Tesis sobre el tema "Ecology in art"
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Trainer, Janette. "Art and ecology : a visual exploration". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/852.
Texto completoGilmurray, Jonathan. "Ecology and environmentalism in contemporary sound art". Thesis, University of the Arts London, 2018. http://ualresearchonline.arts.ac.uk/13705/.
Texto completoRatanavanich, Heidi. "Queer ecology". Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/3516.
Texto completoVesala, Essi. "Practicing Coexistence: Entanglements Between Ecology and Curating Art". Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-170794.
Texto completoHayley, David H. "Steps to an art of ecology : an emergent practice". Thesis, Manchester Metropolitan University, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.530760.
Texto completoClarke, Jennifer. "Working between art and forestry : towards an ecology of practices". Thesis, University of Aberdeen, 2015. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=229382.
Texto completoFowkes, M. "Central European neo-avant-garde art and ecology under socialism". Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1380708/.
Texto completoSalton, Bronwen Lauren. "53 stitches : sustainability, ecology and social engagement in contemporary art". Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001580.
Texto completopettersson, pontus. "an ecology of things/thinking". Thesis, Konstfack, Institutionen för Konst (K), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6254.
Texto completoScheuer, Benedict Leo. "A Spiritual Ecology of the Line". The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587552184531075.
Texto completoHeineman, Anna Marie. "Nurturing neighborhoods: Buster Simpson's eco-art". Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/513.
Texto completoMarner, Anders. "Digital media embedded in Swedish art education : a case study". Umeå universitet, Institutionen för estetiska ämnen i lärarutbildningen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-71559.
Texto completoSkolämnesparadigm och undervisningspraktik i skärmkulturen – bild, musik och svenska [“School subject paradigms and teaching practice in the screen culture – art, music and Swedish”].
Donelson, Sarah L. "Cries of agony : a work in photographic montage". Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/864904.
Texto completoDepartment of Art
Collins, Timothy Martin. "Art ecology and planning : strategic concepts and creativity within the post industrial public realm". Thesis, University of Plymouth, 2007. http://hdl.handle.net/10026.1/2789.
Texto completoHindman, Julie Lynn. "Shadow of a Memory". ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1317.
Texto completoGalbicka, Evan. "Path". VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5476.
Texto completoCurran, Fiona G. "Towards a fractured topography of the present : art, ecology and the political economy of speed". Thesis, University College London (University of London), 2016. http://discovery.ucl.ac.uk/1534571/.
Texto completoBaylor, Brendan Neil. "Contested futures". Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/4573.
Texto completoEmory, Jorie Lynne. "Exploring the Role of Artist Residencies on Local Land Stewardship: A Case Study of the Sitka Center for Art and Ecology". The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1248715949.
Texto completoArp, Mary. "Global housekeepers /". Online version of thesis, 1993. http://hdl.handle.net/1850/12154.
Texto completoManser, Sara Jane. "Tracing the Subnatural: Understanding the Aesthetic of Urban Nature". Thesis, Griffith University, 2015. http://hdl.handle.net/10072/365826.
Texto completoThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland College of Art
Arts, Education and Law
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Contente, Ana Rita Marçal dos Santos. "Objectos comestíveis: uma reflexão sobre a sustentabilidade no contexto artístico e sociocultural". Master's thesis, Universidade de Évora, 2016. http://hdl.handle.net/10174/21131.
Texto completoDaly, Jennifer Linnea. "The temporal nature of things". [Chico, Calif. : California State University, Chico], 2009. http://hdl.handle.net/10211.4/80.
Texto completoBirchler, Susan. "Ecological Art: Ruth Wallen and Cultural Activism". [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001969.
Texto completoBergère, Raphaël. "Ecopoïèses : enjeux écologiques de la création artistique à l'ère des nouveaux médias". Thesis, Toulouse 2, 2015. http://www.theses.fr/2015TOU20076.
Texto completoMan's relationship with his environment seems to evolve following a pattern similar to that of the discoveries of science and technology, which bring about new ways to interact with the world. Now in the age of biotechnology and nanotechnology, of digital networks and new audiovisual media, our capacity to act in the world mutates accordingly. In their practice of new media in order to produce their works, many artists question the complexity of the ecological and technological systems that surround us. When they seem to criticize these technologies or try to create new systemic models, is it not often their way of encouraging us to claim ownership of our very habitats? This dissertation studies the ways in which ecology may be revisited through the use of new media and technologies in contemporary artistic works. Our hypothesis is that a study of the relation between art, the environment(s) where it is displayed and the new media it uses may help us rethink the way we inhabit the world. Tentatively, we suggest the word « ecopoiesis » to qualify the creative processes in which ecology is at stake. The goal is to come up with a notion of the complex and systemic relations that the artists, the works of art and the audience have with their environment
Wertz, Gail Williams. "Dwelling "Where The Waters Rise And Fall:" The Historical Ecology Of Archaic Period Settlement In The Rappahannock River Valley". W&M ScholarWorks, 2020. https://scholarworks.wm.edu/etd/1616444442.
Texto completoAlexandra, Carla. "Reimagining the city through art : Tactics, opportunities and limitations from Experiment Stockholm". Thesis, Stockholms universitet, Kulturgeografiska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-132078.
Texto completoGaučienė, Sigita. ""Skrybėlės kitaip"". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2013~D_20131122_113233-43061.
Texto completoStudying Master‘s degree studies i understood that creating artistic glass object can be applied ecological aspects and recycling ideas. Creating in fusing and pate de verre technologies.
Teed, Corinne Ryan. "Queering the species divide". Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1773.
Texto completoLombardo, Lisa. ""The Flukishness of Being Related": Biosemiotics, Naturecultures, and Irony in the Art of Nina Katchadourian". Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18388.
Texto completoStahl, Nicole. "Prevail: In the moment". CSUSB ScholarWorks, 2017. https://scholarworks.lib.csusb.edu/etd/562.
Texto completoSgaramella, Chiara. "Hacia un enfoque ecosocial. Prácticas colaborativas, ecología y compromiso político en el arte actual (1995-2020)". Doctoral thesis, Universitat Politècnica de València, 2021. http://hdl.handle.net/10251/163790.
Texto completo[CA] La present tesi doctoral sondeja les interseccions entre pràctiques de creació col·laborativa i art relacionat amb l'ecologia en els últims vint-i-cinc anys. La investigació es desenvolupa en el context de l'actual situació de crisi ecològica i social i explora el paper de les pràctiques artístiques estudiades en la reconsideració del paradigma civilitzatori neoliberal, així com dels conceptes moderns d'autonomia de l'art i autoria. A partir d'una metodologia interdisciplinària, es proposa una temptativa d'acotació per a definir un enfocament ecosocial en la producció artística contemporània identificant a més alguns aspectes caracteritzadors d'aquest. Es presenten quatre estudis de cas per a avaluar de quina manera les pràctiques artístiques d'enfocament ecosocial poden contribuir a produir altres sabers, formes de sociabilitat, pràctiques i sensibilitats encaminades a la construcció de models culturals social i ambientalment compromesos.
[EN] This thesis explores the intersections between collaborative practices and ecology-related art in the last twenty-five years. The research develops in the context of the current ecological and social crisis and examines the role of the described artistic practices in the reconsideration of the neoliberal paradigm, as well as of the modern concepts of art autonomy and authorship. Adopting an interdisciplinary methodology, we attempt to define an ecosocial approach in contemporary art production and to identify some of its key characteristics. Four case studies are presented to evaluate how art practices based on an ecosocial approach can contribute to generate knowledge, modes of sociability and sensibilities for the construction of socially and environmentally engaged cultural models.
Estoy muy agradecida por haber podido disfrutar de un contrato predoctoral en el contexto del programa de ayudas MINECO BES-2016 que me ha permitido dedicarme a tiempo completo a esta investigación.
Sgaramella, C. (2021). Hacia un enfoque ecosocial. Prácticas colaborativas, ecología y compromiso político en el arte actual (1995-2020) [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/163790
TESIS
Mckee, Cameron. "Cultivating Visible Order : representations of Race and Ecology in the French Atlantic World". Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0131.
Texto completoMy dissertation, entitled Cultivating Visible Order, is structured as a set of four case studies that trace the tension between the representation of the francophone Caribbean and colonialism’s injurious processes of racial and environmental domination. Each chapter is focused on an artist whose paintings engage these appositional aspects of the Caribbean landscape as a site of racial oppression that also provided the means for the cultivation of black personhood. My dissertation begins with the itinerant painter Le Masurier’s reliance on natural history to construct Afro-Caribbean relationships to the slave garden and tropical vegetation in eighteenth-century Martinique. The second chapter interrogates the mixed-race artist Guillaume Guillon Lethière’s inclusion of botanical details to contend with imperial memory of the Haitian Revolution in his neoclassical history paintings. My third, and final, chapter investigates Camille Pissarro’s post-abolition construction of a picturesque landscape in his natal Danish Caribbean alongside realist representations of black women to represent the shifting ecology of emancipated labor. When placed in the broader visual cultural context of the period–including amateur drawings, scientific prints, and photography–these case studies reveal the extent to which painting could have contradictory functions in the francophone Atlantic World. My dissertation argues that, on the one hand, painting could bolster white imperial authority by eliding the coeval inhumane violence and ecological brutality of colonialism. On the other, these artworks are inadvertent repositories for parallel ecologies opening onto embodied African diasporic knowledge of the Caribbean landscape in the form of alimentary, medicinal, and cultural practices illegible to or suppressed by colonial environmental discourses
Mazrimienė, Silvija. "Tapybos paveikslų ciklas „Sąvartynas“". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120211_145807-41417.
Texto completoTheexpectations are constantlychanging. Mankindisdeveloping. Thehigherthelevelofpeople’slivingis, themorehouseholdwasteexists. It must be removedtogetherwithmillionsoftonesofotherwaste, accumulatedbutnotpreparedforrecycling. Thisisthereasonofdumps’ expanding. Wastebeforethelandfillingisdepictedontheclothsand it representstheproblemofnowadays. A lot ofmissedopportunities are leftbehindthemassivehumanconsumption. Theworks are focusedonthefuture, they are unique to bravedecisions, originalityandthey also encouragenewandrelevantideas. TheecologistsandtheGreens are alwaystrying to frigtenthehumanitythatonedaytheEarthwill „belch“ thatwastewhichdeformsthenature, poisonsthesoil, theriversandtheseas. Howeverthen it will be too late to apologize. Fortunately, theEarthispatientand it isstillsavingourcreativewaste. Whileexaminingthetopicofecologyduringthelastfiveyears, fivepaintingworksweredesigned. They are representedinthedescriptivesection. Themainthree 150 x 190 sizepictorialpaintings are significant to thesedaysastheyencourage to thinkaboutthehabitsofconsumption. It isveryimportant to remembertheancestry, theirbalanceandharmonywithnature.
Viewegh, James. "Life! land, air, and sea : a series of mixed media drawings on plexiglass". Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/864920.
Texto completoDepartment of Art
Lancaster, Linus. "Soils and interventions". Thesis, University of Plymouth, 2015. http://hdl.handle.net/10026.1/4761.
Texto completoStuerzl, Jennifer Ingrid. "The Brisbane River : Art, Ecology and Perception - How Can Painting Communicate and Question the Course and Impact of Human Activity over Time on the Ecology and Perception of the Brisbane River?" Thesis, Griffith University, 2014. http://hdl.handle.net/10072/366581.
Texto completoThesis (Masters)
Master of Philosophy (MPhil)
Queensland College of Art
Arts, Education and Law
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Bomfim, Vanessa Lima. "As Ecologias nas Pesquisas em Educação Ambiental - Dissertações e Teses". Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/59/59140/tde-11022016-160220/.
Texto completoWhat is Ecology? Originally, a scientific discipline connected to Biology. However, the ecology term, that popularized and begun to represent the approaches multiplicity, a lot of beyond the Ecology Science. Ecology and Environmental Education (EE) although they are distinct and complex areas are interconnected, having environmental questions as convergence point. This research has as objective to investigate if the Ecologies, in varied forms and approaches are, indeed, present in EE researches and in what forms they are appear in these researches. We chose to organize these Ecologies in two main groups: 1) Ecology Science, while discipline/area restricts to the Biology scientific field and 2) Other Ecologies, those involve ideological, philosophical and politics ecological questions aspects, those subdivided by: Human Ecology, Political Ecology, Social Ecology and Philosophical Ecology. A content analysis qualitative research carried out by inserted in an interinstitutional project that develops the State of the Art research in Brazilian SA, called EArte Project. Using the record unity ecolog for dissertations and theses EArte database researches, were selected by this research about 545 early works, those were mapped by institutional aspects, educational contexts and study themes, from classification records written data. It was found a lot of masters researches in public institutions and in education programs and in school context. Among these selected by final documentary corpus 113 works, that offered by the Ecologies identified conditions. It was found a numerical equilibrium by the Ecology Science (43.4%) and the Other Ecologies (53.1%) and the subject dont represent an unique and homogeneous area, but, a lot of approaching forms related as with Natural Sciences well with the questioning about the economics, politics and social organization, showing ecological thinking variations founded in limit categories still not well delimited and in several interactions with the EE.
Jou, Florence. "La constellation : vers une écologie de l'art". Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H316.
Texto completoThis PhD thesis focuses on the constellation. originates in a contemporary society where a spatial corner arises, whether it be in arts or in any other disciplines. is the area of a cross-disciplinary thought. open to interactions between practices and disciplines. based upon on the work of the PhD student and those of Bouchra Khalili, Bernard Heidsieck, Fabrice Hyber, Christophe Tarkos… linked to the ecological theoretical perspectives carried by Tim Ingold, Philippe Descola, J. J. Gibson… this thesis in art analyses an ecology of art of the functioning of constellation. through five notebooks. of which three main notebooks, cartographier–bâtir–chercher. areas of exploration. in order to make ecological matters about artistic practices emerge. e.g : how does the link between Fernand Deligny, Bouchra Khalili and David enable us to understand a cartographic experience on an ecological scale ? this thesis in art offers a circulation via ecological notions. – #usages, #interactions, #scale… – enabling to deterritorialise practices. to expose and to put to the test contaminations, junctions or transmissions
Stathopoulos, Marco. "La résilience urbaine : art de la crise et architectures pirates". Thesis, Paris 8, 2016. http://www.theses.fr/2016PA080096.
Texto completoThe concept of resilience has been adopted by the language and practices of growing global urbanisation, the dominant model of which is planning. However, resilience theory is also questioned, notably for the difficulty it manifests in ensuring predictable results, or for the usage that is made of it by the most neoliberal approaches to planning. This thesis shows that concept of resilience can also be a starting point for questioning planning by introducing other ways of understanding, theorising and designing urban environments. It addresses how urban resilience theory can shed light on specific conceptual frameworks, whose criteria may orient design choices. The research originates in a corpus that has been developed in the field of ecology, opening the way to an urban resilience theory, and explores the singularities of this transition. To overcome the dominant model’s tendency to blur landmarks, and free this process of theorisation from the ambiguity of its frameworks, this thesis adopts the method of analysis through metaphor. It thus proposes the concept of "urban piracy", as an art of designing resilience in urban environments. The metaphor of piracy is constructed along its etymological sense, its archetypes and its history. It gives way to a theorisation that includes the qualitative aspects of the conditions of resilience; the relationship to form, time and place, of a city designed according to its criteria; the symbolism of its theory and its discrepancies vis-à-vis the dominant model; its political, dialogical, experimental and incremental dimension; and finally, the landmarks and the thresholds that orient choices in architectural and urban design
Barnes, Katherine Rachel y n/a. "Reconstructive Strategies for Artists Engaging With ecology: An Examination of the Relationship Between Culture, Nature and Technology in Ecological Art". Griffith University. Queensland College of Art, 2005. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20061011.150154.
Texto completoBarnes, Katherine Rachel. "Reconstructive Strategies for Artists Engaging With ecology: An Examination of the Relationship Between Culture, Nature and Technology in Ecological Art". Thesis, Griffith University, 2005. http://hdl.handle.net/10072/366109.
Texto completoThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
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Miller, B. Darlene. "Playground for the imagination". Click here to access thesis, 2006. http://www.georgiasouthern.edu/etd/archive/spring2006/rebecca%5Fh%5Fsmith/smith%5Frebecca%5Fh%5F200601%5Fma.pdf.
Texto completo"A thesis submitted to the Graduate Faculty of Georgia Southern University in partial fulfillment of the requirements for the degree Master of Fine Arts" ETD. Includes bibliographical references (p. 57).
Marty, Patrick. "L'eau de l'art contemporain : une dynamique d'une esthétique écosophique". Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30072.
Texto completoWater is a messenger of various aspects of consciousness, while being a global Esperanto. Should we talk about artists of water? Or the water of artists? Whatever point of view one considers, a synergy of thoughts emerges involving a consensual and paradigmatic vision. This research proposes a new reading of the interaction of the natural element with its role in contemporary art; how water in contemporary art becomes, with its evocative power, Water of Art, an inexhaustible source of crosscultural adaptability that echoes a necessary metamorphosis. Water has become a medium among many others. Water, a natural material par excellence, is used interchangeably by almost all the current artistic trends, including video, performance, sculpture, architecture and experiences on the frontier of art and cognitive science. There are three aspects of the culture of water: as a vector of both an ingrained culture and the Universal ethic; the symbolic force of water in art history; and the ecological, scientific and psychological information. Water covers all possible fields, and allows access to every corner of the mind, the dark side as well as the light of the human psyche. It supports and interacts on the unspoken aspects of society because it contains their knowledge; it is the matrix of their philosophy, their sociability, their geography (understanding of space and living environments), communication, history, language. Therefore, Water of Art adds a dynamic to ecosophical aesthetics in drawing from the poetics of time
Harley, Magdalena Johanna Gertruida. "Op weg na 'n kontemporere eko-estetiek". Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53543.
Texto completoENGLISH ABSTRACT: On the way to a contemporary eco-aesthetic. My thesis consists of three chapters; the first chapter contains a basic background study and philosophic research of concepts which are relevant to my work; the second chapter is a discussion of ecofeminism as political and spiritual phenomena (my work resorts in the genre of ecofeminism); and the third chapter is an analytic consideration and discussion where my works are presented as a visual explanation of my own interpretation of the dialogue between art and science with underlying geographical and ecological concepts. Some of these concepts purport the ritual of cycles and the aesthetic experience thereof. They deal with the earth as maternal patron where the layers of society (evidence of existence) becomes evident in the layering of the earth. This evidence of existence can be found in the waste generated from the cyclic existence of living beings and organisms. In addition, the traditional scrub or healing activities which are ascribed to women, are used as an argument to effectuate a consciousness of symbioses.
AFRIKAANSE OPSOMMING: My tesis bestaan uit drie hoofstukke; die eerste hoofstuk behels 'n basiese agtergrondstudie en filosofiese ondersoek na konsepte wat na my mening betrekking het op my werk; die tweede hoofstuk is 'n bespreking oor ekofeminisme as politieke en spirituele verskynsel (my werk ressorteer onder ekofeminisme as genre); en die derde hoofstuk 'n analitiese beskouing en bespreking waar my werk aangebied word as visuele verduideliking van my persoonlike interpretasie van die dialoog tussen kuns en wetenskap met onderliggende geografiese en ekologiese konsepte. Van hierdie konsepte gaan oor die ritueel van siklusse en die estetiese belewenis daarvan. Dit handeloor die aarde as die moederskoot waar die lae van samelewings (bewyse van bestaan) gelees kan word in die gelaagdheid van die aarde. Hierdie bewyse van bestaan kan gevind word in die afval wat gegenereer word uit die sikliese bestaanswyse van lewende wesens en organismes. Hiermee saam word die tradisionele skrop- of helende aktiwiteite wat aan vroue toegeken word, as argument gebruik om 'n bewussyn van simbiose te bewerkstellig.
Collins, Reiko Goto. "Ecology and environmental art in public place : talking tree : won't you take a minute and listen to the plight of nature?" Thesis, Robert Gordon University, 2012. http://hdl.handle.net/10059/788.
Texto completoImai, Hideaki. "The Role of Film-making in Nature-human Relationships". Miami University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=miami1523999723625547.
Texto completoГальчинська, Ольга, Микола Яковлєв, Калина Пашкевич y Цзянсінь Лю. "Вплив творчості Енді Голдсуорті на творчість митців ленд-арту сьогодення". Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17901.
Texto completoThe results of the research of conceptual approaches of land art objects on the example of copyright projects are presented. To achieve this goal, the following tasks have been identified and solved: research into the creative task of the artists of the land art, definition of the basic concept of the author's idea for the creation of the installation, analysis of the main artistic means used to embody the project, research of materials used to create the object of land art. The scientific novelty of the study lies in the study of contemporary artistic approaches and creative designs that are used by artists of landscape art in their works. The practical significance of the results obtained is to develop your own project.
Polli, Andrea. "Communicating air : alternative pathways to environmental knowing through computational ecomedia". Thesis, University of Plymouth, 2011. http://hdl.handle.net/10026.1/889.
Texto completoFreeman, Paul Murphey. "In search of a new aesthetic". Thesis, Virginia Tech, 1995. http://hdl.handle.net/10919/41992.
Texto completoThe study of ecology is having profound effects on society. It has begun to cause a shift in western culture. People are becoming aware of their impacts on the environment, and are changing their behavior. This shift is now affecting aesthetics in landscape architecture. The validity of the dominant landscape aesthetic in the profession of landscape architecture is being questioned on the grounds of its ecologic impacts. As a result, a new landscape aesthetic is being called for. Five articles published in Landscape Journal between 1986 and 1990 outline the argument for a new aesthetic. These articles provide a theoretical framework that is then applied to a body of artwork. The artwork is the result of a 1992 art exhibit that gathered together many "ecological artists". Just as the study of ecology is affecting change in landscape architecture, it is also affecting change in art. The theories from landscape architecture are applied to the physical forms in art to see if connections can be made between the idea and its implementation. "Art and landscape architecture are related so that they allow for this type of comparison. The results can be used to inform landscape architecture in its search for a new aesthetic.
Master of Landscape Architecture