Literatura académica sobre el tema "Dvořák"
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Artículos de revistas sobre el tema "Dvořák"
Murár, Tomáš. "“A work of art is an object that necessitates contemplation”. Latency of visual studies within the Vienna School of Art History?" Ikonotheka, n.º 30 (28 de mayo de 2021): 9–29. http://dx.doi.org/10.31338/2657-6015ik.30.1.
Texto completoBranda, Eva. "Speaking German, Hearing Czech, Claiming Dvořák". Journal of the Royal Musical Association 142, n.º 1 (2017): 109–36. http://dx.doi.org/10.1080/02690403.2017.1286129.
Texto completoKopecký, Jiří. "Karl Goldmark and Czech national opera: The final operas of Antonín Dvořák and Zdeněk Fibich". Studia Musicologica 57, n.º 3-4 (septiembre de 2016): 349–59. http://dx.doi.org/10.1556/6.2016.57.3-4.4.
Texto completoVejvodová, Veronika. "Antonín Dvořák in the Notes of the Traveller Josef Kořenský and Czech Society in America in 1893". Musicalia 11, n.º 1-2 (2020): 114–49. http://dx.doi.org/10.37520/muscz.2019.004.
Texto completoPines, Roger. "Rusalka. Antonín Dvořák". Opera Quarterly 7, n.º 3 (1990): 148–50. http://dx.doi.org/10.1093/oq/7.3.148.
Texto completoNotley, Margaret. "Brahms, Dvořák, Suk". Nineteenth-Century Music Review 4, n.º 1 (junio de 2007): 146–48. http://dx.doi.org/10.1017/s1479409800000161.
Texto completoVejvodová, Veronika. "Rané písně Antonína Dvořáka: literární předlohy, rukopisné fragmenty, nakladatelé". Muzeum Muzejní a vlastivedná práce 60, n.º 2 (2022): 30–38. http://dx.doi.org/10.37520/mmvp.2022.015.
Texto completoCigoj Krstulovič, Nataša. "Nacionalni in transnacionalni vidiki glasbe: študija primera zgodnje recepcije Dvořákovih del na Slovenskem". Musicological Annual 51, n.º 1 (1 de junio de 2015): 97–114. http://dx.doi.org/10.4312/mz.51.1.97-114.
Texto completoCampo-Bowen, Christopher. "Bohemian Rhapsodist: Antonín Dvořák's Píseň bohatýrská and the Historiography of Czech Music". 19th-Century Music 40, n.º 2 (2016): 159–81. http://dx.doi.org/10.1525/ncm.2016.40.2.159.
Texto completoGabrijelova, Jarmila. "Antonín Dvořák and Richard Wagner". Muzikologija, n.º 6 (2006): 305–16. http://dx.doi.org/10.2298/muz0606305g.
Texto completoTesis sobre el tema "Dvořák"
Žárová, Hana. "Antonín Dvořák - Rusalka". Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2009. http://www.nusl.cz/ntk/nusl-79116.
Texto completoBallinger, Rebecca. "Sacred songs of Dvořák, Menotti, Ravel and Wolf". Kansas State University, 2012. http://hdl.handle.net/2097/13747.
Texto completoDepartment of Music
Amy Rosine
This report examines the sacred works of four composers that were intended for performance in a secular environment, rather than for any portion of a liturgical service. It will discuss the theoretical, stylistic and performance considerations of each work, as well as biographical information about each composer, their compositional style, and how the work was initially developed. These works include the Biblické písně, Op. 99 of Antonín Dvořák, selections from the Möricke Lieder and Spanisches Liederbuch of Hugo Wolf, Maurice Ravel’s Deux mélodies hébraïque, “Oh, Sweet Jesus” from Gian Carlo Menotti’s’ the Saint of Bleecker Street and the quartet from his Amahl and the Night Visitors.
Döge, Klaus. ""... über den wird noch viel geredet werden"". Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-219111.
Texto completoRockwood, Mark. "Form, Style, and Influence in the Chamber Music of Antonin Dvořák". Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22726.
Texto completoHrbáčková, Noema. "Antonín Dvořák s jeho písňová tvorba se zaměřením na písně milostné". Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2006. http://www.nusl.cz/ntk/nusl-78568.
Texto completoSup, Tomáš. "A.Dvořák"Rusalka" práce na hlavní roli". Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202909.
Texto completoDöge, Klaus. ""... über den wird noch viel geredet werden": ein Einblick in die neuere Dvořák-Literatur". Musikgeschichte in Mittel- und Osteuropa ; 1 (1997), S. 217-230, 1997. https://ul.qucosa.de/id/qucosa%3A15327.
Texto completoJamník, Tomáš. "Violoncellové koncerty Antonína Dvořáka". Doctoral thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-253655.
Texto completoGrešlová, Alena. "Klavírní koncert Antonína Dvořáka". Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-363547.
Texto completoBogner, Ryan. "A study of the factors that influence compositions of common texts with an emphasis regarding the text of Te Deum settings by Antonín Leopold Dvořák and Franz Joseph Haydn". Thesis, Kansas State University, 2011. http://hdl.handle.net/2097/9096.
Texto completoDepartment of Music
Joshua Oppenheim
Julie Yu Oppenheim
The Te Deum chant began in the Roman Catholic Church in prayer, and like many other psalms used in the Mass, it has evolved into a concert piece with settings composed for coronations, military victories, and other festive occasions. This author has identified two significant settings of this text by Joseph Franz Haydn and Antonín Leopold Dvořák for this discussion to study how common factors (primarily a common text) influence their compositions. Chapter I provides the purpose of the study, a brief description of related research, description of the appendices, and analytical criteria for examining the Te Deum settings. Chapter II presents a study of the ancient Te Deum psalm and its text. Topics for discussion include a brief overview of the history of chant. In regards to the Te Deum, further studies are included on its history, uses within prayer, the text, melody, and other uses of the Te Deum. Chapter III contains an in-depth analysis of the Haydn Te Deum (HXXIIIc:2) and the Dvořák Te Deum (Op. 103, B176, [Op. 93, Op. 98]). Analytical criteria for examining these settings consist of: a brief biographical sketch along with each composers compositional characteristics and reasons for commissioning this piece; discussions on general characteristics, structural and formal design, themes, melodic/harmonic characteristics, rhythmic/metrical/tempo characteristics, articulations, dynamics, texture, performance, pedagogical, and conducting considerations. Chapter IV summarizes general trends in the usage of the text of Te Deum. Information for this final chapter is derived from the in-depth analysis, the ancient history of the Te Deum, and other settings of the Te Deum text examined in sources similar to this document. The findings contain summaries of the musical elements listed above as well as general and specific commonalities of textual influence between the selected Te Deum settings. Appendix A provides the complete text of the Te Deum psalm with English translations and melody. Appendix B provides a score analysis of Te Deum (HXXIIIc:2). Appendix C provides a score analysis of Te Deum (Op. 103, B176, [Op. 93, Op. 98]).
Libros sobre el tema "Dvořák"
Dvořák. London: Haus Pub., 2004.
Buscar texto completoJelen, Josef. Antonín Dvořák. Praha: Nakladatelství L, 1991.
Buscar texto completoInternational Musical Festival (26th 1991 Brno, Czech Republic). Mozart, Dvořák a dnešek =: Mozart, Dvořák, and today. Brno: Mezinárodní hudební festival, 1991.
Buscar texto completoDvořák, Otakar. Můj otec Antonín Dvořák. Příbram: Knihovna Jana Drdy, 2004.
Buscar texto completoWalter, Wiese. Tschechische Kammermusik: Smetana, Dvořák, Janáček. Winterthur: Amadeus, 2004.
Buscar texto completoPhilippe, Simon. Antonín Dvořák, ou L'effusion lyrique. Genève: Editions Papillon, 2004.
Buscar texto completoStrejc, Zdeněk. Antonín Dvořák and his operas. Prague: Dilia, 1991.
Buscar texto completoDöge, Klaus. Antonín Dvořák: Leben, Werke, Dokumente. 2a ed. Zürich: Atlantis Musikbuch-Verlag, 1997.
Buscar texto completoBurghauser, Jarmil. Antonín Dvořák: Life and work. Praha: KLP, 2007.
Buscar texto completoThirion, Annie. Antonín Dvořák: Sa vie, son oeuvre. Zaventem, Belgium: Graffikka, 2003.
Buscar texto completoCapítulos de libros sobre el tema "Dvořák"
Döge, Klaus. "Antonín Dvořák". En Kammermusikführer, 166–83. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03514-1_32.
Texto completoDöge, Klaus. "Dvořák, Antonín". En Komponisten Lexikon, 174–77. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_87.
Texto completoDöge, Klaus. "Dvořák, Antonín". En Komponisten, 87–90. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02947-8_17.
Texto completoPaclt, Jaromír. "Dvořák, Antonín (Leopold)". En Metzler Komponisten Lexikon, 228–31. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_91.
Texto completoSmaczny, Jan. "Dvořák: The Operas". En Dvorak and His World, editado por Michael Beckerman, 104–33. Princeton: Princeton University Press, 2012. http://dx.doi.org/10.1515/9781400831692.104.
Texto completoKrigar, Hermann. "Antonín Dvořák: A Biographical Sketch". En Dvorak and His World, editado por Michael Beckerman, 211–29. Princeton: Princeton University Press, 2012. http://dx.doi.org/10.1515/9781400831692.211.
Texto completoBeveridge, David. "Dvořák and Brahms: A Chronicle, an Interpretation". En Dvorak and His World, editado por Michael Beckerman, 56–91. Princeton: Princeton University Press, 2012. http://dx.doi.org/10.1515/9781400831692.56.
Texto completoHorowitz, Joseph. "Dvořák and the New World: A Concentrated Moment". En Dvorak and His World, editado por Michael Beckerman, 92–103. Princeton: Princeton University Press, 2012. http://dx.doi.org/10.1515/9781400831692.92.
Texto completoAurenhammer, Hans. "MAX DVOŘÁK. DENKMALPFLEGE ALS PRAKTISCHE REALISIERUNG DER KUNSTGESCHICHTE IN DER MODERNE". En Max Dvorak, 14–16. Wien: Böhlau Verlag, 2012. http://dx.doi.org/10.7767/boehlau.9783205792314.14.
Texto completoBeckerman, Michael. "The Master's Little Joke: Antonín Dvořák and the Mask of Nation". En Dvorak and His World, editado por Michael Beckerman, 134–54. Princeton: Princeton University Press, 2012. http://dx.doi.org/10.1515/9781400831692.134.
Texto completoActas de conferencias sobre el tema "Dvořák"
Srinivas, Mullahalli V. y George J. Dvorak. "Energy Released by Interfacial Decohesion in a Two-Phase Composite System". En ASME 1998 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/imece1998-0356.
Texto completoRice, Alyssa, Gabrielle Longo, Faith Shank y Clayton Neighbors. "Just Say No: The Relationship between Conformity Motives, Refusal Self-Efficacy, and Cannabis-Related Consequences". En 2021 Virtual Scientific Meeting of the Research Society on Marijuana. Research Society on Marijuana, 2022. http://dx.doi.org/10.26828/cannabis.2022.01.000.03.
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