Libros sobre el tema "Emphase musicale"
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Bajzek, Dieter. Percussion: An annotated bibliography with special emphasis on contemporary notation and performance. Metuchen, N.J: Scarecrow Press, 1988.
Buscar texto completoSpectral Analysis of Musical Sounds with Emphasis on the Piano. Oxford University Press, 2015.
Buscar texto completoRacy, A. J. Musical Improvisation. Editado por Benjamin Piekut y George E. Lewis. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199892921.013.23.
Texto completoSheppard, W. Anthony. Extreme Exoticism. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190072704.001.0001.
Texto completoMartincich, Dustyn, Phoebe Rumsey, Benae Beamon, Bud Coleman, Tome’ Cousin, Joanna Dee Das, Ramón Flowers et al. Dance in Musical Theatre. Editado por Dustyn Martincich y Phoebe Rumsey. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350235564.
Texto completoTan, Sooi Beng. Community Musical Theatre and Interethnic Peace-Building in Malaysia. Editado por Brydie-Leigh Bartleet y Lee Higgins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190219505.013.33.
Texto completoFung, C. Victor. Complementary Bipolar Continua in Music Education. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190234461.003.0005.
Texto completoMerchant, Tanya. Conclusion. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039539.003.0007.
Texto completoShrock, Dennis. Ludwig van Beethoven – Symphony no. 9. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469023.003.0006.
Texto completoSears, Ann. Political Currents and Black Culture in Scott Joplin’s Treemonisha. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036781.003.0006.
Texto completoKartomi, Margaret. Sumatra’s Performing Arts, Groups, and Subgroups. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036712.003.0001.
Texto completoFonseca, Anthony J. Listen To Rap! ABC-CLIO, 2019. http://dx.doi.org/10.5040/9798400679841.
Texto completoPravadelli, Veronica. Performative Bodies and Non-Referential Images. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038778.003.0007.
Texto completoAnsari, Emily Abrams. The American Exceptionalists. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190649692.003.0002.
Texto completoGough, Peter y Peggy Seeger. Conclusion. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039041.003.0009.
Texto completoUpitis, Rena. This Too is Music. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190884956.001.0001.
Texto completoLehman, Frank. Pantriadic Wonder. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190606398.003.0006.
Texto completoPlatte, Nathan. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199371112.003.0015.
Texto completoMcMullen, Tracy. The Improvisative. Editado por George E. Lewis y Benjamin Piekut. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195370935.013.016.
Texto completoStinson, Russell. Bach's Legacy. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190091224.001.0001.
Texto completoMartin, Denis-Constant. Sounding the Cape: Music, Identity and Politics in South Africa. African Minds, 2013. http://dx.doi.org/10.47622/978-1-920489-82-3.
Texto completoHwang, I.-Uen Wang. Reflection. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199351411.003.0020.
Texto completoSacred Poetry and Music Reconciled: Or a Collection of Hymns, Original and Compiled, Intended to Secure, by the Simplest and Most Practicable Means, an Invariable Coincidence Between the Poetic and the Musical Emphases ... Creative Media Partners, LLC, 2021.
Buscar texto completoSlobin, Mark. A City in Motion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190882082.003.0001.
Texto completoAhlgren, Angela K. A New Taiko Folk Dance. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199374014.003.0002.
Texto completoBomberger, E. Douglas. Noise. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190872311.003.0004.
Texto completoBomberger, E. Douglas. Fallout. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190872311.003.0012.
Texto completoLee, Sherry D. Modernist Opera’s Stigmatized Subjects. Editado por Blake Howe, Stephanie Jensen-Moulton, Neil Lerner y Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.12.
Texto completoGaland, Joel. Topics and Tonal Processes. Editado por Danuta Mirka. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199841578.013.0017.
Texto completoPhillips, Tom y Armand D'Angour, eds. Music, Text, and Culture in Ancient Greece. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198794462.001.0001.
Texto completoPlatte, Nathan. “Drama Rising like Mighty Music”. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199371112.003.0003.
Texto completoTemperley, David. Strategies. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190653774.003.0009.
Texto completoJarjour, Tala. Emotion and the Economy of Aesthetics. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635251.003.0001.
Texto completoJarjour, Tala. Authority. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635251.003.0007.
Texto completoPhillips, Tom. Hesiod and Pindar. Editado por Alexander C. Loney y Stephen Scully. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190209032.013.45.
Texto completoGooley, Dana. Fantasies of Improvisation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190633585.001.0001.
Texto completoKartomi, Margaret. The Mandailing Raja Tradition in Pakantan. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036712.003.0011.
Texto completoAmico, Stephen. Conclusion. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038273.003.0006.
Texto completoWolf, Richard K. Tone and Stroke. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038587.003.0003.
Texto completoReish, Gregory. On the Notion of “Old-Time” in Country Music. Editado por Travis D. Stimeling. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190248178.013.3.
Texto completoRegelski, Thomas A. Curriculum Philosophy and Theory for Music Education Praxis. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197558690.001.0001.
Texto completoWaddell, Nathan. Moonlighting. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198816706.001.0001.
Texto completoSchwadron, Hannah. The Case of the Sexy Jewess. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190624194.001.0001.
Texto completoDíaz, Juan Diego. Africanness in Action. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197549551.001.0001.
Texto completoNardini, Luisa. Chants, Hypertext, and Prosulas. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197514139.001.0001.
Texto completoKulezic-Wilson, Danijela. Sound Design is the New Score. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190855314.001.0001.
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