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Artículos de revistas sobre el tema "Entrapment in the gothic"

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Publicado: 5 de diciembre de 2024
Última modificación: 31 de julio de 2025

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1

Haj'jari, Mohammad-Javad. "Gothic entrapment within textuality in Auster’s travels in the scriptorium." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 77 (March 5, 2025): 1–20. https://doi.org/10.5007/2175-8026.2024.e98774.

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“Gothic-postmodernism” builds upon the shared ontological inquiry into the nature of reality inherent in both the Gothic and postmodernism. By adapting most of the thematic and narrative elements of the Gothic to postmodernist fiction, this genre enables new interpretations of self-reflective literature, where the Gothic sublime manifests itself through textual erasure as Gothic-postmodernist horror. This article argues that Travels in the Scriptorium is Auster’s significant contribution to Gothic-postmodernism, given its self-reflexivity as postmodernist metafiction and its Gothic aspirations
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2

Nikravesh, Negeen N. "Thomas Hardy and the Gothic: Restructuring the Gothic Prison in Far from the Madding Crowd (1874) and Tess of the d’Urbervilles (1891)." Victoriographies 13, no. 1 (2023): 60–78. http://dx.doi.org/10.3366/vic.2023.0479.

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This article explores Thomas Hardy’s engagement with the Gothic tradition, particularly in relation to the female monstrosity and imprisonment central to mid-Victorian Gothic realism. Focusing on Tess of the d’Urbervilles (1891) and Far from the Madding Crowd (1874), I demonstrate that Hardy purges the Gothic from the domestic space and disperses it into the natural world, restructuring the Gothic prison that haunts the tradition. By moving the Gothic into a less socially fraught place – the sublimity of nature rather than the psyche of the woman – Hardy also reconfigures Gothic female monstro
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3

Bhattacharya, Shinjini. "Monstrous Metamorphosis: Gothic Entrapment and Posthuman Liberation in The Yellow Wallpaper." LitCult: A Journal of Literary and Cultural Discourse 1, no. 2 (2025): 303–12. https://doi.org/10.63285/litcult.vol.1.issue.02.022.

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4

Chittenden, Kelly. "EcoGothic Anxiety in Ambrose Bierce’s “The Eyes of the Panther” and Lauren Groff’s “The Midnight Zone”." Studies in the American Short Story 3, no. 1-2 (2022): 93–111. http://dx.doi.org/10.5325/studamershorstor.3.1-2.0093.

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ABSTRACT This paper employs EcoGothic theories and ecofeminist criticism to explore the similarities between Ambrose Bierce’s 1897 story “The Eyes of the Panther” and Lauren Groff’s 2016 story “The Midnight Zone.” Both stories place women in isolated wilderness spaces to probe the boundaries between nature and culture and to condemn human destruction of the nonhuman world. The stories also include Gothic tropes of entrapment and psychological trauma to expose restrictive cultural ideals that constrain women into passive roles. In Bierce’s and Groff’s respective stories, the female characters’
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5

SARACOGLU, Dr Semra. "A Comparative Analysis Of ‘The Snow Child’ By Angela Carter And ‘Yedi Cucesi Olmayan Bir Pamuk Prenses’(‘A Snow White Without Seven Dwarfs’) By Murathan Mungan." International Journal of Arts, Humanities & Social Science 03, no. 10 (2022): 37–42. http://dx.doi.org/10.56734/ijahss.v3n10a4.

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The aim of the present study is to make a comparative analysis of the transformation of the fairy tales in the stories of one English and one Turkish writer -Angela Carter and Murathan Mungan. The study restricts itself to one story by each writer: ‘The Snow Child’ by Angela Carter and ‘Yedi Cucesi Olmayan Bir Pamuk Prenses’ (‘A Snow White Without Seven Dwarfs’) by Murathan Mungan as the parodies of ‘The Snow White with Seven Dwarfs’. Both writers deconstruct the Grimm Tale to challenge the imposed patriarchal ideologies and gender roles, especially the women’s socially approved behaviour patt
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6

Morska, Izabela. "Practising “Cruel Optimism”: Eight Months on Ghazzah Street by Hilary Mantel." Civitas. Studia z Filozofii Polityki 31 (February 16, 2023): 65–86. http://dx.doi.org/10.35757/civ.2022.31.03.

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The essay “Practising ‘cruel optimism’: Eight Months on Ghazzah Street by Hilary Mantel” delves into Mantel’s novel through the lens of Berlant’s concept of cruel optimism. Berlant’s construct, rooted in the pursuit of conventional notions of a fulfilling existence, highlights the protagonists’ endeavors in Saudi Arabia as a postcolonial adventure bound to end in disillusionment. Mantel’s portrayal of Frances Shore and her husband Andrew illuminates the tension between their aspirations for financial security and the disconcerting realities of cultural displacement and legal constraints under
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7

Lasseter, Janice Milner, and George E. Haggerty. "Gothic Fiction/Gothic Form." South Atlantic Review 55, no. 4 (1990): 114. http://dx.doi.org/10.2307/3200455.

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8

Richter, David, George E. Haggerty, and Kenneth W. Graham. "Gothic Fiction/Gothic Form." Modern Language Review 86, no. 1 (1991): 174. http://dx.doi.org/10.2307/3732119.

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9

Beidler, Peter G., and George E. Haggerty. "Gothic Fiction/Gothic Form." American Literature 62, no. 1 (1990): 122. http://dx.doi.org/10.2307/2926798.

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10

Brown, Marshall. "Gothic Readers versus Gothic Writers." Eighteenth-Century Studies 35, no. 4 (2002): 615–22. http://dx.doi.org/10.1353/ecs.2002.0036.

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11

Martin, Sara. "Gothic Scholars Don’t Wear Black: Gothic Studies and Gothic Subcultures." Gothic Studies 4, no. 1 (2002): 28–43. http://dx.doi.org/10.7227/gs.4.1.3.

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12

Snædal, Magnús. "Gothic." Studia Linguistica Universitatis Iagellonicae Cracoviensis 128, no. -1 (2011): 145–54. http://dx.doi.org/10.2478/v10148-011-0019-z.

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13

Trachtenberg, Marvin. "Gothic/Italian "Gothic": Toward a Redefinition." Journal of the Society of Architectural Historians 50, no. 1 (1991): 22–37. http://dx.doi.org/10.2307/990544.

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14

Whatley, John. "Introduction: Gothic Cults and Gothic Cultures 1: Modern and Postmodern Gothic." Gothic Studies 4, no. 2 (2002): 91–98. http://dx.doi.org/10.7227/gs.4.2.1.

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15

Sáez López, José Manuel, and José Luis García González. "Estrategias para desarrollar la educación mediática en primaria: propuesta de actuación." EDMETIC 2, no. 2 (2013): 148. http://dx.doi.org/10.21071/edmetic.v2i2.2874.

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<p style="margin: 0cm 0cm 0pt;"><span style="font-family: 'Century Gothic',sans-serif; font-size: 11pt; mso-bidi-font-family: 'Century Gothic';" lang="ES-TRAD">La</span><span style="font-family: 'Century Gothic',sans-serif; font-size: 11pt; mso-bidi-font-family: 'Century Gothic';" lang="ES-TRAD">competencia</span><span style="font-family: 'Century Gothic',sans-serif; font-size: 11pt; mso-bidi-font-family: 'Century Gothic';" lang="ES-TRAD">digital</span><span style="font-family: 'Century Gothic',sans-serif; font-size: 11pt; mso-bidi-font-family: 'Cen
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16

Emerson, Caryl. "The Gothic Muse and Meta-Gothic Moment: Afterword to Russian Gothic Forum." Russian Literature 106 (May 2019): 109–15. http://dx.doi.org/10.1016/j.ruslit.2019.06.006.

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17

Frank, Frederick S. "Gothic Gold: The Sadleir-Black Gothic Collection." Studies in Eighteenth Century Culture 26, no. 1 (1997): 287–312. http://dx.doi.org/10.1353/sec.2010.0119.

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18

van der Westhuizen, Nadia. "The Gothic and the Everyday: Living Gothic." Folklore 127, no. 3 (2016): 373–75. http://dx.doi.org/10.1080/0015587x.2016.1220587.

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19

Napier, Elizabeth R. ": Gothic Fiction / Gothic Form. . George E. Haggerty." Nineteenth-Century Literature 45, no. 1 (1990): 91–94. http://dx.doi.org/10.1525/ncl.1990.45.1.99p0294n.

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20

Hermawati ; C. Sudianto Aly ; Jonathan Hans Y. S, Sisilia. "THE APPLICATION OF GOTHIC ARCHITECTURE ON SANTO LAURENSIUS CHIRCH ALAM SUTRA, SERPONG." Riset Arsitektur (RISA) 2, no. 04 (2018): 360–75. http://dx.doi.org/10.26593/risa.v2i04.3047.360-375.

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Abstract- At a glance, the Church of Saint which Laurensius located in Serpong is like a church built in the past. However, when traced, it turns out this church is a new church that was built in 2007 by applying the Style of Gothic Architecture on the building. The application of elements of gothic architecture is not only visible from the outside of the church, but also on the inside of the church. For that, it will be further investigated about the application of any gothic elements contained in the study object.Gothic architectural elements are divided into several periods based on its dev
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21

Herrero-Puertas, Manuel. "Gothic Access." Journal of Literary & Cultural Disability Studies 14, no. 3 (2020): 333–51. http://dx.doi.org/10.3828/jlcds.2020.21.

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The article charts gothic fiction’s spatialization of disability by examining two representative entries: Horace Walpole’s foundational novel The Castle of Otranto (1764) and Peter Medak’s film The Changeling (1980). Their different media and historical backgrounds notwithstanding, both texts feature haunted houses where ghosts and nonghosts collaborate in tearing walls, clearing passageways, tracking voices, and lighting up cellars. These accommodations, along with the antiestablishment critiques they advance, remain unanalyzed because gothic studies and disability studies have intersected ma
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22

Irwin, Brian R. "Tuckerman Gothic." Wilderness & Environmental Medicine 13, no. 2 (2002): 163–64. http://dx.doi.org/10.1580/1080-6032(2002)013[0163:tg]2.0.co;2.

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23

Luckhurst, Roger. "Corridor Gothic." Gothic Studies 20, no. 1-2 (2018): 295–310. http://dx.doi.org/10.7227/gs.0050.

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24

Sage, Victor. "Gothic Histories." Gothic Studies 3, no. 1 (2001): 84–89. http://dx.doi.org/10.7227/gs.3.1.9.

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25

Schwenger, Peter. "Gothic Optics." Gothic Studies 7, no. 1 (2005): 102–9. http://dx.doi.org/10.7227/gs.7.1.10.

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26

Shumaker, Jeanette Roberts, and Diane Long Hoeveler. "Gothic Feminism." Rocky Mountain Review of Language and Literature 53, no. 1 (1999): 112. http://dx.doi.org/10.2307/1347968.

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27

Postlethwaite, Diana, Herbjorg Wassmo, and Nadia M. Christensen. "Feminist Gothic." Women's Review of Books 11, no. 10/11 (1994): 49. http://dx.doi.org/10.2307/4021904.

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28

Kiely, Kevin, and Ellen Shannon-Mangan. "Gothic Poet." Books Ireland, no. 196 (1996): 163. http://dx.doi.org/10.2307/20623286.

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29

Morris, David B. "Gothic Sublimity." New Literary History 16, no. 2 (1985): 299. http://dx.doi.org/10.2307/468749.

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30

Butler, D. "Gothic Television." Screen 49, no. 2 (2008): 250–54. http://dx.doi.org/10.1093/screen/hjn017.

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31

Lorenzo Servitje. "Gothic Devices." Science Fiction Studies 43, no. 2 (2016): 381. http://dx.doi.org/10.5621/sciefictstud.43.2.0381.

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32

Duncan, Ian, and Michelle A. Masse. "Gothic Subjects." NOVEL: A Forum on Fiction 28, no. 2 (1995): 210. http://dx.doi.org/10.2307/1345514.

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33

REDFIELD, M. "Gothic Consciousness." Novel: A Forum on Fiction 39, no. 3 (2006): 432–35. http://dx.doi.org/10.1215/ddnov.039030432.

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34

Fernie, Eric. "MONOGRAPHIC GOTHIC." Art History 11, no. 2 (1988): 289–93. http://dx.doi.org/10.1111/j.1467-8365.1988.tb00304.x.

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35

Wirth, Jean, and Katia Harvey. "GOTHIC IDOLS." Art History 14, no. 3 (1991): 438–42. http://dx.doi.org/10.1111/j.1467-8365.1991.tb00448.x.

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36

Lepine, Ayla. "Radical Gothic." Art History 36, no. 2 (2013): 447–50. http://dx.doi.org/10.1111/1467-8365.12009.

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37

Nickson, Tom. "Wandering Gothic." Art History 39, no. 1 (2016): 152–55. http://dx.doi.org/10.1111/1467-8365.12218.

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38

Dayan, Joan, and Rob Nixon. "Gothic Naipaul." Transition, no. 59 (1993): 158. http://dx.doi.org/10.2307/2934881.

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39

Garrett, Peter K. "Rarefied Gothic." Eighteenth Century 47, no. 1 (2006): 81–84. http://dx.doi.org/10.1353/ecy.2007.0016.

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40

Haggerty, George E. "Gothic Portraits." Eighteenth Century 57, no. 1 (2016): 141–44. http://dx.doi.org/10.1353/ecy.2016.0006.

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41

Nagle, Christopher. "Queer Gothic." Journal of Popular Culture 41, no. 1 (2008): 171–73. http://dx.doi.org/10.1111/j.1540-5931.2008.00497_8.x.

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42

Kellett, J. M. "Gothic horror?" Psychiatric Bulletin 9, no. 5 (1985): 106. http://dx.doi.org/10.1192/pb.9.5.106-c.

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43

Ross, Philip E. "Gothic Mystery." Scientific American 263, no. 1 (1990): 28. http://dx.doi.org/10.1038/scientificamerican0790-28b.

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44

Riggan, William, and William Gaddis. "Carpenters Gothic." World Literature Today 60, no. 4 (1986): 630. http://dx.doi.org/10.2307/40142835.

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45

Shields, Kenneth. "Gothic izwis." NOWELE / North-Western European Language Evolution 10 (October 1, 1987): 95–108. http://dx.doi.org/10.1075/nowele.10.05shi.

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46

Norton, R. "Queer Gothic." Eighteenth-Century Life 32, no. 1 (2008): 96–98. http://dx.doi.org/10.1215/00982601-2007-014.

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47

Goddu, T. A. "Vampire Gothic." American Literary History 11, no. 1 (1999): 125–41. http://dx.doi.org/10.1093/alh/11.1.125.

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48

Harris, Joseph. "Southern Gothic." Appalachian Heritage 17, no. 3 (1989): 39. http://dx.doi.org/10.1353/aph.1989.0147.

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49

Spieler, Christof, and Moyeen Haque. "Gothic Revival." Civil Engineering Magazine Archive 75, no. 4 (2005): 36–45. http://dx.doi.org/10.1061/ciegag.0000016.

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50

Parker, Martin. "Organisational Gothic." Culture and Organization 11, no. 3 (2005): 153–66. http://dx.doi.org/10.1080/14759550500203003.

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