Tesis sobre el tema "Erotic literature"
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Panya, Orathai. "Gender and sexuality in Thai erotic literature". Thesis, SOAS, University of London, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430881.
Texto completoSkipp, Jennifer Anne. "British eighteenth-century erotic literature : a reassessment". Thesis, University of Leeds, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439581.
Texto completoHendrickson, Ruth Ann. "Narrative strategies of erotic fictional autobiography /". The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487592050228985.
Texto completoHunt, Amanda. "Investigating smara : an erotic dialectic". Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33290.
Texto completoThe reader is introduced to the similarities and idiosyncrasies between Western and Indian notions of memory and desire and then invited into the search for the junction between memory and desire in Indian thought.
Analysis of anthropological and philosophical texts as well as a semantic mapping of Kalidasa's masterpiece entitled Sakuntala: The Ring of Recollection, reveals not only the co-existence of memory and desire in smara but also the notion of smara as a process.
Kuzma, Joseph Dlaboha. "Erotic scenographies : Blanchot, Nietzsche & the exigency of return". Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/47816/.
Texto completoDriscoll, Mark W. "Erotic empire, grotesque empire work and text in Japan's imperial modernism /". online access from Digital dissertation consortium, 2000. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9953667.
Texto completoRutter-Jensen, Chloe. "Drugs, revolution, and sports : narrating the erotic other in recent Colombian fiction /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2002. http://wwwlib.umi.com/cr/ucsd/fullcit?p3064475.
Texto completoArmstrong, Jeanne Marie. "Uncivilized women and erotic strategies of border zones or demythologizing the romance of conquest". Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/187509.
Texto completoPappa, Joseph. "Carnal reading early modern language and bodies /". Diss., Online access via UMI:, 2008.
Buscar texto completoPetropoulos, John Constantine Boulgaris. "Continuity and erotic motifs and imagery in ancient and modern Greek popular poetry". Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385592.
Texto completoGrujić, Ana. "Her Impenetrable Prose: Disobedient Poetics and New Erotic Collectivities in Experimental Women's Writing". Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1282106991.
Texto completoMiller, Derrick Ray Hess Jonathan M. "Heaving and swelling aesthetics, the body, and erotic literature in the age of Lessing /". Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,761.
Texto completoTitle from electronic title page (viewed Dec. 18, 2007). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Germanic Languages and Literatures." Discipline: Germanic Languages; Department/School: Germanic Languages.
Peterson, Tamalyn. "An Examination of Secrecy in Twentieth-Century African American Literature". Digital Archive @ GSU, 2013. http://digitalarchive.gsu.edu/english_diss/110.
Texto completoSpear, Peta. "Libertine : a novel and A writer's reflection : the Libertine dynamic: existential erotic and apocalyptic Gothic". Thesis, View thesis, 1998. http://handle.uws.edu.au:8081/1959.7/26115.
Texto completoSpear, Peta. "Libertine : a novel & A writer's reflection : the Libertine dynamic : existential erotic and apocalyptic Gothic /". View thesis, 1998. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030909.143230/index.html.
Texto completoSampaio, Higor Alberto. "O mecanismo sacrificial em Poemas malditos, gozosos e devotos de Hilda Hilst /". São José do Rio Preto, 2013. http://hdl.handle.net/11449/99133.
Texto completoBanca: Diana Martha Junkes Toneto
Banca: Antonio Donizeti Pires
Resumo: O objetivo da pesquisa é propor uma leitura de Poemas malditos, gozosos e devotos (1984), de Hilda Hilst, a partir do tema e do paradigma do sacrifício. Segundo Hubert e Mauss (2005), o sacrifício é uma dádiva, um presente, que o homem religioso oferece a seres superiores aos quais lhe convém se ligar. Em todo o sacrifício, um objeto (a vítima) passa do domínio comum ao domínio sagrado. Bataille (1987) estabeleceu uma similitude entre o ato erótico e o sacrificial. O ato amoroso, segundo ele, não desintegra menos o ser que o sacrificante ao imolar sua vítima. O domínio do erotismo torna-se o domínio da violência, da violação. A parte feminina, enquanto vítima, se dissolve e a parte masculina toma o lugar do sacrificador, e ambos se perdem, durante a consumação do ato erótico, numa continuidade estabelecida por um ato que se fundamenta na destruição. Nesse sentido, uma vez que a obra de Hilda Hilst, desde seu surgimento, perscruta o Sagrado (COELHO, 1993), a relação entre erotismo e sacrifício é uma via privilegiada de leitura para essa poesia. Considerando-se o modo de representação do discurso poético hilstiano, que encena o jogo entre eu e tu, a leitura do conjunto evidencia a anulação do sujeito poético, configurando-se como vítima, e a figuração do Outro como grande sacrificador. O tema do sacrifício conteria em si uma possibilidade de elucidação do sentido estético dessa poesia, como a admissão mais radical de sua lógica contraditória, na qual a retórica místico-religiosa convive com o sensualismo mais desbravado. Nesse contexto, os paradoxos sobejam, fazendo comunicar o mais alto e o mais baixo, seja tematicamente, seja linguisticamente
Abstract: The objective of this reflection is to scrutinize one of the topics dear to Hilda Hilst's poetic: the representation of the Sacred, in order to establish a knowledge about the construction of the lyrical subjectivity in such poetry. According to Hubert and Mauss (2005), the sacrifice is a gift that religious man offers to the gods. In every sacrifice, an object becomes sacred. Bataille (1987) has established a similarity between the act erotic and the sacrificial. The loving act, according to him, not least disintegrates the being that sacrificer to slay his victim. The field of eroticism becomes the field of violence and violation. The female part, as victim, is dissolved and the male part takes the place of the sacrificer. Since Hilda Hilst's poetic scrutinizes the Sacred (COELHO, 1993), the relationship between eroticism and sacrifice is a privileged way of reading for this poetry. The theme of sacrifice would contain within itself a possibility of elucidation of aesthetic sense that poetry, such as the admission more radical in its contradictory logic, in which the rhetoric mystical-religious coexists with the sensuality more uncovered. In this context, the paradoxes were stationed, and communicate the 'highest' and the 'lowest', thematically and linguistically
Mestre
Mills, Jennie. "Rape and the construction of sexuality in early eighteenth-century texts". Thesis, University of Sussex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.341513.
Texto completoGreen, Jordan. "Musing Sadly on the Dead: Erotic Epistemology in the Nineteenth-Century English Elegy". Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22661.
Texto completoSampaio, Higor Alberto [UNESP]. "O mecanismo sacrificial em Poemas malditos, gozosos e devotos de Hilda Hilst". Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/99133.
Texto completoO objetivo da pesquisa é propor uma leitura de Poemas malditos, gozosos e devotos (1984), de Hilda Hilst, a partir do tema e do paradigma do sacrifício. Segundo Hubert e Mauss (2005), o sacrifício é uma dádiva, um presente, que o homem religioso oferece a seres superiores aos quais lhe convém se ligar. Em todo o sacrifício, um objeto (a vítima) passa do domínio comum ao domínio sagrado. Bataille (1987) estabeleceu uma similitude entre o ato erótico e o sacrificial. O ato amoroso, segundo ele, não desintegra menos o ser que o sacrificante ao imolar sua vítima. O domínio do erotismo torna-se o domínio da violência, da violação. A parte feminina, enquanto vítima, se dissolve e a parte masculina toma o lugar do sacrificador, e ambos se perdem, durante a consumação do ato erótico, numa continuidade estabelecida por um ato que se fundamenta na destruição. Nesse sentido, uma vez que a obra de Hilda Hilst, desde seu surgimento, perscruta o Sagrado (COELHO, 1993), a relação entre erotismo e sacrifício é uma via privilegiada de leitura para essa poesia. Considerando-se o modo de representação do discurso poético hilstiano, que encena o jogo entre eu e tu, a leitura do conjunto evidencia a anulação do sujeito poético, configurando-se como vítima, e a figuração do Outro como grande sacrificador. O tema do sacrifício conteria em si uma possibilidade de elucidação do sentido estético dessa poesia, como a admissão mais radical de sua lógica contraditória, na qual a retórica místico-religiosa convive com o sensualismo mais desbravado. Nesse contexto, os paradoxos sobejam, fazendo comunicar o mais alto e o mais baixo, seja tematicamente, seja linguisticamente
The objective of this reflection is to scrutinize one of the topics dear to Hilda Hilst’s poetic: the representation of the Sacred, in order to establish a knowledge about the construction of the lyrical subjectivity in such poetry. According to Hubert and Mauss (2005), the sacrifice is a gift that religious man offers to the gods. In every sacrifice, an object becomes sacred. Bataille (1987) has established a similarity between the act erotic and the sacrificial. The loving act, according to him, not least disintegrates the being that sacrificer to slay his victim. The field of eroticism becomes the field of violence and violation. The female part, as victim, is dissolved and the male part takes the place of the sacrificer. Since Hilda Hilst’s poetic scrutinizes the Sacred (COELHO, 1993), the relationship between eroticism and sacrifice is a privileged way of reading for this poetry. The theme of sacrifice would contain within itself a possibility of elucidation of aesthetic sense that poetry, such as the admission more radical in its contradictory logic, in which the rhetoric mystical-religious coexists with the sensuality more uncovered. In this context, the paradoxes were stationed, and communicate the ‘highest’ and the ‘lowest’, thematically and linguistically
Sternik, Maria. "Back to the Garden of Eden the role of erotic love in the process of restoration /". Theological Research Exchange Network (TREN), 1995. http://www.tren.com.
Texto completoSlagle, Judith Bailey. "Erotic Spaces and Encounters: Advice to Domestic Servants from Eliza Haywood’s A Present for a Servant-Maid". Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/3218.
Texto completoSlagle, Judith Bailey. "Erotic Spaces, Close Encounters and Isolation: Advice to Domestic Servants from Defoe, Haywood and Swift". Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5436.
Texto completoJones, Caroline E. Tarr C. Anita. "Female sexuality in young adult literature". Normal, Ill. : Illinois State University, 2006. http://proquest.umi.com/pqdweb?index=0&did=1225117161&SrchMode=1&sid=4&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1177689304&clientId=43838.
Texto completoTitle from title page screen, viewed on April 27, 2007. Dissertation Committee: C. Anita Tarr (chair), Roberta Seelinger Trites, Jan Christopher Susina. Includes bibliographical references (leaves 197-208) and abstract. Also available in print.
Girod, Virginie. "L’érotisme féminin à Rome, dans le Latium et en Campanie, sous les Julio-Claudiens et les Flaviens : recherches d’histoire sociale". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040075.
Texto completoThe functioning of the Roman society was based partially on the distinction of genre and social group. It was particularly strong in the eroticism. Over all the social groups was situated that of the free men whose sexual role was the one of dominating - penetrating. Actually, the Roman type eroticism can be defined as being phallocentric. By opposition, all other categories of persons formed the group of dominated penetrated. Nevertheless, the degree of submission of each was determined by its position on the social scale. The stout women had access to an eroticism restricts who was procreative. Other women, to a certain extent, could be used by the men as instruments of pleasure. So, the prostitution always had an important role in Rome. The prostitutes had an important mission. But, all the sexual practices were not allowed and if, contrary of the matronae, the prostitutes could adduce forms of sexuality for not being pregnant, the practices considered perverse (scopophilia, exhibitionism, agalmatophilia, etc.) were banished, according to the morality, of all the beds
Serls, Tangela La'Chelle. "The Spirit of Friendship: Girlfriends in Contemporary African American Literature". Scholar Commons, 2017. https://scholarcommons.usf.edu/etd/7442.
Texto completoLim-Midyett, Maria Eleanor S. "Mimeses of human desire a genealogical study of sexual desire and romantic passion as represented in twentieth century works of Chinese fiction /". online access from Digital dissertation consortium, 1999. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9954334.
Texto completoCosta, Marilene Meira da. "Algumas considerações sobre a poesia de BOCAGE". Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7322.
Texto completoThis work aims at the analysis of the erotic and satirical poetry of Manuel Maria Barbosa du Bocage and its impact on portuguese society of the eighteenth century. The irony, by definition, suggests a reversal of statements denying the opposite of what is stated or vice versa. But such a feature, widely used by Poet, overcomes the mere function of figure of thought, since, leveraging a powerful critical arsenal, allows the construction of a destabilizing discourse, intended to checkmate the official ideology. The bocagiana lyrical, satirical and erotic in their shed, it is debauchery, the escrache or foul-mouthed satire to put the clear distinction between essence and appearance, in a society whose moral is built from the religious beliefs do not always professed, either by the social body as a whole, either by the clergy, this moral guardian. Examine in this work, inscribed discursive modes of representation in this poetry. Bocage beyond the borders of their time in poems whose licentiousness often does not hide a hint of bitterness and suffering. Divided between two worlds: the arcade, under the sign of reason, consists of rigid rules; and the romantic, governed by passion, Elmano does not hide the bewilderment, looking in hiding the possible route to the expansion of an angry spirit
Secco, Pedro Ivo Dias. "Rumo ao pavilhão da eternidade: Nūruddīn e Šamsunnahār na literatura amorosa abássida". Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8159/tde-31072017-171238/.
Texto completoThe Book of the Thousand and One Nights, in the way it is written in its oldest group of manuscripts, the Syrian branch, is composed as a big compendium of erotic Arabic stories, in its majority. The scenes found in those stories, which are almost always explicit, reveal very sensual women, owners of desired bodies, and men who desire those bodies, and who are, almost always, betrayed by those women. However, one story in special contrasts from the others in this carnal universe of the Nights: the story of \"Nūruddīn ͨ Alī Bin Bakkār and Šamsunnahār\". The love described in this narrative approaches the divine and ineffable love, and its descriptions, always imprecise, reveal the difficulty of describing a love, which is so distant from the body and its desires. But, the narrative of the two lovers is not a highlight only in this book: in the whole erotic tradition to which it belongs (the Abbasid love, between the IX and X centuries), this story shows itself as a unique one. The present dissertation aims to analyse these highlights of the narrative of \"Nūruddīn ͨ Alī Bin Bakkār and Šamsunnahār\" in its contexts: first, inside the Book of the Thousand and One Nights and, after that, inside the erotic Abbasid literature. We do it by comparing the story of the two lovers to all the other erotic narratives of the Nights, demonstrating all the substantial differences among them. Besides that, we draw a map of the whole erotic Abbasid literary tradition, demonstrating how Nūruddīn and Šamsunnahār have nothing in common with the other Abbasid lovers, described in the erotic stories of that time. At the end of the dissertation, by enumerating and analysing carefully those characteristics of highlight, we approach the narrative of the two lovers to other works, contemporary to it, which declare themselves to be platonic. By doing that, we situate the story of Nūruddīn and Šamsunnahār in a very small and not studied group of Arabic medieval works: the group, which shares similar characteristics with the platonic and neoplatonic works.
Moura, Fabiola Bertolini de. "Serpente em espiral (o movimento do erotismo em Avalovara)". Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-02122009-105642/.
Texto completoThis dissertation focuses on the reading and interpretation of Osman Lins novel Avalovara based on a universal literary theme human love -, following the clues left by the author in interviews and analyzing especially its poetic configuration in the narrative. Taking into consideration the intense sexual component of the novel, it studies the various aspects of carnal love, from the political use of the body to its cosmogony and its mythical aspect. In order to do so, it first defines erotic literature to then position Avalovara in the twentieth century occidental tradition. Afterwards, it indicates its sources, which go back to the Bible and the Hindu tradition of the tantra. In uniting them, Lins creates a carnal and concrete love, capable of taking the lovers back to the original unity. In incorporating the symbolic geometry of tantra in the novels structure, Lins gives literature a magical power until then only seen in religious and mystical texts. Moreover, this dissertation, also based in narrative and novel theories and in a comparative approach, has above all a critical perspective: to show Avalovaras uniqueness in the tradition of erotic literature and its role in Brazilian literature, during the military dictatorship.
Hughes, Julia S. ""Nothing is Sure": An Exploration of Post World War I Gender Dynamics Through Ernest Hemingway's Use of the Erotic Triangle". Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/184.
Texto completoSetzer, Katharine Adrienne. "Playing on-line : sexual subjectivity, gender play and the construction of the dyke SM fantasy". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ54267.pdf.
Texto completoLopes, Cecília Gonçalves. "Confluência genérica na Elegia Erótica de Ovídio ou a Elegia Erótica em elevação". Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-03032010-133009/.
Texto completoAt the end of the 1st. century b.C., Latin Erotic Elegy challenged Greeks and poetic conventions when portrayed a man, poet and lover, talking, in the first person, about his adventures: he also dedicated himself to a puella as if it were a militia, his seruitium amoris, which was a full-time job. Gallus, Propertius and Tibullus introduced us to their dominas and did not (want to) serve their nation. Ovid did more than that: he followed his predecessors but made his readers learn the role of each of the principles of the genre. He wrote his first book, Amores, and, from then on, delineated an ascendant path: he wanted his Elegy to be high, not only something that depicted an average subject. In order to achieve it, he composed recusationes, programmatic elegies and, most important of all, he converged genres: he was able to use Epistolography, Rhetoric, Didactic and mythological personas and exempla to write Heroides, Ars amatoria and Remedia amoris. In this dissertation, we show his trajectory in the elevation of Ovids Erotic Elegy.
Marques, Mariana Teixeira. "Fanny e Margot, libertinas: o aprendizado do corpo e do mundo em dois romances eróticos setecentistas". Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-14092012-105147/.
Texto completoThe aim of this dissertation is a comparative study of the novels Fanny Hill, or Memoirs of a Woman of Pleasure (1748-1749), by John Cleland, and Margot la Ravaudeuse (1750), by Jean-Charles Fougeret de Monbron. Both novels are part of the body of erotic libertine narratives that flooded the emerging European book market during the Enlightenment and tell the memoirs of two young prostitutes respectively in London and Paris during the mid-18th-century. Assuming that the two narratives are organized according to a continuum which oscillates between sociability and individuality, the objective of this comparative analysis is to understand how these fundamental themes in 18th-century life as well as in the rise of the modern novel are formalized in the memoirs of Margot and Fanny through reccurring structural procedures found in libertine literature.
Corey, Emily. "Beyond Sex: Arotic Desire in the Victorian Realist Novel". The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587666198069013.
Texto completoSharrock, Alison. "Seduction and repetition in Ovid's Ars amatoria 2". Oxford [England] : New York : Clarendon Press ; Oxford University Press, 1994. http://www.loc.gov/catdir/enhancements/fy0606/94000010-d.html.
Texto completoSpine title: Seduction and repetition in Ovid's Ars amatoria II. Includes bibliographical references (p. [297]-310) and indexes. Also issued online.
Cole, Merrill. "The other Orpheus : a poetics of modern homosexuality /". New York [u.a.] : Routledge, 2003. http://www.loc.gov/catdir/toc/ecip042/2003007030.html.
Texto completoOliveira, Margareth Laska de. "A leitura da erotização da infância e da cultura do estupro: denúncia social na obra Sapato de salto, de Lygia Bojunga". Universidade Tecnológica Federal do Paraná, 2017. http://repositorio.utfpr.edu.br/jspui/handle/1/2571.
Texto completoThis research aimed to understand rape culture and the resulting eroticization of childhood built by the patriarchal society and represented in children’s literature, here in the novel “Sapato de Salto”, written by brazilian author Lygia Bojunga, and published in 2006. Based on interpretive hypothesis that the media has a great influence on the eroticization and objectification of the child, it sought to understand how the rape culture and the eroticization of hildhood are socially constructed by the media and reiterated in the idealization of femininity and masculinity, a kind of early maturity of childhood was highlighted as a form of justification for sexual violence. Thus, the relevance of this work is demonstrated in the need to discuss and to denounce child sexual abuse. It hould give voice to those who do not have speech space in the society and are vulnerable within a culture that naturalizes the eroticization of their bodies and blames the victims of pedophilia and child prostitution. For this purpose, feminist theories were used as a basis for discussing gender issues present in the novel, in addition, there was a necessity to construct a theoretical framework that deals with the relations between the novel and a technological environment that validates the female body as a sexual object. Therefore, it was used exploratory research and bibliographical survey about the subject, made it possible to deepen the proposed theme, carrying out a qualitative analysis. It was verified that the high heel shoe, used by the character aunt Inês and later by the character Sabrina, as prostitute, denotes the attempt of early maturity to justify the child prostitution. Thus, it sought to understand how the author builds the symbology of the shoe in contrast to the bare feet and how the consumer society emphasizes this object, influencing through the media the eroticization of childhood, in a need to highlight a discourse that transforms girls early into sexual objects. In addition, it was also verified how the representation of the shoe in the novel refers to the fairy tale of Cinderella, in a intertextual way. This tale is recreated inexhaustibly by the literature and by many other medias. Thus, this research contributes to the discussion and understanding of rape culture and the eroticization of childhood present in the patriarchal society, emphasizing the necessity for reflection about the theme and the pursuit for the protection of childhood and the end of the impunity of sexual aggressors and even more, literature has been stood out as a representation of this society that naturalizes sexual violence.
Medina, Puerta Carmen. "El erotismo en la primera producción literaria de Ana Rossetti (1980-1991)". Doctoral thesis, Universitat de Lleida, 2022. http://hdl.handle.net/10803/674043.
Texto completoLa presente tesis doctoral estudia la representación del erotismo en la producción de Ana Rossetti (San Fernando, 1950). Concretamente, se centra en el corpus formado por Los devaneos de Erato (1980), Indicios vehementes (1985), Devocionario (1986), Plumas de España (1988), Yesterday (1988) y Alevosías (1991). Esta delimitación viene impuesta por la decisión de estudiar un fenómeno muy concreto: el auge del género erótico que se produjo tras el fin del régimen dictatorial. No obstante, como demuestra la producción rossettiana, al apogeo de las manifestaciones eróticas y sicalípticas de las décadas de los años setenta y ochenta le siguió un rápido declive. Principalmente porque este género dejó de ser novedoso, pero, en cierto modo, también debido a que tras la consolidación del sistema democrático se normalizaron las nuevas costumbres en materia sexual. En última instancia, esta tesis analiza la producción erótica de Ana Rosssetti a través de los siguientes ejes temáticos: la educación sentimental y sexual recibida durante la España nacionalcatólica, la liberación sexual en el contexto de la «Movida madrileña» y los acontecimientos que propiciaron el desencanto democrático, entre ellos, la aparición del VIH/sida.
This doctoral thesis studies the representation of eroticism in the work of Ana Rossetti (San Fernando, 1950). Specifically, it focuses on the corpus formed by Los devaneos de Erato (1980), Indicios vehementes (1985), Devocionario (1986), Plumas de España (1988), Yesterday (1988) and Alevosías (1991). This delimitation is imposed by the decision to study a very specific phenomenon: the rise of the erotic genre that took place after the end of the dictatorial regime. However, as Rossetti's production shows, the apogge of the erotic manifestations of the 1970s and 1980s was followed by a rapid decline. Mainly because this genre ceased to be novel, but also because after the consolidation of the democratic system, the new habits in sexual matters were normalised. Ultimately, this thesis analyses Ana Rosssetti's erotic production through the following thematic axes: the sentimental and sexual education received during National Catholic Spain, sexual liberation in the context of the "Movida madrileña" and the events that led to democratic disenchantment, among them, the emergence of HIV/AIDS.
Oliveira, Juliana Batista de. "Tatuagem da palavra : educa??o sentimental do corpo no corpus po?tico de Maria Teresa Horta". Universidade Federal do Rio Grande do Norte, 2006. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16291.
Texto completoWhile looking to the body and finding it engraved by cultural, imaginary and power-related texts through a discourse embodied in itself, this research proposes a new vertiginous approach to it by analyzing the following works: Poesia completa II, more specifically, Educa??o sentimental, and Novas cartas portuguesas. Such transgressive and performatic works are from Maria Teresa Horta (1937-), Portuguese writer, who proposes a new education by a renewed language: a sentimental education spawned from the erotic element. Starting from the deconstruction of the view over the spoiled body and exposed in Novas cartas portuguesas, from the poetic texts in Educa??o sentimental, as well as in remaining ones in Poesia completa II, Horta disassembles and reassembles the body, giving a new meaning to the symbols that surround us and our experiences. Other than proposing to all, men and women, such new meaning of the behavior and current practices models, Horta s education allows, through a performance action, the construction of a stage for female identity, free from the phallic influence. A new identity, able to handle all holy and profane characteristics of women, discarding the chromatic lens of sin. Horta s poetry emerges as a new proposal of literary labor
Esta pesquisa, ao passo que olha para o corpo e o enxerga tatuado pelos textos da cultura, do imagin?rio e do poder, atrav?s de um discurso que se inscreve nele, vem propor uma vertigem do olhar sobre o mesmo atrav?s da an?lise das obras: Poesia completa II, especificamente, Educa??o sentimental, e Novas cartas portuguesas. Tais obras transgressoras e perform?ticas s?o de Maria Teresa Horta (1937-), escritora portuguesa, a qual vem propor, ao n?vel de uma linguagem renovada, uma educa??o outra: uma educa??o sentimental, a qual nasce do elemento er?tico. Partindo da desconstru??o do olhar sobre o corpo marcado e denunciado atrav?s de Novas cartas portuguesas, e dos textos po?ticos da obra Educa??o sentimental, bem como dos demais que v?m compor a obra Poesia completa II, Horta desmonta e remonta o corpo, re-significando a m?scara signal?tica a qual nos envolve e envolve as nossas viv?ncias. Al?m de propor a todos, homens e mulheres, tal re-significa??o dos modelos de comportamentos e pr?ticas vigentes, a educa??o horteana vem possibilitar, atrav?s da performance, a constru??o de um espa?o para a identidade feminina, livre da clausura do poder f?lico. Uma nova identidade a qual possa envolver todas as caracter?sticas sagradas e profanas da mulher, descartando a lente crom?tica do pecado. A po?tica horteana surge ent?o, como uma nova proposta do fazer liter?rio
Edwards, Justin D. "Exotic journeys, exploring the erotics of American travel literature, 1840-1930". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0024/NQ47609.pdf.
Texto completoLennartz, Norbert. ""My unwasht muse" (De-)Konstruktionen der Erotik in der englischen Literatur des 17. Jahrhunderts". Tübingen Niemeyer, 2003. http://d-nb.info/995792976/04.
Texto completoClair, Erin C. "Death becomes her modernism, femininity, and the erotics of death /". Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5973.
Texto completoThe entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on March 6, 2008) Includes bibliographical references.
Taoka, Yasuko. "Philosophy and erotics in Seneca's Epistulae morales". Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1179944055.
Texto completoCole, Merrill Grant. "The erotics of masculine demise : homosexual sacrifice in modernist poetry /". Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/9510.
Texto completoBenedict, Mark Russell. "The Ministry of Passion and Meditation: Robert Southwell's Marie Magdalens Funeral Teares and the Adaptation of Continental Influences". Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/79.
Texto completoStockton, William H. "Sex, sense, and nonsense the anal erotics of early modern comedy /". [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3274908.
Texto completoSource: Dissertation Abstracts International, Volume: 68-07, Section: A, page: 2960. Adviser: Linda Charnes. Title from dissertation home page (viewed Apr. 10, 2008).
Jassim, Hassan. "Personnages et stéréotypes dans les romans d’Alain Robbe-Grillet". Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040080.
Texto completoThis thesis aims at investigating the presence of stereotypical characters in the work of Robbe-Grillet retrieved from the paralitterature. Stereotypes that will be discussed in this work are: the romantic loner, wandering the city, the vigilante crime, the detective, the killer, the trio of novels of the jealousy, the prostitute, the perverse voyeur, the stripper, and the storyteller. After this “exploration”, we reach the flowing conclusion: as a whole, the work of Robbe-Grillet is rooted in the stereotype. However, we will discover that this is not an apology for stereotype. But simply taking into account its action in contemporary culture and the role of the latter in the elaboration discourse of the work
Gutenberg, Andrea. "Körper, Sexualität und Moral die Auseinandersetzung mit Degenerationsvorstellungen in englischer Literatur und Kultur 1910-1940". Trier Wiss. Verl. Trier, 2008. http://www.wvttrier.de.
Texto completoPalmore, Aaron G. "Desire Interrupted: Erotics, Politics, and Poetics in Horace, Odes 4". The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1460715373.
Texto completoGegas, Christos Ioannis. "C.P. Cavafy: (Homo)Erotics and (Re)Constructions". The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1374156416.
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