Bibliografías temáticas / Eavan

Literatura académica sobre el tema "Eavan"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 19 de febrero de 2022

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Artículos de revistas sobre el tema "Eavan"

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Delgado, Antonio. "Eavan Boland: inside history". Irish Studies Review 27, n.º 4 (6 de septiembre de 2019): 604–5. http://dx.doi.org/10.1080/09670882.2019.1664025.

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Villar-Argáiz, Pilar. "Jody Allen-Randolph, Eavan Boland". Irish University Review 47, supplement (noviembre de 2017): 578–80. http://dx.doi.org/10.3366/iur.2017.0314.

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Conboy, Sheila C. "Eavan Boland’s Topography of Displacement". Éire-Ireland 29, n.º 3 (1994): 137–46. http://dx.doi.org/10.1353/eir.1994.0011.

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Reizbaum, Marilyn y Eavan Boland. "An Interview with Eavan Boland". Contemporary Literature 30, n.º 4 (1989): 471. http://dx.doi.org/10.2307/1208610.

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Mcneely, Sarah. "Eavan Boland by Jody Allen Randolph". New Hibernia Review 19, n.º 1 (2015): 150–52. http://dx.doi.org/10.1353/nhr.2015.0008.

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Wolkoff, Gisele y Eavan Boland. "Três poemas traduzidos de Eavan Boland". Cadernos de Literatura em Tradução, n.º 8 (1 de diciembre de 2007): 203–13. http://dx.doi.org/10.11606/issn.2359-5388.i8p203-213.

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McCallum, Shara. "Eavan Boland's Gift: Sex, History, and Myth". Antioch Review 62, n.º 1 (2004): 37. http://dx.doi.org/10.2307/4614596.

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Maguire, Sarah. "Dilemmas and Developments: Eavan Boland Re-examined". Feminist Review 62, n.º 1 (1999): 58–66. http://dx.doi.org/10.1080/014177899339153.

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Lees, Clare A. "Women Write the Past: Medieval Scholarship, Old English and New Literature". Bulletin of the John Rylands Library 93, n.º 2 (septiembre de 2017): 3–22. http://dx.doi.org/10.7227/bjrl.93.2.2.

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This article explores the contributions of women scholars, writers and artists to our understanding of the medieval past. Beginning with a contemporary artists book by Liz Mathews that draws on one of Boethius‘s Latin lyrics from the Consolation of Philosophy as translated by Helen Waddell, it traces a network of medieval women scholars of the nineteenth and twentieth centuries associated with Manchester and the John Rylands Library, such as Alice Margaret Cooke and Mary Bateson. It concludes by examining the translation of the Old English poem, The Wife‘s Lament, by contemporary poet, Eavan Boland. The art of Liz Mathews and poetry of Eavan Boland and the scholarship of women like Alice Cooke, Mary Bateson, Helen Waddell and Eileen Power show that women‘s writing of the past – creative, public, scholarly – forms a strand of an archive of women‘s history that is still being put together.
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Fitzgerald-Hoyt, Mary. "Eavan Boland's Famine Poems : Voicing the Hungry Silences". Études irlandaises 25, n.º 1 (2000): 81–89. http://dx.doi.org/10.3406/irlan.2000.1535.

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Tesis sobre el tema "Eavan"

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Wolkoff, Gisele Giandoni. "Composições pictóricas na obra de Eavan Boland: paisagens interiores". Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-03122008-163001/.

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Ao apresentar criticamente ao público de língua portuguesa a obra da escritora irlandesa contemporânea Eavan Boland, por meio de uma seleção poética traduzida, que privilegia a visualidade e a ekphrase, este trabalho tece uma leitura intermediática (artes visuais e literárias) e verifica os efeitos de sentido da intermedialidade na construção do lirismo poético. Pressupondose a inevitável incomunicabilidade da linguagem, esta tese examina a intermedialidade, presente no processo de escrita entre as fronteiras do nacional e do cosmopolita e, sobretudo, do privado ao público e deste àquele, enquanto um recurso artístico, característico da pluralidade identitária da poesia, capaz de alcançar graus de comunicabilidade mais amplos, ou seja, menos deficitários. Por fim, a seleção de poemas aqui recolhidos traça o percurso íntimo da produção artística de Eavan Boland, momento em que os graus de articulação lingüística (seja por meio visual, verbal ou intermediático) assistem a uma suspensão de sua incomunicabilidade, e conseguem atingir esferas mais densas de sucesso comunicativo, fazendo vir à tona a natureza lírica da escrita: os movimentos concomitantes entre as esferas pública e privada referem-se à busca da interioridade, da subjetividade do eu-lírico, o auto-retrato da poetisa. Portanto, a partir do exercício interpretativo das traduções poéticas, bem como do estudo da intermedialidade, lê-se aqui a ekphrase como recurso poético na obra de Eavan Boland, capaz de metonimizar o transitar da voz poética na tradição irlandesa a partir de onde a poetisa fala, a nação irlandesa e a ruptura com essa tradição, a busca ao encontro do feminino, da voz da mulher e, acima de tudo, da voz poética enunciadora do fluxo comunicativo.
While presenting the work of the Irish, contemporary writer Eavan Boland to the public of Portuguese readers, by means of a poetic selection that privileges visuality and ekphrasis, this thesis establishes an intermediatic reading (visual and literary arts) and verifies intermediality´s effects of meaning in the construction of poetic lyricism. While presupposing language´s inevitable incommunicability, this thesis bears witness to the intermediality present in the process of writing in the frontiers of the national and the cosmopolitan and, above all, of the private and public and vice-versa, as an artistic tool, characteristic of poetry´s plural identity, which is capable of reaching broader, less deficient levels of communicability. Ultimately, the selection of poems here presented heeds to the intimate trajectory of Eavan Boland´s artistic production, which reveals levels of linguistic articulation (being them visual, verbal or intermediatic) that suspend its incommunicability and, then, are able to reach deeper spheres of communicative success, as it brings up the lyric nature of writing. The movements that go from the public to the private spheres of subjectivity refer to the search for interiority, for the self, the self-portrait in poetry. Therefore, from the interpretative exercise of the poetic translations, as well as from the study of intermediality, ekphrasis is here read as a poetic tool in the work of Eavan Boland, metonimic of the poetic voice´s transit within the Irish tradition, from where the poet speaks, the Irish nation and the rupture with such tradition, in search of the encounter with the Female, the woman´s voice and, above all, the poetic voice as enunciator of the communicative flow.
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2

Newman, Rachel. "Defying the feminist dilemma Eavan Boland's "listen. This is the noise of myth" /". Click here to view, 2010. http://digitalcommons.calpoly.edu/englsp/5/.

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Thesis (B.A.)--California Polytechnic State University, 2010.
Project advisor: Kevin Clark. Title from PDF title page; viewed on Apr. 20, 2010. Includes bibliographical references. Also available on microfiche.
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Müller, Sabina J. "Through the mythographer's eye : myth and legend in the work of Seamus Heaney and Eavan Boland /". Tübingen : Francke, 2005. http://deposit.d-nb.de/cgi-bin/dokserv?id=2897293&prov=M&dok_var=1&dok_ext=htm.

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Reed, Marthe. "The poem as liminal place-moment : John Kinsella, Mei-mei Berssenbrugge, Christopher Dewdney and Eavan Boland". University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0136.

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Places are deeply specific, and often richly resonant for us in terms of memory, emotion, and association, yet we nevertheless frequently move through them insensible of their constitution and diversity, or the shaping influences they have upon our lives. As such, place affords a vital window into the creation and experience of poetry where the poet is herself attuned to the presence and effect of places; the challenge for the scholar is to articulate place's nature and role with respect that poetry. In
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Clutterbuck, Catriona. "Self-representation and the politics of authority in contemporary Irish poetry : Eavan Boland and Medbh McGuckian". Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321019.

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Tellis, Ashley Jude Mario. "The poetics and politics of contemporary Irish women's poetry : a study of the poetry of Eavan Boland, Medbh McGuckian and Eilean Ni Chuilleanain". Thesis, University of Cambridge, 1999. https://www.repository.cam.ac.uk/handle/1810/251682.

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McGrath, Barbara Joan Getsi Lucia Cordell. "Journeys toward the communal metaphor and the construction of poetic narrative in the poetry of Ellen Bryant Voigt, Eavan Boland, and Adrienne Rich, with implications for a pedagogy of communal voice in writing /". Normal, Ill. Illinois State University, 2000. http://wwwlib.umi.com/cr/ilstu/fullcit?p9986987.

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Thesis (Ph. D.)--Illinois State University, 2000.
Title from title page screen, viewed July 31, 2006. Dissertation Committee: Lucia C. Getsi (chair), William W. Morgan, Cynthia A. Huff. Includes bibliographical references (leaves 182-189) and abstract. Also available in print.
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Fahey, Diane. "Places and spaces of the writing life /". View thesis, 1999. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030903.125424/index.html.

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Thesis (Ph. D) -- University of Western Sydney, Nepean, 1999.
"An enquiry into the relationship between place and space, and the writiing life, with reference to journals and poetry written by Diane Fahey, and to works by Eavan Boland, Annie Dillard, and May Sarton" -- p. ii. Thesis submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy, School of Communication and Media Studies, University of Western Sydney, Nepean. Bibliography : p. 259-264.
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Tan, Alison. "Eavan Boland and Paula Meehan : Irish Voices of the Past". Thesis, 2014. https://thesis.library.caltech.edu/8385/1/Alison_Tan_Senior_Thesis.pdf.

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History, myth, exile, identity—for generations those have been the themes of Irish poetry, an Irish poetry written almost exclusively by male poets. As women moved in to claim a voice the themes were often the same, though reworked in essential ways. The key to that reworking, the pivot for an Irish women’s poetry, was the development of a female poetic identity. Eavan Boland led the way. In particular, Boland’s struggles as the first prominent female poet of modern Irish Literature emphasize a search for self-identity. At the forefront of this movement and a precedent for those around her, she establishes themes that pave the way for Irish women writers. With Boland, comes a hopeful recovery of the contemporary female literary experience, with the perspective and approach towards self-identity endlessly evolving over time with each new poet. Inspired by Boland, but a generation younger, Paula Meehan explores similar themes of female constraint, yet raises her own distinctive concerns, in particular the division of male and female roles and generational conflict, exploring what is real and ordinary.
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Helton, Rebecca Elizabeth. "Apt Renderings and Ingenious Designs: Eavan Boland's New Maps of Ireland". 2010. http://trace.tennessee.edu/utk_gradthes/629.

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Although many critics, and Eavan Boland herself, have written about how her poetry functions to reclaim the Irish feminine image from its static position as lyric representation of the nation, much remains to be said about how Boland represents and reimagines Ireland in her poetry. Using the metaphor of cartography, which Boland frequently refers to in her writing, I argue that she lyrically "maps" the nation across space, time, and language. Her palimpsestic poetic maps of Ireland include what a mere pictorial representation could never, and what prior male-written poetry never did, show: the space of a Dublin suburb, the history of her marriage, the mental scarring of an imposed English language represented as physical fractures on skin or land. Her own subjectivity is the most important component of this map, and so she liberally inserts fragments of her own life into pre-existing national narratives. Through close readings of poems published between 1990 and 2007, I explore how Boland mixes national history, geography, family stories, and memories of her own life to arrive at a poetic "structure extrinsic to meaning which uncovers / the inner secret of it" (ITV 47). This is not a truth about history, nor merely a declaration that women, particularly Irish women, have been silenced in poetry and history. Instead, the inner secret is her own recognition of the connection between herself and the women of whom she writes, as well as her readers; that the framework she builds from pieces of the past provides a way to understand our current selves. Boland remains conscious of the constructed nature of this framework in each poem where she challenges official narratives and maps of the nation, replacing their truth with her own. She loads specific places, histories, and uses of language, as well as the ideas of these things themselves, with complex and even contradictory meanings. Her poems represent not the truth but a truth, and one which has been carefully crafted at that. Put together, these explorations of "Ireland" and all its various truths constitute an imaginative map of the nation as she perceives it.
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Libros sobre el tema "Eavan"

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1943-, Feaver Vicki y Boland Eavan, eds. Carol Ann Duffy, Vicki Feaver, Eavan Boland. Harmondsworth, Middlesex, England: Penguin Books, 1995.

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1949-, Zelman Thomas William, ed. Eavan Boland and the history of the ordinary. Dublin: Maunsel & Co., 2004.

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Villar-Argaiz, Pilar. The poetry of Eavan Boland: A postcolonial reading. Dublin: Maunsel & Co., 2008.

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Boland, Eavan. Eavan Boland: A critical companion : poetry, prose, interviews, reviews, and criticism. New York: W. W. Norton, 2008.

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Kelly, Sylvia Elizabeth. Out of myth and legend into language: The poetry of Eavan Boland. [S.l: The Author], 1991.

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Eavan Boland's evolution as an Irish woman poet: An outsider within an outsider's culture. Lewiston, N.Y: Edwin Mellen Press, 2007.

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Müller, Sabina J. Through the mythographer's eye: Myth and legend in the work of Seamus Heaney and Eavan Boland. Tübingen: Francke, 2007.

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Schrage-Früh, Michaela. Emerging identities: Myth, nation and gender in the poetry of Eavan Boland, Nuala Ni Dhomhnaill and Medbh McGuckian. Trier: WVT, Wissenschaftlicher Verlag Trier, 2004.

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Eagan, Kathleen. Oral history interview: Kathleen Eagan. Denver, Colo: Bureau of Reclamation, Oral History Program, 2011.

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Egan, Richard Lee. The descendants of William Eagan. Gladstone, Or. (6745 Parkway, Gladstone 97027): R.L. Egan, 1988.

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Capítulos de libros sobre el tema "Eavan"

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Schrage-Früh, Michaela. "Boland, Eavan Aisling". En Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8024-1.

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Clark, Heather. "Eavan Boland's Muse Mothers". En A Companion to Irish Literature, 328–44. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444328066.ch50.

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Schrage-Früh, Michaela. "Boland, Eavan Aisling: Das lyrische Werk". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8025-1.

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Impens, Florence. "Derek Mahon and Eavan Boland: Marginal Perspectives". En Classical Presences in Irish Poetry after 1960, 127–68. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-68231-0_5.

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Dawe, Gerald. "The Suburban Night: On Eavan Boland, Paul Durcan and Thomas McCarthy". En Contemporary Irish Poetry, 168–93. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-80425-2_9.

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Ward, James. "Memory and Enlightenment in the Poetry of Eavan Boland and Medbh McGuckian". En Memory and Enlightenment, 149–80. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96710-3_5.

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Atfield, Rose. "‘The Stain of Absolute Possession’: The Postcolonial in the Work of Eavan Boland". En Contemporary Women’s Poetry, 189–207. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1007/978-1-137-15406-4_18.

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Taylor-Collins, Nicholas. "Moving the Statue: Myths of Motherhood in Eavan Boland, Shakespeare and Early Modern Culture". En Shakespeare and Contemporary Irish Literature, 71–97. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95924-5_4.

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Quinn, Justin. "Eavan Boland". En The Cambridge Companion to Irish Poets, 335–45. Cambridge University Press, 2017. http://dx.doi.org/10.1017/9781108333313.028.

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Hardwick, Lorna y James I. Porter. "Eavan Boland". En Sibylline SistersVirgil's Presence in Contemporary Women's Writing, 68–95. Oxford University Press, 2011. http://dx.doi.org/10.1093/acprof:oso/9780199582969.003.0004.

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Actas de conferencias sobre el tema "Eavan"

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Tang, Hao, Yun Fu, Jilin Tu, Thomas S. Huang y Mark Hasegawa-Johnson. "EAVA: A 3D Emotive Audio-Visual Avatar". En 2008 IEEE Workshop on Applications of Computer Vision (WACV). IEEE, 2008. http://dx.doi.org/10.1109/wacv.2008.4544003.

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Cui, Yuzhu, Kazuhiro Hada, Mareki Honma, Motoki Kino, Hyunwook Ro, Jongho Park y Masanori Nakamura. "EAVN observations along with EHT for M87 in 2017". En 14th European VLBI Network Symposium & Users Meeting. Trieste, Italy: Sissa Medialab, 2019. http://dx.doi.org/10.22323/1.344.0096.

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Sugiyama, Koichiro, Kenta Fujisawa, Kazuya Hachisuka, Yoshinori Yonekura, Kazuhito Motogi, Zhiqiang Q. Shen, Mareki Honma et al. "The VLBI imaging survey of the 6.7 GHz methanol masers using the JVN/EAVN". En 11th European VLBI Network Symposium & Users Meeting. Trieste, Italy: Sissa Medialab, 2016. http://dx.doi.org/10.22323/1.178.0032.

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Informes sobre el tema "Eavan"

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Effect of urban runoff on the quality of lakes in Eagan, Minnesota. US Geological Survey, 1989. http://dx.doi.org/10.3133/wri864331.

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