palgrave Macmillan Limited, 2016.

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33

Frey, Mattias y Jinhee Choi. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Taylor & Francis Group, 2016.

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34

Cine-Ethics: Ethical Dimensions of Film Theory, Practice and Spectatorship. Taylor & Francis Group, 2013.

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35

Frey, Mattias y Jinhee Choi. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Taylor & Francis Group, 2013.

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36

Frey, Mattias y Jinhee Choi. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Taylor & Francis Group, 2013.

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37

Wallis, Heather y Graham Roberts. Key Film Texts. A Hodder Arnold Publication, 2002.

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38

Wallis, Heather y Graham Roberts. Key Film Texts. A Hodder Arnold Publication, 2002.

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39

Environmental Ethics and Film. Routledge, 2015.

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40

Brereton, Pat. Environmental Ethics and Film. Taylor & Francis Group, 2015.

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41

Brereton, Pat. Environmental Ethics and Film. Routledge, 2015.

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42

Brereton, Pat. Environmental Ethics and Film. Taylor & Francis Group, 2015.

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43

Panse, Silke y Dennis Rothermel. Critique of Judgment in Film and Television. Palgrave Macmillan, 2014.

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44

Lamberti, Edward. Performing Ethics Through Film Style. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474444002.001.0001.

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Resumen
Emmanuel Levinas’s ethical philosophy has had a significant influence on film theory in recent years. This book proposes a relationship between Levinasian ethics and film style. It argues that films can convey Levinasian ethics not just through their subject matter but also through their use of style. The book brings this relationship between ethics and style into a productive dialogue with theories of performativity, such as J. L. Austin’s speech-act theory, Jacques Derrida’s notion of originary performativity and Judith Butler’s reconfiguration of performativity within the socio-political sphere. It explores Levinas’s influence on film through the study of three directorial bodies of work: those of the Dardenne brothers, Barbet Schroeder and Paul Schrader. The book focuses on a range of films, including the Dardennes’ Je Pense à Vous (1992), La Promesse (1996), Le Fils (2002) and The Kid with a Bike (2011), Schroeder’s Maîtresse (1975), Reversal of Fortune (1990), Terror’s Advocate (2007) and Our Lady of the Assassins (2000) and Schrader’s American Gigolo (1980), Mishima: A Life in Four Chapters (1985), The Comfort of Strangers (1990), Dominion: Prequel to the Exorcist (2005) and Adam Resurrected (2008). In doing so, it demonstrates how films can perform a Levinasian ethics through different styles.
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45

Panse, S. y D. Rothermel. Critique of Judgment in Film and Television. Palgrave Macmillan Limited, 2014.

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46

Piotrowska, Agnieszka. Psychoanalysis and Ethics in Documentary Film. Taylor & Francis Group, 2013.

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47

Psychoanalysis And Ethics In Documentary Film. Taylor & Francis Ltd, 2013.

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48

Piotrowska, Agnieszka. Psychoanalysis and Ethics in Documentary Film. Taylor & Francis Group, 2013.

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49

Piotrowska, Agnieszka. Psychoanalysis and Ethics in Documentary Film. Taylor & Francis Group, 2013.

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50

Piotrowska, Agnieszka. Psychoanalysis and Ethics in Documentary Film. Taylor & Francis Group, 2013.

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