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Libros sobre el tema "East Asian Aesthetics"

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Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 27 de julio de 2024

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1

1966-, Purtle Jennifer y Thomsen Hans Bjarne 1957-, eds. Looking modern: East Asian visual culture from treaty ports to World War II. Chicago: Art Media Resources, 2009.

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2

Qian, Nanxiu, Bowei Zhang y Smith Richard J. Rethinking the Sinosphere: Poetics, aesthetics, and identity formation. Amherst, New York: Cambria Press, 2020.

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3

Hisashi, Gotō y Fukuoka-shi Bijutsukan, eds. Bi no kokoro: Tōyō no shihō Idemitsu korekushon : Nishi Nihon Shinbun sōkan 130-shūnen kinen = The essence of aesthetics : master pieces of the East from the Idemitsu collection. Fukuoka-shi: Fukuoka-shi Bijutsukan, 2007.

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4

Inaga, Shigemi y International Research Symposium "Questioning Oriental Aesthetics and Thinking, Conflicting Visions of 'Asia' Under the Colonial Empires" (2010 International Research Center for Japanese Studies). Questioning oriental aesthetics and thinking: Conflicting visions of "Asia" under the colonial empires. Kyoto-shi: Kokusai Nihon Bunka Kenkyū Sentā, 2011.

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5

Japan) International Symposium "Tradition and Transformation in Aesthetics of East Asian Calligraphy" (2015 Niigata-shi. Higashi Ajia ni okeru "sho no bigaku" no dentō to hen'yō: Tradition and transformation in aesthetics of East Asian calligraphy. Tōkyō-to Bunkyō-ku: Sangensha, 2016.

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6

Dadi, Iftikhar. Modernism and the art of Muslim South Asia. Chapel Hill [N.C.]: University of North Carolina Press, 2010.

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7

Dadi, Iftikhar. Modernism and the art of Muslim South Asia. Chapel Hill [N.C.]: University of North Carolina Press, 2010.

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8

Mattiussi, Laurent, Akinobu Kuroda y Véronique Alexandre Journeau. Notions esthétiques: Résonances entre les arts et les cultures. Paris: L'Harmattan, 2013.

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9

Fondazione Palazzo Strozzi (Florence, Italy), Bowlt John E. editor, Misler Nicoletta 1946 editor, Petrova E. N. editor, Francone Marcello art director, Russo Vincenza editor, Fondazione Palazzo Strozzi (Florence, Italy) y Francone, Marcello, 1959- art director, eds. The Russian avant-garde: Siberia and the East : Florence, Palazzo Strozzi, 27 September 2013-19 January 2014. Milano, Itally: Skira, 2013.

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10

Kim, Yŏl-gyu. Tongbuk Asia syamŏnijŭm kwa sinhwaron =: North-East Asian shamanism and mythology. Sŏul: Akʻanet, 2003.

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11

Schöllhammer, Georg y Ruben Arevshatyan. Sweet Sixties: Specters and Spirits of a parallel avant-garde. Berlin: Sternberg Press, 2013.

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12

Kong, Christie's Hong. Beyond compare: A thousand years of the literati aesthetic. Hong Kong: Christie's, 2018.

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13

Mitter, Partha. The triumph of modernism: India's artists and the avant-garde, 1922-1947. New Delhi: Oxford University Press, 2007.

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14

Sang-in, Chŏn, ed. Hanʼguk hyŏndaesa: Chinsil kwa haesŏk. Kyŏnggi-do Pʻaju-si: Nanam Chʻulpʻan, 2005.

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15

Tongyang mihak kaenyŏm sajŏn. Kyŏnggi-do Hanam-si: B2, 2020.

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16

Reddy, Vanita. Fashioning Diaspora: Beauty, Femininity, and South Asian American Culture. Temple University Press, 2016.

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17

Reddy, Vanita. Fashioning Diaspora: Beauty, Femininity, and South Asian American Culture. Temple University Press, 2016.

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18

Inoue, Mayumo y Steve Choe, eds. Beyond Imperial Aesthetics. Hong Kong University Press, 2019. http://dx.doi.org/10.5790/hongkong/9789888455874.001.0001.

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Observing that the division between theory and empiricism remains inextricably linked to imperial modernity, manifest at the most basic level in the binary between "the West" and "Asia," the authors of this volume reexamine art and aesthetics to challenge these oppositions in order to reconceptualize politics and knowledge production in East Asia. Current understandings of fundamental ideas like race, nation, colonizer and the colonized, and the concept of Asia in the region are seeped with imperial aesthetics that originated from competing imperialisms operating in the twentieth and twenty-first centuries. Such aesthetics has sustained both colonial and local modes of perception in the formation of nation-states and expanded the reach of regulatory powers in East Asia since 1945. The twelve thought-provoking essays in thiscollectiontackle the problematics that arise at the nexus of aesthetics and politics in four areas: theoretical issues of aesthetics and politics in East Asia, aesthetics of affect and sexuality, the productive tension between critical aesthetics and political movements, and aesthetic critiques of sovereignty and neoliberalism in East Asia today. If the seemingly universal operation of capital and militarism in East Asia requires locally specific definitions of biopolitical concepts to function smoothly, this book critiques the circuit of power between the universalism of capital and particularism of nation and culture. Treating aesthetic experiences in art at large as the bases for going beyond imperial categories, the contributors present new modes of sensing, thinking, and living that have been unimaginable within the mainstream modality of Asian studies, a discipline that has reproduced the colonial regime of knowledge production.
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19

Tongyang ŭi kwangki wa yesul: Tong Asia munindŭl ŭi chayu wa ch'angjo ŭi mihak. Sŏul T'ŭkpyŏlsi: Sŏnggyun'gwan Taehakkyo Ch'ulp'anbu, 2020.

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20

Taming the wind of desire: Psychology, medicine, and aesthetics in Malay shamanistic performance. Berkeley: University of California Press, 1991.

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21

Laderman, Carol. Taming the Wind of Desire: Psychology, Medicine, and Aesthetics in Malay Shamanistic Performance. University of California Press, 1991.

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22

Dadi, Iftikhar. Modernism and the Art of Muslim South Asia (Islamic Civilization and Muslim Networks). The University of North Carolina Press, 2010.

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23

Notions esthétiques: La perception sensible organisée. Paris: Harmattan, 2015.

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24

The power of things and the flow of cultural transformations: Art and culture between Europe and Asia. Berlin: Deutscher Kunstverlag, 2010.

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25

Laderman, Carol. Taming the Wind of Desire: Psychology, Medicine, and Aesthetics in Malay Shamanistic Performance (Comparative Studies of Health Systems and Medical). University of California Press, 1993.

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26

Aesthetic Plastic Surgery of the East Asian Face. Thieme Medical Publishers, Incorporated, 2016.

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27

High culture fever: Politics, aesthetics, and ideology in Deng's China. Berkeley: University of California Press, 1996.

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28

Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia. Hong Kong University Press, 2019.

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29

Elam, J. Daniel, ed. Aesthetics and Politics in the Global South. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350302587.

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This digital collection brings together aesthetic and political writing from across the non-European and postcolonial world. It includes writing from South East Asia, South Asia, Africa, the Caribbean, and Latin America during the twentieth and twenty-first centuries. It is the first collection to bring these texts together, and, in many cases, the first time that many of these writings have been considered properly as ‘philosophy’. The range of writings demonstrate that, over the last century, political and aesthetic thought owes its existence and vibrancy to the imaginations of anticolonial thinkers, Third World feminists, and Caribbean poets. The thinkers represented here offer visions of decoloniality, a world without casteism or racism, and a world of global equality – while never losing sight of the ever-shifting Realpolitik of the world they inhabit, especially during the Cold War. Some of them were recognised as ground-breaking thinkers. Others have been dismissed as naïve utopianists or blood-thirsty revolutionaries. Together they offer a more complete picture of global thought, one that is committed to including voices which have previously been excluded, or people who have been pushed from the centres to the margins. These writers offer us a vocabulary of xenophilia that allows us to move beyond exhausted (and exhausting) ways of thinking based on limitedness, scarcity, and finitude. By focusing on work by thinkers and writers who were active outside of the North Atlantic and European world, by bringing together figures who were writing in response to the global dominance of this world, this collection extends and challenges our understanding of twentieth-century philosophical inquiry. Aesthetics and Politics in the Global South refuses to demarcate rigid boundaries of ‘aesthetics’ and ‘politics’ because the task is impossible. To create a new world is neither neatly political nor neatly aesthetic, but rather messily both. New worlds require new ways of writing and many of the works here are attempts to articulate a new aesthetics in the service of a politics not yet imaginable. The texts included here are not only a necessity for people interested in Third World political and aesthetic thought; they are necessary for reminding students of European philosophy of its wildly global roots and routes.
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30

The Problem of Beauty: Aesthetic Thought and Pursuits in Northern Song Dynasty China (Harvard East Asian Monographs). Harvard University Asia Center, 2006.

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31

Balakhovskaya, Alexandra S., Maria R. Nenarokova y Natalya V. Zakharova, eds. Meeting of East and West. Interaction of Literatures and Traditions. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0602-4.

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The collective work included articles covering a wide range of issues, but united by one problem: the study of cultural transfer in the works of art in the countries of the East and West, where the East means a region that includes the countries of Africa, the Middle East, Far East and Southeast Asia, and The whole of Europe is included in the West, including Russia. Such a wide geographical scope is determined by the desire to study the mutual influences and ideological image of the phenomena of European, Russian and Oriental literature and cultures; the authors of the articles examine the transformation of the ideological and aesthetic views of European writers in the course of their perception by Eastern writers; analyze the mechanism of adaptation of the phenomena of foreign cultures by Europeans. It is important to study the mechanism for changing the Eurocentric view of the world, the dynamics of the literary process, the definition of the place and role of European literature in the complex process of interaction between the traditional and innovative views of progressive writers who were at the source of the contemporary literature of Eastern countries, including the African continent. The authors of the articles of collective work set as their task the study of the degree of mutual penetration of traditional views and literary and aesthetic concepts of European writers, which gave rise to new literary genres both in the East, and in Russia and Europe. Another task is to understand the internal mechanisms that led to the new status of the eastern region in the global space, the understanding of processes in public and literary thought in these countries and the mutual influence of European and non-European literatures and cultures.
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32

Davis, Bret W., ed. The Oxford Handbook of Japanese Philosophy. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199945726.001.0001.

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Japanese philosophy is now a flourishing field with thriving societies, journals, and conferences dedicated to it around the world, made possible by an ever-increasing library of translations, books, and articles. The Oxford Handbook of Japanese Philosophy is a foundation-laying reference work that covers, in detail and depth, the entire span of this philosophical tradition, from ancient times to the present. It introduces and examines the most important topics, figures, schools, and texts from the history of philosophical thinking in premodern and modern Japan. Each chapter, written by a leading scholar in the field, clearly elucidates and critically engages with its topic in a manner that demonstrates its contemporary philosophical relevance. The Handbook opens with an extensive introductory chapter that addresses the multifaceted question, “What Is Japanese Philosophy?” The first fourteen chapters cover the premodern history of Japanese philosophy, with sections dedicated to Shintō and the Synthetic Nature of Japanese Philosophical Thought, Philosophies of Japanese Buddhism, and Philosophies of Japanese Confucianism and Bushidō. Next, seventeen chapters are devoted to Modern Japanese Philosophies. After a chapter on the initial encounter with and appropriation of Western philosophy in the late nineteenth-century, this large section is divided into one subsection on the most well-known group of twentieth-century Japanese philosophers, The Kyoto School, and a second subsection on the no less significant array of Other Modern Japanese Philosophies. Rounding out the volume is a section on Pervasive Topics in Japanese Philosophical Thought, which covers areas such as philosophy of language, philosophy of nature, ethics, and aesthetics, spanning a range of schools and time periods. This volume will be an invaluable resource specifically to students and scholars of Japanese philosophy, as well as more generally to those interested in Asian and comparative philosophy and East Asian studies.
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33

Körner, Axel y Paulo M. Kühl, eds. Italian Opera in Global and Transnational Perspective. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108920636.

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This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianità) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.
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34

Cauchi, Mark, ed. Cinema and Secularism. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781501388835.

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Cinema and Secularism is the first collection to make the relationship between cinema and secularism thematic, utilizing a number of different methodological approaches to examine their identification and differentiation across film theory, film aesthetics, film history, and throughout global cinema. The emergence of moving images and the history of cinema historically coincide with the emergence of secularism as a concept and discourse. More than historically coinciding, however, cinema and secularism would seem to have—and many contemporary theorists and critics seem to assume—a more intrinsic, almost ontological connection to each other. While early film theorists and critics explicitly addressed questions about secularism, religion, and cinema, once the study of film was professionalized and secularized in the Western academy in both film studies and religious studies, explicit and critical attention to the relationship between cinema and secularism rapidly declined. Indeed, if one canvases film scholarship today, one will find barely any works dedicated to thinking critically about the relationship between cinema and secularism. Extending the recent “secular turn” in the humanities and social sciences, Cinema and Secularism provokes critical reflection on its titular concepts. Making contributions to theory, philosophy, criticism, and history, the chapters in this pioneering volume collectively interrogate the assumption that cinema is secular, how secularism is conceived and related to cinema differently in different film cultures, and whether the world is disenchanted or enchanted in cinema. Coming from intellectually diverse backgrounds in film studies, religious studies, and philosophy, the interdisciplinary contributors to this book cover films and traditions of thought from America, Europe, Africa, the Middle East, South Asia, and East Asia. In these ways, Cinema and Secularism opens new areas of inquiry in the study of film and contributes to the ongoing interrogation of secularism more broadly.
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35

Roche, David. Quentin Tarantino. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819161.001.0001.

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An in-depth study of all Tarantino’s feature films to date (from Reservoir Dogs to The Hateful Eight), Quentin Tarantino: A Poetics and Politics of Cinematic Metafiction argues that, far from wallowing in narcissism and solipsism, a charge directed not only at Tarantino but at metafiction in general, these self-conscious fictions do more than just reflexively foreground their status as artefacts; they offer metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical and political potential of creation as re-recreation and resignification. By combining cultural studies and neo-formalist approaches, this book seeks to highlight how intimately the films’ poetics and politics are intertwined. Each chapter explores a specific salient feature, some of which have drawn much academic attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality). Ultimately, Quentin Tarantino: Poetics and Politics of Cinematic Metafiction places Tarantino’s films firmly in the legacy of Hawks, Godard, Leone and the New Hollywood, and revises the image of cool purveyor of pop culture the American director cultivated at the beginning of his career by foregrounding the breadth and layeredness of the films’ engagement with cultural history, high and low, screen and print, American, East Asian and European. The films produced by the Tarantino team are formal invitations for viewers to similarly engage with, and reflect on, the material, and delight in doing so.
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36

Beehag, Gary, Jyri Kaapro y Andrew Manners. Pest Management of Turfgrass for Sport and Recreation. CSIRO Publishing, 2016. http://dx.doi.org/10.1071/9781486305759.

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Vital for a game of cricket or golf and enjoyable when picnicking in the park, turfgrass provides a wide range of aesthetic and recreational benefits. However, managed turfgrass is prone to damaging outbreaks of insects and mites. Pest Management of Turfgrass for Sport and Recreation is the first comprehensive work on the plant-eating insects and mites of the grass and non-grass species currently maintained as ornamental lawns and turfgrass playing surfaces throughout Australia, the South Pacific and South-East Asia. This book provides an industry reference for the identification of pests affecting the roots, stems and leaves of turfgrass and control of these species through integrated pest management. It contains information on the distribution, ecology and biology of pests and how to monitor them. The integrated pest management approach outlined in the book includes natural environmental controls, beneficial and predatory species of arthropods, resistant cultivars and insecticidal and miticidal pesticides. Pest Management of Turfgrass for Sport and Recreation is an essential manual for managers of sportsgrounds, bowling greens, lawn tennis courts, golf courses, racecourses, ornamental landscapes, amenity parklands, public reserves and turfgrass production farms.
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37

Hinchman, Mark. History Of Interior Architecture. 2a ed. Bloomsbury Publishing Inc, 2023. http://dx.doi.org/10.5040/9781501385575.

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In today’s globalized world, every aspect of our lives is affected by global interconnectedness from what we buy to what we eat to what we study – and the study of design history is no exception. Programs in art, architecture, and interior design are all facing the challenges of providing students with information from around the world. History of Interior Architecture: Furniture, Design, and Global Culture, Second Edition, (formerly titled History of Furniture: A Global View) covers the major historical movements in architecture, interior design, furniture, and the decorative arts from prehistoric periods through contemporary times, and it includes parts of the world that traditional history books ignore or underserve such as Africa, Asia, and Latin America. It presents, moreover, the achievements of Western designers, not in isolation from the rest of the globe, but in vibrant contact with it. For example, students will learn about the influence of Islamic design on Romanesque style and Thailand’s interpretation of Art Nouveau. In short, this comprehensive book with a global perspective focuses on the evolution of interior design from ancient history through deconstruction with lens on societal issues, like politics, economics, gender, technology, ethics, and sociology, in addition to history and aesthetics. FEATURES: - Highlights the contributions of women - Considers interior architecture in conjunction with other disciplines, including urban design, landscape design, graphic design, and fashion NEW TO THIS EDITION: - Focus on the 20th and 21st centuries, while streamlining earlier historical chapters, in accordance with the current curriculum - Discusses user-focused design, sustainability, and universal design - First edition to include online ancillary package with STUDIO features and Instructor Resources STUDIO Features Includes: -Self-assessment quizzes to test yourself on what you have just read - Visual and Vocabulary Flashcards of key terms and concepts covered in the book Instructor Resources - Instructor’s Guide to help incorporate the text into your classroom - PowerPoint Slides for every chapter
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38

Mitter, Partha. The Triumph of Modernism: India's Artists and the Avant-garde, 1922-47. Reaktion Books, 2007.

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