Bibliografías temáticas / Elegiae (Tibullus)

Literatura académica sobre el tema "Elegiae (Tibullus)"

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Publicado: 26 de julio de 2024

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Artículos de revistas sobre el tema "Elegiae (Tibullus)"

1

Witczak, Krzysztof. "Rzymski elegik Serwiusz Sulpicjusz - znany czy nieznany?" Collectanea Philologica 1 (1 de enero de 1995): 113–18. http://dx.doi.org/10.18778/1733-0319.01.14.

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Libro quarto Corporis Tibulliani continentur ignoti poetae longa elegia, quae Panegyricus Messallae vulgo appeIlatur (IV, I), quinque elegiae auctoris, quem "Sulpiciae laudatorem" voco (IV, 2--6), sex brevia elegidia sub Sulpiciae nomine servata (IV, 7-12) et postremo duae elegiae TibuIlo adiudicatae (IV, 13-14). Multi viri docti iam diu disputant, qui fuerit "Sulpiciae laudator". Qui poeta talem distichi elegiaci structuram adhibere solebat, qualis ante Ovidium exculta est. Constat autem auctorem elegiarum IV, 2--6, quae de amore Sulpiciae erga Cerinthum narrant atque a muItis viris doctis Tibulli opera ducuntur, "Sulpiciae laudatorem" fuisse. Quisnam is esset et quare Matronalium die elegiam III, 8 Sulpiciae donasset, quaerebatur. Nova opinio ad ignoti poetae personam, eius vitae aetatem otiumque litterarium spectans nostro in opusculo proposita est. Ex meis investigationibus apparet Servium Sulpicium Quinti Horatii Flacci amicum aequalemque aetate (Hor., Sat., I, 10, 86), elegiarum scriptorem (Ovid., Trist., II, 441; Plin., Ep., V, 3, 5) se poetriae fratrem firmissimumque "Sulpiciae laudatorem" praestare.
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Kennedy, Duncan F. "WHAT’S IN A NAME? DELIA IN TIBULLUS 1.1". Classical Quarterly 67, n.º 1 (15 de marzo de 2017): 193–98. http://dx.doi.org/10.1017/s0009838817000118.

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Delia, the name given to Tibullus’ mistress in five of the poems in the first book of his elegies (1.1, 1.2, 1.3, 1.5, 1.6), has long inspired curiosity. Two approaches have dominated discussion. The biographical approach takes its cue from theApologyof Apuleius (10), which regards Delia as a pseudonym:eadem igitur opera accusent C. Catullum, quod Lesbiam pro Clodia nominarit, et Ticidam similiter, quod quae Metella erat Perillam scripserit, et Propertium, qui Cynthiam dicat, Hostiam dissimulet, et Tibullum, quod ei sit Plania in animo, Delia in uersu.
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HOUGHTON, L. B. T. "TIBULLUS' ELEGIAC UNDERWORLD". Classical Quarterly 57, n.º 1 (mayo de 2007): 153–65. http://dx.doi.org/10.1017/s0009838807000146.

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Kronenberg, Leah. "Tibullus the Elegiac Vates". Mnemosyne 71, n.º 3 (24 de abril de 2018): 508–14. http://dx.doi.org/10.1163/1568525x-12342338.

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Maltby, Robert. "Tibullus 1.2 - Walter Wimmel: Tibull und Delia, Zweiter Teil: Tibulls Elegie 1, 2. (Hermes Einzelschriften, 47.) Pp. v +130. Wiesbaden: Franz Steiner, 1983. Paper, DM. 44." Classical Review 35, n.º 2 (octubre de 1985): 279–81. http://dx.doi.org/10.1017/s0009840x00108807.

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Oliveira, Luiza Wanderley Miranda. "Uma crítica bermanina da elegia 1.9, de Tibulo, traduzida por João Paulo Matedi Alves". Simbiótica 10, n.º 3 (26 de diciembre de 2023): 227–41. http://dx.doi.org/10.47456/simbitica.v10i3.39734.

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Resumo O objetivo do presente ensaio é utilizar o método que Antoine Berman postula em Pour une critique des traductions: John Donne (1995), para criticar a tradução de João Paulo Matedi Alves (2014) para a elegia 1.9, de Tibulo; e, desta maneira, contribuir para a valorização do gênero discursivo (Crítica da Tradução) proposto por Berman. Para tanto, faremos uma breve introdução sobre o gênero elegíaco – principalmente à luz do livro A elegia erótica romana: o amor, a poesia e o ocidente, de Paul Veyne (1985) – e sobre o método bermaniano, para, em seguida, tecermos a crítica em si. Palavras-chave: Antoine Berman, crítica da tradução, elegia erótica romana, tradução. ABSTRACT This essay aims to apply Antoine Berman’s methodology, as established in Pour une critique des traductions: John Donne (1995), in an analysis of João Paulo Matedi Alves’ translation of Tibullus 1.9 (2014), thus contributing to advancing the discursive genre proposed by Berman (i.e. the translation critical analysis). The essay provides a brief introduction to Roman love elegy based on Paul Veyne’s L'elégie érotique romaine (1985 [1983]), followed by an overview of Berman’s methodology and its application to the analysis of the indicated translation. Key-words: Antoine Berman, translation criticism, roman erotic elegy, translation. RESUMEN El objetivo del corriente ensayo es hacer uso del método que Antoine Berman postula en su libro Pour une critique des traductions: John Donne (1995), para criticar la traducción de João Paulo Matedi Alves (2014) para la elegía 1.9, de Tibulus; y, consecuentemente, aportar com la valorizatión del género textual (Critica de la Traducción) propuesto por Berman. Con esta finalidad, haceremos una pequeña intorducción sobre el género elegíaco – sobre todo, conforme el libro La elegía erótica romana, de Paul Veyne (1985) – y sobre el método bermaniano, para, después, escribirmos nuestra propria critica. Palabras-llave: Antoine Berman, crítica de la traducción, elegia erótica romana, traducción.
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BALL, ROBERT J. "Tibullus: Elegies by A. M. Juster". Classical Journal 110, n.º 2 (2014): 250–53. http://dx.doi.org/10.1353/tcj.2014.0033.

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Putnam, Michael C. J. y Robert Maltby. "Tibullus: Elegies. Text, Introduction, and Commentary". Classical World 97, n.º 4 (2004): 458. http://dx.doi.org/10.2307/4352890.

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Verstraete, Beert C. "The Originality of Tibullus' Marathus Elegies". Journal of Homosexuality 49, n.º 3-4 (diciembre de 2005): 299–313. http://dx.doi.org/10.1300/j082v49n03_10.

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Tzounakas, Spyridon. "Rusticitas Versus Urbanitas in the Literary Programmes of Tibullus and Persius". Mnemosyne 59, n.º 1 (2006): 111–28. http://dx.doi.org/10.1163/156852506775455298.

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AbstractTibullus and Persius are characteristic examples of poets who in their programmatic poems take a stance as to the literary juxtaposition of rusticitas and urbanitas and side with the first. Thus, they express their opposition to the mores of urban society and support the rustic way of life, which points to moral probity, simplicity, frugality, an unaffected style, Roman thematology, an indifference towards praise and heroic action. Persius' views could be associated with Propertius' latent attack against Tibullus' rusticitas and can be interpreted as disagreement with Propertius' urbanitas. It is possible that in this way Persius expresses his disappointment in the replacement of some elegiac motifs of the past with elegidia and of the frugal, 'poor' Tibullus with the crudi proceres, who are praised in the aula Neroniana. Therefore, the fact that Persius is siding with Tibullus in his dispute with Propertius could suggest a poetic model more similar to his own.
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Tesis sobre el tema "Elegiae (Tibullus)"

1

Lee-Stecum, Parshia. "Powerplay in Tibullus : reading Elegies Book One /". London ; New York ; Melbourne (Australie) : Cambridge university press, 1998. http://catalogue.bnf.fr/ark:/12148/cb370854338.

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ALVES, J. P. M. "Elegias de Tibulo: Tradução e comentário". Universidade Federal do Espírito Santo, 2014. http://repositorio.ufes.br/handle/10/3174.

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Propõe-se uma tradução literária da obra do escritor romano antigo Álbio Tibulo e um comentário-estudo que revele, simultaneamente, aspectos das elegias do poeta e um pouco do passo a passo da tradução, da engenharia de sua construção. Em um quadro assim, pressupõe-se a gênese concomitante de tradução e comentário, uma vez que um é pretexto e argumento para a existência do outro. No interior do comentário, a obra de Tibulo e as escolhas de tradução surgem lado a lado, em um só movimento. Para a confecção de tal proposta, esta pesquisa aponta, como artifício necessário e enriquecedor, o trabalho tradutor-literário como fruto de teoria da tradução, de alguns estudos críticos sobre Tibulo e a poesia antiga e da leitura de comentários filológicos às elegias do poeta clássico. Da reunião e leitura de material desse tipo, espera-se construir o entendimento de aspectos das elegias de Tibulo e do projeto de versão constante destas páginas, além de cooperar para a compreensão do gênero elegíaco antigo entre nós.
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Lee-Stecum, Parshia. "Power and process : a reading of Tibullus, Elegies Book One". Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362860.

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Purton, Jeremy Stephen. "Visualisation and description in the elegies of Propertius and Tibullus". Thesis, University of Canterbury. Classics, 2011. http://hdl.handle.net/10092/5659.

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Martins, Maria Helena Aguiar. "A elocuÃÃo do amor em Tibulo". Universidade Federal do CearÃ, 2016. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=17601.

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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior
A presente dissertaÃÃo investiga a elocuÃÃo de onze poemas da obra atribuÃda ao poeta latino Ãlbio Tibulo (c. 55-19 a.C.): os poemas 1.1-6, 1.8-9, 2.3-4 e 2.6. A delimitaÃÃo desse corpus de anÃlise baseia-se na temÃtica erÃtica e nos personagens aos quais os poemas sÃo direcionados, DÃlia, MÃrato e NÃmesis; a investigaÃÃo formal da elocuÃÃo ampara a discussÃo de aspectos dessa temÃtica; em funÃÃo disso, dividimos em trÃs ciclos os poemas a serem analisados; a elocuÃÃo de cada ciclo serà examinada em separado e depois comparada com a dos demais. Para desenvolver esta pesquisa, utilizamos como fundamentaÃÃo teÃrica estudos e comentÃrios da obra de Tibulo, textos de retÃrica da Antiguidade greco-latina e estudos de retÃrica, especialmente os que abordam a elocuÃÃo. A anÃlise dos poemas foi fundamentada principalmente na RetÃrica a HerÃnio e no Manual de RetÃrica LiterÃria, de Lausberg. Uma discussÃo mais aprofundada de poesia latina requer um exame da elocuÃÃo, pois os poetas latinos tinham o estudo da retÃrica como formaÃÃo bÃsica. Na obra de Tibulo, à perceptÃvel que a seleÃÃo e a disposiÃÃo de palavras nos versos servem-se de figuras de linguagem em consonÃncia com o conteÃdo e ainda sublevam o teor erÃtico dos poemas.
This dissertation investigates the elocution of eleven poems from Albius Tibullus (c. 55-19 BC) work: poems 1.1-6, 1.8-9, 2.3-4 and 2.6. The demilitation of this corpus of analysis is based on the erotic subject and it is also based on the characters to which the poems are addressed: Delia, Marathus and Nemesis; the formal investigation of the elocution sustains the discussion about some aspects from this subject; therefore, we divided the poems analyzed in three cycles; the elocution of those cycles is going to be analyzed separately and compared to each other. In order to develop this research, as theoretical foundation we use research and commentaries on the work of Tibullus, rhetorical texts from Greco-Roman Antiquity, and researches about rhetoric, especially those woks that develop the elocution. The analysis is based mainly on Ad Herennium and also on Manual de RetÃrica LiterÃria, from Lausberg. A further discussion of Latin poetry requires an examination of the elocution, since the Latin poets had rhetoric as their foundation. It is noticeable, that Tibullus selection and arrangement of the words in his verses utilizes figures of speech in order to mimic their content; moreover the disposition rise up the erotic content of the poems.
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Evans, Philippa A. "Nudus amor formam non amat artificem : representations of gender in elegiac discourse". Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017895.

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This thesis explores the representation of gender, desire, and identity in elegiac discourse. It does so through the lens of post‐structural and psychoanalytic theory, referring to the works of Michel Foucault, Judith Butler, Jessica Benjamin, and Laura Mulvey in their analyses of power, gender performativity, and subjectivity. Within this thesis, these concepts are applied primarily to the works of Tibullus, Propertius, and Sulpicia, ultimately demonstrating that the three love elegists seek, in their poetry, to construct subversive discourses which destabilise the categories by which gender and identity were determined in Augustan Rome. This discussion is supplemented by the investigation of Ovid’s use of elegiac discourse in Book 10 of his Metamorphoses, and the way in which it both comments upon Augustan love elegy and demonstrates a number of parallels with its thematic content. This thesis focuses especially on the representation of power relations within elegiac discourse, the various levels on which such relations operate and, finally, the possibilities for the contestation of and resistance to power, in addition to the motivations that might lie behind the poet‐lover’s frequent attraction and submission to it.
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Martins, Maria Helena Aguiar. "A elocução do amor em Tibulo". reponame:Repositório Institucional da UFC, 2016. http://www.repositorio.ufc.br/handle/riufc/19720.

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MARTINS, Maria Helena Aguiar. A elocução do amor em Tibulo. 2016. 98f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Letras, Fortaleza (CE), 2016.
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This dissertation investigates the elocution of eleven poems from Albius Tibullus (c. 55-19 BC) work: poems 1.1-6, 1.8-9, 2.3-4 and 2.6. The demilitation of this corpus of analysis is based on the erotic subject and it is also based on the characters to which the poems are addressed: Delia, Marathus and Nemesis; the formal investigation of the elocution sustains the discussion about some aspects from this subject; therefore, we divided the poems analyzed in three cycles; the elocution of those cycles is going to be analyzed separately and compared to each other. In order to develop this research, as theoretical foundation we use research and commentaries on the work of Tibullus, rhetorical texts from Greco-Roman Antiquity, and researches about rhetoric, especially those woks that develop the elocution. The analysis is based mainly on Ad Herennium and also on Manual de Retórica Literária, from Lausberg. A further discussion of Latin poetry requires an examination of the elocution, since the Latin poets had rhetoric as their foundation. It is noticeable, that Tibullus selection and arrangement of the words in his verses utilizes figures of speech in order to mimic their content; moreover the disposition rise up the erotic content of the poems.
A presente dissertação investiga a elocução de onze poemas da obra atribuída ao poeta latino Álbio Tibulo (c. 55-19 a.C.): os poemas 1.1-6, 1.8-9, 2.3-4 e 2.6. A delimitação desse corpus de análise baseia-se na temática erótica e nos personagens aos quais os poemas são direcionados, Délia, Márato e Nêmesis; a investigação formal da elocução ampara a discussão de aspectos dessa temática; em função disso, dividimos em três ciclos os poemas a serem analisados; a elocução de cada ciclo será examinada em separado e depois comparada com a dos demais. Para desenvolver esta pesquisa, utilizamos como fundamentação teórica estudos e comentários da obra de Tibulo, textos de retórica da Antiguidade greco-latina e estudos de retórica, especialmente os que abordam a elocução. A análise dos poemas foi fundamentada principalmente na Retórica a Herênio e no Manual de Retórica Literária, de Lausberg. Uma discussão mais aprofundada de poesia latina requer um exame da elocução, pois os poetas latinos tinham o estudo da retórica como formação básica. Na obra de Tibulo, é perceptível que a seleção e a disposição de palavras nos versos servem-se de figuras de linguagem em consonância com o conteúdo e ainda sublevam o teor erótico dos poemas.
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Leidi, Giulia. "Tibullo nella poesia e negli studi degli Umanisti sull’elegia antica". Doctoral thesis, 2022. http://hdl.handle.net/2158/1265284.

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Oggetto di studio è la ricezione di Tibullo in età umanistica. La Parte prima affronta la delicata questione della trasmissione del Corpus Tibullianum, diretta ed indiretta, includendo una disamina del più antico codice integro superstite (il ms. Milano, Biblioteca Ambrosiana, R 26 sup.) ed un focus sulla circolazione a stampa dell’opera nel XV sec. Nella Parte seconda, dopo una ridefinizione delle peculiarità della poesia di Tibullo e dei tratti che accomunano la lettura umanistica dei classici, si prendono in esame varie tipologie di commento alla silloge, considerando un’applicazione esegetica quasi del tutto inedita. Questi gli studi esaminati: le postille di Antonio Panormita al ms. Vat. Lat. 3270; le annotazioni al ms. Riccardiano 606, autografo di Cristoforo Landino; i segni di lettura di Tito Strozzi sul ms. Firenze, Biblioteca Nazionale Centrale, Magl. VII 1053; il commento di Giovanni Pontano, trasmesso dal ms. Wolfenbüttel, Herzog-August Bibliothek, Aug. Fol. 82.6, interamente autografo dell’umanista; le postille del Poliziano annotate sui margini di una copia dell’editio princeps della raccolta (oggi l’incunabolo corsiniano 50.F.37). Infine, si prende in considerazione il commentario di Bernardino Cillenio, accluso nell’edizione tibulliana del 1475 (Roma, G. Lauer). La Parte terza è incentrata sulla rilettura in chiave tibulliana della maggiore produzione poetica quattrocentesca in lingua latina, prediligendo la poesia di quegli umanisti dei quali è stata esaminata l’applicazione allo studio di Tibullo. L’attenzione verte sui seguenti autori: Antonio Panormita; Enea Silvio Piccolomini; Giovanni Marrasio; Cristoforo Landino; Angelo Poliziano; Tito Strozzi; Giovanni Pontano. Nella Parte quarta si offre un bilancio conclusivo della ricerca e si indicano le possibili prospettive future di questa indagine. The aim of this work is to investigate the reception of Tibullus during the Italian Quattrocento. The first part treats the transmission of the Corpus Tibullianum, including an analysis of the ms. Milan, Biblioteca Ambrosiana, R 26 sup., which is the most ancient manuscript of the collection. The second part, after a redefinition of Tibullus’ style, looks at the humanist studies of the Corpus, a material for the most part still unpublished: the annotations of Antonio Panormita, Cristoforo Landino, Tito Strozzi, Giovanni Pontano and Angelo Poliziano have been taken into consideration. Then we examined Bernardino Cillenio’s commentary, published in Rome in 1475 by G. Lauer. The third part considers the poetic reception of the Corpus, preferring those authors that have also annotated Tibullus’ poems: Antonio Panormita, Enea Silvio Piccolomini, Giovanni Marrasio, Landino, Poliziano, Tito Strozzi and Pontano. The last part includes also some considerations about future perspectives of our research.
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Libros sobre el tema "Elegiae (Tibullus)"

1

Tibullus. Tibullus: Elegies. 3a ed. Leeds: Francis Cairns, 1990.

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Tibullus. A Tibullus reader: Seven selected elegies. Mundelein, Illinois: Bolchazy-Carducci Publishers, Inc., 2013.

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Lee-Stecum, Parshia. Powerplay in Tibullus: Reading Elegies book one. Cambridge, UK: Cambridge University Press, 1998.

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4

Bertoli, Enea. L' elegia 1.3 di Tibullo. Verona: Libreria editrice universitaria, 1991.

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Bertoli, Enea. L' elegia 1.3 di Tibullo. Verona: Libreria editrice universitaria, 1991.

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1862-1918, Smith Kirby Flower, ed. The Elegies of Albius Tibullus: The Corpus Tibilluianum. New York: American Book Co., 1988.

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Tibullus. Delia and Nemesis: The elegies of Albius Tibullus. Lanham: University Press of America, 1998.

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Perrelli, Raffaele. Commento a Tibullo: Elegie, libro 1. Soveria Mannelli (Catanzaro): Rubbettino, 2002.

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Perrelli, Raffaele. Commento a Tibullo, Elegie, libro 1. Soveria Mannelli (Catanzaro): Rubbettino, 2002.

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Tibullus. Albii Tibulli aliorumque carmina. Stutgardiae: Teubner, 1998.

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Capítulos de libros sobre el tema "Elegiae (Tibullus)"

1

Rayor, Diane J. y William W. Batstone. "Tibullus". En Latin Lyric and Elegiac Poetry, 217–41. Second edition. | Abingdon, Oxon; New York: Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315718422-12.

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Hadas, Rachel. "Tibullus". En Latin Lyric and Elegiac Poetry, 38–53. Second edition. | Abingdon, Oxon; New York: Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315718422-4.

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Heusch, Christine. "Tibull: Elegien". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22193-1.

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"Tibullus, Albius: Elegiae. — Catullus, Gaius Valerius: Carmina. — Propertius, Sextus: Elegiae". En Die Inkunabeln in der Universitätsbibliothek Bern. BOP Books, 2023. http://dx.doi.org/10.36950/991101235759705501.

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"Tibullus, Albius: Elegiae. — Catullus, Gaius Valerius: Carmina. — Avancius, Hieronymus: Emendationes. — Propertius, Sextus: Elegiae". En Die Inkunabeln in der Universitätsbibliothek Bern. BOP Books, 2023. http://dx.doi.org/10.36950/991097017469705501.

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Maltby, Robert. "Tibullan impersonation and Callimachean influence in the Messalla Panegyric ([Tib.] 3.7)". En Constructing Authors and Readers in the Appendices Vergiliana, Tibulliana, and Ouidiana, 148–69. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198864417.003.0010.

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This chapter asks how a hexameter panegyric found its way into an elegiac collection by various authors that has come down to us as the Appendix Tibulliana. Peirano (2012) makes a good case for the poem being a Tibullan impersonation and this chapter takes the argument further, suggesting that some of the peculiarities of the panegyric are derived from its connection with Callimachean epinicion, also a feature of Tibullus 1.7. The similarity in the positioning of the Messalla Panegyric as seventh in its book, following a group of six love elegies, exactly parallels the position of Tibullus 1.7. The Callimachean features of both poems deserve further investigation; these throw light on the poem’s links with Catalepton 9 and the Laus Pisonis. In conclusion, it is suggested that the poem could have been deliberately placed seventh in the collection by its author, who may well have edited the whole book.
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7

Perrelli, Raffaele. "Un altro capitolo del dialogo tra Properzio e Tibullo Il Bacco minore di Properzio 3.17". En Antichistica. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-557-5/002.

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Propertius’ elegy 3.17 is full of references to Tibullus’ elegies, partly for reasons of convergence of context, partly because of the Propertian choice, to resume an earlier long-distance polemic with the other Roman elegiac poet.
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8

Hejduk, Julia Dyson. "Tibullus". En The God of Rome, 156–68. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190607739.003.0004.

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Despite playing a relatively minor role in Tibullan elegy, Jupiter exhibits a remarkable range of activities and symbolic valences. Book 1 makes the god, like Messalla, primarily a foil and competitor to the values of the elegiac world. As Messalla is introduced fighting on land and sea while the poet languishes before his mistress’s troublesome door, so Jupiter is introduced as the wielder of the rain and thunderbolts that could penetrate that door. Jupiter the dominus, in fact, is the one who brought into being Messalla’s world of war, wounds, and “roads” of death. Priapus’s insistence that Jupiter forbade lovers’ oaths to be binding implicitly casts Jupiter as one with a background in amorous perjury; as with Messalla’s imagined epiphany in the following poem, the god enters the elegiac sphere to succeed where the poet fails. The Nile’s supplantation of “rainy Jupiter” as the all-encompassing husband and father aligns with Tibullus’s covert exclusion of Augustus from his pastoral world. Jupiter’s transformation in book 2 into the victorious god of Rome signals Tibullus’s changing purposes. Like Virgil, Tibullus hints at the inherent instability of the Golden Age ideal, since Jupiter’s expulsion of Saturn signals the end of a utopian era even as Augustus’s victory clears the way for a new one. When Jupiter assigns the Laurentian fields to the proto-Romans, he is lodged between flitting Love and flitting Victory. Whether stability or instability will predominate is something not even the Sibyl can foresee.
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9

Tibullus], Tibullus [Albius. "Elegies". En Tibullus: Elegies II, editado por Paul Murgatroyd. Oxford University Press, 1994. http://dx.doi.org/10.1093/oseo/instance.00088118.

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Kachuck, Aaron J. "Love Elegy, Propertius, and Soliloquy". En The Solitary Sphere in the Age of Virgil, 199–245. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197579046.003.0006.

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This chapter argues that soliloquy as problem and opportunity was central to the aims of Latin love elegy, especially to Propertius’ Elegies. Drawing comparisons with the Lydia, Dirae, Tibullus’ elegies, Virgil’s tenth Eclogue, and Propertius’ elegiac predecessors, it studies Propertius’ corpus to demonstrate the relationship between the poet’s insanity and his solitude. It shows how seasonal indications inscribe this solitude in time and space, and how Propertius worked to rewrite love as a secret fiction. Propertius’ elegies, it argues, use solitude to shape the harmonization of elegiac subjectivity and the poets’ other political personae, culminating in the last of his elegies (4.11), which encapsulates the relegation of truth telling, love, and poetry to the solitary sphere, thus embodying new coordinations of public, the private, and the individual. In conclusion, it points to the impact of Propertius’ solitude on Renaissance literature, including the Hypnerotomachia Polyphili and Ben Jonson’s Poetaster.
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